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(Comparative) study (in structure/mode/ways of pronunciation, articulation, phonetics, or whatever; that is, in differences of speaking mouth postures and resultant speaking weight/force center points) between English/foreign languages and mother tongue, for better (more practical/effective/smooth) hearing/speaking of English/foreign languages.       Copyright.   Young-Won Kim,   yw@voicespec.com
open : home | brd2 | Kor | book | FUN member : main II | Kor II


::: Comparative phonetics, main :::


596 12 View counter   Join Member Login Admin
Name   Young-Won Kim
Subject       George Bernard Shaw,        William Archer,  Alfred Sutro,  Maurice Maeterlinck,  Henrik Ibsen,   Maupassant

George Bernard Shaw
http://encyclopedia.thefreedictionary.com/George+Bernard+Shaw ,  

"George Bernard Shaw"                    ([ŋ=  y=]/C1 + Engels/T)/Ch                     Engels

>>            G. B. Shaw,          Shaw

*         "George Bernard Shaw"  >>  Shaw /P  >>  "G. B. Shaw" /C2  >>  ("G. B. S." /T)/P  >>  "Shavian" /S/UT/pES

*          "George ^Bernard^ Shaw"  >>  "Bernard Shaw"          /LH;   liaison-hole


Born                          26 July 1856                               Dublin, Ireland
Died                   2 November 1950 (aged 94)                    Hertfordshire, England

"1856"                  (G/C1 + "-eorge Bernard Shaw"/T)/+bp                  "George Bernard Shaw"
July                   (G/C1 + "-eorge Bernard Shaw"/T)/+cp                  "George Bernard Shaw"
"26"                  (G/C1 + "-eorge Bernard Shaw"/T)/Ch/+bp                  "George Bernard Shaw"
"Dublin, Ireland"                  (G/C1 + "-eorge Bernard Shaw"/T)/Ch/+cp                  "George Bernard Shaw"


*   No phonetic correspondence between the name "George Bernard Shaw" and his death date/place.


>>                 Fabian Society
http://encyclopedia.thefreedictionary.com/Fabian+Society ,    
"Fabian Society"                  (G/P + "-eorge Bernard Shaw"/GC/S/abT)/Ch/+bp                  "George Bernard Shaw"

>>    Charlotte Payne-Townshend, an Irish heiress and fellow Fabian; they married in 1898
http://encyclopedia.thefreedictionary.com/Charlotte+Payne-Townshend ,  

*       "George Bernard Shaw"  >>  ("Charlotte Payne-Townshend" /C1/Ch/+bp)/P  >>  ("1898" /C1/Ch/+cp)/P

>>          Peters posits that Shaw was a repressed homosexual

"repressed homosexual"                 (G/T + "-eorge Bernard Shaw"/P)/Ch                  "George Bernard Shaw"

>>    Along with Fabian Society members Sidney and Beatrice Webb and Graham Wallas, Shaw founded the London School of Economics and Political Science in 1895

http://encyclopedia.thefreedictionary.com/Beatrice+Webb ,  
"Beatrice Webb"                     (F/C1 + "-abian Society"/P)                    "Fabian Society"

http://encyclopedia.thefreedictionary.com/Graham+Wallas ,  
"Graham Wallas"                     (F/C1 + "-abian Society"/P)/Ch                    "Fabian Society"

http://encyclopedia.thefreedictionary.com/London+School+of+Economics ,  
"London School of Economics and Political Science"                 (G/S + "-eorge Bernard Shaw"/C2)/Ch                  "George Bernard Shaw"

"London School of Economics"                 (G/S + "-eorge Bernard Shaw"/C1)/Ch                  "George Bernard Shaw"

"1895"                 (G/S + "-eorge Bernard Shaw"/C2)                  "George Bernard Shaw"

>> a critic of the arts when, sponsored by William Archer, he joined the reviewing staff of the Pall Mall Gazette in 1885
http://encyclopedia.thefreedictionary.com/William+Archer+(critic) ,  
"William Archer"                 (G/T + "-eorge Bernard Shaw"/P)/Ch                  "George Bernard Shaw"

*         "William Archer"  >>  "Pall Mall Gazette" /P/Ch  >>  "1885" /P

>>                 under the pseudonym "Corno di Bassetto" ("basset horn")

*       "George Bernard Shaw"  >>  ("Corno di Bassetto" /T/Ch)/S

*           ("Corno di Bassetto" /T)/S  >>  "basset horn" /S

>> very high regard for both Irish stage actor Barry Sullivan's and Johnston Forbes-Robertson's Hamlets, but despised John Barrymore's.

http://encyclopedia.thefreedictionary.com/Barry+Sullivan+(stage+actor) ,  
"Barry Sullivan"                 (G/S + "-eorge Bernard Shaw"/P)/Ch                  "George Bernard Shaw"

http://encyclopedia.thefreedictionary.com/Johnston+Forbes-Robertson ,    
"Johnston Forbes-Robertson"                 (G/S + "-eorge Bernard Shaw"/P)                  "George Bernard Shaw"

http://encyclopedia.thefreedictionary.com/John+Barrymore ,  
"John Barrymore"                 (G/C1 + "-eorge Bernard Shaw"/S)/Ch                  "George Bernard Shaw"

>>                extols the work of the German composer Richard Wagner.
http://encyclopedia.thefreedictionary.com/Richard+Wagner ,  
"Richard Wagner"                 (G/C1 + "-eorge Bernard Shaw"/S)                  "George Bernard Shaw"

>>                lectures of Henry George
http://encyclopedia.thefreedictionary.com/Henry+George ,  
"Henry George"                 (G/GC/S/abT + "-eorge Bernard Shaw"/P)/Ch                  "George Bernard Shaw"

>>               adapted for the stage by Jerome Kilty as Dear Liar
http://encyclopedia.thefreedictionary.com/Jerome+Kilty ,    
"Jerome Kilty"                 (G/S + "-eorge Bernard Shaw"/C1)                  "George Bernard Shaw"

>>   These concepts led Shaw to apply for membership of the Social Democratic Federation (SDF)

"Social Democratic Federation"                 (G/P + "-eorge Bernard Shaw"/T)/Ch                  "George Bernard Shaw"

>>              and provided money to set up The New Age, an independent socialist journal
http://encyclopedia.thefreedictionary.com/The+New+Age ,  
"New Age"                 (G/S + "-eorge Bernard Shaw"/GC/S/abT)                  "George Bernard Shaw"

>>            As a Fabian, he participated in the formation of the Labour Party
http://encyclopedia.thefreedictionary.com/Labour+Party+(UK) ,    
"Labour Party"                      (F/C1 + "-abian Society"/P)                     "Fabian Society"

>> London School of Economics, whose library is now called the British Library of Political and Economic Science
http://encyclopedia.thefreedictionary.com/British+Library+of+Political+and+Economic+Science ,  
*       "London School of Economics and Political Science"  >>  ("British Library of Political and Economic Science" /T/Ch)/C1


>>      Works

•    Androcles and the Lion (1912)
•    The Apple Cart (1929)
•    Arms and the Man (1894)
•    Back to Methuselah (1921)

"Androcles and Lion"                 (G/T + "-eorge Bernard Shaw's work"/P)/+bp                "George Bernard Shaw's work"
"Apple Cart"                 (G/T + "-eorge Bernard Shaw's work"/P)/+cp                "George Bernard Shaw's work"
"Arms and Man"                 (G/T + "-eorge Bernard Shaw's work"/P)/Ch/+bp                "George Bernard Shaw's work"
"Back to Methuselah"                 (G/T + "-eorge Bernard Shaw's work"/P)/Ch/+cp                "George Bernard Shaw's work"

http://www.gutenberg.org/files/31193/31193-h/31193-h.htm ,  
Friedrich Engels' "Manifesto of the Communist Party"

"Androcles and Lion"                 (M/T + "-anifesto of Communist Party"/P)/+bp                "Manifesto of Communist Party"
"Apple Cart"                 (M/T + "-anifesto of Communist Party"/P)/+cp                "Manifesto of Communist Party"
"Arms and Man"                 (M/T + "-anifesto of Communist Party"/P)/Ch/+bp                "Manifesto of Communist Party"
"Back to Methuselah"                 (M/T + "-anifesto of Communist Party"/P)/Ch/+cp                "Manifesto of Communist Party"

•    Caesar and Cleopatra (1898)
•    Candida (1894)
•    Captain Brassbound's Conversion (1899)
•    The Devil's Disciple (1897)

"Caesar and Cleopatra"                 (G/T + "-eorge Bernard Shaw's work"/S)/+bp                "George Bernard Shaw's work"
Candida                 (G/T + "-eorge Bernard Shaw's work"/S)/+cp                "George Bernard Shaw's work"
"Captain Brassbound's Conversion"                 (G/T + "-eorge Bernard Shaw's work"/S)/Ch/+bp                "George Bernard Shaw's work"
"Devil's Disciple"                 (G/T + "-eorge Bernard Shaw's work"/S)/Ch/+cp                "George Bernard Shaw's work"

http://www.gutenberg.org/files/31193/31193-h/31193-h.htm ,  
Friedrich Engels' "Manifesto of the Communist Party"

"Caesar and Cleopatra"                 (M/T + "-anifesto of Communist Party"/S)/+bp                "Manifesto of Communist Party"
Candida                  (M/T + "-anifesto of Communist Party"/S)/+cp                "Manifesto of Communist Party"
"Captain Brassbound's Conversion"                 (M/T + "-anifesto of Communist Party"/S)/Ch/+bp                "Manifesto of Communist Party"
"Devil's Disciple"                 (M/T + "-anifesto of Communist Party"/S)/Ch/+cp                "Manifesto of Communist Party"

•    Fanny's First Play (1911)
•    Heartbreak House (1919)
•    John Bull's Other Island (1904)
•    Man and Superman (1902–03)

