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(Comparative) study (in structure/mode/ways of pronunciation, articulation, phonetics, or whatever; that is, in differences of speaking mouth postures and resultant speaking weight/force center points) between English/foreign languages and mother tongue, for better (more practical/effective/smooth) hearing/speaking of English/foreign languages.       Copyright.   Young-Won Kim,   yw@voicespec.com
open : home | brd2 | Kor | book | FUN member : main II | Kor II


::: Comparative phonetics, main :::


596 12 View counter   Join Member Login Admin
Name   Young-Won Kim
Subject   Cusa/Nunes/Vesalius/Borelli, 'de Vere', Stanley,  Vinci/Michelangelo/Raphael, 'Luca Pacioli',   Vasari/Alberti
Cusa/Nunes/Vesalius/Borelli, 'de Vere', Stanley, Vinci/Michelangelo, 'Tommaso Campanella', Raphael,
'Luca Pacioli', Vasari, 'Pietro Bembo', etc.   Leone Battista Alberti

'Andrea del Sarto', Pontormo/Tintoretto/Veronese/Correggio, 'Luca Pacioli', Vasari, 'Ludovico Sforza', 'Andrea del Verrocchio', 'Nicholas Poussin', 'Francesco Melzi', 'Baldassare Castiglione', 'Henry Fuseli', etc.



Nicholas of Cusa
http://encyclopedia.thefreedictionary.com/Nicholas+of+Cusa ,  

Calvin                            (Th/T + emistocles/C2)                              Themistocles
Luther                           (Th/T + emistocles/C2)/Ch                           Themistocles
Marlowe                                (Th/T + emistocles/P)                          Themistocles
Chapman                            (Th/T + emistocles/P)/Ch                         Themistocles
Shelley                            (Th/T + emistocles/S)                              Themistocles
Byron                            (Th/T + emistocles/S)/Ch                            Themistocles
Castelli                          (Th/T + emistocles/GC/S/abT)                        Themistocles
Orta                           (Th/T + emistocles/GC/S/abT)/Ch                      Themistocles
Wycliffe                         (Th/P + emistocles/GC/S/abT)                        Themistocles
Huss                          (Th/P + emistocles/GC/S/abT)/Ch                      Themistocles
"Mary Sidney"                          (Th/P + emistocles/S)                          Themistocles
Baïf                                  (Th/P + emistocles/S)/Ch                        Themistocles
Montaigne                             (Th/P + emistocles/C2)                         Themistocles
Guicciardini                          (Th/P + emistocles/C2)/Ch                       Themistocles
"Pico della Mirandola"                        (Th/P + emistocles/T)                    Themistocles
Frisius                                 (Th/P + emistocles/T)/Ch                       Themistocles
Milton                          (Th/GC/S/abT + emistocles/S)                         Themistocles
Chaucer                        (Th/GC/S/abT + emistocles/S)/Ch                      Themistocles
Boiardo                         (Th/GC/S/abT + emistocles/T)                         Themistocles
Cardano                        (Th/GC/S/abT + emistocles/T)/Ch                      Themistocles
Cusa                            (Th/GC/S/abT + emistocles/P)                         Themistocles

*         Cusa  >>  "Nicholas of Cusa" /P  >>  "Nicholas of Kues" /P/Ch  >>  "Nicolaus Cusanus" /S  >>  Nicholas /C2

>>                  1401 – August 11, 1464

"1401"                                     (C/T + usa/C2)                                     Cusa

"1464"                                   (C/T + usa/S)/+bp                                   Cusa
August                                   (C/T + usa/S)/+cp                                   Cusa
"11th"                                    (C/T + usa/S)/Ch                                    Cusa

>>        second of four children of Johan Krebs (or Cryfftz) and Katherina Roemer

"Johan Krebs"                   (C/T + "-usa's father"/GC/S/abT)                    "Cusa's father"
"Johan Cryfftz"                 (C/T + "-usa's father"/GC/S/abT)/Ch                 "Cusa's father"

"Katherina Roemer"                 (C/T + "-usa's mother"/GC/S/abT)                "Cusa's mother"

>>      Most of his mathematical ideas can be found in his essays, De Docta Ignorantia (Of Learned Ignorance), De Visione Dei (On the Vision of God) and On Conjectures. He also wrote on squaring the circle in his mathematical treatises.

"Of Learned Ignorance"                   (C/C1 + "-usa's workr"/P)                   "Cusa's work"
"On Vision of God"                      (C/C1 + "-usa's workr"/T)                     "Cusa's work"
"On Conjectures"                      (C/C1 + "-usa's workr"/S)                      "Cusa's work"
"on squaring circle"                   (C/C1 + "-usa's workr"/GC/S/abT)                   "Cusa's work"

>>      in 1453, Nicholas wrote De pace fidei, On the Peace of Faith.

"On Peace of Faith"                 (C/GC/S/abT + "-usa's workr"/C1)                "Cusa's work"

*                  "On Peace of Faith"  >>  ("1453" /C2)/GC/S/abT

>>      Cribratio Alchorani, Sifting the Koran,

"Sifting Koran"                        (C/P + "-usa's workr"/C1)                       "Cusa's work"

>>      De pace fidei mentions the possibility that the Jews might not embrace the larger union of una religio in varietate rituum,

"De pace fidei"                       (C/S + "-usa's workr"/C1)                       "Cusa's work"



Pedro Nunes
http://encyclopedia.thefreedictionary.com/Pedro+Nunes ,  

Calvin                            (Th/T + emistocles/C2)                              Themistocles
Luther                           (Th/T + emistocles/C2)/Ch                           Themistocles
Marlowe                                (Th/T + emistocles/P)                          Themistocles
Chapman                            (Th/T + emistocles/P)/Ch                         Themistocles
Shelley                            (Th/T + emistocles/S)                              Themistocles
Byron                            (Th/T + emistocles/S)/Ch                            Themistocles
Castelli                          (Th/T + emistocles/GC/S/abT)                        Themistocles
Orta                           (Th/T + emistocles/GC/S/abT)/Ch                      Themistocles
Wycliffe                         (Th/P + emistocles/GC/S/abT)                        Themistocles
Huss                          (Th/P + emistocles/GC/S/abT)/Ch                      Themistocles
"Mary Sidney"                          (Th/P + emistocles/S)                          Themistocles
Baïf                                  (Th/P + emistocles/S)/Ch                        Themistocles
Montaigne                             (Th/P + emistocles/C2)                         Themistocles
Guicciardini                          (Th/P + emistocles/C2)/Ch                       Themistocles
"Pico della Mirandola"                        (Th/P + emistocles/T)                    Themistocles
Frisius                                 (Th/P + emistocles/T)/Ch                       Themistocles
Milton                          (Th/GC/S/abT + emistocles/S)                         Themistocles
Chaucer                        (Th/GC/S/abT + emistocles/S)/Ch                      Themistocles
Boiardo                         (Th/GC/S/abT + emistocles/T)                         Themistocles
Cardano                        (Th/GC/S/abT + emistocles/T)/Ch                      Themistocles
Cusa                            (Th/GC/S/abT + emistocles/P)                         Themistocles
Nunes                          (Th/GC/S/abT + emistocles/P)/Ch                      Themistocles

*                Nunes  >>  "Pedro Nunes" /C2  >>  "Petrus Nonius" /GC/S/abT

>>               1502, Alcácer do Sal – August 11, 1578, Coimbra

"1502"                               (N/P + unes/GC/S/abT)                                 Nunes
"Alcácer do Sal"                          (N/P + unes/GC/S/abT)/Ch                         Nunes

"1578"                             (N/C2 + unes/GC/S/abT)/+bp                            Nunes
August                             (N/C2 + unes/GC/S/abT)/+cp                             Nunes
"11th"                           (N/C2 + unes/GC/S/abT)/Ch/+bp                           Nunes
Coimbra                          (N/C2 + unes/GC/S/abT)/Ch/+cp                           Nunes

>>      He was the first to propose the idea of a loxodrome and was also the inventor of several measuring devices, including the nonius, named after his Latin surname
http://encyclopedia.thefreedictionary.com/Vernier+scale ,  

*               "Vernier scale"  >>  nonius /P


>>    Commented and expanded translations:
•    Tratado da sphera com a Theorica do Sol e da Lua (Treaty about the Sphere with Theory of the Sun and the Moon), (1537). From Tractatus de Sphaera by Johannes de Sacrobosco, Theoricae novae planetarum by Georg Purbach and the Geography by Claudius Ptolemaeus.

"Treaty about Sphere with Theory of Sun and Moon"                  (N/GC/S/abT + "-unes' writing"/P)                  "Nunes' writing"

* "Treaty about Sphere with Theory of Sun and Moon"  >>  ("1537" /P)/GC/S/abT  >>  ("From Tractatus de Sphaera by Johannes de Sacrobosco, Theoricae novae planetarum by Georg Purbach and the Geography by Claudius Ptolemaeus" /P/Ch)/GC/S/abT

>>    Original work:
•    Tratado em defensão da carta de marear (Treatise Defending the Sea Chart), (1537).

"Treatise Defending Sea Chart"                  (N/GC/S/abT + "-unes' writing"/C2)                  "Nunes' writing"

*                       "Treatise Defending Sea Chart"  >>  ("1537" /P)/GC/S/abT

•    Tratado sobre certas dúvidas da navegação (Treatise about some Navigational Doubts), (1537)

"Treatise about some Navigational Doubts"                  (N/GC/S/abT + "-unes' writing"/S)                  "Nunes' writing"

*                    "Treatise about some Navigational Doubts"  >>  ("1537" /P)/GC/S/abT

•    De crepusculis (About the Twilight), (1542).

"De crepusculis"                     (N/C1 + "-unes' writing"/P)                    "Nunes' writing"

*                       "De crepusculis"  >>  ("1542" /P)/GC/S/abT

•    De erratis Orontii Finei (About the Errors of Orontii Finei), (1546).

"De erratis Orontii Finei"                  (N/C1 + "-unes' writing"/T)                 "Nunes' writing"

*                       "De erratis Orontii Finei"  >>  ("1546" /P)/GC/S/abT

•    Petri Nonii Salaciensis Opera, (1566). Expanded, corrected and reedited as De arte adque ratione navigandi in 1573.

"Petri Nonii Salaciensis Opera"                   (N/C2 + "-unes' writing"/GC/S/abT)                   "Nunes' writing"
"De arte adque ratione navigandi"                   (N/C1 + "-unes' writing"/GC/S/abT)                   "Nunes' writing"

*                       "Petri Nonii Salaciensis Opera"  >>  ("1566" /P)/GC/S/abT
*                       "De arte adque ratione navigandi"  >>  ("1573" /P)/GC/S/abT

•    Livro de algebra en arithmetica y geometria (Book of Algebra in Arithmetics and Geometry), (1567).

"Livro de algebra en arithmetica y geometria"                     (N/P + "-unes' writing"/S)                    "Nunes' writing"

*                       "Livro de algebra en arithmetica y geometria"  >>  ("Livro de algebra en arithmetica y geometria" /P)/GC/S/abT



Andreas Vesalius
http://encyclopedia.thefreedictionary.com/Andreas+Vesalius ,  

Calvin                            (Th/T + emistocles/C2)                              Themistocles
Luther                           (Th/T + emistocles/C2)/Ch                           Themistocles
Marlowe                                (Th/T + emistocles/P)                          Themistocles
Chapman                            (Th/T + emistocles/P)/Ch                         Themistocles
Shelley                            (Th/T + emistocles/S)                              Themistocles
Byron                            (Th/T + emistocles/S)/Ch                            Themistocles
Castelli                          (Th/T + emistocles/GC/S/abT)                        Themistocles
Orta                           (Th/T + emistocles/GC/S/abT)/Ch                      Themistocles
Wycliffe                         (Th/P + emistocles/GC/S/abT)                        Themistocles
Huss                          (Th/P + emistocles/GC/S/abT)/Ch                      Themistocles
"Mary Sidney"                          (Th/P + emistocles/S)                          Themistocles
Baïf                                  (Th/P + emistocles/S)/Ch                        Themistocles
Montaigne                             (Th/P + emistocles/C2)                         Themistocles
Guicciardini                          (Th/P + emistocles/C2)/Ch                       Themistocles
"Pico della Mirandola"                        (Th/P + emistocles/T)                    Themistocles
Frisius                                 (Th/P + emistocles/T)/Ch                       Themistocles
Milton                          (Th/GC/S/abT + emistocles/S)                         Themistocles
Chaucer                        (Th/GC/S/abT + emistocles/S)/Ch                      Themistocles
Boiardo                         (Th/GC/S/abT + emistocles/T)                         Themistocles
Cardano                        (Th/GC/S/abT + emistocles/T)/Ch                      Themistocles
Cusa                            (Th/GC/S/abT + emistocles/P)                         Themistocles
Nunes                          (Th/GC/S/abT + emistocles/P)/Ch                      Themistocles
Vesalius                         (Th/GC/S/abT + emistocles/c2)                        Themistocles

*           Vesalius  >>  "Andreas Vesalius" /C2  >>  "Andreas van Wesel" /C2/Ch  >>  "Andreas Vesal" /P

Born                       December 31, 1514                    Brussels, Belgium
Died                        October 15, 1564                      Zakynthos, Greece

http://en.wikipedia.org/wiki/Andreas_Vesalius ,  
Born                      31 December 1514                  Brussels, Habsburg Netherlands
Died                15 October 1564 (aged 49)                  Zakynthos, Republic of Venice

"1514"                            (V/GC/S/abT + esalius/P)/+bp                           Vesalius
December                         (V/GC/S/abT + esalius/P)/+cp                           Vesalius
"31st"                           (V/GC/S/abT + esalius/P)/Ch/+bp                         Vesalius
"Brussels, Belgium"                   (V/GC/S/abT + esalius/P)/Ch/+cp                    Vesalius

"Brussels, Habsburg Netherlands"                  (V/GC/S/abT + esalius/C2)/Ch/+cp               Vesalius

"1564"                            (V/GC/S/abT + esalius/T)/+bp                           Vesalius
October                            (V/GC/S/abT + esalius/T)/+cp                           Vesalius
"15th"                           (V/GC/S/abT + esalius/T)/Ch/+bp                         Vesalius
"Zakynthos, Greece"                   (V/GC/S/abT + esalius/T)/Ch/+cp                   Vesalius

"Zakynthos, Republic of Venice"                 (V/GC/S/abT + esalius/C2)/Ch/+cp                Vesalius

>>               Vesalius is often referred to as the founder of modern human anatomy.

* Vesalius  >>  "Andreas Vesalius" /C2  >>  "Andreas van Wesel" /C2/Ch  >>  "Andreas Vesal" /P  >>  ("founder of modern human anatomy" /P)/C2

>>     De humani corporis fabrica (On the Workings of the Human Body)

"On Workings of Human Body"                  (V/C1 + "-esalius' work"/GC/S/abT)                  "Vesalius'work"

http://en.wikipedia.org/wiki/Andreas_Vesalius ,  
>>        De Corporis Fabrica,                (On the fabric of the human body)
>>    A few weeks later he published another version of his opera, entitled De humani corporis fabrica librorum epitome (Abridgement of the Structure of the Human Body)
more commonly known as Epitome

* "On Workings of Human Body"  >>  ("De humani corporis fabrica" /P/+bp)/C1  >>  ("De corporis fabrica" /P/+bp)/C1  >>  ("(On fabric of human body)" /C1)/GC/S/abT  >>  "De humani corporis fabrica librorum epitome" /T

"Abridgement of Structure of Human Body"               (D/P + "-e humani corporis fabrica librorum epitome"/C2)               "De humani corporis fabrica librorum epitome"

Epitome               (D/P + "-e humani corporis fabrica librorum epitome"/C2)/Ch               "De humani corporis fabrica librorum epitome"

>>    Other publications
In 1538, Vesalius wrote Epistola, docens venam axillarem dextri cubiti in dolore laterali secundam (A letter, teaching that in cases of pain in the side, the axillary vein of the right elbow be cut)

"Epistola, docens venam axillarem dextri cubiti in dolore laterali secundam"                  (V/P + "-esalius' work"/S)                  "Vesalius'work"



>>     Phonetic correspondence   between Vesalius' "On Workings of Human Body" ("De humani corporis fabrica")    and Homer's Odyssey

"On Workings of Human Body"                  (V/C1 + "-esalius' work"/GC/S/abT)                  "Vesalius'work"
"On Workings of Human Body"                  ([ŋ=  w=]/C1 + Odyssey/GC/S/abT)                  Odyssey

http://vesalius.northwestern.edu/flash.html ,    
Chapter 1 The Nature, Use, and Diversity of Bone

The nature and use of bone
Bone is the hardest and driest of all parts of the human body, the most earthy 1 and cold, and, with the sole exception of the teeth, 2 most lacking in sensation. God, the supreme maker of things, rightly made its substance of this temperament so as to supply the entire body with a kind of foundation. For what walls and beams provide in houses, poles in tents, and keels and ribs in ships, the substance of bones provides in the fabric of man. 3

Differentiation of bones by use
Some bones, because of their strength, are made to be as it were the supports of the body; among these are the bones of the tibia and femur, the dorsal vertebrae, and nearly the entire structure of bones. Others 4 are like bulwarks for the other parts, thrown up by nature as the safest walls and fortifications,

http://www.gutenberg.org/ebooks/26275 ,  
http://www.gutenberg.org/files/26275/ ,  
http://www.gutenberg.org/files/26275/26275-8.txt ,  

By Denton J. Snider,    Denton Jaques Snider
I.
The Goddess Pallas has already come down to Ithaca and stands among the
suitors. She has taken the form of Mentes, the King of a neighboring
tribe; she is in disguise as she usually is when she appears on earth.
Who will recognize her? Not the suitors; they can see no God in their
condition, least of all, the Goddess of Wisdom. "Telemachus was much
the first to observe her;" why just he? The fact is he was ready to see
her, and not only to see her, but to hear what she had to say. "For he
sat among the suitors grieved in heart, seeing his father in his mind's
eye," like Hamlet just before the latter saw the ghost. So careful is
the poet to prepare both sides--the divine epiphany, and the mortal who
is to behold it. ~ ~


>>         Chapter 1 The Nature, Use, and Diversity of Bone

"Chapter 1/one"                    (B/C1 + "-ook first"/GC/S/abT)                      "Book first"

"Nature, Use, and Diversity of Bone"                 (B/C1 + "-ook first"/GC/S/abT)/Ch                  "Book first"


1. The Goddess Pallas has already come down to Ithaca and stands among the suitors --- The nature and use of bone Bone is the hardest and driest of all parts of the human body

"nature and use of bone Bone is hardest and driest of all parts of human body"                 (G/C1 + "-oddess Pallas has already come down to Ithaca and stands among suitors"/GC/S/abT)                  "Goddess Pallas has already come down to Ithaca and stands among suitors"

2. She has taken the form of Mentes --- the most earthy and cold

"most earthy and cold"                 (Sh/C1 + "-e has taken form of Mentes"/GC/S/abT)                  "She has taken form of Mentes"

3.                   the King of a neighboring tribe

and                  (K/C1 + "-ing of neighboring tribe"/GC/S/abT)                  "King of neighboring tribe"

4.                  with the sole exception of the teeth

"with sole exception of teeth"                 (sh/C1 + "-e is in disguise as she usually is when she appears on earth"/GC/S/abT)                  "she is in disguise as she usually is when she appears on earth"

5.
"most lacking in sensation"                 (Wh/C1 + "-o will recognize her"/GC/S/abT)                  "Who will recognize her"

6.          Not the suitors;

God                          (N/C1 + "-ot suitors"/GC/S/abT)                         "Not suitors"

7.          the supreme maker of things

"supreme maker of things"                 (th/C1 + "-ey can see no God in their condition"/GC/S/abT)                  "they can see no God in their condition"

8. rightly made its substance of this temperament so as to supply the entire body with a kind of foundation

"rightly made its substance of this temperament so as to supply entire body with kind of foundation"                 (l/C1 + "-east of all"/GC/S/abT)                  "least of all"

9.                  the Goddess of Wisdom.

