1. I find complete phonetic correspondence between Shakespeare and Plutarch like the following.
William Shakespeare (baptized 26 April 1564; died 23 April 1616)[
born Plutarchos (Greek: Πλούταρχος) then, on his becoming a Roman citizen, Lucius Mestrius Plutarchus (Μέστριος Πλούταρχος), c. 46 – 120 AD,
Shakespeare (Pl/P/Ch + utarch/C2/Ch)/abT Plutarch
William (Lucius/C1/Ch + Mestrius/T/Ch) "Lucius Mestrius"
* Plutarch /C2 >> Plutarchos /GC/S/Ch/abT >> Plutarchus /LATIN
baptized (b/C1/Ch + orn/T/Ch) born
* baptized >> baptised /GC/S/Ch/abT
1564 (forty/C1/Ch + six/T/Ch) 46
1616 ("one hundred"/C1/Ch + twenty/T/Ch) 120
April (forty/P/Ch + six/C1/Ch)/abT 46
26th (f/C1/Ch + "orty-six"/T/Ch) 46
April ("one hundred"/P/Ch + twenty/C1/Ch)/abT 120
23rd ([ŋ= w=]C1/Ch + "one hundred twenty"/T/Ch) 120
Shakespeare ---------------------------------------------------------------------------------- Plutarch
Main article: Shakespearean comedy
All's Well That Ends Well‡ (Th/P/Ch + eseus/C2/Ch)/abT Theseus
As You Like It (R/P/Ch + omulus/C2/Ch)/abT Romulus
The Comedy of Errors (Lyc/P/Ch + urgus/C2/Ch)/abT Lycurgus
Love's Labour's Lost (N/P/Ch + "uma-Pompilius"/C2/Ch)/abT "Numa Pompilius"
Measure for Measure‡ (S/P/Ch + olon/C2/Ch)/abT Solon
The Merchant of Venice (P/P/Ch + oplicola/C2/Ch)/abT Poplicola
The Merry Wives of Windsor (Th/P/Ch + emistocles/C2/Ch)/abT Themistocles
A Midsummer Night's Dream (C/P/Ch + amillus/C2/Ch)/abT Camillus
Much Ado About Nothing (P/P/Ch + ericles/C2/Ch)/abT Pericles
Pericles, Prince of Tyre*† (P/T/Ch + ericles/C2/Ch) Pericles
The Taming of the Shrew (F/P/Ch + abius/C2/Ch)/abT Fabius
The Tempest* ([ŋ= y=]/P/Ch + Alcibiades/C2/Ch)/abT Alcibiades
Twelfth Night (C/P/Ch + oriolanus/C2/Ch)/abT Coriolanus
The Two Gentlemen of Verona (Tim/P/Ch + oleon/C2/Ch)/abT Timoleon
The Two Noble Kinsmen*† ([ŋ= y=]/P/Ch + "Aemilius Paulus"/C2/Ch)/abT "Aemilius Paulus"
The Winter's Tale* (P/P/Ch + elopidas/C2/Ch)/abT Pelopidas
Main article: Shakespearean history
King John (M/P/Ch + arcellus/C2/Ch)/abT Marcellus
Richard II (the second) ([ŋ= y=]/P/Ch + Aristides/C2/Ch)/abT Aristides
Henry IV, (part 1) (M/P/Ch + "arcus Cato"/C2/Ch)/abT "Marcus Cato"
Henry IV, (part 2) (Ph/P/Ch + ilopoemen/C2/Ch)/abT Philopoemen
Henry V (Fl/P/Ch + amininus/C2/Ch)/abT Flamininus
Henry VI, part 1† (Pyrrh/P/Ch + us/C2/Ch)/abT Pyrrhus
Henry VI, part 2 (C/P/Ch + "aius Marius"/C2/Ch)/abT "Caius Marius"
Henry VI, part 3 (Lys/P/Ch + ander/C2/Ch)/abT Lysander
Richard III (Syll/P/Ch + a/C2/Ch)/abT Sylla