"Fanny's First Play"                 (G/T + "-eorge Bernard Shaw's work"/C2)/+bp                "George Bernard Shaw's work"
"Heartbreak House"                 (G/T + "-eorge Bernard Shaw's work"/C2)/+cp                "George Bernard Shaw's work"
"John Bull's Other Island"                 (G/T + "-eorge Bernard Shaw's work"/C2)/Ch/+bp                "George Bernard Shaw's work"
"Man and Superman"                 (G/T + "-eorge Bernard Shaw's work"/C2)/Ch/+cp                "George Bernard Shaw's work"

http://www.gutenberg.org/files/31193/31193-h/31193-h.htm ,  
Friedrich Engels' "Manifesto of the Communist Party"

"Fanny's First Play"                 (M/T + "-anifesto of Communist Party"/C2)/+bp                "Manifesto of Communist Party"
"Heartbreak House"                 (M/T + "-anifesto of Communist Party"/C2)/+cp                "Manifesto of Communist Party"
"John Bull's Other Island"                 (M/T + "-anifesto of Communist Party"/C2)/Ch/+bp                "Manifesto of Communist Party"
"Man of Destiny"                 (M/T + "-anifesto of Communist Party"/C2)/Ch/+cp                "Manifesto of Communist Party"

•    The Man of Destiny (1895)
•    Misalliance (1910)
•    The Philanderer (1898)
•    Pygmalion (1912–13)

"Man of Destiny"                 (G/T + "-eorge Bernard Shaw's work"/GC/S/abT)/+bp                "George Bernard Shaw's work"
Misalliance                 (G/T + "-eorge Bernard Shaw's work"/GC/S/abT)/+cp                "George Bernard Shaw's work"
Philanderer                 (G/T + "-eorge Bernard Shaw's work"/GC/S/abT)/Ch/+bp                "George Bernard Shaw's work"
Pygmalion                  (G/T + "-eorge Bernard Shaw's work"/GC/S/abT)/Ch/+cp                "George Bernard Shaw's work"

http://www.gutenberg.org/files/31193/31193-h/31193-h.htm ,  
Friedrich Engels' "Manifesto of the Communist Party"

"Man and Superman"                 (M/T + "-anifesto of Communist Party"/GC/S/abT)/+bp                "Manifesto of Communist Party"
Misalliance                 (M/T + "-anifesto of Communist Party"/GC/S/abT)/+cp                "Manifesto of Communist Party"
Philanderer                 (M/T + "-anifesto of Communist Party"/GC/S/abT)/Ch/+bp                "Manifesto of Communist Party"
Pygmalion                  (M/T + "-anifesto of Communist Party"/GC/S/abT)/Ch/+cp                "Manifesto of Communist Party"

•    Saint Joan (1923)
•    Widowers' Houses (1892)

"Saint Joan"                 (G/P + "-eorge Bernard Shaw's work"/T)                "George Bernard Shaw's work"
"Widowers' Houses"                 (G/P + "-eorge Bernard Shaw's work"/T)/Ch                "George Bernard Shaw's work"

http://www.gutenberg.org/files/31193/31193-h/31193-h.htm ,  
Friedrich Engels' "Manifesto of the Communist Party"

"Saint Joan"                 (M/P + "-anifesto of Communist Party"/T)                "Manifesto of Communist Party"
"Widowers' Houses"                 (M/P + "-anifesto of Communist Party"/T)/Ch                "Manifesto of Communist Party"



•    The Black Girl in Search of God (1932)
•    Cashel Byron's Profession
•    The Intelligent Woman's Guide to Socialism and Capitalism (1928)

"Black Girl in Search of God"                 (G/T + "-eorge Bernard Shaw's writing"/P)                "George Bernard Shaw's writing"
"Cashel Byron's Profession"                 (G/T + "-eorge Bernard Shaw's writing"/P)/Ch                "George Bernard Shaw's writing"

"Intelligent Woman's Guide to Socialism and Capitalism"                 (G/T + "-eorge Bernard Shaw's writing"/S)                "George Bernard Shaw's writing"

http://www.gutenberg.org/files/27814/27814-h/27814-h.htm ,  
Friedrich Engels' "Feuerbach: The roots of the socialist philosophy"

"Black Girl in Search of God"                 (F/T + "-euerbach: roots of socialist philosophy"/P)                "Feuerbach: roots of socialist philosophy"
"Cashel Byron's Profession"                 (F/T + "-euerbach: roots of socialist philosophy"/P)/Ch                "Feuerbach: roots of socialist philosophy"

"Intelligent Woman's Guide to Socialism and Capitalism"                 (F/T + "-euerbach: roots of socialist philosophy"/S)                "Feuerbach: roots of socialist philosophy"


http://gutenberg.net.au/plusfifty-n-z.html#letterS ,  
•    Saint Joan (1924)
•    The Millionairess (1936)
•    Buoyant Billions (1948)
•    The Apple Cart (1929)
•    "In Good King Charles's Golden Days" (1939)
•    The Fascinating Foundling (1928)
•    The Glimpse of Reality (1927)
•    The Simpleton of the Unexpected Isles (1935)
•    Village Wooing (1934)
•    The Six of Calais (1934)
•    Geneva (1938)
•    On the Rocks (1933)
•    Too True to be Good (1932)
•    Cymbeline Refinished (1936)
•    The Miraculous Revenge
•    Candida--from Freeread

"Saint Joan"                                   (Sh/P + aw/C1)                                 Shaw
"In Good King Charles's Golden Days"                  (Sh/P + aw/C1)/Ch                    Shaw

Millionairess                                   (Sh/T + aw/C1)                                 Shaw
"Buoyant Billions"                           (Sh/T + aw/C1)/Ch                               Shaw

"Simpleton of the Unexpected Isles"                   (Sh/GC/S/abT + aw/C1)                Shaw
"Fascinating Foundling"                      (Sh/GC/S/abT + aw/C1)/Ch                      Shaw

"Glimpse of Reality"                            (Sh/S + aw/C1)                               Shaw
"Six of Calais"                              (Sh/S + aw/C1)/Ch                               Shaw

"Village Wooing"                               (Sh/C1 + aw/T)                                Shaw
Geneva                                    (Sh/C1 + aw/T)/Ch                                Shaw

"Miraculous Revenge"                          (Sh/C1 + aw/P)                                Shaw
"Apple Cart"                               (Sh/C1 + aw/P)/Ch                                 Shaw

"On Rocks"                                 (Sh/C1 + aw/S)                                   Shaw
"Candida--from Freeread"                        (Sh/C1 + aw/S)/Ch                         Shaw

"Too True to be Good"                        (Sh/C1 + aw/GC/S/abT)                         Shaw
"Cymbeline Refinished"                      (Sh/C1 + aw/GC/S/abT)/Ch                      Shaw

http://www.gutenberg.org/files/33111/33111-h/33111-h.htm ,  
Friedrich Engels'   "The Origin of the Family, Private Property and the State"

"Saint Joan"                 ([ŋ=  w=]/P + "Origin of Family, Private Property and State"/C1)                  "Origin of Family, Private Property and State"
"In Good King Charles's Golden Days"               ([ŋ=  w=]/P + "Origin of Family, Private Property and State"/C1)/Ch               "Origin of Family, Private Property and State"

Millionairess                   ([ŋ=  w=]/T + "Origin of Family, Private Property and State"/C1)                 "Origin of Family, Private Property and State"
"Buoyant Billions"                 ([ŋ=  w=]/T + "Origin of Family, Private Property and State"/C1)/Ch                 "Origin of Family, Private Property and State"

"Simpleton of Unexpected Isles"                 ([ŋ=  w=]/GC/S/abT + "Origin of Family, Private Property and State"/C1)               "Origin of Family, Private Property and State"
"Fascinating Foundling"                ([ŋ=  w=]/GC/S/abT + "Origin of Family, Private Property and State"/C1)/Ch               "Origin of Family, Private Property and State"

"Glimpse of Reality"               ([ŋ=  w=]/S + "Origin of Family, Private Property and State"/C1)                "Origin of Family, Private Property and State"
"Six of Calais"                ([ŋ=  w=]/S + "Origin of Family, Private Property and State"/C1)/Ch               "Origin of Family, Private Property and State"

"Village Wooing"               ([ŋ=  w=]/C1 + "Origin of Family, Private Property and State"/T)              "Origin of Family, Private Property and State"
Geneva                  ([ŋ=  w=]/C1 + "Origin of Family, Private Property and State"/T)/Ch                "Origin of Family, Private Property and State"

"Miraculous Revenge"                 ([ŋ=  w=]/C1 + "Origin of Family, Private Property and State"/P)                 "Origin of Family, Private Property and State"
"Apple Cart"               ([ŋ=  w=]/C1 + "Origin of Family, Private Property and State"/P)/Ch                "Origin of Family, Private Property and State"

"On Rocks"             ([ŋ=  w=]/C1 + "Origin of Family, Private Property and State"/S)              "Origin of Family, Private Property and State"
"Candida--from Freeread"              ([ŋ=  w=]/C1 + "Origin of Family, Private Property and State"/S)/Ch               "Origin of Family, Private Property and State"

"Too True to be Good"                ([ŋ=  w=]/C1 + "Origin of Family, Private Property and State"/GC/S/abT)              "Origin of Family, Private Property and State"
"Cymbeline Refinished"                ([ŋ=  w=]/C1 + "Origin of Family, Private Property and State"/GC/S/abT)/Ch                "Origin of Family, Private Property and State"


http://www.gutenberg.org/ebooks/search.html/?default_prefix=author_id&sort_order=title&query=467 ,    
•    Admirable Bashville
•    Annajanska, the Bolshevik Empress
•    Augustus Does His Bit
•    Bernard Shaw's Preface to Androcles and the Lion

•    Bernard Shaw's Preface to Major Barbara
•    Cashel Byron's Profession
•    Dark Lady of the Sonnets
•    Doctor's Dilemma