"For what walls and beams provide in houses"                 (G/C1 + "-oddess of Wisdom"/GC/S/abT)                  "Goddess of Wisdom"

10.            "Telemachus was much the first to observe her;"

"poles in tents"                 (/C1 + ""/GC/S/abT)                  "Telemachus was much first to observe her"

11.
"and keels and ribs in ships"                 ("why j"/C1 + "-ust he"/GC/S/abT)                  "why just he"

12.      The fact is he was ready to see her --- the substance of bones provides in the fabric of man

"substance of bones provides in fabric of man"                 (f/C1 + "-act is he was ready to see her"/GC/S/abT)                  "fact is he was ready to see her"

13.
"Differentiation of bones by use Some bones"                 ([ŋ=  w=]/C1 + "and not only to see her"/GC/S/abT)                  "and not only to see her"

14.
"because of their strength"                 (b/C1 + "-ut to hear what she had to say"/GC/S/abT)                  "but to hear what she had to say"

15. "For he sat among the suitors grieved in heart --- are made to be as it were the supports of the body

"are made to be as it were supports of body"                 (F/C1 + "-or he sat among suitors grieved in heart"/GC/S/abT)                  "For he sat among suitors grieved in heart"

16.               among these are the bones of the tibia and femur

"among these are bones of tibia and femur"                 (s/C1 + "-eeing his father in his mind's eye"/GC/S/abT)                  "seeing his father in his mind's eye"

17.          like Hamlet just before the latter saw the ghost --- the dorsal vertebrae

"dorsal vertebrae"                 (l/C1 + "-ike Hamlet just before latter saw ghost"/GC/S/abT)                  "like Hamlet just before latter saw ghost"

18.          So careful is the poet to prepare both sides --- and nearly the entire structure of bones

"and nearly entire structure of bones"                 (S/C1 + "-o careful is poet to prepare both sides"/GC/S/abT)                  "So careful is poet to prepare both sides"

19.            the divine epiphany --- Others are like bulwarks for the other parts

"Others are like bulwarks for other parts"                 (d/C1 + "-ivine epiphany"/GC/S/abT)                  "divine epiphany"

20.      and the mortal who is to behold it --- thrown up by nature as the safest walls and fortifications

"thrown up by nature as safest walls and fortifications"                 ([ŋ=  w=]/C1 + "and mortal who is to behold it"/GC/S/abT)                  "and mortal who is to behold it"

Et cetera.



Giovanni Borelli
http://encyclopedia.thefreedictionary.com/Giovanni+Borelli ,  

Calvin                             (Th/T + emistocles/C2)                              Themistocles
Luther                            (Th/T + emistocles/C2)/Ch                           Themistocles
Marlowe                                (Th/T + emistocles/P)                          Themistocles
Chapman                            (Th/T + emistocles/P)/Ch                         Themistocles
Shelley                             (Th/T + emistocles/S)                              Themistocles
Byron                            (Th/T + emistocles/S)/Ch                            Themistocles
Castelli                          (Th/T + emistocles/GC/S/abT)                        Themistocles
Orta                           (Th/T + emistocles/GC/S/abT)/Ch                      Themistocles
Wycliffe                         (Th/P + emistocles/GC/S/abT)                        Themistocles
Huss                           (Th/P + emistocles/GC/S/abT)/Ch                      Themistocles
"Mary Sidney"                          (Th/P + emistocles/S)                          Themistocles
Baïf                                  (Th/P + emistocles/S)/Ch                        Themistocles
Montaigne                             (Th/P + emistocles/C2)                         Themistocles
Guicciardini                          (Th/P + emistocles/C2)/Ch                       Themistocles
"Pico della Mirandola"                        (Th/P + emistocles/T)                    Themistocles
Frisius                                 (Th/P + emistocles/T)/Ch                       Themistocles
Milton                          (Th/GC/S/abT + emistocles/S)                         Themistocles
Chaucer                        (Th/GC/S/abT + emistocles/S)/Ch                      Themistocles
Boiardo                         (Th/GC/S/abT + emistocles/T)                         Themistocles
Cardano                        (Th/GC/S/abT + emistocles/T)/Ch                      Themistocles
Cusa                            (Th/GC/S/abT + emistocles/P)                         Themistocles
Nunes                          (Th/GC/S/abT + emistocles/P)/Ch                      Themistocles
Vesalius                         (Th/GC/S/abT + emistocles/c2)                        Themistocles
Borelli                        (Th/GC/S/abT + emistocles/c2)/Ch                       Themistocles

>>       Giovanni Alfonso Borelli       (Pisa 28 January 1608 - 31 December 1679)

*              Borelli  >>  "Giovanni Borelli" /T  >>  "Giovanni Alfonso Borelli" /T/Ch

"1608"                                 (B/T + orelli/P)/+bp                                   Borelli
January                                (B/T + orelli/P)/+cp                                   Borelli
"28th"                               (B/T + orelli/P)/Ch/+bp                                 Borelli
Pisa                                  (B/T + orelli/P)/Ch/+cp                                 Borelli

"1679"                               (B/C2 + orelli/P)/+bp                                   Borelli
December                              (B/C2 + orelli/P)/+cp                                 Borelli
"31st"                                 (B/C2 + orelli/P)/Ch                                   Borelli

>>          son of Spanish infantryman Miguel Alonso and a local woman named Laura Porello (alternately Porelli or Borelli.)

"Miguel Alonso"                  (B/GC/S/abT + "-orelli's father"/P)                "Borelli's father"

"Laura Porello"                 (B/GC/S/abT + "-orelli's mother"/P)                "Borelli's mother"
"Laura Porelli"                 (B/GC/S/abT + "-orelli's mother"/P)/+bp/Ch                "Borelli's mother"
"Laura Borelli"                 (B/GC/S/abT + "-orelli's mother"/P)/+cp/Ch                "Borelli's mother"


>>         De Motu Animalium I and De Motu Animalium II,

"De Motu Animalium I/first"               (B/C1 + "-orelli's work"/P)                "Borelli's work"
"De Motu Animalium II/second"               (B/C1 + "-orelli's work"/T)                "Borelli's work"

"De Motu Animalium I/first"                    ([ŋ=  y=]/C1 + Iliad/P)                       Iliad
"De Motu Animalium II/second"                 ([ŋ=  y=]/C1 + Iliad/T)                      Iliad

Borelli also wrote:
•    Della cagioni delle febbri maligne (Pisa, 1658)
•    Euclides Restitutus (Pisa, 1658)
•    Apollonii Pergaei Conicorum libri v., vi. et vii (Florence, 1661)
•    Theoricae Mediceorum planetarum ex causis physicis deductae (Florence, 1666)
•    De vi percussionis (Bologna, 1667)
•    Meteorologia Aetnea (Reggio, 1669)
•    De motionibus naturalibus a gravitate pendentibus (Bologna, 1670)

"Della cagioni delle febbri maligne"               (B/T + "-orelli's work"/S)                "Borelli's work"
"Euclides Restitutus"                   (B/P + "-orelli's work"/C2)                    "Borelli's work"

*          "Della cagioni delle febbri maligne"  >>  (Pisa /S)/P  >>  ("1658" /S/Ch)/P
*          "Euclides Restitutus"  >>  (Pisa /S)/P  >>  ("1658" /S/Ch)/P

"Apollonii Pergaei Conicorum libri v./five"               (B/GC/S/abT + "-orelli's work"/S)/+bp                "Borelli's work"
"Apollonii Pergaei Conicorum libri vi./six"               (B/GC/S/abT + "-orelli's work"/S)/+cp                "Borelli's work"
"Apollonii Pergaei Conicorum libri vii./seven"               (B/GC/S/abT + "-orelli's work"/S)/Ch                "Borelli's work"

*          "Apollonii Pergaei Conicorum libri v."  >>  (Florence /S)/P  >>  ("1661" /S/Ch)/P
*          "Apollonii Pergaei Conicorum libri vi."  >>  (Florence /S)/P  >>  ("1661" /S/Ch)/P
*          "Apollonii Pergaei Conicorum libri vii."  >>  (Florence /S)/P  >>  ("1661" /S/Ch)/P

"Theoricae Mediceorum planetarum ex causis physicis deductae"               (B/P + "-orelli's work"/GC/S/abT)                "Borelli's work"
"De vi percussionis"                  (B/S + "-orelli's work"/C1)                     "Borelli's work"
"Meteorologia Aetnea"                  (B/T + "-orelli's work"/S)                    "Borelli's work"
"De motionibus naturalibus a gravitate pendentibus"               (B/C1 + "-orelli's work"/S)                "Borelli's work"

*      "Theoricae Mediceorum planetarum ex causis physicis deductae"  >>  (Florence /S)/P  >>  ("1666" /S/Ch)/P
*          "De vi percussionis"  >>  (Bologna /S)/P  >>  ("1667" /S/Ch)/P
*          "Meteorologia Aetnea"  >>  (Reggio /S)/P  >>  ("1669" /S/Ch)/P
*          "De motionibus naturalibus a gravitate pendentibus"  >>  (Bologna /S)/P  >>  ("1670" /S/Ch)/P



Edward de Vere, 17th Earl of Oxford
http://encyclopedia.thefreedictionary.com/Edward+de+Vere%2c+17th+Earl+of+Oxford ,  

Calvin                             (Th/T + emistocles/C2)                              Themistocles
Luther                            (Th/T + emistocles/C2)/Ch                           Themistocles
Marlowe                                (Th/T + emistocles/P)                          Themistocles
Chapman                            (Th/T + emistocles/P)/Ch                         Themistocles
Shelley                             (Th/T + emistocles/S)                              Themistocles
Byron                            (Th/T + emistocles/S)/Ch                            Themistocles
Castelli                          (Th/T + emistocles/GC/S/abT)                        Themistocles
Orta                           (Th/T + emistocles/GC/S/abT)/Ch                      Themistocles
Wycliffe                         (Th/P + emistocles/GC/S/abT)                        Themistocles
Huss                           (Th/P + emistocles/GC/S/abT)/Ch                      Themistocles
"Mary Sidney"                          (Th/P + emistocles/S)                          Themistocles
Baïf                                  (Th/P + emistocles/S)/Ch                        Themistocles
Montaigne                             (Th/P + emistocles/C2)                         Themistocles
Guicciardini                          (Th/P + emistocles/C2)/Ch                       Themistocles
"Pico della Mirandola"                        (Th/P + emistocles/T)                    Themistocles
Frisius                                 (Th/P + emistocles/T)/Ch                       Themistocles
Milton                          (Th/GC/S/abT + emistocles/S)                         Themistocles
Chaucer                        (Th/GC/S/abT + emistocles/S)/Ch                      Themistocles
Boiardo                         (Th/GC/S/abT + emistocles/T)                         Themistocles
Cardano                        (Th/GC/S/abT + emistocles/T)/Ch                      Themistocles
Cusa                            (Th/GC/S/abT + emistocles/P)                         Themistocles
Nunes                          (Th/GC/S/abT + emistocles/P)/Ch                      Themistocles
Vesalius                         (Th/GC/S/abT + emistocles/c2)                        Themistocles
Borelli                        (Th/GC/S/abT + emistocles/c2)/Ch                       Themistocles
"de Vere"                         (Th/S + emistocles/GC/S/abT)                       Themistocles

*     "de Vere"  >>  "Edward de Vere" /P  >>  "Edward de Vere, 17th Earl of Oxford" /C2  >>  Oxford /C2/Ch

Born                               12 April 1550                        Castle Hedingham in Essex
Died                         24 June 1604 (aged 54)                     Brooke House in Hackney

"1550"                             (d/C2 + "-e Vere"/P)/+bp                             "de Vere"
April                                (d/C2 + "-e Vere"/P)/+cp                             "de Vere"
"12th"                           (d/C2 + "-e Vere"/P)/Ch/+bp                            "de Vere"
"Castle Hedingham in Essex"                 (d/C2 + "-e Vere"/P)/Ch/+cp                 "de Vere"

"1604"                             (d/C2 + "-e Vere"/T)/+bp                             "de Vere"
June                                (d/C2 + "-e Vere"/T)/+cp                             "de Vere"
"24th"                            (d/C2 + "-e Vere"/T)/Ch/+bp                           "de Vere"
"Brooke House in Hackney"                   (d/C2 + "-e Vere"/T)/Ch/+cp                  "de Vere"

>>      Faerie Queene,      Palladis Tamia (1598),      Arte of English Poesie (1589),

"Faerie Queene"                    (d/GC/S/abT + "-e Vere's work"/P)                   "de Vere's work"
"Palladis Tamia"                    (d/GC/S/abT + "-e Vere's work"/P)/Ch                   "de Vere's work"
"Faerie Queene"                    (d/GC/S/abT + "-e Vere's work"/C2)                   "de Vere's work"

*             "Palladis Tamia"  >>  ("1598" /S)/T
*             "Arte of English Poesie"  >>  ("1589" /S)/T

>>     Sample poems attributed to Oxford:    Love Thy Choice,    Woman's Changeableness,    Untitled

"Love Thy Choice"                    (d/T + "-e Vere's writing"/P)                   "de Vere's writing"
"Woman's Changeableness"                    (d/T + "-e Vere's writing"/P)/Ch                   "de Vere's writing"
Untitled                         (d/P + "-e Vere's writing"/T)                     "de Vere's writing"

http://theotherpages.org/poems/poem-uv.html#vere ,    
http://theotherpages.org/poems/vere01.html#2 ,    
o    What Cunning Can Express (BB)
o    If Women Could Be Fair (BB)
o    Of The Birth And Bringing-Up of Desire (NM)
o    The Labouring Man That Tills The Fertile Soil (NM)
o    His Good Name Being Blemished, He Bewaileth (NM)
o    Were I A King I Would Command Content (NM)

"What Cunning Can Express"                    (d/P + "-e Vere's work"/C2)/+bp                   "de Vere's work"
"If Women Could Be Fair"                    (d/P + "-e Vere's work"/C2)/+cp                   "de Vere's work"
"Of Birth And Bringing-Up of Desire"                    (d/P + "-e Vere's work"/C1)/Ch/+bp                   "de Vere's work"
"Labouring Man That Tills Fertile Soil"                    (d/P + "-e Vere's work"/C1)/Ch/+cp                   "de Vere's work"

"His Good Name Being Blemished, He Bewaileth"                    (d/P + "-e Vere's work"/GC/S/abT)                   "de Vere's work"
"Were I A King I Would Command Content"                    (d/P + "-e Vere's work"/GC/S/abT)/Ch                   "de Vere's work"



William Stanley, 6th Earl of Derby
http://encyclopedia.thefreedictionary.com/William+Stanley%2c+6th+Earl+of+Derby ,  

Calvin                             (Th/T + emistocles/C2)                              Themistocles
Luther                            (Th/T + emistocles/C2)/Ch                           Themistocles
Marlowe                                (Th/T + emistocles/P)                          Themistocles
Chapman                            (Th/T + emistocles/P)/Ch                         Themistocles
Shelley                             (Th/T + emistocles/S)                              Themistocles
Byron                            (Th/T + emistocles/S)/Ch                            Themistocles
Castelli                          (Th/T + emistocles/GC/S/abT)                        Themistocles
Orta                           (Th/T + emistocles/GC/S/abT)/Ch                      Themistocles
Wycliffe                         (Th/P + emistocles/GC/S/abT)                        Themistocles
Huss                           (Th/P + emistocles/GC/S/abT)/Ch                      Themistocles
"Mary Sidney"                          (Th/P + emistocles/S)                          Themistocles
Baïf                                  (Th/P + emistocles/S)/Ch                        Themistocles
Montaigne                             (Th/P + emistocles/C2)                         Themistocles
Guicciardini                          (Th/P + emistocles/C2)/Ch                       Themistocles
"Pico della Mirandola"                        (Th/P + emistocles/T)                    Themistocles
Frisius                                 (Th/P + emistocles/T)/Ch                       Themistocles
Milton                          (Th/GC/S/abT + emistocles/S)                         Themistocles
Chaucer                        (Th/GC/S/abT + emistocles/S)/Ch                      Themistocles
Boiardo                         (Th/GC/S/abT + emistocles/T)                         Themistocles
Cardano                        (Th/GC/S/abT + emistocles/T)/Ch                      Themistocles
Cusa                            (Th/GC/S/abT + emistocles/P)                         Themistocles
Nunes                          (Th/GC/S/abT + emistocles/P)/Ch                      Themistocles
Vesalius                         (Th/GC/S/abT + emistocles/c2)                        Themistocles
Borelli                        (Th/GC/S/abT + emistocles/c2)/Ch                       Themistocles
"de Vere"                         (Th/S + emistocles/GC/S/abT)                       Themistocles
Stanley                        (Th/S + emistocles/GC/S/abT)/Ch                      Themistocles

*        Stanley  >>  "William Stanley, 6th Earl of Derby" /C2  >>  Derby /C2/Ch  >>  William /GC/S/abT

Born                                       1561
Died                                29 September 1642                         Chester

"1561"                              (St/C2 + anley/GC/S/abT)                              Stanley

"1642"                            (St/P + anley/GC/S/abT)/+bp                             Stanley
September                            (St/P + anley/GC/S/abT)/+cp                         Stanley
"29th"                            (St/P + anley/GC/S/abT)/Ch/+bp                         Stanley
Chester                           (St/P + anley/GC/S/abT)/Ch/+cp                         Stanley

>>          son of Henry Stanley, 4th Earl of Derby and Lady Margaret Clifford

"Henry Stanley, 4th Earl of Derby"                   (St/P + "-anley's father"/GC/S/abT)                "Stanley's father"
"Lady Margaret Clifford"                   (St/P + "-anley's mother"/GC/S/abT)                "Stanley's mother"

>>    Shakespearean authorship question
by the American writer Robert Frazer, who argued in The Silent Shakespeare (1915) who concluded that "William Stanley was William Shakespeare".[10]

Shakespeare                 (W [ŋ=  w=]/P + "illiam Stanley"/C2)                 "William Stanley"



Leonardo da Vinci
http://encyclopedia.thefreedictionary.com/Leonardo+da+Vinci ,    

Calvin                             (Th/T + emistocles/C2)                              Themistocles
Luther                            (Th/T + emistocles/C2)/Ch                           Themistocles
Marlowe                                (Th/T + emistocles/P)                          Themistocles
Chapman                            (Th/T + emistocles/P)/Ch                         Themistocles
Shelley                             (Th/T + emistocles/S)                              Themistocles
Byron                            (Th/T + emistocles/S)/Ch                            Themistocles
Castelli                          (Th/T + emistocles/GC/S/abT)                        Themistocles
Orta                           (Th/T + emistocles/GC/S/abT)/Ch                      Themistocles
Wycliffe                         (Th/P + emistocles/GC/S/abT)                        Themistocles
Huss                           (Th/P + emistocles/GC/S/abT)/Ch                      Themistocles
"Mary Sidney"                          (Th/P + emistocles/S)                          Themistocles
Baïf                                  (Th/P + emistocles/S)/Ch                        Themistocles
Montaigne                             (Th/P + emistocles/C2)                         Themistocles
Guicciardini                          (Th/P + emistocles/C2)/Ch                       Themistocles
"Pico della Mirandola"                        (Th/P + emistocles/T)                    Themistocles
Frisius                                 (Th/P + emistocles/T)/Ch                       Themistocles
Milton                          (Th/GC/S/abT + emistocles/S)                         Themistocles
Chaucer                        (Th/GC/S/abT + emistocles/S)/Ch                      Themistocles
Boiardo                         (Th/GC/S/abT + emistocles/T)                         Themistocles
Cardano                        (Th/GC/S/abT + emistocles/T)/Ch                      Themistocles
Cusa                            (Th/GC/S/abT + emistocles/P)                         Themistocles
Nunes                          (Th/GC/S/abT + emistocles/P)/Ch                      Themistocles
Vesalius                         (Th/GC/S/abT + emistocles/c2)                        Themistocles
Borelli                        (Th/GC/S/abT + emistocles/c2)/Ch                       Themistocles
"de Vere"                         (Th/S + emistocles/GC/S/abT)                       Themistocles
Stanley                        (Th/S + emistocles/GC/S/abT)/Ch                      Themistocles
Vinci                                  (Th/S + emistocles/T)                           Themistocles

*         Vinci  >>  "Leonardo da Vinci" /C2  >>  "da Vinci" /C2/Ch  >>  Leonardo /GC/S/abT  >>  "Leonardo di Ser Piero" /P

Birth name                         Leonardo di Ser Piero
Born                April 15, 1452               Vinci, in the present day Province of Florence, Italy
Died                 May 2, 1519         Amboise, Touraine (in present-day Indre-et-Loire, France)

"1452"                                  (V/T + inci/P)/+bp                                     Vinci
April                                    (V/T + inci/P)/+cp                                     Vinci
"15th"                                (V/T + inci/P)/Ch/+bp                                   Vinci
"Vinci, Province of Florence, Italy"                   (V/T + inci/P)/Ch/+cp                     Vinci

"1519"                                  (V/T + inci/S)/+bp                                     Vinci
May                                    (V/T + inci/S)/+cp                                     Vinci
"2nd"                                 (V/T + inci/S)/Ch/+bp                                   Vinci
"Amboise, Touraine"                        (V/T + inci/S)/Ch/+cp                              Vinci

>>         Born the illegitimate son of a notary, Piero da Vinci, and a peasant woman, Caterina,

"Piero da Vinci"                        (V/T + "-inci's father"/P)                      "Vinci's father"
Caterina                             (V/T + "-inci's mother"/P)                      "Vinci's mother"

>>      Leonardo was educated in the studio of the renowned Florentine painter, Verrocchio.   Much of his earlier working life was spent in the service of Ludovico il Moro in Milan.