Henry VIII† (C/P/Ch + imon/C2/Ch)/abT Cimon
Main article: Shakespearean tragedy
Romeo and Juliet (Luc/P/Ch + ullus/C2/Ch)/abT Lucullus
Coriolanus (Nic/P/Ch + ias/C2/Ch)/abT Nicias
Titus Andronicus† (Cr/P/Ch + assus/C2/Ch)/abT Crassus
Timon of Athens† (S/P/Ch + ertorius/C2/Ch)/abT Sertorius
Julius Caesar (E/P/Ch + umenes/C2/Ch)/abT Eumenes
Macbeth† ([ŋ= w=]/P/Ch + Agesilaus/C2/Ch)/abT Agesilaus
Hamlet (P/P/Ch + ompey/C2/Ch)/abT Pompey
Troilus and Cressida‡ ([ŋ= w=]/P/Ch + Alexander/C2/Ch)/abT Alexander
King Lear (C/P/Ch + aesar/C2/Ch)/abT Caesar
Othello (Ph/P/Ch + ocion/C2/Ch)/abT Phocion
Antony and Cleopatra (C/P/Ch + "ato-Junior"/C2/Ch)/abT "Cato Junior (the Younger)"
Cymbeline* ([ŋ= w=]/P/Ch + Agis/C2/Ch)/abT Agis
Venus and Adonis (Cl/P/Ch + eomenes/C2/Ch)/abT Cleomenes
The Rape of Lucrece (Tib/P/Ch + "erius-Gracchus"/C2/Ch)/abT "Tiberius Gracchus"
The Passionate Pilgrim (C/P/Ch + "aius-Gracchus"/C2/Ch)/abT "Caius Gracchus"
The Phoenix and the Turtle (D/P/Ch + emosthenes/C2/Ch)/abT Demosthenes
A Lover's Complaint (Cic/P/Ch + ero/C2/Ch)/abT Cicero
Love's Labour's Won (Dem/P/Ch + etrius/C2/Ch)/abT Demetrius
Cardenio† ([ŋ= y=]/P/Ch + Antony/C2/Ch)/abT Antony
Main article: Shakespeare Apocrypha
Arden of Faversham (D/P/Ch + ion/C2/Ch)/abT Dion
The Birth of Merlin (M/P/Ch + "arcus-Brutus"/C2/Ch)/abT "Marcus Brutus"
Locrine ([ŋ= w=]/P/Ch + Aratus/C2/Ch)/abT Aratus
The London Prodigal ([ŋ= w=]/P/Ch + Artaxerxes/C2/Ch)/abT Artaxerxes
The Puritan (G/P/Ch + alba/C2/Ch)/abT Galba
The Second Maiden's Tragedy ([ŋ= w=]/P/Ch + Otho/C2/Ch)/abT Otho
Sir John Oldcastle ([ŋ= w=]/P + Otho/C2)/abT Otho
Thomas Lord Cromwell ([ŋ= w=]/P/Ch + Otho/S/Ch) Otho
A Yorkshire Tragedy ([ŋ= w=]/P + Otho/S) Otho
Edward III ([ŋ= w=]/C2/Ch + Otho/T/Ch) Otho
Sir Thomas More ([ŋ= w=]/C2 + Otho/T) Otho
** The below shows that even (not Greek but) English translation/version of "Theseus" phonetically corresponds to "All's Well That Ends Well", perfectly in all texts.
E.G.: Rousillon (Sosius)
Rousillon (S/P + osius/C2)/abT Sosius
That is, when speaking "Sosius", (while making articulation ball of /abT) if articulating "S" from English /P/Ch posture and "osius" from English /C2/Ch posture, then, "Rousillon" is metaphthong/MPh pronounced.
And, when speaking "As geographers", (while making articulation ball of /abT) if articulating [ŋ= y=] from English /P/Ch posture and "As geographers" from English /C2/Ch posture, then, "SCENE I/ONE " is metaphthong/MPh pronounced.