•    Doctor's Dilemma: Preface on Doctors
•    Getting Married
•    Great Catherine
•    Helden

•    How He Lied to Her Husband
•    Inca of Perusalem
•    Irrational Knot
•    Major Barbara

•    Man kann nie wissen
•    Mann des Schicksals
•    Maxims for Revolutionists
•    Mrs. Warren's Profession

•    O'Flaherty V.C. : a recruiting pamphlet
•    Overruled
•    Perfect Wagnerite, Commentary on the Ring
•    Press Cuttings

•    Revolutionist's Handbook and Pocket Companion
•    Shewing-up of Blanco Posnet
•    Tolstoy on Shakespeare
•    Treatise on Parents and Children

•    Unsocial Socialist
•    You Never Can Tell


"Admirable Bashville"                    (B/T + "-ernard Shaw"/P)                  "Bernard Shaw"
"Annajanska, Bolshevik Empress"                 (B/T + "-ernard Shaw"/P)/Ch                "Bernard Shaw"
"Augustus Does His Bit"                  (B/T + "-ernard Shaw"/S)                 "Bernard Shaw"
"Bernard Shaw's Preface to Androcles and Lion"                 (B/T + "-ernard Shaw"/S)/Ch                "Bernard Shaw"

"Bernard Shaw's Preface to Major Barbara"                    (B/T + "-ernard Shaw"/C2)                  "Bernard Shaw"
"Cashel Byron's Profession"                 (B/T + "-ernard Shaw"/C2)/Ch                "Bernard Shaw"
"Dark Lady of Sonnets"                  (B/T + "-ernard Shaw"/GC/S/abT)                 "Bernard Shaw"
"Doctor's Dilemma"                 (B/T + "-ernard Shaw"/GC/S/abT)/Ch                "Bernard Shaw"

"Doctor's Dilemma: Preface on Doctors"                 (B/P + "-ernard Shaw"/T)                "Bernard Shaw"
"Getting Married"                     (B/P + "-ernard Shaw"/T)/Ch                 "Bernard Shaw"
"Great Catherine"                      (B/P + "-ernard Shaw"/S)                    "Bernard Shaw"
Helden                           (B/P + "-ernard Shaw"/S)/Ch                      "Bernard Shaw"

"How He Lied to Her Husband"                 (B/P + "-ernard Shaw"/C2)                "Bernard Shaw"
"Inca of Perusalem"                 (B/P + "-ernard Shaw"/C2)/Ch                 "Bernard Shaw"
"Irrational Knot"                 (B/P + "-ernard Shaw"/GC/S/abT)                "Bernard Shaw"
"Major Barbara"                 (B/P + "-ernard Shaw"/GC/S/abT)/Ch                 "Bernard Shaw"

"Man kann nie wissen"                   (B/S + "-ernard Shaw"/T)                  "Bernard Shaw"
"Mann des Schicksals"                   (B/S + "-ernard Shaw"/T)/Ch                 "Bernard Shaw"
"Maxims for Revolutionists"                   (B/S + "-ernard Shaw"/P)                  "Bernard Shaw"
"Mrs. Warren's Profession"                   (B/S + "-ernard Shaw"/P)/Ch                 "Bernard Shaw"

"O'Flaherty V.C. : recruiting pamphlet"                   (B/S + "-ernard Shaw"/C2)                  "Bernard Shaw"
Overruled                        (B/S + "-ernard Shaw"/C1)/Ch                    "Bernard Shaw"
"Perfect Wagnerite, Commentary on Ring"                   (B/S + "-ernard Shaw"/GC/S/abT)                  "Bernard Shaw"
"Press Cuttings"                   (B/S + "-ernard Shaw"/GC/S/abT)/Ch                 "Bernard Shaw"

"Revolutionist's Handbook and Pocket Companion"                   (B/C2 + "-ernard Shaw"/T)                  "Bernard Shaw"
"Shewing-up of Blanco Posnet"                   (B/C2 + "-ernard Shaw"/T)/Ch                 "Bernard Shaw"
"Tolstoy on Shakespeare"                   (B/C2 + "-ernard Shaw"/P)                  "Bernard Shaw"
"Treatise on Parents and Children"                   (B/C2 + "-ernard Shaw"/P)/Ch                 "Bernard Shaw"

"Unsocial Socialist"                   (B/C2 + "-ernard Shaw"/S)                  "Bernard Shaw"
"You Never Can Tell"                   (B/C2 + "-ernard Shaw"/S)/Ch                 "Bernard Shaw"


http://www.gutenberg.org/files/31933/31933-h/31933-h.htm ,    
Friedrich Engels'   "Landmarks of Scientific Socialism"

"Admirable Bashville"                   (L/T + "-andmarks of Scientific Socialism"/P)                "Landmarks of Scientific Socialism"
"Annajanska, Bolshevik Empress"                 (L/T + "-andmarks of Scientific Socialism"/P)/Ch                "Landmarks of Scientific Socialism"
"Augustus Does His Bit"                (L/T + "-andmarks of Scientific Socialism"/S)               "Landmarks of Scientific Socialism"
"Bernard Shaw's Preface to Androcles and Lion"                 (L/T + "-andmarks of Scientific Socialism"/s)/Ch                "Landmarks of Scientific Socialism"

"Bernard Shaw's Preface to Major Barbara"                    (L/T + "-andmarks of Scientific Socialism"/C2)                  "Landmarks of Scientific Socialism"
"Cashel Byron's Profession"                 (L/T + "-andmarks of Scientific Socialism"/C2)/Ch                "Landmarks of Scientific Socialism"
"Dark Lady of Sonnets"                  (L/T + "-andmarks of Scientific Socialism"/GC/S/abT)                 "Landmarks of Scientific Socialism"
"Doctor's Dilemma"                 (L/T + "-andmarks of Scientific Socialism"/GC/S/abT)/Ch                "Landmarks of Scientific Socialism"

"Doctor's Dilemma: Preface on Doctors"                 (L/P + "-andmarks of Scientific Socialism"/T)                "Landmarks of Scientific Socialism"
"Getting Married"                     (L/P + "-andmarks of Scientific Socialism"/T)/Ch                 "Landmarks of Scientific Socialism"
"Great Catherine"                   (L/P + "-andmarks of Scientific Socialism"/S)                  "Landmarks of Scientific Socialism"
Helden                  (L/P + "-andmarks of Scientific Socialism"/S)/Ch                   "Landmarks of Scientific Socialism"

"How He Lied to Her Husband"                 (L/P + "-andmarks of Scientific Socialism"/C2)                "Landmarks of Scientific Socialism"
"Inca of Perusalem"                 (L/P + "-andmarks of Scientific Socialism"/C2)/Ch                 "Landmarks of Scientific Socialism"
"Irrational Knot"                 (L/P + "-andmarks of Scientific Socialism"/GC/S/abT)                "Landmarks of Scientific Socialism"
"Major Barbara"                 (L/P + "-andmarks of Scientific Socialism"/GC/S/abT)/Ch                 "Landmarks of Scientific Socialism"

"Man kann nie wissen"                   (L/S + "-andmarks of Scientific Socialism"/T)                  "Landmarks of Scientific Socialism"
"Mann des Schicksals"                   (L/S + "-andmarks of Scientific Socialism"/T)/Ch                 "Landmarks of Scientific Socialism"
"Maxims for Revolutionists"                   (L/S + "-andmarks of Scientific Socialism"/P)                  "Landmarks of Scientific Socialism"
"Mrs. Warren's Profession"                   (L/S + "-andmarks of Scientific Socialism"/P)/Ch                 "Landmarks of Scientific Socialism"

"O'Flaherty V.C. : recruiting pamphlet"                   (L/S + "-andmarks of Scientific Socialism"/C2)                  "Landmarks of Scientific Socialism"
Overruled                    (L/S + "-andmarks of Scientific Socialism"/C1)/Ch                 "Landmarks of Scientific Socialism"
"Perfect Wagnerite, Commentary on Ring"                   (L/S + "-andmarks of Scientific Socialism"/GC/S/abT)                  "Landmarks of Scientific Socialism"
"Press Cuttings"                   (L/S + "-andmarks of Scientific Socialism"/GC/S/abT)/Ch                 "Landmarks of Scientific Socialism"

"Revolutionist's Handbook and Pocket Companion"                   (L/C2 + "-andmarks of Scientific Socialism"/T)                  "Landmarks of Scientific Socialism"
"Shewing-up of Blanco Posnet"                   (L/C2 + "-andmarks of Scientific Socialism"/T)/Ch                 "Landmarks of Scientific Socialism"
"Tolstoy on Shakespeare"                   (L/C2 + "-andmarks of Scientific Socialism"/P)                  "Landmarks of Scientific Socialism"
"Treatise on Parents and Children"                   (L/C2 + "-andmarks of Scientific Socialism"/P)/Ch                 "Landmarks of Scientific Socialism"

"Unsocial Socialist"                   (L/C2 + "-andmarks of Scientific Socialism"/S)                  "Landmarks of Scientific Socialism"
"You Never Can Tell"                   (L/C2 + "-andmarks of Scientific Socialism"/S)/Ch                 "Landmarks of Scientific Socialism"



>> Phonetic correspondence   between    George Bernard Shaw's  "Androcles and the Lion"    and    Friedrich Engels'  "Manifesto of the Communist Party"

http://www.fullbooks.com/Androcles-and-the-Lion.html ,  
•    Androcles and the Lion (1912)

PROLOGUE

Overture; forest sounds, roaring of lions, Christian hymn
faintly.