Verrocchio                            (V/GC/S/abT + inci/T)                                   Vinci
"Ludovico il Moro"                           (V/GC/S/abT + inci/P)                             Vinci

>>   Works :          Mona Lisa, The Last Supper, The Vitruvian Man

"Mona Lisa"                      (V/GC/S/abT + "-inci's work"/T)                      "Vinci's work"
"Last Supper"                     (V/GC/S/abT + "-inci's work"/S)                    "Vinci's work"
"Vitruvian Man"                    (V/GC/S/abT + "-inci's work"/P)                    "Vinci's work"

*       "Mona Lisa"  >>  ("Vinci's work" /T)/GC/S/abT
*       "Last Supper"  >>  ("Vinci's work" /T)/GC/S/abT
*       "Vitruvian Man"  >>  ("Vinci's work" /T)/GC/S/abT

>>           his contemporary, Michelangelo

Michelangelo                                (V/C2 + inci/P)                                    Vinci

Life
Childhood,     1452–1466

>>             born on April 15, 1452, "at the third hour of the night"[nb 5]

"1452"                                  (V/T + inci/P)/+bp                                     Vinci
April                                    (V/T + inci/P)/+cp                                     Vinci
"15th"                                (V/T + inci/P)/Ch/+bp                                   Vinci
"Vinci, Province of Florence, Italy"                   (V/T + inci/P)/Ch/+cp                     Vinci

"at third hour of night"                       (V/C2 + inci/P)/Ch/+cp                           Vinci

>>      He was the illegitimate son of the wealthy Messer Piero Fruosino di Antonio da Vinci, a Florentine legal notary, and Caterina, a peasant.[7][9][nb 6]

* "Piero da Vinci"  >>  "Messer Piero Fruosino di Antonio da Vinci" /C2  >>  wealthy /C2/Ch  >>  "Florentine legal notary" /C2

*              Vinci  >>  ("illegitimate son" /P)/GC/S/abT

*              Caterina  >>  peasant /T

>>      "Notebooks of Leonardo Da Vinci"    &    "Thoughts on Art and Life by Leonardo da Vinci"

"'Notebooks of Leonardo Da Vinci"                (V/C1 + "-inci's work"/P)                "Vinci's work"
"Thoughts on Art and Life by Leonardo da Vinci"                (V/C1 + "-inci's work"/P)/Ch                "Vinci's work"


>>          Self-portrait in red chalk, circa 1512 to 1515.[nb 1]

"Self-portrait in red chalk"                   (V/P + "-inci's work"/S)                  "Vinci's work"

* "Self-portrait in red chalk"  >>  ("Vinci's work" /T)/GC/S/abT  >>  ("circa 1512" /T/Ch/+bp)/GC/S/abT  >>  ("1515" /T/Ch/+cp)/GC/S/abT

>>          Leonardo's earliest known drawing, the Arno Valley, (1473) – Uffizi

"Leonardo's earliest known drawing, Arno Valley"                    (V/T + "-inci's work"/C2)                    "Vinci's work"

* "Leonardo's earliest known drawing, Arno Valley"  >>  ("Vinci's work" /T)/GC/S/abT  >>  ("1473" /T/Ch)/GC/S/abT

>>        Verrocchio's workshop, 1466–1476
In 1466, at the age of fourteen, Leonardo was apprenticed to the artist Andrea di Cione, known as Verrocchio whose workshop was "one of the finest in Florence".[15] Other famous painters apprenticed or associated with the workshop include Domenico Ghirlandaio, Perugino, Botticelli, and Lorenzo di Credi.[10][16]

Verrocchio                             (V/GC/S/abT + inci/T)                                   Vinci
Andrea di Cione"                          (V/GC/S/abT + inci/T)/Ch                            Vinci

* Verrocchio  >>  ("1466" /T)/GC/S/abT  >>  ("apprentice" /T/Ch)/GC/S/abT  >>  ("1476" /P)/GC/S/abT  >>  ("in Florence" /P/Ch)/GC/S/abT  >>  ("Botticelli" /C2/+bp)/GC/S/abT  >>  ("Domenico Ghirlandaio" /C2/+cp)/GC/S/abT  >>  ("Lorenzo di Credi" /C2/+bp/Ch)/GC/S/abT  >>  ("Perugino" /C2/+cp/Ch)/GC/S/abT

>>      Vasari, the 16th-century biographer of Renaissance painters

Vasari                                     (V/S + inci/T)                                      Vinci

>> Leonardo collaborated with Verrocchio on his Baptism of Christ, painting the young angel holding Jesus's robe in a manner that was so far superior to his master's that Verrocchio put down his brush and never painted again.[19]
The Baptism of Christ (1472–1475)—Uffizi, by Verrocchio and Leonardo

*       "Baptism of Jesus Christ"  >>  ("Verrocchio and Vinci's work" /P)/S  >>  ("1472" /P/+bp/Ch)/S  >>  ("1475" /P/+cp/Ch)/S

>>     The Adoration of the Magi in March 1481

*       "Adoration of Magi"  >>  ("Vinci's work" /T)/GC/S/abT  >>  ("March 1481" /T/Ch)/GC/S/abT

>>       Virgin of the Rocks
http://encyclopedia.thefreedictionary.com/Virgin+of+the+Rocks ,  
* "Virgin of Rocks"  >>  ("Vinci's work" /T)/GC/S/abT  >>  ("1483" /T/Ch/+bp)/GC/S/abT  >>  ("1486"
/T/Ch/+cp)/GC/S/abT  >>  ("1495" /P/+bp)/GC/S/abT  >>  ("1508" /P/+cp)/GC/S/abT

>>     The Battle of Anghiari (1505)

*       "Battle of Anghiari"  >>  ("Vinci's work" /T)/GC/S/abT  >>  ("1505" /T/Ch)/GC/S/abT

>>     Study for a portrait of Isabella d'Este (1500) Louvre.

*            girl  >>  ("Isabella d'Este" /GC/S/abT)/C2  >>  ("Mona Lisa" /C2)/T  >>  "Gioconda" /GC/S/abT  >>  "Joconde" /GC/S/abT/Ch

*       "Study of portrait of Isabella d'Este"  >>  ("Vinci's work" /T)/GC/S/abT  >>  ("1500" /T/Ch)/GC/S/abT

>>      Salai[citation needed] as John the Baptist (c. 1514)—Louvre
Gian Giacomo Caprotti da Oreno, nicknamed Salai or Il Salaino ("The Little Unclean One" i.e., the devil),

*       "Salaino as John Baptist"  >>  ("Vinci's work" /T)/GC/S/abT  >>  ("c. 1514" /T/Ch)/GC/S/abT

>>      Annunciation (1475–1480)—Uffizi, is thought to be Leonardo's earliest complete work

*      pregnancy /T  >>  ("annunciation" /C2)/GC/S/abT  >>  ("Vinci's work" /T)/GC/S/abT  >>  ("1475" /T/Ch/+bp)/GC/S/abT  >>  ("1480" /T/Ch/+cp)/GC/S/abT

>>    Unfinished painting of St. Jerome in the Wilderness, (c. 1480), Vatican

*       "Jerome in Wilderness"  >>  ("Vinci's work" /T)/GC/S/abT  >>  ("c. 1480" /T/Ch)/GC/S/abT

>>       Adoration of the Magi

*       "Adoration of Maguses"  >>  ("Vinci's work" /T)/GC/S/abT

>>     The Last Supper (1498)—Convent of Sta. Maria delle Grazie, Milan, Italy

*       "Last Supper"  >>  ("Vinci's work" /T)/GC/S/abT  >>  ("1498" /T/Ch)/GC/S/abT

>>    Mona Lisa (also known as La Gioconda or La Joconde)       (1503–1505/1507)—Louvre, Paris, France
http://encyclopedia.thefreedictionary.com/Mona+Lisa ,  

 * girl  >>  ("Mona Lisa" /C2)/T  >>  "Gioconda" /GC/S/abT  >>  "Joconde" /GC/S/abT/Ch  >>  ("Vinci's work" /T)/GC/S/abT  >>  ("1503" /T/Ch/+bp)/GC/S/abT  >>  ("1505" /T/Ch/+cp)/GC/S/abT  >>  ("1507" /P)/GC/S/abT

>>    The Virgin and Child with St. Anne and St. John the Baptist (c. 1499–1500)—National Gallery, London

*     "Baptism"  >>  ("Vinci's work" /T)/GC/S/abT  >>  ("1499" /T/Ch/+bp)/GC/S/abT  >>  ("1500" /T/Ch/+cp)/GC/S/abT

>>       This painting, which was copied many times, was to influence Michelangelo, Raphael, and Andrea del Sarto,[81] and through them Pontormo and Correggio. The trends in composition were adopted in particular by the Venetian painters Tintoretto and Veronese.

Michelangelo                                (V/C2 + inci/P)                                    Vinci
Raphael                                 (V/C2 + inci/P)/Ch                                    Vinci
"Andrea del Sarto"                            (V/C2 + inci/T)                                  Vinci
Pontormo                                 (V/C2 + inci/T)/Ch                                   Vinci
Tintoretto                               (V/GC/S/abT + inci/P)                                 Vinci
Veronese                               (V/GC/S/abT + inci/P)/Ch                              Vinci
Correggio                                  (V/S + inci/P)                                       Vinci

>>           In the 1490s he studied mathematics under Luca Pacioli

"Luca Pacioli"                               (V/S + inci/P)/Ch                                  Vinci

>>       apprenticeship to Andrea del Verrocchio

"Andrea del Verrocchio"                        (V/GC/S/abT + inci/T)                          Vinci

>>       with engravings based upon drawings by the Classical painter Nicholas Poussin.

"Nicholas Poussin"                        (V/GC/S/abT + inci/T)/Ch                          Vinci

>>     Aspects of his work on the studies of anatomy, light and the landscape were assembled for publication by his pupil Francesco Melzi

"Francesco Melzi"                              (V/P + inci/C2)                                 Vinci

>>    The continued admiration that Leonardo commanded from painters, critics and historians is reflected in many other written tributes. Baldassare Castiglione, author of Il Cortegiano ("The Courtier"), wrote in 1528

"Baldassare Castiglione"                          (V/T + inci/P)                                Vinci

>>    The 19th century brought a particular admiration for Leonardo's genius, causing Henry Fuseli to write in 1801

"Henry Fuseli"                               (V/P + inci/C2)/Ch                               Vinci



>>     Phonetic correspondence   between Vinci's "Notebooks of Leonardo Da Vinci"    and Homer's Iliad

Notebooks of Leonardo Da Vinci
http://www.gutenberg.org/browse/authors/l#a1629 ,  
http://www.gutenberg.org/catalog/world/readfile?fk_files=1842496 ,  

*               Iliad  >>  "Notebooks of Leonardo Da Vinci" /T/Ch

Iliad
http://www.gutenberg.org/files/16452/16452-h/16452-h.htm ,  
BOOK I.

Achilles sing, O Goddess! Peleus' son;
His wrath pernicious, who ten thousand woes
Caused to Achaia's host, sent many a soul
Illustrious into Ades premature,
And Heroes gave (so stood the will of Jove)5
To dogs and to all ravening fowls a prey,
When fierce dispute had separated once
The noble Chief Achilles from the son
Of Atreus, Agamemnon, King of men.

Who them to strife impell'd? What power divine?10
Latona's son and Jove's.[1] For he, incensed
004 Against the King, a foul contagion raised
In all the host, and multitudes destroy'd,
For that the son of Atreus had his priest
Dishonored, Chryses. To the fleet he came15
Bearing rich ransom glorious to redeem
His daughter, and his hands charged with the wreath
And golden sceptre[2] of the God shaft-arm'd. ~ ~



--(BOOK one) <The> author's intention to publish his MSS.

*    That is,   if articulating (or trying to speak) "BOOK one"  from English/Phoenician /T/Ch speaking posture,      "author's intention to publish his MSS"   (not  "The author's intention to publish his MSS",  usually without definite/indefinite articles of "the' or "a")   is metaphthong/MPh pronounced.
Et cetera.

--(Achilles) 1/One.

--(sing) How by <a> certain machine many may stay some time under water. --(O) And how and wherefore I do not describe my method of remaining under water and how long I can remain without eating. --(Goddess) And I do not publish nor divulge these, --(Peleus') by reason of <the> evil nature of men, --(son) who would use them for assassinations at <the> bottom of <the> sea by destroying ships, --(His wrath) and sinking them, --(pernicious) together with <the> men in them. --(who ten) Nevertheless I will impart others, --(thousand woes) which are not dangerous because <the> mouth of <the> tube through which you breathe is above <the> water, --(Caused) supported on air sacks or cork.

--(to) <The> preparation of <the> MSS. --(Achaia's) for publication.

--(host) 2/Two.

--(sent) When you put together <the> science of <the> motions of water, --(many) remember to include under each proposition its application and use, --(soul) in order that this science may not be useless.—

--(Illustrious) Admonition to readers.

--(into) 3/Three.

--(Ades) Let no man who is not <a> Mathematician read <the> elements of my work.

--(premature) <The> disorder in <the> MSS.

--(And Heroes) 4/Four.

--(gave) Begun at Florence, --(so) in <the> house of Piero di Braccio Martelli, --(stood) on <the> 22nd day of March 1508. --(will of) And this is to be <a> collection without order, --(Jove) taken from many papers which I have copied here, --(To dogs) hoping to arrange them later each in its place, --(and to) according to <the> subjects of which they may treat. --(all ravening) But I believe that before I am at <the> end of this [task] I shall have to repeat <the> same things several times; --(fowl) for which, --(prey) O reader! --(When) do not blame me, --(fierce) for <the> subjects are many and memory cannot retain them [all] and say: --(dispute) 'I will not write this because I wrote it before.' --(had separated) And if I wished to avoid falling into this fault, --(once) it would be necessary in every case when I wanted to copy [a passage] that, --(noble) not to repeat myself, --(Chief) I should read over all that had gone before; --(Achilles) and all <the> more since <the> intervals are long between one time of writing and the next.

--(from son) Suggestions for <the> arrangement of MSS treating of particular subjects.(5-8).

--(Of Atreus) 5/five.

--(Agamemnon) Of digging <a> canal. --(King) Put this in <the> Book of useful inventions and in proving them bring forward <the> propositions already proved. --(of men) And this is <the> proper order; --(Who them) since if you wished to show <the> usefulness of any plan you would be obliged again to devise new machines to prove its utility and thus would confuse <the> order of <the> forty Books and also <the> order of <the> diagrams; --(to strife) that is to say you would have to mix up practice with theory, --(impell'd) which would produce <a> confused and incoherent work.

--(What power) 6/six.

--(divine) I am not to blame for putting forward, --(Latona's) in <the> course of my work on science, --(son and Jove's) any general rule derived from <a> previous conclusion.

--(For he) 7/seven.

--(incensed) <The> Book of <the> science of Mechanics must precede <the> Book of useful inventions.— --(Against King) Have your books on anatomy bound!

--(foul contagion raised) 8/eight.

--(In all host) <The> order of your book must proceed on this plan: --(and multitudes) first simple beams, --(destroy'd) then (those) supported from below, --(For that son of Atreus) then suspended in part, --(had his priest) then wholly [suspended]. --(Dishonored, Chryses) Then beams as supporting other weights

--(To fleet) General introductions to <the> book on Painting (9-13).

--(he came) 9/nine.

--(Bearing) INTRODUCTION.
--(rich) Seeing that I can find no subject specially useful or pleasing— --(ransom) since <the> men who have come before me have taken for their own every useful or necessary theme— --(glorious) I must do like one who, --(to redeem) being poor, --(His daughter) comes last to <the> fair, --( and his) and can find no other way of providing himself than by taking all <the> things already seen by other buyers, --(hands) and not taken but refused by reason of their lesser value. --(charged) I, --(with wreath) then, --(And golden) will load my humble pack with this despised and rejected merchandise, --(sceptre) <the> refuse of so many buyers; --(of God) and will go about to distribute it, --(shaft) not indeed in great cities, --(arm'd) but in <the> poorer towns,

Et cetera.

--() taking such a price as the wares I offer may be worth.