As geographers, Sosius, crowd into the edges of their maps parts of the world which they do not know about, adding notes in the margin to the effect, that beyond this lies nothing but sandy deserts full of wild beasts, unapproachable bogs, Scythian ice, or a frozen sea, so, in this work of mine, in which I have compared the lives of the greatest men with one another, after passing through those periods which probable reasoning can reach to and real history find a footing in, I might very well say of those that are farther off, Beyond this there is nothing but prodigies and fictions, the only inhabitants are the poets and inventors of fables; there is no credit, or certainty any farther. Yet, after publishing an account of Lycurgus the lawgiver and Numa the king, I thought I might, not without reason, ascend as high as to Romulus, being brought by my history so near to his time.
Whom shall I set so great a man to face?
Or whom oppose? who’s equal to the place?
(as Aeschylus expresses it), I found none so fit as him that peopled the beautiful and far-famed city of Athens, ~
All's Well That Ends Well
SCENE I (As geographers). Rousillon (Sosius). The COUNT's palace (crowd into the edges).
Enter BERTRAM (of their maps), the COUNTESS of Rousillon (parts of the world), HELENA (which), and LAFEU (they), all in black (do not know about)
COUNTESS (adding notes in the margin)
In delivering my son (to the effect) from me (that beyond this lies), I bury (nothing but sandy deserts) a second husband (full of wild beasts).
BERTRAM (unapproachable bogs)
And I (Scythian ice) in going (or a frozen sea), madam (so, in this work), weep o'er my father's death (of mine, in which)
anew (I have compared): but I must attend (the lives of the greatest men) his majesty's command (with one another), to (after passing through those periods)
whom (which probable reasoning) I am now (can reach to) in ward (and real history), evermore (find a footing in) in subjection (I might very well say).
LAFEU (of those that are farther off)
You shall find (Beyond this there is nothing) of the king (but prodigies) a husband (but prodigies and fictions), madam; you (the only inhabitants),
sir (are the poets), a father (and inventors of fables): he that so generally (there is no credit) is at all times (or certainty any farther)
good must of necessity (Yet, after publishing an account) hold his virtue (of Lycurgus the lawgiver) to you (and Numa the king); whose (I thought I might)
worthiness would stir (not without reason) it up where (ascend as high as) it wanted (to Romulus) rather (being brought by my history)
than (so near to his time) lack it where there is (Whom shall I set so great a man to face?) such abundance (Or whom oppose?).
COUNTESS (who’s equal to the place?)
What hope is there (as Aeschylus expresses it) of his majesty's amendment? (I found none so fit)
He (as him) hath (that peopled) abandoned (the beautiful and far-famed city of Athens) ~
2. Sir Thomas More & Marcus Salvius Otho
"Sir Thomas More" ([ŋ= w=]/C2 + Otho/T) Otho
Sir Thomas More (pronounced /ˈmɔr/; February 7, 1478 – July 6, 1535), also Saint Thomas More, was an English lawyer,
saint (s/P/Ch + ir/C1/Ch)/abT sir
"English lawyer" (Marcus/C2 + Salvius/T) "Marcus Salvius"
Marcus Salvius Otho (28 April 32 – 16 April 69), also called Marcus Salvius Otho Caesar Augustus, was Roman Emperor for three months, from 15 January to 16 April 69. He was the second emperor of the Year of the four emperors.
"February 7th" (April/C2 + "twenty-eighth"/T) "April 28th"
1478 (th/C2 + "irty-two"/T) 32
"July 6th" (April/C2 + "sixteenth"/T) "April 16th"
1535 (sixty/C2 + nine/T) 69
Utopia << THE BEST STATE OF A COMMONWEALTH
utopia ("the best state"/P/Ch + "of a commonwealth"/C1/Ch)/abT "the best state of a commonwealth "
Otho (Lives of the Noble Grecians and Romans by Plutarch)
The new emperor went early in the morning to the capitol, and sacrificed; and, having commanded Marius Celsus to be brought, he saluted him, and with obliging language desired him rather to forget his accusation than remember his acquittal; to which Celsus answered neither meanly nor ungratefully, that his very crime ought to recommend his integrity, since his guilt had been his fidelity to Galba, from whom he had never received any personal obligations. Upon which they were both of them admired by those that were present, and applauded by the soldiers.