A jungle path. A lion's roar, a melancholy suffering roar, comes
from the jungle. It is repeated nearer. The lion limps from the
jungle on three legs, holding up his right forepaw, in which a
huge thorn sticks. He sits down and contemplates it. He licks it.
He shakes it. He tries to extract it by scraping it along the
ground, ~ ~


http://www.gutenberg.org/files/31193/31193-h/31193-h.htm ,  
Friedrich Engels' "Manifesto of the Communist Party"

PREFACE

The "Manifesto" was published as the platform of the "Communist League," a workingmen's association, first exclusively German, later on international, and, under the political conditions of the Continent before 1848, unavoidably a secret society. At a Congress of the League, held in London in November, 1847, Marx and Engels were commissioned to prepare for publication a complete theoretical and practical party programme. Drawn up in German, in January, 1848, ~ ~


"Androcles and Lion"                 (G/T + "-eorge Bernard Shaw's work"/P)/+bp                "George Bernard Shaw's work"

"Androcles and Lion"                 (M/T + "-anifesto of Communist Party"/P)/+bp                "Manifesto of Communist Party"


1.
"PROLOGUE Overture"                        (PR/T + EFACE/P)/+bp                       PREFACE

2.                <The> "Manifesto"

"forest sounds"                            (M/T + anifesto/P)/+bp                         Manifesto

3.          was published as <the> platform of <the>

"roaring of lions"                 (w/T + "-as published as platform of"/P)/+bp                "was published as platform of"

4.
"Christian hymn faintly"                 (C/T + "-ommunist League"/P)/+bp                "Communist League"

5.             <a> workingmen's association --- <A> jungle path

"jungle path"                 (w/T + "-orkingmen's association"/P)/+bp                "workingmen's association"

6.                  <A> lion's roar

"lion's roar"                 (f/T + "-irst exclusively German"/P)/+bp                "first exclusively German"

7.                   <a> melancholy suffering roar

"melancholy suffering roar"                 (l/T + "-ater on international"/P)/+bp                "later on international"

8. and, under <the> political conditions of <the> Continent before 1848 --- comes from <the> jungle

"comes from jungle"                 ([ŋ=  w=]/T + "and, under political conditions of Continent before 1848"/P)/+bp                "and, under political conditions of Continent before 1848"

9.                    unavoidably <a> secret society

"It is repeated nearer"                 ([ŋ=  w=]/T + "unavoidably secret society"/P)/+bp                "unavoidably secret society"

10.        At <a> Congress of <the> League --- <The> lion limps from <the> jungle on three legs

"lion limps from jungle on three legs"                 ([ŋ=  w=]/T + "At Congress of League"/P)/+bp                "At Congress of League"

11.
"holding up his right forepaw"                 (h/T + "-eld in London in November"/P)/+bp                "held in London in November"

12.                     in which <a> huge thorn sticks

"in which huge thorn sticks"                 ([ŋ=  y=]/T + "1847"/P)/+bp                "1847"

13. Marx and Engels were commissioned to prepare for publication <a> complete theoretical and practical party programme

"He sits down and contemplates it"                 (M/T + "-arx and Engels were commissioned to prepare for publication complete theoretical and practical party programme"/P)/+bp                "Marx and Engels were commissioned to prepare for publication complete theoretical and practical party programme"

14.
"He licks it"                 (Dr/T + "-awn up in German"/P)/+bp                "Drawn up in German"

15.
"He shakes it"                   ([ŋ=  y=]/T + "in January"/P)/+bp                  "in January"

16.                  He tries to extract it by scraping it along <the> ground

"He tries to extract it by scraping it along ground"                 ([ŋ=  y=]/T + "1848"/P)/+bp                "1848"

Et cetera.



>> Phonetic correspondence   between    George Bernard Shaw's  "The Apple Cart"    and    Friedrich Engels'  "Manifesto of the Communist Party"

http://gutenberg.net.au/ebooks03/0300431h.html ,  
•    The Apple Cart (1929)

A Political Extravaganza

Preface
 
The first performances of this play at home and abroad provoked several confident anticipations that it would be published with an elaborate prefatory treatise on Democracy to explain why I, formerly a notorious democrat, have apparently veered round to the opposite quarter and become a devoted Royalist. In Dresden the performance was actually prohibited as a blasphemy against Democracy.

What was all this pother about? I had written a comedy in which a King defeats an attempt by his popularly elected Prime Minister to deprive him of the right to influence public opinion through the press and the platform: in short, to reduce him to a cipher. The King's reply is that rather than be a cipher he will abandon his throne and take his obviously very rosy chance of becoming a popularly elected Prime Minister himself. To those who believe that our system of votes for everybody produces parliaments which represent the people it should seem that this solution of the difficulty is completely democratic, and that the Prime Minister must at once accept it joyfully as such. He knows better. The change would rally the anti-democratic royalist vote against him, and impose on him a rival in the person of the only public man whose ability he has to fear. The comedic paradox of the situation is that the King wins, ~ ~


http://www.gutenberg.org/files/31193/31193-h/31193-h.htm ,  
Friedrich Engels' "Manifesto of the Communist Party"

"Apple Cart"                 (G/T + "-eorge Bernard Shaw's work"/P)/+cp                "George Bernard Shaw's work"

"Apple Cart"                 (M/T + "-anifesto of Communist Party"/P)/+cp                "Manifesto of Communist Party"


1. <A> Political Extravaganza Preface <The> first performances of this play at home and abroad provoked several confident anticipations that it would be published with <an> elaborate prefatory treatise on Democracy to explain why I

"Political Extravaganza Preface first performances of this play at home and abroad provoked several confident anticipations that it would be published with elaborate prefatory treatise on Democracy to explain why I"               (PR/T + EFACE/P)/+cp                 PREFACE

2.                <The> "Manifesto" --- formerly <a> notorious democrat

"formerly notorious democrat"                 (M/T + anifesto/P)/+cp                Manifesto

3. was published as <the> platform of <the> --- have apparently veered round to <the> opposite quarter and become <a> devoted Royalist

"have apparently veered round to opposite quarter and become devoted Royalist"                 (w/T + "-as published as platform of"/P)/+cp                "was published as platform of"

4.    In Dresden <the> performance was actually prohibited as <a> blasphemy against Democracy

"In Dresden performance was actually prohibited as blasphemy against Democracy"                 (C/T + "-ommunist League"/P)/+cp                "Communist League"

5.                 <a> workingmen's association

"What was all this pother about"                 (w/T + "-orkingmen's association"/P)/+cp                "workingmen's association"

6. I had written <a> comedy in which <a> King defeats <an> attempt by his popularly elected Prime Minister to deprive him of <the> right to influence public opinion through <the> press and <the> platform

"I had written comedy in which King defeats attempt by his popularly elected Prime Minister to deprive him of right to influence public opinion through press and platform"                 (f/T + "-irst exclusively German"/P)/+cp                "first exclusively German"

7.
"in short"                 (l/T + "-ater on international"/P)/+cp                "later on international"

8. and, under <the> political conditions of <the> Continent before 1848 --- to reduce him to <a> cipher

"to reduce him to cipher"                 ([ŋ=  w=]/T + "and, under political conditions of Continent before 1848"/P)/+cp                "and, under political conditions of Continent before 1848"

9. unavoidably <a> secret society --- <The> King's reply is that rather than be <a> cipher he will abandon his throne and take his obviously very rosy chance of becoming <a> popularly elected Prime Minister himself

"King's reply is that rather than be cipher he will abandon his throne and take his obviously very rosy chance of becoming popularly elected Prime Minister himself"                 ([ŋ=  w=]/T + "unavoidably secret society"/P)/+cp                "unavoidably secret society"

10. At <a> Congress of <the> League --- To those who believe that our system of votes for everybody produces parliaments which represent <the> people it should seem that this solution of <the> difficulty is completely democratic

"To those who believe that our system of votes for everybody produces parliaments which represent people it should seem that this solution of difficulty is completely democratic"                 ([ŋ=  w=]/T + "At Congress of League"/P)/+cp                "At Congress of League"

11.                and that <the> Prime Minister must at once accept it joyfully as such

"and that Prime Minister must at once accept it joyfully as such"                 (h/T + "-eld in London in November"/P)/+cp                "held in London in November"

12.
"He knows better"                        ([ŋ=  y=]/T + "1847"/P)/+cp                      "1847"

13. Marx and Engels were commissioned to prepare for publication <a> complete theoretical and practical party programme --- <The> change would rally <the> anti

"change would rally anti"                 (M/T + "-arx and Engels were commissioned to prepare for publication complete theoretical and practical party programme"/P)/+cp                "Marx and Engels were commissioned to prepare for publication complete theoretical and practical party programme"

14.
"democratic royalist vote against him"                 (Dr/T + "-awn up in German"/P)/+cp                "Drawn up in German"

15.    and impose on him <a> rival in <the> person of <the> only public man whose ability he has to fear

"and impose on him rival in person of only public man whose ability he has to fear"                   ([ŋ=  y=]/T + "in January"/P)/+cp                  "in January"

16.               <The> comedic paradox of <the> situation is that <the> King wins

"comedic paradox of situation is that King wins"                 ([ŋ=  y=]/T + "1848"/P)/+cp                "1848"

Et cetera.



>> Phonetic correspondence   between    George Bernard Shaw's  "The Apple Cart"    and    Friedrich Engels'  "The Origin of the Family, Private Property and the State"

http://gutenberg.net.au/ebooks03/0300431h.html ,  
•    The Apple Cart (1929)

A Political Extravaganza

Preface
 
The first performances of this play at home and abroad provoked several confident anticipations that it would be published with an elaborate prefatory treatise on Democracy to explain why I, formerly a notorious democrat, have apparently veered round to the opposite quarter and become a devoted Royalist. In Dresden the performance was actually prohibited as a blasphemy against Democracy.

What was all this pother about? I had written a comedy in which a King defeats an attempt by his popularly elected Prime Minister to deprive him of the right to influence public opinion through the press and the platform: in short, to reduce him to a cipher. The King's reply is that rather than be a cipher he will abandon his throne and take his obviously very rosy chance of becoming a popularly elected Prime Minister himself. To those who believe that our system of votes for everybody produces parliaments which represent the people it should seem that this solution of the difficulty is completely democratic, and that the Prime Minister must at once accept it joyfully as such. He knows better. The change would rally the anti-democratic royalist vote against him, and impose on him a rival in the person of the only public man whose ability he has to fear. The comedic paradox of the situation is that the King wins, ~ ~


http://www.gutenberg.org/files/33111/33111-h/33111-h.htm ,  
The Origin of the Family, Private Property and the State

TRANSLATOR'S PREFACE.