>>     Phonetic correspondence   between Vinci's "Thoughts on Art and Life by Leonardo da Vinci"    and Homer's Odyssey

Thoughts on Art and Life by Leonardo da Vinci
http://www.gutenberg.org/browse/authors/l#a1629 ,    
http://www.gutenberg.org/ebooks/29904 ,  
http://www.gutenberg.org/files/29904/29904-h/29904-h.htm ,    


*            Odyssey  >>  ("Thoughts on Art and Life by Leonardo da Vinci" /T/Ch

http://www.gutenberg.org/ebooks/26275 ,  
http://www.gutenberg.org/files/26275/ ,  
http://www.gutenberg.org/files/26275/26275-8.txt ,  

By Denton J. Snider,    Denton Jaques Snider
I.
The Goddess Pallas has already come down to Ithaca and stands among the
suitors. She has taken the form of Mentes, the King of a neighboring
tribe; she is in disguise as she usually is when she appears on earth.
Who will recognize her? Not the suitors; they can see no God in their
condition, least of all, the Goddess of Wisdom. "Telemachus was much
the first to observe her;" why just he? The fact is he was ready to see
her, and not only to see her, but to hear what she had to say. "For he
sat among the suitors grieved in heart, seeing his father in his mind's
eye," like Hamlet just before the latter saw the ghost. So careful is
the poet to prepare both sides--the divine epiphany, and the mortal who
is to behold it. ~ ~


I
--(Book First) THOUGHTS ON LIFE
* *
*
--() Of the Works of Leonardo  
--(Goddess) Begun at Florence in <the> house of Piero di Braccio Martelli, --(Pallas) on <the> 22d day of March, 1508; --(has already) and this is to be <a> collection without order, --(come down) taken from many papers which I have copied here, --(to Ithaca) hoping to arrange them later, --(and stands) each in its place, --(among suitors) according to <the> various subjects treated. --(She has) And I think that before I shall have finished this work, --(taken) it will be necessary for me to repeat <the> same thing many times over; --(form) so, --(of Mentes) O reader, --(King of) blame me not, --(neighboring) because <the> subjects are many, --(tribe) and memory cannot retain them and say: --(she is) This I will not write because I have already written it; --(in disguise) and if I did not wish to fall into this error it would be necessary, --(as she) every time that I wished to copy something, --(usually) in order not to repeat myself, --(is when) to read over all <the> preceding matter, --(she appears) all <the> more so since <the> intervals are long between one time of writing and another.

--() His Thirst after Knowledge

2.

--(on earth) Not louder does <the> tempestuous sea bellow when <the> north wind strikes its foaming waves between Scylla and Charybdis; --(Who will) nor Stromboli nor Mount Etna when <the> sulphurous flames, {4} --(recognize her) shattering and bursting open <the> great mountain with violence, --(Not suitors) hurl stones and earth through <the> air with <the> flame it vomits; --(they can) nor when the fiery caverns of Mount Etna, --(see no) spitting forth <the> element which it cannot restrain, --(God in) hurl it back to <the> place whence it issued, --(their
condition) driving furiously before it any obstacle in <the> way of its vehement fury ... --(least) so I, --(of all) urged by my great desire and longing to see <the> blending of strange and various shapes made by creating nature, --(Goddess) wandered for some time among <the> dark rocks, --(of Wisdom) and came to <the> entrance of <a> great cave, --(Telemachus) in front of which I long stood in astonishment and ignorance of such <a> thing. --(was much) I bent my back into <an> arch and rested my left hand on my knee, --(first to observe her) and with my right hand shaded my downcast eyes and contracted eyebrows. --(why just he) I bent down first on one side and then on <the> other to see whether I could perceive anything, --(fact is) but <the> thick darkness rendered this impossible; --(he was ready) and after having remained there some time, --(to see her) two things arose within me, --(and not) fear and desire,— --(only to see her) fear of <the> dark and threatening cave, --(but to hear) desire to see whether there were anything marvellous within.

3.

--(what she) I discover for man <the> origin of <the> first and perhaps of <the> second cause of his being.

--() Leonardo's Studies

4.

--(had to say) Recognizing as I do that I cannot make use of {5} subject matter which is useful and delightful, --(For he sat) since my predecessors have exhausted <the> useful and necessary themes, --(among suitors) I shall do as <the> man who by reason of his poverty arrives last at <the> fair, --(grieved in heart) and cannot do otherwise than purchase what has already been seen by others and not accepted, --(seeing his father) but rejected by them as being of little value. --(in his mind's eye) I shall place this despised and rejected merchandise, --(like Hamlet) which remains over after many have bought, --(just before) on my poor pack, --(latter saw) and I shall go and distribute it, --(ghost) not in <the> big cities, --(So careful) but in <the> poor towns, --(is poet) and take such reward as my goods deserve.

Vain Knowledge

5.

--(to prepare) All knowledge which ends in words will die as quickly as it came to life, --(both sides) with the exception of the written word: --(divine epiphany) which is its mechanical part.

6.

--(and mortal) Avoid studies <the> result of which will die together with him who studied.

Value of Knowledge

7.

--(who is to) <The> intellect will always profit by <the> acquisition of any knowledge whatsoever, --(behold it) for thus what is useless will be expelled from it,

Et cetera.

--() and what is fruitful will remain. --() It is impossible either to hate or to love a thing without first acquiring knowledge of it.



Michelangelo Buonarroti
http://encyclopedia.thefreedictionary.com/Michelangelo+Buonarroti ,    

Michelangelo                                (V/C2 + inci/P)                                    Vinci

Birth name           Michelangelo di Lodovico Buonarroti Simoni
Born                           6 March 1475                        near Arezzo, Caprese, Tuscany
Died                         18 February 1564                                     Rome, Italy

* Michelangelo  >>  "Michelangelo Buonarroti" /GC/S/abT  >>  "Michelangelo di Lodovico Buonarroti Simoni" /T  >>  ("Michael Angelo" /C1)/S

"1475"                    (M/C2 + ichelangelo/GC/S/abT)/+bp                        Michelangelo
March                     (M/C2 + ichelangelo/GC/S/abT)/+cp                        Michelangelo
"6th"                    (M/C2 + ichelangelo/GC/S/abT)/Ch/+bp                      Michelangelo
"near Arezzo, Caprese, Tuscany"               (M/C2 + ichelangelo/GC/S/abT)/Ch/+cp                   Michelangelo

"1564"                     (M/S + ichelangelo/GC/S/abT)/+bp                        Michelangelo
February                     (M/S + ichelangelo/GC/S/abT)/+cp                       Michelangelo
"18th"                    (M/S + ichelangelo/GC/S/abT)/Ch/+bp                      Michelangelo
"Rome, Italy"                 (M/S + ichelangelo/GC/S/abT)/Ch/+cp                   Michelangelo

>>           Pietà and David

*               Pietà  >>  ("Michelangelo's work" /P)/C2
*               David >>  ("Michelangelo's work" /P)/C2

>>      scenes from Genesis on the ceiling and The Last Judgment on the altar wall of the Sistine Chapel in Rome

*               "Sistine Chapel ceiling"  >>  ("Michelangelo's work" /P)/C2
*               "Last Judgment of Sistine Chapel"  >>  ("Michelangelo's work" /P)/C2

>>      In his lifetime he was also often called Il Divino ("the divine one").[3]

* Michelangelo  >>  "Michelangelo Buonarroti" /GC/S/abT  >>  "Michelangelo di Lodovico Buonarroti Simoni" /T  >>  ("divine one"/GC/S/abT)/T

*                Divino  <<  (divine/S one/P)/T  <<  "divine one"

>>            his father, Lodovico di Leonardo di Buonarroti di Simoni,

"Lodovico di Leonardo di Buonarroti di Simoni"                (M/GC/S/abT + "-ichelangelo s father"/T)                 "Michelangelo's father"

>>            Michelangelo's mother was Francesca di Neri del Miniato di Siena.

"Francesca di Neri del Miniato di Siena"                (M/GC/S/abT + "-ichelangelo s mother"/T)                 "Michelangelo's mother"

>>         the reliefs Madonna of the Steps (1490–1492) and Battle of the Centaurs (1491–1492).

*     "Mary on Steps"  >>  ("Michelangelo's work" /T)/C2  >>  ("1490" /T/Ch)/C2    >>  ("1492" /S)/C2
*     "Battle of Centaurs"  >>  ("Michelangelo's work" /T)/C2  >>  ("1491" /T/Ch)/C2    >>  ("1492" /S)/C2

>>        wooden crucifix (1493), as a gift to the prior of the Florentine church of Santo Spirito, who had permitted him some studies of anatomy on the corpses of the church's hospital.[15]

*                 crucifix  >>  ("Michelangelo's work" /P)/C2  >>  ("1493" /P/Ch)/C2



>>     Phonetic correspondence   between Michelangelo's (?) "Michael Angelo's Sonnets"    and Homer's Odyssey

"Michael Angelo's Sonnets"                 ([ŋ=  w=]/S + Odyssey/GC/S/abT)/Ch                 Odyssey

http://www.gutenberg.org/ebooks/26275 ,  
http://www.gutenberg.org/files/26275/ ,  
http://www.gutenberg.org/files/26275/26275-8.txt ,  

By Denton J. Snider,    Denton Jaques Snider
I.
The Goddess Pallas has already come down to Ithaca and stands among the
suitors. She has taken the form of Mentes, the King of a neighboring
tribe; she is in disguise as she usually is when she appears on earth.
Who will recognize her? Not the suitors; they can see no God in their
condition, least of all, the Goddess of Wisdom. "Telemachus was much
the first to observe her;" why just he? The fact is he was ready to see
her, and not only to see her, but to hear what she had to say. "For he
sat among the suitors grieved in heart, seeing his father in his mind's
eye," like Hamlet just before the latter saw the ghost. So careful is
the poet to prepare both sides--the divine epiphany, and the mortal who
is to behold it. ~ ~


THE SONNETS
OF
MICHAEL ANGELO BUONARROTI
http://www.gutenberg.org/ebooks/10314 ,  
http://www.gutenberg.org/cache/epub/10314/pg10314.html ,    

I/One                         (B/S + "-ook first"/GC/S/abT)/Ch                         "Book first"

1.
"ON DANTE ALIGHIERI. Dal ciel discese"               (G/S + oddess/GC/S/abT)/Ch                Goddess

2.
"From heaven his spirit came"               (P/S + allas/GC/S/abT)/Ch                 Pallas

3.      and robed in clay <The> realms of justice and of mercy trod

"and robed in clay realms of justice and of mercy trod"               (h/S + "-as already"/GC/S/abT)/Ch                "has already"

4.     Then rose <a> living man to gaze on God

"Then rose living man to gaze on God"               (c/S + "-ome down"/GC/S/abT)/Ch                "come down"

Et cetera.      As below.

-- (Book first) I/One.
-- (Goddess) ON DANTE ALIGHIERI.
Dal ciel discese.

-- (Pallas) From heaven his spirit came, -- (has already) and robed in clay
    <The> realms of justice and of mercy trod,
    -- (come down) Then rose <a> living man to gaze on God,
-- (to Ithaca) That he might make <the> truth as clear as day.
-- (and stands) For that pure star that brightened with his ray
 <The> undeserving nest where I was born,
    -- (among suitors) The whole wide world would be <a> prize to scorn;
    -- (She has) None but his Maker can due guerdon pay.
-- (taken) I speak of Dante, -- (form) whose high work remains
    Unknown, -- (of Mentes) unhonoured by that thankless brood,
    -- (King of) Who only to just men deny their wage.
-- (neighboring) Were I but he! -- (tribe) Born for like lingering pains,
    -- (she is) Against his exile coupled with his good
    I'd gladly change <the> world's best heritage!

-- (in disguise) II/Two.
-- (as she) ON DANTE ALIGHIERI.
Quante dirne si de'.

-- (usually) No tongue can tell of him what should be told,
 -- (is when) For on blind eyes his splendour shines too strong;
 -- (she appears) 'Twere easier to blame those who wrought him wrong,
 -- (on earth) Than sound his least praise with <a> mouth of gold.
-- (Who will) He to explore <the> place of pain was bold,
 -- (recognize her) Then soared to God, -- (Not suitors) to teach our souls by song;
 -- (they can) <The> gates heaven oped to bear his feet along,
 -- (see no God) Against his just desire his country rolled.
-- (in their) Thankless I call her, -- (condition) and to her own pain
  <The> nurse of fell mischance; -- (least) for sign take this,
 -- (of all) That ever to <the> best she deals more scorn:
-- (Goddess) Among <a> thousand proofs let one remain;
 -- (of Wisdom) Though ne'er was fortune more unjust than his,
 -- (Telemachus) His equal or his better ne'er was born.

-- (was much) III/Three.
-- (first to) TO POPE JULIUS II.
Signor, se vero è.

-- (observe her) My Lord! -- (why just he) if ever ancient saw spake sooth,
    -- (fact is) Hear this which saith: -- (he was) Who can, -- (ready) doth never will.
    -- (to see her) Lo! -- (and not only) thou hast lent thine ear to fables still,
    -- (to see her) Rewarding those who hate <the> name of truth.
-- (but to hear) I am thy drudge and have been from my youth—
    -- (what she) Thine, -- (had to say) like <the> rays which <the> sun's circle fill;
    -- (For he sat) Yet of my dear time's waste thou think'st no ill:
    -- (among) <The> more I toil, -- (suitors grieved) <the> less I move thy ruth.
-- (in heart) Once 'twas my hope to raise me by thy height;
    -- (seeing his father) But 'tis <the> balance and <the> powerful sword
    Of Justice, -- (in his mind's eye) not false Echo, -- (like Hamlet) that we need.
-- (just before) Heaven, -- (latter saw) as it seems, -- (ghost) plants virtue in despite
    Here on <the> earth, -- (So careful) if this be our reward—
    -- (is poet) To seek for fruit on trees too dry to breed.

-- (to prepare) IV/Four.
-- (both sides) ON ROME IN <THE> PONTIFICATE OF JULIUS II.
Qua si fa elmi.

-- (divine epiphany) Here helms and swords are made of chalices:
    -- (and mortal) <The> blood of Christ is sold so much <the> quart:
    -- (who is) His cross and thorns are spears and shields; -- (to behold it) and short
    Must be the time ere even his patience cease.

Et cetera.



>>     Phonetic correspondence   between Tommaso Campanella's?? "Campanella's Sonnets"    and Homer's Iliad

"Campanella's Sonnets"                   ([ŋ=  y=]/S + Iliad/GC/S/abT)/Ch                   Iliad

"One"                           (B/S + "-ook one"/GC/S/abT)/Ch                        "Book one"

1.
"PROEM"                   ([ŋ=  w=]/S + "Achilles sing"/GC/S/abT)/Ch                   "Achilles sing"

2.
"Io che nacqui dal Senno"                   ([ŋ=  w=]/S + "O Goddess"/GC/S/abT)/Ch                   "O Goddess"

3.
"Born of God's Wisdom and Philosophy"                   (P/S + eleus'/GC/S/abT)/Ch                   "Peleus'"

Et cetera.      As below.


THE SONNETS OF TOMMASO CAMPANELLA
-- (Book one) I/One.
-- (Achilles sing) <THE> PROEM.
-- (O Goddess) Io che nacqui dal Senno.

-- (Peleus') Born of God's Wisdom and Philosophy,
    -- (son) Keen lover of true beauty and true good,
    -- (His wrath) I call <the> vain self-traitorous multitude
    Back to my mother's milk; -- (pernicious) for it is she,
-- (who) Faithful to God her spouse, -- (ten) who nourished me,
    -- (thousand) Making me quick and active to intrude
    Within <the> inmost veil, -- (woes) where I have viewed
    And handled all things in eternity.
-- (Caused) If <the> whole world's our home where we may run,
    -- (to Achaia's) Up, -- (host) friends, -- (sent) forsake those secondary schools
    Which give grains, -- (many) units, -- (a soul) inches for <the> whole!
-- (Illustrious) If facts surpass mere words, -- (into) melt pride of soul,
    -- (Ades) And pain, -- (premature) and ignorance that hardens fools,
    -- (And Heroes) Here in <the> fire I've stolen from <the> Sun!

-- (gave) II/Two.
-- (so stood) TO <the> POETS.
-- (will of Jove) In superbia il valor.

-- (To dogs) Valour to pride hath turned; -- (and to all) grave holiness
    To vile hypocrisy; -- (ravening) all gentle ways
    To empty forms; -- (fowls) sound sense to idle lays;
    -- (prey) Pure love to heat; -- (When fierce) beauty to paint and dress:—
-- (dispute) Thanks to you, -- (had separated) Poets! -- (once noble) you who sing <the> praise
    Of fabled knights, -- (Chief) foul fires, -- (Achilles) lies, -- (from son) nullities;
    -- (Of Atreus) Not virtue, -- (Agamemnon) nor <the> wrapped sublimities
    Of God, -- (King of men) as bards were wont in those old days.
-- (Who them) How far more wondrous than your phantasies
    Are Nature's works, -- (impell'd) how far more sweet to sing!
    -- (What power) Thus taught, -- (divine) the soul falsehood and truth descries.
-- (Latona's) That tale alone is worth <the> pondering,
    -- (son and) Which hath not smothered history in lies,
    -- (Jove's) And arms the soul against each sinful thing.

-- (For he) III/Three.
-- (incensed) <the> UNIVERSE.
-- (Against King) Il mondo è un animal.

-- (foul contagion) <the> world's <a> living creature, -- (raised) whole and great,
    -- (In all) God's image, -- (host) praising God whose type it is;
    -- (and multitudes) We are imperfect worms, -- (destroy'd) vile families,
    -- (For that son) That in its belly have our low estate.
-- (of Atreus) If we know not its love, -- (had) its intellect,
    -- (his priest) Neither <the> worm within my belly seeks
    To know me, -- (Dishonored) but his petty mischief wreaks:—
    -- (Chryses) Thus it behoves us to be circumspect.
-- (To fleet) Again, -- (he came) <the> earth is <a> great animal,
    -- (Bearing) Within <the> greatest; -- (rich ransom) we are like <the> lice
    Upon its body, -- (glorious) doing harm as they.
-- (to redeem) Proud men, -- (His daughter) lift up your eyes; -- (and his) on you I call:
    -- (hands charged) Measure each being's worth; -- (with wreath) and thence be wise;
    -- (And golden) Learning what part in <the> great scheme you play!

-- (sceptre) IV/Four.
-- (of God) <the> SOUL.
-- (shaft-arm'd) Dentro un pugno di cervel.



Tommaso Campanella
http://encyclopedia.thefreedictionary.com/TOMMASO+CAMPANELLA ,  

"Tommaso Campanella"                 (Th/C2 + "- omas Aquinas"/P)               "Thomas Aquinas"

>>           5 September 1568 – 21 May 1639

"1568"                 (T/P + "-ommaso Campanella"/S)/+bp                "Tommaso Campanella"
September                 (T/P + "-ommaso Campanella"/S)/+cp                "Tommaso Campanella"
"5th"                  (T/P + "-ommaso Campanella"/S)/Ch                "Tommaso Campanella"

"1639"                 (T/P + "-ommaso Campanella"/C2)/+bp                "Tommaso Campanella"
May                 (T/P + "-ommaso Campanella"/C2)/+cp                "Tommaso Campanella"
"21st"                 (T/P + "-ommaso Campanella"/C2)/Ch                "Tommaso Campanella"


>>         baptized Giovanni Domenico Campanella

*     "Tommaso Campanella"  >>  "Giovanni Domenico Campanella" /P  >>  Campanella /P/Ch

>>      During his detention, he wrote his most important works: The Monarchy of Spain (1600), Political Aphorisms (1601), Atheismus triumphatus (Atheism Conquered, 1605–1607), Quod reminiscetur (1606?), Metaphysica (1609–1623), Theologia (1613–1624), and his most famous work, The City of the Sun (originally written in Italian in 1602; published in Latin in Frankfurt (1623) and later in Paris (1638)). He even intervened in the first trial against Galileo Galilei with his courageous The Defense of Galileo (written in 1616, published in 1622). Ironically, Galileo himself probably would not have wanted Campanella's assistance because of Campanella's sometimes outlandish ideas and prior conviction of heresy.