In the senate, Otho said much in a gentle and popular strain. He was to have been consul for part of that year himself, but he gave the office to Virginius Rufus, and displaced none that had been named for the consulship by either Nero or Galba. Those that were remarkable for their age and dignity he promoted to the priest-hoods; and restored the remains of their fortunes, that had not yet been sold, to all those senators that were banished by Nero and recalled by Galba. So that the nobility and chief of the people, who were at first apprehensive that no human creature, but some supernatural penal, or vindictive power had seized the empire, began now to flatter themselves with hopes of a government that smiled upon them thus early. ~
DISCOURSES OF RAPHAEL HYTHLODAY (The new emperor), OF THE BEST STATE (went early in the morning) OF A COMMONWEALTH (to the capitol)
Henry VIII. (and sacrificed), the unconquered King (and) of England (having commanded), a prince (Marius Celsus) adorned with all the virtues (to be brought) that become a great monarch (he saluted him), having some differences (and with obliging language) of no small consequence (desired him) with Charles (rather to forget) the most serene (his accusation) Prince of Castile (than remember his acquittal), sent me into Flanders (to which Celsus answered), as his ambassador (neither meanly), for treating and composing (nor ungratefully) matters between them (that his very crime). I was colleague (ought to recommend his integrity) and companion to that (since his guilt had been) incomparable man (his fidelity to Galba) Cuthbert Tonstal (from whom he had never received), whom the King (any personal obligations), with such universal applause (Upon which they were), lately made (both of them admired) Master of the Rolls (by those that were present); but of whom (and applauded by the soldiers) I will say nothing (In the senate); not because I fear (Otho said much) that the testimony (in a gentle) of a friend (and popular strain) will be suspected (He was to have been), but rather because his learning (consul for part of that year himself) and virtues are too great (but he gave the office) for me to do them justice (to Virginius Rufus), and so well known (and displaced none), that they need not my commendations (that had been named), unless I would (for the consulship), according to the proverb (by either Nero or Galba), “Show the sun with a lantern (Those that were remarkable).” Those that were appointed (for their age and dignity) by the Prince (he promoted to the priest-hoods) to treat with us (and restored the remains), met us (of their fortunes) at Bruges (that had not yet been sold), according to agreement (to all those senators); they were all worthy men (that were banished by Nero). The Margrave of Bruges (and recalled by Galba) was their head (So that the nobility), and the chief man (and chief of the people) among them (who were at first apprehensive); but he that was (that no human creature) esteemed the wisest (that no human creature), and that spoke for the rest (but some supernatural penal), was George Temse (or vindictive power), the Provost of Casselsee (began now to flatter themselves): both art (with hopes of a government) and nature (that smiled upon them) had concurred to make him eloquent (thus early):
he was very learned in the law; and, as he had a great capacity, so, by a long practice in affairs, he was very dexterous at unravelling them. After we had several times met, without coming to an agreement, they went to Brussels for some days, to know the Prince’s pleasure; and, since our business would admit it, I went to Antwerp. ~
3. G6 (six)
G6 (six) (g=/P/Ch + w=d/C2/Ch)/abT good [g= w=d]
Music Blogs > Hip-Hop Media Training > Far East Movement Explains Meaning Behind 'Like A G6'
Far East Movement Explains Meaning Behind 'Like A G6'
Posted Tue Nov 9, 2010 2:55pm PST by Billy Johnson, Jr. in Hip-Hop Media Training
The Gulfstream G650 8-passenger jet, also known as a G6 in rap circles, has trumped the luxury vehicle to become hip hop's new ultimate status symbol. The private plane is the reference of the Far East Movement's No. 1 hit "Like A G6." G6 is used as a metaphor for feeling fly, urban slang for exceptionally good.
[Photos: More status symbol supercars]
Over the last few days, we've seen a large increase in Yahoo! Search queries asking "What does G6 mean?"
"A G6 is not a Gatorade flavor. It's not a car, convertible, four-door. It's not a watch," group member Kev Nish told MTV News. "But Drake, Drake talks about having G4 pilots on deck, so we said, 'What's flyer than a G4?' Of course, it would be a G6."