"An eternal being created human society as it is to-day, and submission to 'superiors' and 'authority' is imposed on the 'lower' classes by divine will." This suggestion, coming from pulpit, platform and press, has hypnotized the minds of men and proves to be one of the strongest pillars of exploitation. Scientific investigation has revealed long ago that human society is not cast in a stereotyped mould. As organic life on earth assumes different shapes, ~ ~


"Apple Cart"                               (Sh/C1 + aw/P)/Ch                                 Shaw

"Apple Cart"               ([ŋ=  w=]/C1 + "Origin of Family, Private Property and State"/P)/Ch                "Origin of Family, Private Property and State"


1. <A> Political Extravaganza Preface <The> first performances of this play at home and abroad provoked several confident anticipations that it would be published with <an> elaborate prefatory treatise on Democracy to explain why I

"Political Extravaganza Preface first performances of this play at home and abroad provoked several confident anticipations that it would be published with elaborate prefatory treatise on Democracy to explain why I"               (TR/C1 + " ANSLATOR'S PREFACE"/P)/Ch                "TRANSLATOR'S PREFACE"

2.        <An> eternal being created human society as it is to --- formerly <a> notorious democrat

"formerly notorious democrat"               ([ŋ=  y=]/C1 + "eternal being created human society as it is to"/P)/Ch                "eternal being created human society as it is to"

3.       have apparently veered round to <the> opposite quarter and become <a> devoted Royalist

"have apparently veered round to opposite quarter and become devoted Royalist"               (d/C1 + ay/P)/Ch                day

4.      In Dresden <the> performance was actually prohibited as <a> blasphemy against Democracy

"In Dresden performance was actually prohibited as blasphemy against Democracy"               ([ŋ=  w=]/C1 + "and submission to"/P)/Ch                "and submission to"

5.
"What was all this pother about"                 (s/C1 + uperiors/P)/Ch                   superiors

6. I had written <a> comedy in which <a> King defeats <an> attempt by his popularly elected Prime Minister to deprive him of <the> right to influence public opinion through <the> press and <the> platform

"I had written comedy in which King defeats attempt by his popularly elected Prime Minister to deprive him of right to influence public opinion through press and platform"               ([ŋ=  w=]/C1 + and/P)/Ch                and

7.
"in short"                        ([ŋ=  w=]/C1 + authority/P)/Ch                          authority

8.               is imposed on <the> --- to reduce him to <a> cipher

"to reduce him to cipher"               ([ŋ=  y=]/C1 + "is imposed on"/P)/Ch                "is imposed on"

9. <The> King's reply is that rather than be <a> cipher he will abandon his throne and take his obviously very rosy chance of becoming <a> popularly elected Prime Minister himself

"King's reply is that rather than be cipher he will abandon his throne and take his obviously very rosy chance of becoming popularly elected Prime Minister himself"               (l/C1 + ower/P)/Ch                lower

10. To those who believe that our system of votes for everybody produces parliaments which represent <the> people it should seem that this solution of <the> difficulty is completely democratic

"To those who believe that our system of votes for everybody produces parliaments which represent people it should seem that this solution of difficulty is completely democratic"               (c/C1 + "-lasses by divine will"/P)/Ch                "classes by divine will"

11.                  and that <the> Prime Minister must at once accept it joyfully as such

"and that Prime Minister must at once accept it joyfully as such"               (Th/C1 + "-is suggestion"/P)/Ch                "This suggestion"

12.
"He knows better"               (c/C1 + "-oming from pulpit"/P)/Ch                "coming from pulpit"

13.                         <The> change would rally <the> anti

"change would rally anti"               (p/C1 + "-latform and press"/P)/Ch                "platform and press"

14. has hypnotized <the> minds of men and proves to be one of <the> strongest pillars of exploitation

"democratic royalist vote against him"               (h/C1 + "-as hypnotized minds of men and proves to be one of strongest pillars of exploitation"/P)/Ch                "has hypnotized minds of men and proves to be one of strongest pillars of exploitation"

15. Scientific investigation has revealed long ago that human society is not cast in <a> stereotyped mould --- and impose on him <a> rival in <the> person of <the> only public man whose ability he has to fear

"and impose on him rival in person of only public man whose ability he has to fear"               (S/C1 + "-cientific investigation has revealed long ago that human society is not cast in stereotyped mould"/P)/Ch                "Scientific investigation has revealed long ago that human society is not cast in stereotyped mould"

16.              <The> comedic paradox of <the> situation is that <the> King wins

"comedic paradox of situation is that King wins"               ([ŋ=  w=]/C1 + "As organic life on earth assumes different shapes"/P)/Ch                "As organic life on earth assumes different shapes"

Et cetera.



>> Phonetic correspondence   between    George Bernard Shaw's  "Candida"    and    Friedrich Engels'  "Manifesto of the Communist Party"

http://www.gutenberg.org/files/4023/4023-h/4023-h.htm ,  
Candida

ACT I

A fine October morning in the north east suburbs of London, a vast district many miles away from the London of Mayfair and St. James's, much less known there than the Paris of the Rue de Rivoli and the Champs Elysees, and much less narrow, squalid, fetid and airless in its slums; strong in comfortable, prosperous middle class life; wide-streeted, myriad-populated; well-served with ugly iron urinals, Radical clubs,
tram lines, and a perpetual stream of yellow cars; ~ ~


http://www.gutenberg.org/files/31193/31193-h/31193-h.htm ,  
Friedrich Engels' "Manifesto of the Communist Party"

PREFACE

The "Manifesto" was published as the platform of the "Communist League," a workingmen's association, first exclusively German, later on international, and, under the political conditions of the Continent before 1848, unavoidably a secret society. At a Congress of the League, held in London in November, 1847, Marx and Engels were commissioned to prepare for publication a complete theoretical and practical party programme. Drawn up in German, in January, 1848, ~ ~


•    Candida (1894)

Candida                 (G/T + "-eorge Bernard Shaw's work"/S)/+cp                "George Bernard Shaw's work"

Candida                  (M/T + "-anifesto of Communist Party"/S)/+cp                "Manifesto of Communist Party"


1.            ACT I <A> fine October morning in <the> north east suburbs of London

"ACT i fine October morning in north east suburbs of London"            (PR/T + EFACE/S)/+cp              PREFACE

2.          <The> "Manifesto" --- <a> vast district many miles away from <the> London of Mayfair and St

"vast district many miles away from London of Mayfair and S t"              (M/T + anifesto/S)/+cp              Manifesto

3.          was published as <the> platform of <the>

James's                (w/T + "-as published as platform of"/S)/+cp                "was published as platform of"

4.         much less known there than <the> Paris of <the> Rue de Rivoli and <the> Champs Elysees

"much less known there than Paris of Rue de Rivoli and Champs Elysees"                 (C/T + "-ommunist League"/S)/+cp                "Communist League"

5.             <a> workingmen's association

"and much less narrow"                (w/T + "-orkingmen's association"/S)/+cp                "workingmen's association"

6.
squalid                 (f/T + "-irst exclusively German"/S)/+cp                "first exclusively German"

7.
"fetid and airless in its slums"                 (l/T + "-ater on international"/S)/+cp                "later on international"

8.                   and, under <the> political conditions of <the> Continent before 1848

"strong in comfortable"                 ([ŋ=  w=]/T + "and, under political conditions of Continent before 1848"/S)/+cp                "and, under political conditions of Continent before 1848"

9.                    unavoidably <a> secret society

"prosperous middle class life"                 ([ŋ=  w=]/T + "unavoidably secret society"/S)/+cp                "unavoidably secret society"

10.                   At <a> Congress of <the> League

wide                 ([ŋ=  w=]/T + "At Congress of League"/S)/+cp                "At Congress of League"

11.
streeted                (h/T + "-eld in London in November"/S)/+cp                "held in London in November"

12.
myriad                             ([ŋ=  y=]/T + "1847"/S)/+cp                           "1847"

13. Marx and Engels were commissioned to prepare for publication <a> complete theoretical and practical party programme

populated                 (M/T + "-arx and Engels were commissioned to prepare for publication complete theoretical and practical party programme"/S)/+cp                "Marx and Engels were commissioned to prepare for publication complete theoretical and practical party programme"

14.
well                    (Dr/T + "-awn up in German"/S)/+cp                 "Drawn up in German"

15.
"served with ugly iron urinals"              ([ŋ=  y=]/T + "in January"/S)/+cp              "in January"

16.
"Radical clubs"                          ([ŋ=  y=]/T + "1848"/S)/+cp                       "1848"

Et cetera.



>> Phonetic correspondence   between    George Bernard Shaw's  "Candida--from Freeread"    and    Friedrich Engels'  "The Origin of the Family, Private Property and the State"

http://gutenberg.net.au/plusfifty-n-z.html#letterS ,  
•    Candida--from Freeread


http://www.gutenberg.org/files/33111/33111-h/33111-h.htm ,  
The Origin of the Family, Private Property and the State

AUTHOR'S PREFACE TO THE FIRST EDITION, 1884.