"Monarchy of Spain"                   (T/S + "-ommaso Campanella's writing"/P)                  "Tommaso Campanella's writing"
"Political Aphorisms"                   (T/S + "-ommaso Campanella's writing"/T)                  "Tommaso Campanella's writing"
"Atheism Conquered"                   (T/S + "-ommaso Campanella's writing"/T)/Ch                  "Tommaso Campanella's writing"
"Quod reminiscetur"                   (T/S + "-ommaso Campanella's writing"/C1)                  "Tommaso Campanella's writing"
Metaphysica                   (T/S + "-ommaso Campanella's writing"/P)/Ch                 "Tommaso Campanella's writing"
Theologia                   (T/S + "-ommaso Campanella's writing"/GC/S/abT)/Ch                  "Tommaso Campanella's writing"

*            Odyssey  >>  ("CITY OF SUN By Tommaso Campanells" /P/Ch

"Defense of Galileo"                   (T/S + "-ommaso Campanella's writing"/GC/S/abT)                  "Tommaso Campanella's writing"

*             "Monarchy of Spain"  >>  ("1600" /P)/GC/S/abT
*             "Political Aphorisms"  >>  ("1601" /P)/GC/S/abT
*          "Atheism Conquered"  >>  ("1605" /P)/GC/S/abT  >>  ("1607" /P/Ch)/GC/S/abT
*             "Quod reminiscetur"  >>  ("1606" /T)/GC/S/abT

*             Metaphysica  >>  ("1609" /P)/GC/S/abT  >>  ("1623" /P/Ch)/GC/S/abT
*             Theologia  >>  ("1613" /P)/GC/S/abT  >>  ("1624" /P/Ch)/GC/S/abT

*  Odyssey  >>  ("CITY OF SUN By Tommaso Campanells" /P/+cp/Ch  >>  ("1602" /T)/P  >>  ("1623" /T/Ch)/P  >>  ("1638" /T)/S

*             "Defense of Galileo"  >>  ("1616" /P)/GC/S/abT  >>  ("1622" /P/Ch)/GC/S/abT

http://www.questia.com/PM.qst?a=o&d=11121922 ,    
>>  IDEAL COMMONWEALTHS :     PLUTARCH'S LYCURGUS,     MORE'S UTOPIA,       BACON'S NEW ATLANTIS,
CAMPANELLA'S CITY OF THE SUN,      AND A FRAGMENT OF HALL'S MUNDUS ALTER ET IDEM

* "PLUTARCH'S LYCURGUS" or "MORE'S UTOPIA" or "BACON'S NEW ATLANTIS" or "CAMPANELLA'S CITY OF SUN" or "FRAGMENT OF HALL'S MUNDUS ALTER ET IDEM"  >>  ("IDEAL COMMONWEALTHS"/GC/S/Ch/abT/Ch)/S



>>     Phonetic correspondence   between "CITY OF SUN By Tommaso Campanells"    and Homer's Odyssey

*            Odyssey  >>  ("CITY OF SUN By Tommaso Campanells" /P/+cp/Ch

* "Book first"  >>  ("Poetical Dialogue between Grandmaster of Knights Hospitallers and Genoese Sea-Captain, his guest" /P/+cp/Ch



http://www.gutenberg.org/ebooks/26275 ,  
http://www.gutenberg.org/files/26275/ ,  
http://www.gutenberg.org/files/26275/26275-8.txt ,  

By Denton J. Snider,    Denton Jaques Snider
I.
The Goddess Pallas has already come down to Ithaca and stands among the
suitors. She has taken the form of Mentes, the King of a neighboring
tribe; she is in disguise as she usually is when she appears on earth.
Who will recognize her? Not the suitors; they can see no God in their
condition, least of all, the Goddess of Wisdom. "Telemachus was much
the first to observe her;" why just he? The fact is he was ready to see
her, and not only to see her, but to hear what she had to say. "For he
sat among the suitors grieved in heart, seeing his father in his mind's
eye," like Hamlet just before the latter saw the ghost. So careful is
the poet to prepare both sides--the divine epiphany, and the mortal who
is to behold it. ~ ~


http://www.gutenberg.org/browse/authors/c#a1040 ,  
http://www.gutenberg.org/ebooks/2816 ,  
http://www.gutenberg.org/files/2816/2816-h/2816-h.htm ,    

-- (Odyssey) <the> CITY OF <the> SUN By Tommaso Campanells
--------------------------------------------------------------------------------

-- (Book first) <A> Poetical Dialogue between <a> Grandmaster of <the> Knights Hospitallers and <a> Genoese Sea-Captain, -- (Goddess) his guest.

-- (Pallas) G. -- (has) M. -- (already) Prithee, -- (come) now, -- (down) tell me what happened to you during that voyage?

-- (to Ithaca) Capt. -- (and stands) I have already told you how I wandered over the whole earth. -- (among suitors) In <the> course of my journeying I came to Taprobane, -- (She has) and was compelled to go ashore at <a> place, -- (taken) where through fear of <the> inhabitants I remained in <a> wood. -- (form) When I stepped out of this I found myself on <a> large plain immediately under <the> equator.

-- (of Mentes) G. -- (King) M. -- (of neighboring) And what befell you here?

-- (tribe) Capt. -- (she is) I came upon <a> large crowd of men and armed women, -- (in disguise) many of whom did not understand our language, -- (as she) and they conducted me forthwith to <the> City of <the> Sun.

-- (usually is) G. -- (when she) M. -- (appears) Tell me after what plan this city is built and how it is governed.

-- (on earth) Capt. -- (Who will) <the> greater part of the city is built upon <a> high hill, -- (recognize her) which rises from <an> extensive plain, -- (Not suitors) but several of its circles extend for some distance beyond <the> base of <the> hill, -- (they can) which is of such <a> size that <the> diameter of <the> city is upward of two miles, -- (see no) so that its circumference becomes about seven. -- (God in) On account of <the> humped shape of <the> mountain, -- (their condition) however, -- (least of all) <the> diameter of <the> city is really more than if it were built on <a> plain.

-- (Goddess of Wisdom) It is divided into seven rings or huge circles named from <the> seven planets, -- (Telemachus) and <the> way from one to <the> other of these is by four streets and through four gates, -- (was much) that look toward <the> four points of <the> compass. -- (first to) Furthermore, -- (observe her) it is so built that if <the> first circle were stormed, -- (why just he) it would of necessity entail <a> double amount of energy to storm <the> second; -- (fact is) still more to storm <the> third; -- (he was ready) and in each succeeding case <the> strength and energy would have to be doubled; -- (to see her) so that he who wishes to capture that city must, -- (and not only) as it were, -- (to see her) storm it seven times. -- (but to hear) For my own part, -- (what she) however, -- (had to say) I think that not even <the> first wall could be occupied, -- (For he sat) so thick are <the> earthworks and so well fortified is it with breastworks, -- (among suitors grieved) towers, -- (in heart) guns, -- (seeing his) and ditches.

-- (father in) When I had been taken through <the> northern gate (-- (his mind's) which is shut with <an> iron door so wrought that it can be raised and let down, -- (eye) and locked in easily and strongly, -- (like Hamlet) its projections running into <the> grooves of <the> thick posts by <a> marvellous device), -- (just before) I saw <a> level space seventy paces (1) wide between <the> first and second walls. -- (latter saw) From hence can be seen large palaces, -- (ghost) all joined to <the> wall of <the> second circuit in such <a> manner as to appear all one palace. -- (So careful) Arches run on <a> level with <the> middle height of <the> palaces, -- (is poet) and are continued round <the> whole ring. -- (to prepare) There are galleries for promenading upon these arches, -- (both sides) which are supported from beneath by thick and well-shaped columns, -- (divine epiphany) enclosing arcades like peristyles, -- (and mortal) or cloisters of <an> abbey.

-- (who is to) But <the> palaces have no entrances from below, -- (behold it) except on the inner or concave partition,

Et cetera.



Raphael
http://encyclopedia.thefreedictionary.com/Raphael ,    

Michelangelo                                (V/C2 + inci/P)                                    Vinci
Raphael                                  (V/C2 + inci/P)/Ch                                   Vinci

*         Raphael  >>  "Raffaello Santi" /P  >>  "Raffaello Sanzio" /P/Ch  >>  "Raffaello Sanzio da Urbino" /S

Birth name                Raffaello Sanzio da Urbino
Born                      March 28, 1483 or April 6, 1483                     Urbino, Marche
Died                       April 6, 1520 (aged 37)                              Rome, Italy

"1483"                              (R/C2 + aphael/P)/+bp                                Raphael
April                                (R/C2 + aphael/P)/+cp                                 Raphael
"6th"                              (R/C2 + aphael/P)/Ch/+bp                              Raphael
"Urbino, Marche"                         (R/C2 + aphael/P)/Ch/+cp                        Raphael

March                               (R/C2 + aphael/T)/+cp                                Raphael
"28th"                                (R/C2 + aphael/T)/Ch                                Raphael

"1520"                           (R/GC/S/abT + aphael/P)/+bp                            Raphael
April                              (R/GC/S/abT + aphael/P)/+cp                            Raphael
"6th"                          (R/GC/S/abT + aphael/P)/Ch/+bp                           Raphael
"Rome, Italy"                          (R/GC/S/abT + aphael/P)/Ch/+cp                           Raphael

>>      The School of Athens, 1511–12, in the Stanza della Segnatura.

"School of Athens"                    (R/S + "-aphael's work"/P)                   "Raphael's work"

*            "School of Athens"  >>  ("1511" /S)/P  >>  ("1512" /S/Ch)/P

>>             his father Giovanni Santi

"Giovanni Santi"                    (R/P + "-aphael's father"/S)                   "Raphael's father"


Andrea del Sarto
http://encyclopedia.thefreedictionary.com/Andrea+del+Sarto ,  

Michelangelo                                (V/C2 + inci/P)                                    Vinci
Raphael                                  (V/C2 + inci/P)/Ch                                   Vinci
"Andrea del Sarto"                            (V/C2 + inci/T)                                  Vinci

Birth name               Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore
Born                            16 July 1486/87                  Gualfonda, Florence, (now Italy)
Died          28/29 September 1530 or 21 January 1531                   Florence, (now Italy)

* "Andrea del Sarto"  >>  Andrea /C2  >>  Sarto /C2/Ch  >>  "Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore" /S

"1486"               ([ŋ=  w=]/GC/S/abT + "Andrea del Sarto"/T)/+bp                "Andrea del Sarto"
"1487"                   ([ŋ=  w=]/C2 + "Andrea del Sarto"/T)                 "Andrea del Sarto"

July               ([ŋ=  w=]/GC/S/abT + "Andrea del Sarto"/T)/+cp                "Andrea del Sarto"
"16th"               ([ŋ=  w=]/GC/S/abT + "Andrea del Sarto"/T)/Ch/+bp                "Andrea del Sarto"
"Gualfonda, Florence"               ([ŋ=  w=]/GC/S/abT + "Andrea del Sarto"/T)/Ch/+cp                "Andrea del Sarto"

"1531"               ([ŋ=  w=]/GC/S/abT + "Andrea del Sarto"/P)/+bp                "Andrea del Sarto"
September                ([ŋ=  w=]/GC/S/abT + "Andrea del Sarto"/P)/+cp                "Andrea del Sarto"
"28th"               ([ŋ=  w=]/GC/S/abT + "Andrea del Sarto"/P)/Ch/+bp                "Andrea del Sarto"
Florence                ([ŋ=  w=]/GC/S/abT + "Andrea del Sarto"/P)/Ch/+bp                "Andrea del Sarto"

January                  ([ŋ=  w=]/S + "Andrea del Sarto"/P)                   "Andrea del Sarto"
"21st"                 ([ŋ=  w=]/S + "Andrea del Sarto"/P)/Ch                  "Andrea del Sarto"

>>       Though highly regarded during his lifetime as an artist senza errori ("without errors"),

* "Andrea del Sarto"  >>  Andrea /C2  >>  Sarto /C2/Ch  >>  "Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore" /S  >>  "senza errori" /C1

>>   According to Vasari, he then apprenticed to Piero di Cosimo, and later with Raffaellino del Garbo (Carli).

* "Andrea del Sarto"  >>  Andrea /C2  >>  Sarto /C2/Ch  >>  "Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore" /S  >>  "senza errori" /C1  >>  ("Piero di Cosimo" /T)/P  >>  ("Raffaellino del Garbo" /T/Ch)/P

>>     Andrea and an older friend Franciabigio decided to open a joint studio

* "Andrea del Sarto"  >>  Andrea /C2  >>  Sarto /C2/Ch  >>  "Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore" /S  >>  "senza errori" /C1  >>  ("Piero di Cosimo" /T)/P  >>  ("Raffaellino del Garbo" /T/Ch)/P  >>  (Franciabigio /T)/S



Pontormo
http://encyclopedia.thefreedictionary.com/Pontormo ,  

Michelangelo                                (V/C2 + inci/P)                                    Vinci
Raphael                                  (V/C2 + inci/P)/Ch                                   Vinci
"Andrea del Sarto"                            (V/C2 + inci/T)                                  Vinci
Pontormo                                 (V/C2 + inci/T)/Ch                                   Vinci

>>         usually known as Jacopo da Pontormo, Jacopo Pontormo or simply Pontormo

Birth name                          Jacopo Carucci
Born                                 May 24, 1494                   Pontorme near Empoli, Italy
Died                       January 2, 1557 (aged 62)                          Florence, Italy

*      Pontormo  >>  "Jacopo Carucci" /P  >>  "Jacopo da Pontormo" /C2  >>  "Jacopo Pontormo" /GC/S/abT
 
"1494"                               (P/T + ontormo/S)/+bp                              Pontormo
May                                  (P/T + ontormo/S)/+cp                              Pontormo
"24th"                             (P/T + ontormo/S)/Ch/+bp                             Pontormo
"Pontorme near Empoli, Italy"                (P/T + ontormo/S)/Ch/+cp                  Pontormo

"1557"                              (P/T + ontormo/C2)/+bp                              Pontormo
January                             (P/T + ontormo/C2)/+cp                              Pontormo
"2nd"                              (P/T + ontormo/C2)/Ch/+bp                           Pontormo
"Florence, Italy"                        (P/T + ontormo/C2)/Ch/+cp                       Pontormo



Antonio da Sangallo jr.
http://encyclopedia.thefreedictionary.com/Antonio+da+Sangallo+the+Younger
"Antonio da Sangallo jr."                     (V/C2 + inci/GC/S/abT)                           Vinci

Vincenzo Tamagni
http://encyclopedia.thefreedictionary.com/Vincenzo+Tamagni ,  
"Vincenzo Tamagni"                        (V/C2 + inci/GC/S/abT)/Ch                         Vinci

Domenico Ghirlandaio
http://encyclopedia.thefreedictionary.com/Domenico+Ghirlandaio ,  
"Domenico Ghirlandaio"                          (V/C2 + inci/S)                               Vinci

Francesco Granacci
http://encyclopedia.thefreedictionary.com/Francesco+Granacci ,  
"Francesco Granacci"                            (V/C2 + inci/S)/Ch                            Vinci


Andrea del Verrocchio
http://encyclopedia.thefreedictionary.com/Andrea+del+Verrocchio ,  
"Andrea del Verrocchio"                        (V/GC/S/abT + inci/T)                          Vinci

Nicholas Poussin
http://encyclopedia.thefreedictionary.com/Nicholas+Poussin ,    
"Nicholas Poussin"                          (V/GC/S/abT + inci/T)/Ch                          Vinci

Tintoretto
http://encyclopedia.thefreedictionary.com/Tintoretto ,  
Tintoretto                               (V/GC/S/abT + inci/P)                                 Vinci

Veronese
http://encyclopedia.thefreedictionary.com/Paolo+Veronese ,  
Veronese                               (V/GC/S/abT + inci/P)/Ch                              Vinci

Bertoldo di Giovanni
http://encyclopedia.thefreedictionary.com/Bertoldo+di+Giovanni ,    
"Bertoldo di Giovanni"                        (V/GC/S/abT + inci/C2)                          Vinci

Fra Bartolomeo
http://encyclopedia.thefreedictionary.com/Fra+Bartolomeo ,    
"Fra Bartolomeo"                        (V/GC/S/abT + inci/C2)/Ch                          Vinci

Polidoro da Caravaggio
http://encyclopedia.thefreedictionary.com/Polidoro+da+Caravaggio ,    
"Polidoro da Caravaggio"                        (V/GC/S/abT + inci/S)                        Vinci

Maturino da Firenze
http://encyclopedia.thefreedictionary.com/Maturino+da+Firenze ,    
"Maturino da Firenze"                         (V/GC/S/abT + inci/S)/Ch                      Vinci


Correggio
http://encyclopedia.thefreedictionary.com/Correggio ,  
Correggio                                  (V/S + inci/P)                                      Vinci



Luca Pacioli
http://encyclopedia.thefreedictionary.com/Luca+Pacioli ,  
"Luca Pacioli"                               (V/S + inci/P)/Ch                                  Vinci

>>     Fra Luca Bartolomeo de Pacioli    (sometimes Paciolo)    (1446/7, Sansepolcro – 1517)

*           "Luca Pacioli"  >>  Paciolo /P  >>  "Fra Luca Bartolomeo de Pacioli" /C2

"1446"                           (L/C2 + "-uca Pacioli"/GC/S/abT)                     "Luca Pacioli"
"1447"                              (L/C2 + "-uca Pacioli"/ST)                         "Luca Pacioli"
"1517"                         (L/C2 + "-uca Pacioli"/GC/S/abT)/Ch                   "Luca Pacioli"

>>      often regarded as the "Father of Accounting".     He was also called Luca di Borgo

* "Luca Pacioli"  >>  Paciolo /P  >>  "Fra Luca Bartolomeo de Pacioli" /C2  >>  ("Father of Accounting" /P)/C2  >>  "Luca di Borgo" /C2/Ch


>>     Pacioli published several works on mathematics, including:

•    Tractatus mathematicus ad discipulos perusinos

"Tractatus mathematicus ad discipulos perusinos"                  (L/P + "-uca Pacioli's writing"/S)                  "Luca Pacioli's writing"

•       Summa de arithmetica, geometria, proportioni et proportionalita (Venice 1494),

"Summa de arithmetica, geometria, proportioni et proportionalita"                  (L/P + "-uca Pacioli's writing"/C2)                  "Luca Pacioli's writing"

*                     "De viribus quantitatis"  >>  ("Venice 1494" /C2)/S

•      De viribus quantitatis (Ms. Università degli Studi di Bologna, 1496–1508),

"De viribus quantitatis"                  (L/P + "-uca Pacioli's writing"/C1)                  "Luca Pacioli's writing"

*   "De viribus quantitatis"  >>  ("Ms. Università degli Studi di Bologna" /C2)/S  >>  ("1496" /C2/Ch)/S  >>  ("1508" /C2)/GC/S/abT

•      Geometry (1509), a Latin translation of Euclid's Elements.

Geometry                  (L/P + "-uca Pacioli's writing"/T)                  "Luca Pacioli's writing"

*   Geometry  >>  ("1509" /C2)/S  >>  ("Latin translation of Euclid's Elements" /C2/Ch)/S

•      De divina proportione (written in Milan in 1496–98, published in Venice in 1509).