Nish also explained to the Associated Press: "It means we wanted y'all to experience a night with us. We hit the clubs, three clubs in one night. We feel fly. It's just about 'feeling fly,' feeling yourself. Living that night like it's your last."
"Like A G6" entered the charts three months ago, a favorite for its knocking kickdrums, electronic tones, and sing-along chorus.
"We made that song in two hours with the Cataracs [production team]," said Nish's bandmate, James "Prohgress" Roh. "Great chemistry."
"We literally just went back of the pool house with the Cataracs and partied, partied, partied, and out came 'G6,'" Kev added.
[Revealed: The mystery women behind song lyrics]
The group posted the song on its MySpace page and was surprised by how quickly its popularity grew. "This one had one million hits on YouTube before it even had any play on the radio," Kev said.
The G6 is Gulfstream's the top-of-the-line private jet. According to the Gulfstream website, "The flagship of the Gulfstream fleet flies faster and farther than any traditional business aircraft and envelops its privileged passengers in a level of comfort far greater than any other aircraft in its class."
The Los Angeles-based Far East Movement released its debut, Free Wired, on October 12, after years of scoring several independent dance hits, including "Girls On The Dance Floor."
The group's music has been featured on "America's Best Dance Crew," "So You Think You Can Dance," "CSI: Miami," and "The Fast And The Furious: Tokyo Drift."
–verb (used without object)
45. to exercise or employ oneself in diversion, amusement, or recreation.
play ([ŋ= y=]/C2/Ch + "exercise or employ oneself in diversion, amusement, or recreation"/T/Ch) "exercise or employ oneself in diversion, amusement, or recreation"
play ([ŋ= y=]/C2/Ch + "exercise or employ I/you/he/she/it/we/you/they in diversion, amusement, or recreation"/T/Ch) "exercise or employ I/you/he/she/it/we/you/they in diversion, amusement, or recreation"
oneself ([ŋ= w=]/P/Ch + I/C2/Ch)/abT I
oneself ([ŋ= y=]/P/Ch + u/C2/Ch)/abT you/yu
oneself (h/P/Ch + e/C2/Ch)/abT he
oneself (sh/P/Ch + e/C2/Ch)/abT she
oneself (ŋ=/P/Ch + y=/C2/Ch)/abT we [ŋ= y=]
oneself (th/P/Ch + ey/C2/Ch)/abT they
oneself (ŋ=/P/Ch + y=t/C2/Ch)/abT it
myself (m/T/Ch + e/C1/Ch) me
yourself ([ŋ= y=]/T/Ch + u/C1/Ch) you
himself (h/T/Ch + im/C1/Ch) him
herself (h/T/Ch + er/C1/Ch) her
itself (ŋ=/T/Ch + y=t/C1/Ch) it
ourselves ([ŋ= w=]/T/Ch + our/C2/Ch) our
yourselves ([ŋ= y=]/T/Ch + our/C2/Ch) your
themselves (th/T/Ch + em/C2/Ch) them
Usage Note: The -self pronouns, such as myself, yourselves, and herself, are sometimes used as emphatic substitutes for personal pronouns, as in Like yourself, I have no apologies to make. The practice is particularly common in compound phrases: Ms. Evans or yourself will have to pick them up at the airport. Although these usages have been common in the writing of reputable authors for several centuries, they may sound overwrought. A large majority of the Usage Panel disapproves of the use of -self pronouns when they do not refer to the subject of the sentence. Seventy-three percent reject the sentence He was an enthusiastic fisherman like myself. Sixty-seven percent object to The letters were written entirely by myself. The Panel is even less tolerant of compound usages.
"like myself" (like/C2/Ch + me/T/Ch) "like me"
"like yourself" (like/C2/Ch + you/T/Ch) "like you"
"by myself" (by/C2/Ch + me/T/Ch) "by me"
"or yourself" (or/C2/Ch + you/T/Ch) "or you"
Re/Corrections: Article of "basic(ity)/organic(ity)/basically/sick(ly)/ID/good(ness)/why/where/entertainment/awful(ly), loads (of), -" <<Column 15. ID>>
ID ([ŋ= w=]/T/Ch + identification/C1/Ch) identification