The following chapters are, in a certain sense, executing a bequest. It was no less a man than Karl Marx who had reserved to himself the privilege of displaying the results of Morgan's investigations in connection with his own materialistic conception of history—which I might call ours within certain limits. He wished thus to elucidate the full meaning of this conception. For in America, Morgan had, in a manner, discovered anew the materialistic conception of history, originated by Marx forty years ago. In comparing barbarism and civilization, he had arrived, in the main, ~ ~


"Candida--from Freeread"                        (Sh/C1 + aw/S)/Ch                         Shaw

"Candida--from Freeread"              ([ŋ=  w=]/C1 + "Origin of Family, Private Property and State"/S)/Ch               "Origin of Family, Private Property and State"


1. AUTHOR'S PREFACE TO <THE> FIRST EDITION --- ACT I <A> fine October morning in <the> north east suburbs of London

"ACT i fine October morning in north east suburbs of London"              ([ŋ=  w=]/C1 + "AUTHOR'S PREFACE TO FIRST EDITION"/S)/Ch               "AUTHOR'S PREFACE TO FIRST EDITION"

2.            <a> vast district many miles away from <the> London of Mayfair and St

"vast district many miles away from London of Mayfair and S t"              ([ŋ=  y=]/C1 + "1884"/S)/Ch               "1884"

3.                <The> following chapters are

James's               (f/C1 + "-ollowing chapters are"/S)/Ch               "following chapters are"

4. in <a> certain sense --- much less known there than <the> Paris of <the> Rue de Rivoli and <the> Champs Elysees

"much less known there than Paris of Rue de Rivoli and Champs Elysees"              ([ŋ=  y=]/C1 + "in certain sense"/S)/Ch               "in certain sense"

5.                         executing <a> bequest

"and much less narrow"              ([ŋ=  y=]/C1 + "executing bequest"/S)/Ch               "executing bequest"

6. It was no less <a> man than Karl Marx who had reserved to himself <the> privilege of displaying <the> results of Morgan's investigations in connection with his own materialistic conception of history

squalid              ([ŋ=  y=]/C1 + "It was no less man than Karl Marx who had reserved to himself privilege of displaying results of Morgan's investigations in connection with his own materialistic conception of history"/S)/Ch               "It was no less man than Karl Marx who had reserved to himself privilege of displaying results of Morgan's investigations in connection with his own materialistic conception of history"

7.
"fetid and airless in its slums"              (wh/C1 + "-ich I might call ours within certain limits"/S)/Ch               "which I might call ours within certain limits"

8.              He wished thus to elucidate <the> full meaning of this conception

"strong in comfortable"              (H/C1 + "-e wished thus to elucidate full meaning of this conception"/S)/Ch               "He wished thus to elucidate full meaning of this conception"

9.
"prosperous middle class life"              (F/C1 + "-or in America"/S)/Ch               "For in America"

10.
wide                           (M/C1 + "-organ had"/S)/Ch                           "Morgan had"

11.                         in <a> manner

streeted                        ([ŋ=  y=]/C1 + "in manner"/S)/Ch                     "in manner"

12.               discovered anew <the> materialistic conception of history

myriad              (d/C1 + "-iscovered anew materialistic conception of history"/S)/Ch               "discovered anew materialistic conception of history"

13.
populated              ([ŋ=  w=]/C1 + "originated by Marx forty years ago"/S)/Ch               "originated by Marx forty years ago"

14.
well               ([ŋ=  y=]/C1 + "In comparing barbarism and civilization"/S)/Ch               "In comparing barbarism and civilization"

15.
"served with ugly iron urinals"              (h/C1 + "-e had arrived"/S)/Ch               "he had arrived"

16.                    in <the> main

"Radical clubs"                      ([ŋ=  y=]/C1 + "in main"/S)/Ch                      "in main"

Et cetera.



>> Phonetic correspondence   between    George Bernard Shaw's  "Major Barbara"    and    Friedrich Engels'  "Landmarks of Scientific Socialism"

http://www.gutenberg.org/files/3790/3790-h/3790-h.htm ,  
•    Major Barbara

ACT I

It is after dinner on a January night, in the library in Lady Britomart Undershaft's house in Wilton Crescent. A large and comfortable settee is in the middle of the room, upholstered in dark leather. A person sitting on it [it is vacant at present] would have, on his right, Lady Britomart's writing table, ~ ~


http://www.gutenberg.org/files/31933/31933-h/31933-h.htm ,    
Friedrich Engels'   "Landmarks of Scientific Socialism"

CHAPTER I

TRANSLATOR'S INTRODUCTION

When Dr. Eugene Duehring, privat docent at Berlin University, in 1875, proclaimed the fact that he had become converted to Socialism, he was not content to take the socialist movement as he found it, but set out forthwith to promulgate a theory of his own. His was a most elaborate and self-conscious mission. ~ ~


"Major Barbara"                 (B/P + "-ernard Shaw"/GC/S/abT)/Ch                 "Bernard Shaw"

"Major Barbara"                 (L/P + "-andmarks of Scientific Socialism"/GC/S/abT)/Ch                 "Landmarks of Scientific Socialism"


1.                ACT I It is after dinner on <a> January night

"ACT i It is after dinner on January night"                 (CH/P + "-APTER i TRANSLATOR'S INTRODUCTION When D r"/GC/S/abT)/Ch                 "CHAPTER i TRANSLATOR'S INTRODUCTION When D r"

2.               in <the> library in Lady Britomart Undershaft's house in Wilton Crescent

"in library in Lady Britomart Undershaft's house in Wilton Crescent"                 ([ŋ=  y=]/P + "Eugene Duehring"/GC/S/abT)/Ch                 "Eugene Duehring"

3.               <A> large and comfortable settee is in <the> middle of <the> room

"large and comfortable settee is in middle of room"                 (pr/P + "-ivat docent at Berlin University"/GC/S/abT)/Ch                 "privat docent at Berlin University"

4.
"upholstered in dark leather"                 ([ŋ=  y=]/P + "in 1875"/GC/S/abT)/Ch                 "in 1875"

5.    proclaimed <the> fact that he had become converted to Socialism --- <A> person sitting on it

"person sitting on it"                 (pr/P + "-oclaimed fact that he had become converted to Socialism"/GC/S/abT)/Ch                 "proclaimed fact that he had become converted to Socialism"

6.                he was not content to take <the> socialist movement as he found it

"it is vacant at present"                 (h/P + "-e was not content to take socialist movement as he found it"/GC/S/abT)/Ch                 "he was not content to take socialist movement as he found it"

7.                 but set out forthwith to promulgate <a> theory of his own

"would have"                 (b/P + "-ut set out forthwith to promulgate theory of his own"/GC/S/abT)/Ch                 "but set out forthwith to promulgate theory of his own"

8.                    His was <a> most elaborate and self

"on his right"                 (H/P + "-is was most elaborate and self"/GC/S/abT)/Ch                 "His was most elaborate and self"

9.
"Lady Britomart's writing table"                 (c/P + "-onscious mission"/GC/S/abT)/Ch                 "conscious mission"

Et cetera.



>> Phonetic correspondence   between    George Bernard Shaw's  "Bernard Shaw's Preface to Major Barbara"    and    Friedrich Engels'  "Landmarks of Scientific Socialism"

http://www.gutenberg.org/files/31933/31933-h/31933-h.htm ,    
Landmarks of Scientific Socialism

CHAPTER I

TRANSLATOR'S INTRODUCTION

When Dr. Eugene Duehring, privat docent at Berlin University, in 1875, proclaimed the fact that he had become converted to Socialism, he was not content to take the socialist movement as he found it, but set out forthwith to promulgate a theory of his own. His was a most elaborate and self-conscious mission. He stood forth as the propagandist not only of certain specific and peculiar views of socialism but as the originator of a new philosophy, and the propounder of strange and wonderful theories with regard to the universe in general. The taunt as to his all-comprehensiveness of intellect, with which Engels pursues him somewhat too closely and much too bitterly, could not have affected Herr Duehring very greatly. ~ ~


http://www.gutenberg.org/files/3789/3789-h/3789-h.htm ,    
•    Preface to Major Barbara
FIRST AID TO CRITICS

N.B. The Euripidean verses in the second act of Major Barbara are not by me, or even directly by Euripides. They are by Professor Gilbert Murray, whose English version of The Baccha; came into our dramatic literature with all the impulsive power of an original work shortly before Major Barbara was begun. The play, indeed, stands indebted to him in more ways than one.

G. B. S.

Before dealing with the deeper aspects of Major Barbara, let me, ~ ~


"Bernard Shaw's Preface to Major Barbara"                    (B/T + "-ernard Shaw"/C2)                  "Bernard Shaw"

"Bernard Shaw's Preface to Major Barbara"                    (L/T + "-andmarks of Scientific Socialism"/C2)                  "Landmarks of Scientific Socialism"


1.
"N"                 (CH/T + "-APTER i TRANSLATOR'S INTRODUCTION When D r"/C2)                 "CHAPTER i TRANSLATOR'S INTRODUCTION When D r"

"FIRST AID TO CRITICS"                 (CH/T + "-APTER i TRANSLATOR'S INTRODUCTION When D r"/C1)                 "CHAPTER i TRANSLATOR'S INTRODUCTION When D r"

2.
"B"                 ([ŋ=  y=]/T + "Eugene Duehring"/C2)                 "Eugene Duehring"

3.            <The> Euripidean verses in <the> second act of Major Barbara are not by me

"Euripidean verses in second act of Major Barbara are not by me"                 (pr/T + "-ivat docent at Berlin University"/C2)                 "privat docent at Berlin University"

4.
"or even directly by Euripides"                 ([ŋ=  y=]/T + "in 1875"/C2)                 "in 1875"

5.               proclaimed <the> fact that he had become converted to Socialism

"They are by Professor Gilbert Murray"                 (pr/T + "-oclaimed fact that he had become converted to Socialism"/C2)                 "proclaimed fact that he had become converted to Socialism"

6. he was not content to take <the> socialist movement as he found it --- whose English version of <The> Baccha

"whose English version of Baccha"                 (h/T + "-e was not content to take socialist movement as he found it"/C2)                 "he was not content to take socialist movement as he found it"

7. but set out forthwith to promulgate <a> theory of his own --- came into our dramatic literature with all <the> impulsive power of <an> original work shortly before Major Barbara was begun