"De divina proportione"                (L/C1 + "-uca Pacioli's writing"/GC/S/abT)                  "Luca Pacioli's writing"

*   "De divina proportione"  >>  ("written in Milan" /C2)/S  >>  ("1496" /C2/Ch)/S  >>  ("14908" /C2)/GC/S/abT  >>  ("published in Venice in 1509" /C2/Ch)/GC/S/abT



Giorgio Vasari
http://encyclopedia.thefreedictionary.com/Giorgio+Vasari ,  

Vasari                                     (V/S + inci/T)                                      Vinci

*                         Vasari  >>  "Giorgio Vasari" /P

Born                                   30 July 1511                            Arezzo, Tuscany
Died                           27 June 1574 (aged 62)                         Florence, Italy

"1511"                              (V/GC/S/abT + asari/P)/+bp                             Vasari
July                                 (V/GC/S/abT + asari/P)/+cp                             Vasari
"30th"                            (V/GC/S/abT + asari/P)/Ch/+bp                            Vasari
"Arezzo, Tuscany"                      (V/GC/S/abT + asari/P)/Ch/+cp                       Vasari

"1574"                              (V/GC/S/abT + asari/T)/+bp                             Vasari
June                                (V/GC/S/abT + asari/T)/+cp                              Vasari
"27th"                             (V/GC/S/abT + asari/T)/Ch/+bp                           Vasari
"Florence, Italy"                         (V/GC/S/abT + asari/T)/Ch/+cp                     Vasari

>>      Vasari coined the term "Renaissance" (rinascita) in print, though an awareness of the ongoing "rebirth" in the arts had been in the air from the time of Alberti.

*   Vasari  >>  "Giorgio Vasari" /P  >>  (Renaissance /C2)/GC/S/abT  >>  (rinascita /C2/Ch)/GC/S/abT

Alberti                      (G/GC/S/abT + "-iorgio Vasari"/S)                       "Giorgio Vasari"

*                       Alberti  >>  (Renaissance /C2)/P

>>      Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori (Lives of the Most Eminent Painters, Sculptors, and Architects) — dedicated to Grand Duke Cosimo I de' Medici — was first published in 1550. It included a valuable treatise on the technical methods employed in the arts. It was partly rewritten and enlarged in 1568, with the addition of woodcut portraits of artists (some conjectural).

*    "Parallel Lives"  >>  ("Vasari's Lives of Artists" /T)/GC/S/abT  >>  (vite /T/Ch)/GC/S/abT

"Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori"                (v/C2 + ite/P)/Ch                vite

* "Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori"  >>  "Lives of Most Eminent Painters, Sculptors, and Architects" /C2

1550                                        (v/C2 + ite/P)                                      vite
1558                                        (v/C2 + ite/P)/Ch                                  vite



>>     Phonetic correspondence   between "Vasari's Lives of Artists"    and  Plutarch's "Parallel Lives"


*    "Parallel Lives"  >>  ("Vasari's Lives of Artists" /T)/GC/S/abT  >>  (vite /T/Ch)/GC/S/abT

"Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori"                (v/C2 + ite/P)/Ch                vite

* "Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori"  >>  "Lives of Most Eminent Painters, Sculptors, and Architects" /C2

http://members.efn.org/~acd/vite/VasariLives.html ,  
http://members.efn.org/~acd/vite/VasariLives.html#part1 ,  

http://ebooks.adelaide.edu.au/p/plutarch/ ,    
http://ebooks.adelaide.edu.au/p/plutarch/lives/ ,    
http://ebooks.adelaide.edu.au/p/plutarch/lives/chapter1.html ,    

Table of Contents ------------------------- Part I
1.    Theseus   >>  (Cimabue /T/Ch)/GC/S/abT  >>  ("Arnolfo di Lapo" /P/Ch/+bp)/GC/S/abT  >>  ("Arnolfo di Cambio" /P/Ch/+cp)/GC/S/abT
2.    Romulus  >>  ("Nicola Pisano" /T/Ch)/GC/S/abT  >>  ("Giovanni Pisano" /P/Ch)/GC/S/abT
3.    Comparison of Romulus with Theseus
4.    Lycurgus      >>  ("Andrea Tafi" /T/Ch)/GC/S/abT  >>  ("Gaddo Gaddi" /P/Ch)/GC/S/abT
5.    Numa Pompilius        >>  (Margaritone /T/Ch)/GC/S/abT  >>  (Giotto /P/Ch)/GC/S/abT
6.    Comparison of Numa with Lycurgus
7.    Solon   >>  ("Agostino and Agnolo" /T/Ch)/GC/S/abT  >>  ("Stefano and Ugolino" /P/Ch)/GC/S/abT
8.    Poplicola   >>  ("Pietro Lorenzetti" /T/Ch)/GC/S/abT  >>  ("Andrea Pisano" /P/Ch)/GC/S/abT
9.    Comparison of Poplicola with Solon
10.    Themistocles   >>  ("Buonamico Buffalmacco" /T/Ch)/GC/S/abT  >>  ("Ambrogio Lorenzetti" /P/Ch)/GC/S/abT
11.    Camillus   >>  ("Pietro Cavallini" /T/Ch)/GC/S/abT  >>  ("Simone Martini and Lippo Memmi" /P/Ch)/GC/S/abT
12.    Pericles   >>  ("Taddeo Gaddi" /T/Ch)/GC/S/abT  >>  ("Andrea di Cione Orcagna" /P/Ch)/GC/S/abT
13.    Fabius   >>  ("Tommaso called Giottino" /T/Ch)/GC/S/abT  >>  ("Giovanni dal Ponte" /P/Ch)/GC/S/abT
14.    Comparison of Pericles with Fabius
15.    Alcibiades   >>  ("Agnolo Gaddi" /T/Ch)/GC/S/abT  >>  ("Barna da Siena" /P/Ch)/GC/S/abT
16.    Coriolanus     >>  (Duccio /T/Ch)/GC/S/abT  >>  ("Antonio Veneziano" /P/Ch)/GC/S/abT
17.    Comparison of Alcibiades with Coriolanus
18.    Timoleon   >>  ("Jacopo del Casentino" /T/Ch)/GC/S/abT  >>  ("Spinello Aretino" /P/Ch)/GC/S/abT
19.    Aemilius Paulus   >>  ("Gherardo Starnina" /T/Ch)/GC/S/abT  >>  (Lippo /P/Ch)/GC/S/abT
20.    Comparison of Timoleon with Aemilius Paulus
21.    Pelopidas   >>  ("Lorenzo Monaco" /T/Ch)/GC/S/abT  >>  ("Taddeo di Bartolo" /P/Ch)/GC/S/abT  >>  ("Lorenzo di Bicci" /P)/GC/S/abT
--------------------------------------- Part II
22.    Marcellus   >>  ("Jacopo della Quercia" /T/Ch)/GC/S/abT  >>  ("Niccolo di Piero Lamberti" /P/Ch)/GC/S/abT  >>  ("Dello Delli" /P)/GC/S/abT
23.    Comparison of Pelopidas with Marcellus
24.    Aristides   >>  ("Nanni di Banco" /T/Ch)/GC/S/abT  >>  ("Luca Della Robbia and family" /P/Ch)/GC/S/abT
25.    Marcus Cato   >>  ("Paolo Uccello" /T/Ch)/GC/S/abT  >>  ("Lorenzo Ghiberti" /P/Ch)/GC/S/abT
26.    Comparison of Aristides with Marcus Cato.
27.    Philopoemen   >>  ("Masolino da Panicale" /T/Ch)/GC/S/abT  >>  ("Parri Spinelli" /P/Ch)/GC/S/abT  >>  ("Masaccio di San Giovanni" /P)/GC/S/abT
28.    Flamininus   >>  ("Filippo Brunelleschi" /T/Ch)/GC/S/abT  >>  (Donatello /P/Ch)/GC/S/abT  >>  ("Michelozzo Michelozzi" /P)/GC/S/abT
29.    Comparison of Philopoemen with Flamininus
30.    Pyrrhus   >>  ("Antonio Filarete and Simone" /T/Ch)/GC/S/abT  >>  ("Giuliano da Maiano" /P/Ch)/GC/S/abT
31.    Caius Marius   >>  ("Piero della Francesca" /T/Ch)/GC/S/abT  >>  ("Fra Angelico" /P/Ch)/GC/S/abT
32.    Lysander   >>  ("Leon Battista Alberti" /T/Ch)/GC/S/abT  >>  ("Lazzaro Vasari" /P/Ch)/GC/S/abT
33.    Sylla   >>  ("Antonello da Messina" /T/Ch)/GC/S/abT  >>  ("Alesso Baldovinetti" /P/Ch)/GC/S/abT
34.    Comparison of Lysander with Sylla
35.    Cimon   >>  ("Vellano da Padova" /T/Ch)/GC/S/abT  >>  ("Bellano da Padova" /T)/GC/S/abT  >>  ("Fra Filippo Lippi" /P/Ch)/GC/S/abT
36.    Lucullus   >>  ("Paolo Romano, Maestro Mino, C. Camicia" /T/Ch)/GC/S/abT  >>  ("Domenico Veneziano and Andrea del Castagno" /P/Ch)/GC/S/abT  >>  ("Gentile da Fabriano and Antonio Pisanello" /P)/GC/S/abT
37.    Comparison of Lucullus with Cimon
38.    Nicias   >>  ("Pesello e Francesco Peselli" /T/Ch)/GC/S/abT  >>  ("Pesellino e Francesco Peselli" /T)/GC/S/abT  >>  ("Benozzo Gozzoli" /P/Ch)/GC/S/abT
39.    Crassus   >>  ("Francesco di Giorgio and Lorenzo Vecchietto" /T/Ch)/GC/S/abT  >>  ("Galasso Galassi" /P/Ch)/GC/S/abT
40.    Comparison of Crassus with Nicias
41.    Sertorius   >>  ("Antonio and Bernardo Rossellino" /T/Ch)/GC/S/abT  >>  ("Desiderio da Settignano" /P/Ch)/GC/S/abT
42.    Eumenes   >>  ("Mino da Fiesole" /T/Ch)/GC/S/abT  >>  ("Lorenzo Costa" /P/Ch)/GC/S/abT
43.    Comparison of Sertorius with Eumenes
44.    Agesilaus   >>  ("Ercole Roberti" /T/Ch)/GC/S/abT  >>  ("Jacopo, Giovanni and Gentile Bellini" /P/Ch)/GC/S/abT
45.    Pompey       >>  ("Cosimo Rosselli" /T/Ch)/GC/S/abT  >>  ("Il Cecca" /P/Ch)/GC/S/abT
46.    Comparison of Pompey and Agesilaus
47.    Alexander   >>  ("Don Bartolomeo della Gatta" /T/Ch)/GC/S/abT  >>  ("Gherardo, the miniaturist" /P/Ch)/GC/S/abT  >>  ("Domenico Ghirlandaio" /P)/GC/S/abT
48.    Caesar   >>  ("Antonio and Piero Pollaiuolo" /T/Ch)/GC/S/abT  >>  ("Sandro Botticelli" /P/Ch)/GC/S/abT  >>  ("Benedetto da Maiano" /P)/GC/S/abT
49.    Phocion   >>  ("Andrea del Verrocchio" /T/Ch)/GC/S/abT  >>  ("Andrea Mantegna" /P/Ch)/GC/S/abT  >>  ("Filippino Lippi" /P)/GC/S/abT
50.    Cato the Younger   >>  ("Bernardino Pinturicchio" /T/Ch)/GC/S/abT  >>  ("Francesco Francia" /P/Ch)/GC/S/abT  >>  ("Pietro Perugino" /P/Ch)/GC/S/abT
51.    Agis   >>  ("Vittore Scarpaccia" /T/Ch)/GC/S/abT  >>  ("Vittore Carpaccio" /T)/GC/S/abT  >>  ("Jacopo L'Indaco" /P/Ch)/GC/S/abT  >>  ("Luca Signorelli" /P/Ch)/GC/S/abT
--------------------------------------- Part III
52.    Cleomenes   >>  ("Leonardo da Vinci" /T/Ch)/GC/S/abT  >>  ("Giorgione da Castelfranco" /P/Ch)/GC/S/abT  >>  ("Antonio da Correggio" /P/Ch)/GC/S/abT
53.    Tiberius Gracchus   >>  ("Piero di Cosimo" /T/Ch)/GC/S/abT  >>  (Bramante /P/Ch)/GC/S/abT  >>  ("Fra Bartolommeo" /P/Ch)/GC/S/abT
54.    Caius Gracchus   >>  ("Mariotto Albertinelli" /T/Ch)/GC/S/abT  >>  ("Raffaellino del Garbo" /P/Ch)/GC/S/abT
55.    Comparison of Tiberius and Caius Gracchus with Agis and Cleomenes
56.    Demosthenes   >>  ("Pietro Torrigiano" /T/Ch)/GC/S/abT  >>  ("Giuliano and Antonio da San Gallo" /P/Ch)/GC/S/abT  >>  ("Raphael of Urbino" /P)/GC/S/abT
57.    Cicero   >>  ("Guglielmo da Marcillat" /T/Ch)/GC/S/abT  >>  ("Il Cronaca" /P/Ch)/GC/S/abT  >>  ("Domenico Puligo" /P)/GC/S/abT
58.    Comparison of Demosthenes and Cicero
59.    Demetrius   >>  ("Andrea da Fiesole and Silvio Cosini" /T/Ch)/GC/S/abT  >>  ("Vincenzo da San Gimignano, Timoteo da Urbino" /P/Ch)/GC/S/abT  >>  ("Andrea Sansovino" /P)/GC/S/abT
60.    Antony   >>  ("Benedetto da Rovezzano" /T/Ch)/GC/S/abT  >>  ("Baccio and Raffaello da Montelupo" /P/Ch)/GC/S/abT  >>  ("Lorenzo di Credi" /P)/GC/S/abT
61.    Comparison of Demetrius and Antony
62.    Dion   >>  ("Lorenzetto and Boccaccino" /T/Ch)/GC/S/abT  >>  ("Baldassare Peruzzi" /P/Ch)/GC/S/abT  >>  ("Giovan Francesco Penni and Pellegrino da Modena" /P)/GC/S/abT
63.    Marcus Brutus   >>  ("Andrea del Sarto" /T/Ch)/GC/S/abT  >>  ("Madonna Properzia de'Rossi" /P/Ch)/GC/S/abT  >>  ("Alfonso Lombardi to Dosso and Battista Dossi" /P)/GC/S/abT
64.    Comparison of Dion and Brutus
65.    Aratus   >>  ("Giovanni Antonio Licinio da Pordenone" /T/Ch)/GC/S/abT  >>  ("Giovanni Antonio Sogliani" /P/Ch)/GC/S/abT  >>  ("Girolamo da Treviso" /P)/GC/S/abT
66.    Artaxerxes   >>  ("Polidoro da Caravaggio and Maturino" /T/Ch)/GC/S/abT  >>  ("Il Rosso Fiorentino" /P/Ch)/GC/S/abT  >>  ("Bartolommeo da Bagnacavallo" /P)/GC/S/abT
67.    Galba   >>  (Franciabigio /T/Ch)/GC/S/abT  >>  ("Morto da Feltro and Andrea di Cosimo" /P/Ch)/GC/S/abT  >>  ("Marco Calavrese" /P)/GC/S/abT
68.    Otho   >>  ("Francesco Mazzuoli" /T/Ch)/GC/S/abT  >>  ("Parmigianino Mazzuoli" /T/Ch)/GC/S/abT  >>  ("Jacopo Palma, Lorenzo Lotto, and Others" /P/Ch)/GC/S/abT  >>  ("Jacopo Palma Vecchio, Lorenzo Lotto, and Others" /P)/GC/S/abT

1.    Theseus   >>  ("Fra Giocondo" /T/Ch)/S
2.    Romulus  >>  ("Fra Giocondo, Liberale da Verona" /T/Ch)/S
3.    Comparison of Romulus with Theseus
4.    Lycurgus      >>  ("Giovan Francesco Caroto and Giovanni Caroto" /T/Ch)/S
5.    Numa Pompilius    >>  ("Francesco Torbido, Battista del Moro, and Orlando Fiacco" /T/Ch)/S
7.    Solon        >>  ("Francesco Monsignori, Domenico Morrone, Paolo Cavazzuola" /T/Ch)/S
8.    Poplicola                  >>  ("Falconetto and Bartolommeo Ridolfi" /T/Ch)/S
9.    Comparison of Poplicola with Solon
10.    Themistocles                    >>  ("Francesco dai Libri and Girolamo dai Libri" /T/Ch)/S
11.    Camillus                  >>  ("Francesco Granacci" /T/Ch)/S
12.    Pericles                   >>  ("Baccio d'Agnolo" /T/Ch)/S
13.    Fabius          >>  ("Valerio Belli, Giovanni da Castel Bolognese, and Others" /T/Ch)/S
14.    Comparison of Pericles with Fabius
15.    Alcibiades   >>  ("Marcantonio Bolognese and Others" /T/Ch)/S  >>  ("Marcantonio Bolognese Raimondi and Others" /T)/S
16.    Coriolanus                        >>  ("Antonio da San Gallo the Younger" /T/Ch)/S
17.    Comparison of Alcibiades with Coriolanus
18.    Timoleon   >>  ("Giulio Romano" /T/Ch)/S
19.    Aemilius Paulus                        >>  ("Sebastiano del Piombo" /T/Ch)/S
20.    Comparison of Timoleon with Aemilius Paulus
21.    Pelopidas                              >>  ("Perino del Vaga" /T/Ch)/S
22.    Marcellus                             >>  ("Domenico Beccafumi" /T/Ch)/S
23.    Comparison of Pelopidas with Marcellus
24.    Aristides                        >>  ("Giovan Antonio Lappoli" /T/Ch)/S
25.    Marcus Cato                          >>  ("Niccolo Soggi" /T/Ch)/S
26.    Comparison of Aristides with Marcus Cato.
27.    Philopoemen                       >>  ("Niccolo, called Il Tribolo" /T/Ch)/S
28.    Flamininus                         >>  ("Pierino da Vinci" /T/Ch)/S
29.    Comparison of Philopoemen with Flamininus
30.    Pyrrhus                            >>  ("Baccio Bandinelli" /T/Ch)/S
31.    Caius Marius                        >>  ("Giuliano Bugiardini" /T/Ch)/S
32.    Lysander                         >>  ("Cristofano Gherardi, called Doceno" /T/Ch)/S
33.    Sylla                               >>  ("Jacopo da Pontormo" /T/Ch)/S
34.    Comparison of Lysander with Sylla
35.    Cimon                             >>  ("Simone Mosca" /T/Ch)/S
36.    Lucullus   >>  ("Girolamo and Bartolommeo Genga, and G. Battista San Marino" /T/Ch)/S
37.    Comparison of Lucullus with Cimon
38.    Nicias                              >>  ("Michele Sanmicheli" /T/Ch)/S
39.    Crassus                              >>  ("Il Sodoma" /T/Ch)/S
40.    Comparison of Crassus with Nicias
41.    Sertorius                     >>  ("Bastiano, called Aristotile da San Gallo" /T/Ch)/S
42.    Eumenes                     >>  ("Benvenuto Garofalo" /T/Ch)/S
43.    Comparison of Sertorius with Eumenes
44.    Agesilaus                     >>  ("Girolamo Da Carpi" /T/Ch)/S
45.    Pompey                      >>  ("Lombard Sculptors and Painters" /T/Ch)/S
47.    Alexander                      >>  ("Sofonisba Anguisciuola and Others" /T/Ch)/S
48.    Caesar                         >>  ("Milanese Artists" /T/Ch)/S
49.    Phocion                       >>  ("Ridolfo, David and Benedetto Ghirlandaio" /T/Ch)/S
50.    Cato the Younger                 >>  ("Giovanni da Udine" /T/Ch)/S
51.    Agis                              >>  ("Battista Franco" /T/Ch)/S
52.    Cleomenes                     >>  ("Jacopo Tintoretto" /T/Ch)/S
53.    Tiberius Gracchus                 >>  ("Andrea Schiavone" /T/Ch)/S
54.    Caius Gracchus                  >>  ("Giovan Francesco Rustici" /T/Ch)/S
55.    Comparison of Tiberius and Caius Gracchus with Agis and Cleomenes
56.    Demosthenes                     >>  ("Fra Giovann' Agnolo Montorsoli" /T/Ch)/S
57.    Cicero                            >>  ("Francesco Salviati" /T/Ch)/S
58.    Comparison of Demosthenes and Cicero
59.    Demetrius   >>  ("Daniele da Volterra" /T/Ch)/S  >>  ("Daniele da Ricciarelli" /T)/S
60.    Antony                           >>  ("Taddeo Zucchero" /T/Ch)/S
61.    Comparison of Demetrius and Antony
62.    Dion                               >>  (Michelangelo /T/Ch)/S
63.    Marcus Brutus                     >>  ("Francesco Primaticcio" /T/Ch)/S
64.    Comparison of Dion and Brutus
65.    Aratus                              >>  (Titian /T/Ch)/S
66.    Artaxerxes                         >>  ("Paris Bordone" /T/Ch)/S
67.    Galba                              >>  ("Jacopo Sansovino" /T/Ch)/S
68.    Otho                      >>  ("Solosmeo da Settignano and Jacopo Colonna" /T/Ch)/S