"came into our dramatic literature with all impulsive power of original work shortly before Major Barbara was begun"                 (b/T + "-ut set out forthwith to promulgate theory of his own"/C2)                 "but set out forthwith to promulgate theory of his own"

8.                    His was <a> most elaborate and self --- <The> play

play                 (H/T + "-is was most elaborate and self"/C2)                 "His was most elaborate and self"

9.
indeed                       (c/T + "-onscious mission"/C2)                     "conscious mission"

10. He stood forth as <the> propagandist not only of certain specific and peculiar views of socialism but as <the> originator of <a> new philosophy

"stands indebted to him in more ways than one"                 (H/T + "-e stood forth as propagandist not only of certain specific and peculiar views of socialism but as originator of new philosophy"/C2)                 "He stood forth as propagandist not only of certain specific and peculiar views of socialism but as originator of new philosophy"

11. and <the> propounder of strange and wonderful theories with regard to <the> universe in general

"G"                 ([ŋ=  w=]/T + "and propounder of strange and wonderful theories with regard to universe in general"/C2)                 "and propounder of strange and wonderful theories with regard to universe in general"

12.                      <The> taunt as to his all

"B"                          (t/T + "-aunt as to his all"/C2)                      "taunt as to his all"

13.
"S"                 (c/T + "-omprehensiveness of intellect"/C2)                 "comprehensiveness of intellect"

14.                  Before dealing with <the> deeper aspects of Major Barbara

"Before dealing with deeper aspects of Major Barbara"                 (w/T + "-ith which Engels pursues him somewhat too closely and much too bitterly"/C2)                 "with which Engels pursues him somewhat too closely and much too bitterly"

15.
"let me"                 (c/T + "-ould not have affected H e r r Duehring very greatly"/C2)                 "could not have affected H e r r Duehring very greatly"

Et cetera.



William Archer (critic)
http://encyclopedia.thefreedictionary.com/William+Archer+(critic) ,  

"William Archer"                 (G/T + "-eorge Bernard Shaw"/P)/Ch                  "George Bernard Shaw"

*              "William Archer"  >>  Archer /C2

>>               23 September 1856 – 27 December 1924

"1856"                        (W/T + "-illiam Archer"/P)/+bp                       "William Archer"
September                      (W/T + "-illiam Archer"/P)/+cp                     "William Archer"
"23"                          (W/T + "-illiam Archer"/P)/Ch                        "William Archer"

"1924"                       (W/T + "-illiam Archer"/S)/+bp                       "William Archer"
December                      (W/T + "-illiam Archer"/S)/+cp                     "William Archer"
"27"                         (W/T + "-illiam Archer"/S)/Ch                         "William Archer"

>>           In 1897 Archer, along with Elizabeth Robins, H. W. Massingham, and Alfred Sutro,

*      "William Archer"  >>  ("Elizabeth Robins" /P/Ch)/T  >>  ("Alfred Sutro" /P /Ch)/T

http://www.gutenberg.org/browse/authors/a#a3729 ,    
•  America To-day, Observations and Reflections (English) (as Author)
•  The Feast at Solhoug (English) (as Translator)
•  Gems (?) of German Thought (English) (as Editor)
•  Ghosts (English) (as Translator)

"America To-day, Observations and Reflections"                (W/T + "-illiam Archer's work"/P)/+bp                 "William Archer's work"
"Feast at Solhoug"                (W/T + "-illiam Archer's work"/P)/+cp                 "William Archer's work"
"Gems (?) of German Thought"                (W/T + "-illiam Archer's work"/P)/Ch/+bp                 "William Archer's work"
Ghosts                (W/T + "-illiam Archer's work"/P)/Ch/+cp                 "William Archer's work"

http://www.gutenberg.org/files/17306/17306-h/17306-h.htm ,  
Friedrich Engels'      "The Condition of the Working-Class in England in 1844"

"America To-day, Observations and Reflections"                (C/T + "-ondition of Working-Class in England in 1844"/P)/+bp                 "Condition of Working-Class in England in 1844"
"Feast at Solhoug"                (C/T + "-ondition of Working-Class in England in 1844"/P)/+cp                 "Condition of Working-Class in England in 1844"
"Gems (?) of German Thought"                (C/T + "-ondition of Working-Class in England in 1844"/P)/Ch/+bp                 "Condition of Working-Class in England in 1844"
Ghosts                (W/T + "-illiam Archer's work"/P)/Ch/+cp                 "Condition of Working-Class in England in 1844"

•  God and Mr. Wells
A Critical Examination of 'God the Invisible King' (English) (as Author)
•  Hedda Gabler (English) (as Translator)
•  John Gabriel Borkman (English) (as Translator)
•  Little Eyolf (English) (as Translator)

"God and Mr. Wells"                (W/P + "-illiam Archer's work"/T)/+bp                 "William Archer's work"
"Critical Examination of God, Invisible King"                (W/P + "-illiam Archer's writing"/T)/+bp                 "William Archer's writing"

"Hedda Gabler"                (W/P + "-illiam Archer's work"/T)/+cp                 "William Archer's work"
"John Gabriel Borkman"                (W/P + "-illiam Archer's work"/T)/Ch/+bp                 "William Archer's work"
"Little Eyolf"                (W/P + "-illiam Archer's work"/T)/Ch/+cp                 "William Archer's work"

http://www.gutenberg.org/files/17306/17306-h/17306-h.htm ,  
Friedrich Engels'      "The Condition of the Working-Class in England in 1844"

"God and Mr. Wells"                (C/P + "-ondition of Working-Class in England in 1844"/T)/+bp                 "Condition of Working-Class in England in 1844"
"Hedda Gabler"                (C/P + "-ondition of Working-Class in England in 1844"/T)/+cp                 "Condition of Working-Class in England in 1844"
"John Gabriel Borkman"                (C/P + "-ondition of Working-Class in England in 1844"/T)/Ch/+bp                 "Condition of Working-Class in England in 1844"
"Little Eyolf"                (C/P + "-ondition of Working-Class in England in 1844"/T)/Ch/+cp                 "Condition of Working-Class in England in 1844"

•  The Master Builder (English) (as Translator)
•  Play-Making
A Manual of Craftsmanship (English) (as Author)
•  Tales of Two Countries (English) (as Translator)
•  When We Dead Awaken (English) (as Translator)

"Master Builder"                (W/S + "-illiam Archer's work"/C2)/+bp                 "William Archer's work"

"Play-Making"                (W/S + "-illiam Archer's work"/C2)/+cp                 "William Archer's work"
"Manual of Craftsmanship"                (W/S + "-illiam Archer's writing"/C2)/+cp                 "William Archer's writing"

"Tales of Two Countries"                (W/S + "-illiam Archer's work"/C2)/Ch/+bp                 "William Archer's work"
"When We Dead Awaken"                (W/S + "-illiam Archer's work"/C2)/Ch/+cp                 "William Archer's work"

http://www.gutenberg.org/files/17306/17306-h/17306-h.htm ,  
Friedrich Engels'      "The Condition of the Working-Class in England in 1844"

"Master Builder"                (C/S + "-ondition of Working-Class in England in 1844"/C2)/+bp                 "Condition of Working-Class in England in 1844"
"Play-Making"                (C/S + "-ondition of Working-Class in England in 1844"/C2)/+cp                 "Condition of Working-Class in England in 1844"
"Tales of Two Countries"                (C/S + "-ondition of Working-Class in England in 1844"/C2)/Ch/+bp                 "Condition of Working-Class in England in 1844"
"When We Dead Awaken"                (C/S + "-ondition of Working-Class in England in 1844"/C2)/Ch/+cp                 "Condition of Working-Class in England in 1844"



>> Phonetic correspondence   between    William Archer's  "The Feast at Solhoug"    and    Friedrich Engels'  "The Condition of the Working-Class in England in 1844"

http://www.gutenberg.org/files/17306/17306-h/17306-h.htm ,  
The Condition of the Working-Class in England in 1844

PREFACE

The book, an English translation of which is here republished, was first issued in Germany in 1845.  The author, at that time, was young, twenty-four years of age, ~ ~


http://www.gutenberg.org/cache/epub/18428/pg18428.html ,    
•  The Feast at Solhoug

THE AUTHOR'S PREFACE TO THE SECOND EDITION

PREFACE

I wrote The Feast at Solhoug in Bergen in the summer of 1855—that is to say, about twenty-eight years ago.

The play was acted for the first time on January 2, 1856, also at Bergen, as a gala performance on the anniversary of the foundation of the Norwegian Stage. ~ ~


"Feast at Solhoug"                (W/T + "-illiam Archer's work"/P)/+cp                 "William Archer's work"

"Feast at Solhoug"                (C/T + "-ondition of Working-Class in England in 1844"/P)/+cp                 "Condition of Working-Class in England in 1844"


1. PREFACE <The> book --- <THE> AUTHOR'S PREFACE TO <THE> SECOND EDITION PREFACE I wrote <The> Feast at Solhoug in Bergen in <the> summer of 1855

"AUTHOR'S PREFACE TO SECOND EDITION PREFACE I wrote Feast at Solhoug in Bergen in summer of 1855"                (PR/T + "-EFACE book"/P)/+cp                 "PREFACE book"

2.                     <an> English translation of which is here republished

"that is to say"                ([ŋ=  y=]/T + "English translation of which is here republished"/P)/+cp                 "English translation of which is here republished"

3.
"about twenty"                (w/T + "-as first issued in Germany in 1845"/P)/+cp                 "was first issued in Germany in 1845"

4.                         <The> author

"eight years ago"                       ([ŋ=  w=]/T + author/P)/+cp                        author

5.                     <The> play was acted for <the> first time on January 2

"play was acted for first time on January 2/two"                ([ŋ=  w=]/T + "at that time"/P)/+cp                 "at that time"

6.
"1856"                              (w/T + "-as young"/P)/+cp                         "was young"

7.
"also at Bergen"                           (tw/T + enty/P)/+cp                              twenty

8.       as <a> gala performance on <the> anniversary of <the> foundation of <the> Norwegian Stage

"as gala performance on anniversary of foundation of Norwegian Stage"                (f/T + "-our years of age"/P)/+cp                 "four years of age"

Et cetera.