1.    Theseus   >>  ("Tiziano da Padova [Minio] and Pietro da Salo" /T/Ch)/C2  >>  ("Tiziano da Minio and Pietro da Salo" /T)/C2
2.    Romulus                          >>  ("Alessandro Vittoria" /T/Ch)/C2
3.    Comparison of Romulus with Theseus
4.    Lycurgus                   >>  ("Tommaso da Lugano and Jacopo Bresciano" /T/Ch)/C2
5.    Numa Pompilius                       >>  ("Bartolommeo Ammanati" /T/Ch)/C2
7.    Solon                                 >>  ("Danese Cattaneo" /T/Ch)/C2
8.    Poplicola                              >>  ("Andrea Palladio" /T/Ch)/C2
9.    Comparison of Poplicola with Solon
10.    Themistocles                    >>  ("Leone Leoni and others" /T/Ch)/C2
11.    Camillus                               >>  ("Giulio Clovio" /T/Ch)/C2
12.    Pericles                          >>  ("Other Italian Artists" /T/Ch)/C2
13.    Fabius                             >>  ("Other Flemish Artists" /T/Ch)/C2
14.    Comparison of Pericles with Fabius
15.    Alcibiades                         >>  ("On the Academy of Design" /T/Ch)/C2
16.    Coriolanus                >>  ("Description of the Works of Giorgio Vasari " /T/Ch)/C2



Theseus
As geographers, Sosius, crowd into the edges of their maps parts of the world which they do not know about, adding notes in the margin to the effect, that beyond this lies nothing but sandy deserts full of wild beasts, unapproachable bogs, Scythian ice, or a frozen sea, so, in this work of mine, in which I have compared the lives of the greatest men with one another, after passing through those periods which probable reasoning can reach to and real history find a footing in, I might very well say of those that are farther off, Beyond this there is nothing but prodigies and fictions, the only inhabitants are the poets and inventors of fables; there is no credit, or certainty any farther. Yet, after publishing an account of Lycurgus the lawgiver and Numa the king, I thought I might, not without reason, ascend as high as to Romulus, being brought by my history so near to his time.

Considering therefore with myself

Whom shall I set so great a man to face?
Or whom oppose? who’s equal to the place?

(as Aeschylus expresses it), I found none so fit as him that peopled the beautiful and far-famed city of Athens, to be set in opposition with the father of the invincible and renowned city of Rome. Let us hope that Fable may, in what shall follow, so submit to the purifying processes of Reason as to take the character of exact history. In any case, however, where it shall be found contumaciously slighting credibility, and refusing to be reduced to anything like probable fact, we shall beg that we may meet with candid readers, and such as will receive with indulgence the stories of antiquity.

Theseus seemed to me to resemble Romulus in many particulars. Both of them, born out of wedlock and of uncertain parentage, had the repute of being sprung from the gods.

Both warriors; that by all the world’s allowed.

Both of them united with strength of body an equal vigor mind; and of the two most famous cities of the world the one built Rome, and the other made Athens be inhabited. Both stand charged with the rape of women; neither of them could avoid domestic misfortunes nor jealousy at home; but towards the close of their lives are both of them said to have incurred great odium with their countrymen, if, that is, we may take the stories least like poetry as our guide to the truth. ~ ~


1.       Theseus  >>  (Cimabue /T/Ch)/GC/S/abT

"circa 1240"                                (C/C2 + imabue/T)                            Cimabue
"circa 1302"                           (C/GC/S/abT + imabue/T)                          Cimabue

2.       As  >>  ("GREAT FLOOD" /T/Ch)/GC/S/abT

3.       geographers  >>  ("of misfortunes " /T/Ch)/GC/S/abT

4.       Sosius  >>  ("by which poor Italy" /T/Ch)/GC/S/abT

5.       crowd  >>  ("had been afflicted" /T/Ch)/GC/S/abT

6.       "into edges"  >>  ("and overwhelmed" /T/Ch)/GC/S/abT

7.       "of their"  >>  ("had not only reduced to ruins" /T/Ch)/GC/S/abT

8.       maps  >>  ("all buildings of note" /T/Ch)/GC/S/abT

9.       parts  >>  ("throughout land" /T/Ch)/GC/S/abT

10.       "of world"  >>  ("but what was of far more importance" /T/Ch)/GC/S/abT

Et cetera.      As below.


CIMABUE (circa 1240-circa 1302)
Vasari's Lives of the Artists
With the History of the Building of the Church of San Francesco at Assisi
http://members.efn.org/~acd/vite/VasariCimabue.html ,  

-- (As) <THE> GREAT FLOOD -- (geographers) of misfortunes, -- (Sosius) by which poor Italy -- (crowd) had been afflicted -- (into edges) and overwhelmed, -- (of their) had not only reduced to ruins -- (maps) all buildings of note -- (parts) throughout the land, -- (of world) but what was of far more importance, -- (which they) had caused <an> utter lack -- (do not) of <the> very artists themselves. -- (know) At this time, -- (about) when <the> supply seemed -- (adding) entirely exhausted, -- (notes) in the year 1240, -- (in margin) by <the> will of God, -- (to effect) there was born in <the> city of Florence, -- (that) Giovanni, -- (beyond this) surnamed Cimabue, -- (lies) of <the> noble family of that name, -- (nothing) who was to shed <the> first light on <the> art of painting. -- (but sandy) He, -- (deserts) as he grew, -- (full of wild beasts) being judged -- (unapproachable bogs) by his father -- (Scythian ice) and others -- (or frozen sea) to possess <a> fine acute intellect, -- (so) was sent to -- (in this work of mine) Santa Maria Novella -- (in which) -- (I have) to be -- (compared lives of greatest men) instructed in letters -- (with one another) by <a> relative -- (after passing) of his -- (through those periods) who taught -- (which probable reasoning) grammar -- (can reach) to <the> novices -- (to and real) of that convent.

-- (history) But -- (find footing in) instead -- (I might very well say) of attending -- (of those) to his lessons, -- (that are farther off) Cimabue -- (Beyond this) spent -- (there is) all -- (nothing but) <the> day -- (prodigies and fictions) in painting -- (only inhabitants are) on his books -- (poets and inventors of fables) and papers, -- (there is no credit) men, -- (or certainty any farther) horses, -- (Yet) houses, -- (after publishing account of Lycurgus) and such things. -- (lawgiver and Numa <the> king) To this natural inclination -- (I thought I might) fortune was favorable, -- (not without reason) for -- (ascend as high as to Romulus) certain -- (being brought) painters -- (by my history) of -- (so near to his time) Greece, -- (Considering therefore) who -- (with myself) had -- (Whom shall I) been -- (set so great) summoned -- (man to face) by -- (Or whom oppose) <the> rulers -- (who’s equal) of -- (to place) Florence -- (as Aeschylus) to -- (expresses it) restore -- (I found) <the> almost -- (none so fit) forgotten -- (as him) art -- (that peopled) of -- (beautiful and far-famed) painting -- (city of Athens) in <the> city, -- (to be set) began -- (in opposition) at -- (with father) this -- (of invincible) time -- (and renowned) to -- (city of Rome) work -- (Let us) in -- (hope) <the> chapel -- (that) of -- (Fable may) <the> Gondi -- (in what) in -- (shall) Santa -- (follow) Maria -- (so submit) Novella; -- (to purifying) and -- (processes of Reason) Cimabue -- (as to take) would -- (character of) often -- (exact history) escape -- (In any case) from -- (however) school -- (where it) and -- (shall be) stand -- (found contumaciously) all -- (slighting credibility) day -- (and refusing) watching -- (to be reduced) them, -- (to anything) until -- (like probable fact) his -- (we shall beg) father -- (that we) and -- (may meet) <the> painters -- (with candid readers) themselves -- (and such) judging -- (as will) that -- (receive with) he -- (indulgence) was -- (stories of antiquity) apt -- (Theseus seemed) for -- (to me to resemble) painting, -- (Romulus) he -- (in many particulars) was -- (Both of them) placed -- (born out of wedlock) under -- (and of) their -- (uncertain parentage) instruction. -- (had repute of) Nature, -- (being sprung) however, -- (from gods) aided -- (Both warriors) by -- (that by) constant -- (all world’s allowed) practice, -- (Both of them) enabled -- (united with) him -- (strength of) greatly -- (body) to -- (equal vigor) surpass -- (mind) both -- (and of) in -- (two most famous) design -- (cities of) and -- (world one) coloring -- (built Rome) <the> masters -- (and other) who -- (made Athens) had -- (be inhabited) taught -- (Both stand) him. -- (charged) For -- (with rape) they, -- (of women) never -- (neither of) caring -- (them could) to -- (avoid) advance -- (domestic) in -- (misfortunes) their -- (nor jealousy) art, -- (at home) did -- (but towards) everything -- (close of) not -- (their lives) in -- (are both of) <the> good -- (them said) manner -- (to have) of -- (incurred great odium) ancient -- (with their) Greece, -- (countrymen) but -- (if) after -- (that is) <the> rude -- (we may take) manner -- (stories least) of -- (like poetry as) those -- (our guide to truth) times.

Et cetera.



Ludovico Sforza
http://encyclopedia.thefreedictionary.com/Ludovico+il+Moro ,  
"Ludovico Sforza"                           (V/S + inci/T)/Ch                                  Vinci

Giulio Romano
http://encyclopedia.thefreedictionary.com/Giulio+Romano ,    
"Giulio Romano"                            (V/S + inci/GC/S/abT)                             Vinci

Gianfrancesco Penni
http://encyclopedia.thefreedictionary.com/Gianfrancesco+Penni ,    
"Gianfrancesco Penni"                       (V/S + inci/GC/S/abT)/Ch                         Vinci



Pietro Bembo
http://encyclopedia.thefreedictionary.com/Pietro+Bembo ,    
"Pietro Bembo"                             (V/S + inci/C2)                                     Vinci

*                        "Pietro Bembo"  >>  Pietro /C2

Born                               20 May 1470                        Venice, Republic of Venice 1
Died                        18 January 1547 (aged 76)                       Rome, Papal States

"1470"                        (P/T + "-ietro Bembo"/S)/+bp                         "Pietro Bembo"
May                           (P/T + "-ietro Bembo"/S)/+cp                         "Pietro Bembo"
"20th"                       (P/T + "-ietro Bembo"/S)/Ch/+bp                      "Pietro Bembo"
"Venice, Republic of Venice"                 (P/T + "-ietro Bembo"/S)/Ch/+cp                  "Pietro Bembo"

"1547"                        (P/T + "-ietro Bembo"/C2)/+bp                       "Pietro Bembo"
January                        (P/T + "-ietro Bembo"/C2)/+cp                       "Pietro Bembo"
"18th"                       (P/T + "-ietro Bembo"/C2)/Ch/+bp                     "Pietro Bembo"
"Rome, Papal States"                (P/T + "-ietro Bembo"/C2)/Ch/+cp                "Pietro Bembo"

>>         his first work, Gli Asolani, a dialogue on the subject of courtly love.

"Gli Asolani"                  (P/T + "-ietro Bembo's work"/C2)                   "Pietro Bembo's work"

>>         a prose treatise on writing poetry in Italian, Prose della volgar lingua,

"Prose della volgar lingua"                  (P/P + "-ietro Bembo's work"/C2)                   "Pietro Bembo's work"

>>         History of Venice from 1487 to 1513 (published in 1551),

"History of Venice"                  (P/S + "-ietro Bembo's work"/C2)                   "Pietro Bembo's work"

*           "History of Venice"  >>  ("1487" /C2)/P  >>  ("1513" /C2/Ch)/P  >>  ("published in 1551" /C2)/GC/S/abT

>>         His edition of Petrarch's Italian Poems, published by Aldus in 1501, and the Terzerime, which Aldus published in 1502,

Terzerime                  (P/T + "-ietro Bembo's work"/C2)/Ch                   "Pietro Bembo's work"



Pietro Bibbiena
http://encyclopedia.thefreedictionary.com/Bernardo+Dovizi ,  

"Pietro Bibbiena"                         (V/S + inci/C2)/+bp/Ch                             Vinci

>>         Bernardo Dovizi or Bibbiena (August 4, 1470 – November 9, 1520) was an Italian cardinal and comedy-writer, known best as Cardinal Bibbiena, for the town Bibbiena, where he was born.

"Pietro Dovizi"                          (V/S + inci/C2)/+cp/Ch                             Vinci

"1470"                       (P/P + "ietro Bibbiena"/C2)/+bp                      "Pietro Bibbiena"
August                       (P/P + "ietro Bibbiena"/C2)/+cp                      "Pietro Bibbiena"
"4th"                          (P/P + "ietro Bibbiena"/C2)/Ch                      "Pietro Bibbiena"

"1520"                   (P/P + "ietro Bibbiena"/GC/S/abT)/+bp                   "Pietro Bibbiena"
November                (P/P + "ietro Bibbiena"/GC/S/abT)/+cp                   "Pietro Bibbiena"
"9th"                     (P/P + "ietro Bibbiena"/GC/S/abT)/Ch                    "Pietro Bibbiena"

>>       La Calandra (also, known as Il Calandro and La Calandria), was probably given for the first time at Urbino, about 1507.

"La Calandra"                 (P/GC/S/abT + "ietro Bibbiena's work"/C2)                 "Pietro Bibbiena's work"

*       "La Calandra"  >>  "Il Calandro" /T  >>  "La Calandria" /P  >>  ("1507" /GC/S/abT)/P>>  ("at Urbino" /GC/S/abT/Ch)/P



Francesco Melzi
http://encyclopedia.thefreedictionary.com/Francesco+Melzi ,    
"Francesco Melzi"                              (V/P + inci/C2)                                 Vinci

Henry Fuseli
http://encyclopedia.thefreedictionary.com/Henry+Fuseli ,    
"Henry Fuseli"                               (V/P + inci/C2)/Ch                               Vinci

Angelo Poliziano
http://encyclopedia.thefreedictionary.com/Angelo+Poliziano ,  
"Angelo Poliziano"                          (V/P + inci/GC/S/abT)                             Vinci

Raffaellino del Colle
http://encyclopedia.thefreedictionary.com/Raffaellino+del+Colle ,  
"Raffaellino del Colle"                        (V/P + inci/GC/S/abT)/Ch                        Vinci

Pietro Perugino
http://encyclopedia.thefreedictionary.com/Pietro+Perugino ,  
"Pietro Perugino"                              (V/P + inci/S)                                 Vinci

Bartolommeo Ramenghi
http://encyclopedia.thefreedictionary.com/Bartolommeo+Ramenghi ,  
"Bartolommeo Ramenghi"                           (V/P + inci/S)/Ch                          Vinci

Giovanni da Udine
http://encyclopedia.thefreedictionary.com/Giovanni+da+Udine ,  
"Giovanni da Udine"                              (V/P + inci/T)                                 Vinci

Andrea Sabbatini
http://encyclopedia.thefreedictionary.com/Andrea+Sabbatini ,  
"Andrea Sabbatini"                              (V/P + inci/T)/Ch                             Vinci


Baldassare Castiglione
http://encyclopedia.thefreedictionary.com/Baldassare+Castiglione ,    
"Baldassare Castiglione"                            (V/T + inci/P)                              Vinci

Lorenzetto
http://encyclopedia.thefreedictionary.com/Lorenzetto ,  
Lorenzetto                                     (V/T + inci/P)/Ch                               Vinci

Pinturicchio
http://encyclopedia.thefreedictionary.com/Pinturicchio ,  
Pinturicchio                                     (V/T + inci/S)                                  Vinci

Tommaso Vincidor
http://encyclopedia.thefreedictionary.com/Tommaso+Vincidor ,  
"Tommaso Vincidor"                          (V/T + inci/S)/Ch                                Vinci

Marsilio Ficino
http://encyclopedia.thefreedictionary.com/Marsilio+Ficino ,  
"Marsilio Ficino"                          (V/T + inci/GC/S/abT)                                Vinci

Pietro Torrigiano
http://encyclopedia.thefreedictionary.com/Pietro+Torrigiano ,  
"Pietro Torrigiano"                       (V/T + inci/GC/S/abT)/Ch                            Vinci

Paolo Uccello
http://encyclopedia.thefreedictionary.com/Paolo+Uccello ,  
"Paolo Uccello"                                   (V/T + inci/C2)                              Vinci

Luca Signorelli
http://encyclopedia.thefreedictionary.com/Luca+Signorelli ,  
"Luca Signorelli"                          (V/T + inci/C2) /Ch                              Vinci

----------------

Bernard van Orley
http://encyclopedia.thefreedictionary.com/Bernard+van+Orley ,  

*                 Raphael  >>  "Bernard van Orley" /P/Ch

Piero di Cosimo
http://encyclopedia.thefreedictionary.com/Piero+di+Cosimo ,  

* "Andrea del Sarto"  >>  Andrea /C2  >>  Sarto /C2/Ch  >>  "Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore" /S  >>  "senza errori" /C1  >>  ("Piero di Cosimo" /T)/P

Raffaellino del Garbo
http://encyclopedia.thefreedictionary.com/Raffaellino+del+Garbo ,    

* "Andrea del Sarto"  >>  Andrea /C2  >>  Sarto /C2/Ch  >>  "Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore" /S  >>  "senza errori" /C1  >>  ("Piero di Cosimo" /T)/P  >>  ("Raffaellino del Garbo" /T/Ch)/P

Franciabigio
http://encyclopedia.thefreedictionary.com/Franciabigio ,  

* "Andrea del Sarto"  >>  Andrea /C2  >>  Sarto /C2/Ch  >>  "Andrea d'Agnolo di Francesco di Luca di Paolo del Migliore" /S  >>  "senza errori" /C1  >>  ("Piero di Cosimo" /T)/P  >>  ("Raffaellino del Garbo" /T/Ch)/P  >>  (Franciabigio /T)/S



Leone Battista Alberti
http://encyclopedia.thefreedictionary.com/Leone+Battista+Alberti ,  

Alberti                        (G/GC/S/abT + "-iorgio Vasari"/S)                     "Giorgio Vasari"

*                    Alberti  >>  "Leone Battista Alberti" /S

>>              February 14, 1404 – April 25, 1472

"1404"                           ([ŋ=  w=]/P + Alberti/C2)/+bp                             Alberti
February                           ([ŋ=  w=]/P + Alberti/C2)/+cp                           Alberti
"14th"                            ([ŋ=  w=]/P + Alberti/C2)/Ch                              Alberti

"1472"                           ([ŋ=  w=]/T + Alberti/C2)/+bp                             Alberti
April                             ([ŋ=  w=]/T + Alberti/C2)/+cp                             Alberti
"25th"                            ([ŋ=  w=]/T + Alberti/C2)/Ch                              Alberti

>>               In Italy, his first name is usually spelled "Leon".

*         Alberti  >>  "Leone Battista Alberti" /S  >>  "Leon Battista Alberti" /S/Ch  >>  Leon /T/Ch

>>      one of two illegitimate sons of a wealthy Florentine merchant, Lorenzo Alberti. Leon's mother, Bianca Fieschi,

"Lorenzo Alberti"                ([ŋ=  w=]/GC/S/abT + "Alberti's father"/S)                 "Alberti's father"
"Lorenzo Alberti"                ([ŋ=  w=]/GC/S/abT + "Alberti's mother"/S)                 "Alberti's mother"

>>        On the Advantages and Disadvantages of Letters

"On Advantages and Disadvantages of Letters"                ([ŋ=  w=]/P + "Alberti's writing"/S)                 "Alberti's writing"

>>        Alberti's Latin comedy, Philodoxeos

Philodoxeos                 ([ŋ=  w=]/GC/S/abT + "Alberti's writing"/C2)                 "Alberti's writing"

>>        Other early works, Amator (ca. 1429), Ecatonfilea (ca. 1429), and Deiphira (ca. 1429-1434), dealt with love, virtues, and failed relationships.

Amator                    ([ŋ=  w=]/T + "Alberti's writing"/P)                    "Alberti's writing"
Ecatonfilea                ([ŋ=  w=]/T + "Alberti's writing"/P)/Ch                 "Alberti's writing"
Deiphira                    ([ŋ=  w=]/P + "Alberti's writing"/T)                   "Alberti's writing"

*                    Amator  >>  ("ca. 1429" /C2)/P
*                    Ecatonfilea  >>  ("ca. 1429" /C2)/P
*                    Deiphira  >>  ("ca. 1429" /C2)/P  >>  ("1434" /C2/Ch)/P

>>       De pictura (1435), the first version of On Painting, Alberti wrote in Latin.     He then translated it into Italian under the title Della pittura (1436). Alberti dedicated the book to Filippo Brunelleschi,

"De pictura"                 ([ŋ=  w=]/T + "Alberti's writing"/C1)/+cp                 "Alberti's writing"

*      "De pictura"  >>  ("1435" /C2)/P  >>  ("Della pittura" /C2/Ch)/P  >>  ("1436" /C2)/T

"Filippo Brunelleschi"               (L/S + "-eone Battista Alberti"/C2)                 "Leone Battista Alberti"

>>      In both Della pittura and De statua, a short treatise on sculpture,

"De statua"                 ([ŋ=  w=]/T + "Alberti's writing"/C1)/Ch              "Alberti's writing"

>>      Alberti wrote I Libri della famiglia

"I Libri della famiglia"                 ([ŋ=  w=]/C2 + "Alberti's writing"/P)                 "Alberti's writing"

>>      Momus, written between 1443 and 1450

Momus                  ([ŋ=  w=]/C2 + "Alberti's writing"/P)/Ch                 "Alberti's writing"

>>      De Re Aedificatoria (1452, Ten Books of Architecture) -- not fully published until 1485,

"De Re Aedificatoria"                 ([ŋ=  w=]/GC/S/abT + "Alberti's writing"/C1)                 "Alberti's writing"

*                    "De Re Aedificatoria"  >>  ("1452" /C2)/P  >>  ("1485" /C2/Ch)/P

>>    a treatise in cryptography, De componendis cifris, and the first Italian grammar.

"De componendis cifris"                 ([ŋ=  w=]/GC/S/abT + "Alberti's writing"/C1)                 "Alberti's writing"

>>    With the Florentine cosmographer Paolo Toscanelli he collaborated in astronomy, a close science to geography at that time, and produced a small Latin work on geography, Descriptio urbis Romae (The Panorama of the City of Rome). Just a few years before his death, Alberti completed De iciarchia (On Ruling the Household), a dialogue about Florence during the Medici rule.

"Paolo Toscanelli"               (L/S + "-eone Battista Alberti"/P)                 "Leone Battista Alberti"

"Descriptio urbis Romae"                 ([ŋ=  w=]/P + "Alberti's writing"/S)                 "Alberti's writing"

"De iciarchia"                 ([ŋ=  w=]/S + "Alberti's writing"/C1)               "Alberti's writing"



>>     Phonetic correspondence   between Alberti's "De pictura"    and Homer's Odyssey

http://www.noteaccess.com/Texts/Alberti/ ,  
http://www.noteaccess.com/Texts/Alberti/Prologue.htm ,  

"De pictura"                 ([ŋ=  w=]/T + "Alberti's writing"/C1)/+cp                 "Alberti's writing"
"De pictura"                       ([ŋ=  w=]/T + Odyssey/C1)/+cp                        Odyssey

http://www.gutenberg.org/ebooks/26275 ,  
http://www.gutenberg.org/files/26275/ ,  
http://www.gutenberg.org/files/26275/26275-8.txt ,  

By Denton J. Snider,    Denton Jaques Snider
I.
The Goddess Pallas has already come down to Ithaca and stands among the
suitors. She has taken the form of Mentes, the King of a neighboring
tribe; she is in disguise as she usually is when she appears on earth.
Who will recognize her? Not the suitors; they can see no God in their
condition, least of all, the Goddess of Wisdom. "Telemachus was much
the first to observe her;" why just he? The fact is he was ready to see
her, and not only to see her, but to hear what she had to say. "For he
sat among the suitors grieved in heart, seeing his father in his mind's
eye," like Hamlet just before the latter saw the ghost. So careful is
the poet to prepare both sides--the divine epiphany, and the mortal who
is to behold it. ~ ~


"Prologue 1/one"                      (B/T + "-ook first"/C1)/+cp                       "Book first"

1.
I                                  (G/T + oddess/C1)/+cp                                 Goddess

2.
used                                 (P/T + allas/C1)/+cp                                   Pallas

3.
to                                    (h/T + as/C1)/+cp                                       has

4.
marvel                          ([ŋ=  w=]/T + already/C1)/+cp                           already

5.
and                              (c/T + "-ome down"/C1)/+cp                        "come down"

Et cetera.      As below.


-- (Goddess) I -- (Pallas) used -- (has) to -- (already) marvel -- (come down) and -- (to Ithaca) at <the> same -- (and stands) time -- (among) to -- (suitors) grieve -- (She) that -- (has taken) so -- (form of) many -- (Mentes) excellent -- (King of) and -- (neighboring) superior -- (tribe) arts -- (she is) and -- (in disguise) sciences -- (as she) from -- (usually) our -- (is when) most -- (she appears) vigorous -- (on earth) antique -- (Who will) past -- (recognize her) could -- (Not suitors) now -- (they can) seem -- (see no) lacking -- (God in) and -- (their condition) almost -- (least of all) wholly -- (Goddess of Wisdom) lost. -- (Telemachus) We -- (was much) know -- (first to) from -- (observe her) [remaining] -- (why just he) works -- (fact is) and -- (he was ready to see her) through -- (and not only to see her) references -- (but to hear) to them -- (what she had) that they were -- (to say) once -- (For he sat) widespread. -- (among suitors) Painters, -- (grieved in heart) sculptors, -- (seeing his father) architects, -- (in his mind's eye) musicians, -- (like Hamlet) geometricians, -- (just before) rhetoricians, -- (latter saw ghost) seers -- (So careful) and -- (is poet) similar -- (to prepare both sides) noble -- (divine epiphany) and amazing -- (and mortal) intellects -- (who
is to) are very -- (behold it) rarely

Et cetera.

found today and there are few to praise them. -- () Thus I believed, -- () as many said, that Nature, -- () the mistress of things, -- () had grown old and tired. -- () She no longer produced either geniuses or giants which in her more youthful and more glorious days she had produced so marvelously and abundantly.

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DATE: 2011.07.12 - 23:08


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497Simple viewSocrates/Thucydides/Plutarch/Herodotus/Xenophon/Aristophanes/Plato/Aristotle/Parmenides/Democritus, etc. Y... 2011.05.04
496Simple view                           phonetic analysis on     Buddha  &  Buddhism Y... 2011.05.04
495Simple viewPhonetic analysis on   Hinduism/Veda/Sanskrit/Prakrit/Zoroaster, Manichaeism/Mani,  Bahá'í Faith, Bahá'u'lláh Y... 2011.04.29
494Simple view'net-cutting'  'country music'  'General Zod'      BC/AD  'Independence day'     BCE/CE    '(Before) Common Era' Y... 2011.04.14
493Simple view    'phonetic study on Jesus Christ  &  Moshe'             'Twelve Apostles'              'Hellenistic civilization??' Y... 2011.04.10
492Simple view           translation :           논어(論語)/공자(孔子/Confucius),               etymological analysis Y... 2011.04.08
491Simple view'論語/논어 [non  ŋΛ]  &  Old Testament'       Torah/Pentateuch         'Why Torah, Prophets, Writings, 四書五經' Y... 2011.04.05
490Simple view'lady-in-waiting'  Confucius/Mencius/Laozi/Micius  popcorn  'Generation Y/X'  'Wonder Woman'       I/you    etc. Y... 2011.04.02
489Simple viewfraction/ordinal,   'national flowers'   'Department of State'    'God bless you!'   'daylight saving time'   *BC/AD Y... 2011.03.20
488Simple view"&/and",                  italic,  ride/drive,       Morrison, Messiah/Immanuel,  succeed,     'Virgin Mary'  Joseph Y... 2011.03.15
487Simple view‘Moby-Dick’     'Coca Cola'       pronouns/4,  'Chinese carry-out'     'days of months'     'leap year (day)'   date Y... 2011.03.04
486Simple view'The Star-Spangled Banner'   &   'God Save the Queen'   &    'Land of Hope and Glory';        national anthems Y... 2011.02.10
485Simple view         'La Marseillaise'              Deutschlandlied              'National anthem of Austria' Y... 2013.05.12
484Simple view'Ask not'/America       months  'days of the week'  day/week/month/year  '(the) first'  hamburger  'Super Bowl' Y... 2011.02.09
483Simple view'passive voice'               'shoe-string budget?'  'you know'  'by the way'  'eh/well'  'blood libel'    'last supper' Y... 2011.01.14
482Simple view'Do I know you?'           'Season's Greetings'  'Auld Lang Syne'      'Christian cross,  resurrection'    'Red Cross' Y... 2011.01.08
481Simple view'Moses & Jesus Christ'            Christ/Jesus,   'Christmas card'   'Why Santa is old man'   MoU,      'Three Magi' Y... 2010.12.25
480Simple view"Shakespeare   &  Plutarch"                  'Sir Thomas More'   'G6'     oneself/myself/ourselves/etc.    ID Y... 2010.12.23
479Simple view'Why wedding dresses are white'              Halloween/제사,  denim, angel(s), eve, Ivy/steak, 'Rhode Island' Y... 2010.12.19
478Simple viewThanksgiving-day,         SantaClaus,           countries,      "silent letter??"     waffle/빈대떡/cupcake Y... 2010.11.26
477Simple view>> More considerations on  "silent letter??";     between GRECOnglish & orthodox English pronunciations Y... 2010.11.27
476Simple view"for the people, by the people, of the people"                          "I have a dream"      yes/no Y... 2010.10.10
475Simple view'it :  imp. v.??'              methinks                               Memorial/Mother's Day,    'hat trick'  franchise/may Y... 2010.06.05
474Simple view"Phonetics/linguistics  &  Bible"                                            "dirty Chinese??" Y... 2010.04.20
473Simple view'aui*Λ/o/='        exigency, need/longing, matter, pressure/force, hurry/rush, weight/postulate/concept/picture Y... 2010.04.05
472Simple view>> Corrected:                   [auiΛ]/S/mES, /S/MS;    [auio]/S/mES, /T/mES, /C1/mES;   [aui=]/P/pES Y... 2010.08.14
471Simple viewview/viewpoint, scheme/surmise/lack/economy/feature,  detail/topic,  item/issue,  point/case,  trifle/matter Y... 2010.04.05
470Simple viewaffair/terrific,  spooky/spook, dreadful/fearsome/awesome/traditional,  customary/familiar,  normal/average Y... 2010.04.05
469Simple viewusual/general,  common/routine, standard, apropos, related/relati-,  germane/cognate, tempor-, fly-by-night Y... 2010.04.05
468Simple viewpassing,  fugitive, 'short-lived', transient/ably/momentarily/amplify/stretch,  expand/wax,  augment/raise Y... 2010.04.05
467Simple viewheighten/lengthen,  embarra-/discountena-,  'show up', offend,  chagrin/vex, mortify/abash,  incarna-/personi- Y... 2010.04.05
466Simple viewrepresent/depict,  illustrate/explicate, codify, manifest, rubbish,  malign/libel,  abuse/mar, decry, blacken Y... 2010.04.05
465Simple viewsignificance/fervour/ebullience,  weight/emphasis, distillation/water/dew/perspiration/moisture/spray/bigotry Y... 2010.04.05
464Simple viewchutzpah', fight, payoff, path,  consequences/end, result(s), verdict,  upshot/event, compatible, consonant Y... 2010.04.05
463Simple viewsociable, convivial,  'dyed in the wool', universal, overall,  total/downright, worldwide,  'far-flung', entire Y... 2010.04.05
462Simple viewwhole/patient,  mild/equab-, kind/generali-/interpola-,  sophisticate/pervert, counsel/instruct,  refine/temper Y... 2010.04.05
461Simple viewhype/razzmatazz, razzle-dazzle, spotlight, play-up, write-up,  champion/uphold, develop,  defend, 'plead for' Y... 2010.04.05
460Simple viewhelp,  advocate/recommend,  puzzle/poser, problem, inconsistency, 'closed book', conundrum, fabrication Y... 2010.04.05
459Simple viewforgery/phony, lie(s), fiction, myth,  fake/counterfeit,  takings, arrest/bust,  catching/espial, trappings/bard Y... 2010.04.05
458Simple viewimprisonment/detenti-, seizure,  dignity, 'self-importa-', decorum/etiquet-,  grandeur/prominen-, proprieties Y... 2010.04.05
457Simple viewsolemnities/gravity,  majesties, 'His Honour, etc.',  destitute, 'down and out',  poor, 'bad(ly) off', 'well-off' Y... 2010.04.05
456Simple viewneedy,  short/low, jovial,  lively, 'full of beans', congenial/ratty/peevish,  sour/tart,  surly/churlish, peppery Y... 2010.04.05
455Simple viewtesty/heady/snappish, unlimited/incomparable/peremptory/complain,  grumble/bellyache, carp/kvetch, groan Y... 2010.04.05
454Simple viewwail/soothe,  'relieve (yourself)', soften/mitigate/scold/blame,  correct/chasten, discipline/censure/advertise Y... 2010.04.05
453Simple viewfortis(?) consonants,                                    Short(?) Program,  Democrat/donkey,  Valentine's Day Y... 2010.02.24
452Simple view>>                                              θ/ð/v/f Y... 2014.03.09
451Simple viewDifference between English & GRECOnglish/GC,                                             pronouns,   'Excuse me.' Y... 2010.01.23
450Simple view'Λui*a/o/=', business/craft, work/occupation, call/job, line/field, condition/symptoms/disorder/appointments Y... 2010.01.06
449Simple view>> Corrections:                                               [Λuia] adjective,       [Λui=] /S/SS Y... 2010.09.18
448Simple viewhorseback-riding?    class, label, creature, gull,   figure/dupe, fitting/fit,    worthy/praiseworthy/worthwhile Y... 2010.01.06
447Simple viewcorrect,  toxic/unhealthful,  deadly/destructive, mortal/killing, choice/prime,  'cool, first-class', select/rare Y... 2010.01.06
446Simple viewbrilliant/marvello-, cracking/mega, coolish/aggregate/assemble/accumula-, test/challenge, look at, research Y... 2010.01.06
445Simple viewexaggerate/emphasise/enlarge/inflate/embroider, frighten/scare/stun/alarm, damp/humidness/opacity/dim Y... 2010.01.06
444Simple viewfaintness/funniness/sport/pleasure/cheerfulness/joy,   understanding/affectionateness/toleration/surd/hard Y... 2010.01.06
443Simple viewdire/awful/dreadful/notable, non-specialist, general/easy/simple/plain/significant/suppose/imagine, believe in Y... 2010.01.06
442Simple view'fancy up', feed, 'eat up', graze/pasture/browse,  'dine out', copulate/shag/bonk,  'have a ball', 'have a fuck' Y... 2010.01.06
441Simple view'have a hump', erase, 'cancel out', excise, 'wipe out', luxury/extra/art/pleasure/love/density/want/parsimony Y... 2010.01.06
440Simple viewdimension/solidity/impenetrability/terror/animosity/dread/horror/fright/awe/deadline,    value/unchangeability Y... 2010.01.06
439Simple viewconstancy,  merit/irreversibility,  quality/unalterability,  caliber/invariability, bad,  kind/humane, good, favour Y... 2010.01.06
438Simple viewcaring/sharp/risky/parlous/ominous/dicey/insecure/ugly/quiescent/yielding/soft/dutiful/willing, patient/serene Y... 2010.01.06
437Simple viewliberal/prodigal, lax/permissive/tender, constancy/stability, lenient/magnanimo-/free/evolve, generate/render Y... 2010.01.06
436Simple viewguarantee/guaranty, delegate/authorize, trust, transfer/transport, hand/give/pass/capture, charm/bewitch Y... 2010.01.06
435Simple viewattract/fascinate,  entrance/trance,  submit/yield/agree/bend/bow/ailment, malaise/instrument/tool/apropos Y... 2010.01.06
434Simple viewtimely/genuine/lethal/terminal/hostile/fine/willing/affable/commix/terrorize/water, kindliness, hand-out Y... 2010.01.06
433Simple viewEnglish/GRECOnglish accent,                   'Happy Holidays',  season, chemistry?         'primary consonants' Y... 2010.01.04
432Simple view'uia*Λ/o/='            mix/mixture;     blend;     compound/composite/composition;     amalgam/amalgamation Y... 2010.01.04
431Simple view>> Corrected:                                             [uia=] /T/MS, /P/mES Y... 2010.08.13
430Simple viewcoalescence; climax; venture; project; risk; scheme;  benefit/beneficiality;  good(ness);  use; gain; reward Y... 2009.12.25
429Simple viewboon; alert; serious; deep; intellectual; scholarly; fit;    appropriate/expropriate; irregular;    asymmetric(al) Y... 2009.12.01
428Simple viewfraternize; socialize; sacrifice; abandon; renounce; forfeit(ure); jilt; disentangle/untangle; generalize (-ise) Y... 2009.12.01
427Simple viewextrapolate; infer; conclude; 'reason out'; universalize; mind; sense; knowledge; wit; corruption/corruptne- Y... 2009.12.01
426Simple view>> Corrections:          mindfulness/mind, sensuousness/sense, wiseness/wisdom, judiciousness/judgement Y... 2009.12.21
425Simple viewgraft; danger(ousness); chance; prospect; optimality/optimization; gawky/gauche; heavy; earnest; true/H?  Y... 2009.12.01
424Simple viewphysical; manual; base; sanguine; expectant; budget; allowance; finance(s); shove; thrust; nudge; knock Y... 2009.12.01
423Simple view