>> Phonetic correspondence   between    William Archer's  "Gems (?) of German Thought"    and    Friedrich Engels'  "The Condition of the Working-Class in England in 1844"

http://www.gutenberg.org/files/28396/28396-h/28396-h.htm ,  
•  Gems (?) of German Thought

THOR'S HAMMER-CAST

Thor stood at the midnight end of the world, His battle-mace flew from his hand: "So far as my clangorous hammer I've hurled Mine are the sea and the land!" And onward hurtled the mighty sledge O'er the wide, wide earth, to fall At last on the Southland's furthest edge In token that His was all. Since then 'tis the joyous German right With the hammer lands to win. We mean to inherit world-wide might As the Hammer-God's kith and kin. Felix Dahn (1878).

INTRODUCTION

INTRODUCTION

In accordance with classic precedent, this anthology ought to have consisted of "1,001 Gems of German Thought," I have been content with half that number, not—heaven knows!—for any lack of material, ~ ~


http://www.gutenberg.org/files/17306/17306-h/17306-h.htm ,  
The Condition of the Working-Class in England in 1844

PREFACE

The book, an English translation of which is here republished, was first issued in Germany in 1845.  The author, at that time, was young, twenty-four years of age, and his production bears the stamp of his youth with its good and its faulty features, of neither of which he feels ashamed.  It was translated into English, in 1885, by an American lady, Mrs. F. Kelley Wischnewetzky, and published in the following year in New York.  The American edition being as good as exhausted, and having never been extensively circulated on this side of the Atlantic, the present English copyright edition is brought out with the full consent of all parties interested.

For the American edition, ~ ~


"Gems (?) of German Thought"                (W/T + "-illiam Archer's work"/P)/Ch/+bp                 "William Archer's work"


"Gems (?) of German Thought"                (C/T + "-ondition of Working-Class in England in 1844"/P)/Ch/+bp                 "Condition of Working-Class in England in 1844"


1.                            PREFACE <The> book

"THOR'S HAMMER"                (PR/T + "-EFACE book"/P)/Ch/+bp                 "PREFACE book"

2. <an> English translation of which is here republished --- CAST Thor stood at <the> midnight end of <the> world

"CAST Thor stood at midnight end of world"                ([ŋ=  y=]/T + "English translation of which is here republished"/P)/Ch/+bp                 "English translation of which is here republished"

3.
"His battle"                (w/T + "-as first issued in Germany in 1845"/P)/Ch/+bp                 "was first issued in Germany in 1845"

4.                         <The> author

"mace flew from his hand"                   ([ŋ=  w=]/T + author/P)/Ch/+bp                   author

5.              So far as my clangorous hammer I've hurled Mine are <the> sea and <the> land

"So far as my clangorous hammer I've hurled Mine are sea and land"                ([ŋ=  w=]/T + "at that time"/P)/Ch/+bp                 "at that time"

6.                And onward hurtled <the> mighty sledge O'er <the> wide

"And onward hurtled mighty sledge O'er wide"                 (w/T + "-as young"/P)/Ch/+bp                "was young"

7.
"wide earth"                           (tw/T + enty/P)/Ch/+bp                              twenty

8.                 to fall At last on <the> Southland's furthest edge In token that His was all

"to fall At last on Southland's furthest edge In token that His was all"                (f/T + "-our years of age"/P)/Ch/+bp                 "four years of age"

9. and his production bears <the> stamp of his youth with its good and its faulty features --- Since then 'tis <the> joyous German right With <the> hammer lands to win

"Since then 'tis joyous German right With hammer lands to win"                ([ŋ=  w=]/T + "and his production bears stamp of his youth with its good and its faulty features"/P)/Ch/+bp                 "and his production bears stamp of his youth with its good and its faulty features"

10.
"We mean to inherit world"                ([ŋ=  w=]/T + "of neither of which he feels ashamed"/P)/Ch/+bp                 "of neither of which he feels ashamed"

11.              wide might As <the> Hammer

"wide might As Hammer"                ([ŋ=  y=]/T + "It was translated into English"/P)/Ch/+bp                 "It was translated into English"

12.
"God's kith and kin"                 ([ŋ=  y=]/T + "in 1885"/P)/Ch/+bp                  "in 1885"

13.            by <an> American lady

"Felix Dahn"                (by/T + "American lady"/P)/Ch/+bp                 "by American lady"

14.
"1878"                          ([ŋ=  y=]/T + "M r s"/P)/Ch/+bp                           "M r s"

15.
"INTRODUCTION INTRODUCTION In accordance with classic precedent"                ([ŋ=  y=]/T + "F"/P)/Ch/+bp                 "F"

16.
"this anthology ought to have consisted of"                (K/T + "-elley Wischnewetzky"/P)/Ch/+bp                 "Kelley Wischnewetzky"

17.                   and published in <the> following year in New York

"1,001 Gems of German Thought"                ([ŋ=  w=]/T + "and published in following year in New York"/P)/Ch/+bp                 "and published in following year in New York"

18.           <The> American edition being as good as exhausted

"I have been content with half that number"                ([ŋ=  w=]/T + "American edition being as good as exhausted"/P)/Ch/+bp                 "American edition being as good as exhausted"

19.             and having never been extensively circulated on this side of <the> Atlantic

not                 ([ŋ=  w=]/T + "and having never been extensively circulated on this side of Atlantic"/P)/Ch/+bp                 "and having never been extensively circulated on this side of Atlantic"

20. <the> present English copyright edition is brought out with <the> full consent of all parties interested

"heaven knows"                (pr/T + "-esent English copyright edition is brought out with full consent of all parties interested"/P)/Ch/+bp                 "present English copyright edition is brought out with full consent of all parties interested"

21.                  For <the> American edition

"for any lack of material"                (F/T + "-or American edition"/P)/Ch/+bp                 "For American edition"

Et cetera.



Alfred Sutro
http://encyclopedia.thefreedictionary.com/Alfred+Sutro ,  

*      "William Archer"  >>  ("Elizabeth Robins" /P/Ch)/T  >>  ("Alfred Sutro" /P /Ch)/T

>>           August 7, 1863, London – 1933

"1863"                     ([ŋ=  w=]/T + "Alfred Sutro"/P)/+bp                     "Alfred Sutro"
August                     ([ŋ=  w=]/T + "Alfred Sutro"/P)/+cp                     "Alfred Sutro"
"7"                         ([ŋ=  w=]/T + "Alfred Sutro"/P)/Ch                      "Alfred Sutro"

"1933"                      ([ŋ=  w=]/P + "Alfred Sutro"/T)                         "Alfred Sutro"

http://www.gutenberg.org/browse/authors/s#a1460 ,    
•  The Buried Temple (English) (as Translator)
•  Five Little Plays (English) (as Author)
•  The Life of the Bee (English) (as Translator)
•  Wisdom and Destiny (English) (as Translator)

"Buried Temple"                 ([ŋ=  w=]/T + "Alfred Sutro's writing"/P)/+bp               "Alfred Sutro's writing"
"Five Little Plays"                 ([ŋ=  w=]/T + "Alfred Sutro's writing"/P)/+cp               "Alfred Sutro's writing"
"Life of Bee"                 ([ŋ=  w=]/T + "Alfred Sutro's writing"/P)/Ch/+bp               "Alfred Sutro's writing"
"Wisdom and Destiny"                 ([ŋ=  w=]/T + "Alfred Sutro's writing"/P)/Ch/+cp               "Alfred Sutro's writing"

http://gutenberg.spiegel.de/buch/4975/1 ,  
Friedrich Engels'      "Manifest der Kommunistischen Partei"

"Buried Temple"                 (M/T + "-anifest der Kommunistischen Partei"/P)/+bp               "Manifest der Kommunistischen Partei"
"Five Little Plays"                 (M/T + "-anifest der Kommunistischen Partei"/P)/+cp               "Manifest der Kommunistischen Partei"
"Life of Bee"                 (M/T + "-anifest der Kommunistischen Partei"/P)/Ch/+bp               "Manifest der Kommunistischen Partei"
"Wisdom and Destiny"                 (M/T + "-anifest der Kommunistischen Partei"/P)/Ch/+cp               "Manifest der Kommunistischen Partei"



>> Phonetic correspondence   between     Alfred Sutro's  "The Buried Temple"    and    Friedrich Engels'  "Manifest der Kommunistischen Partei"

http://gutenberg.spiegel.de/buch/4975/1 ,  
Manifest der Kommunistischen Partei

Ein Gespenst geht um in Europa – das Gespenst des Kommunismus. Alle Mächte des alten Europa haben sich zu einer heiligen Hetzjagd gegen dies Gespenst verbündet, der Papst und der Zar, Metternich und Guizot, französische Radikale und deutsche Polizisten.

Wo ist die Oppostitionspartei, ~ ~


http://www.gutenberg.org/cache/epub/19711/pg19711.html ,  
The Buried Temple

I
THE MYSTERY OF JUSTICE

1

I speak, for those who do not believe in the existence of a unique, all-powerful, infallible Judge, for ever intent on our thoughts, our feelings and actions, ~ ~


"Buried Temple"                 ([ŋ=  w=]/T + "Alfred Sutro's writing"/P)/+bp               "Alfred Sutro's writing"

"Buried Temple"                 (M/T + "-anifest der Kommunistischen Partei"/P)/+bp               "Manifest der Kommunistischen Partei"

1.         <Ein> Gespenst geht um in Europa --- I <THE> MYSTERY OF JUSTICE 1 I speak

"i MYSTERY OF JUSTICE i I speak"               (G/T + "-espenst geht um in Europa"/P)/+bp               "Gespenst geht um in Europa"

2. <das> Gespenst des Kommunismus --- for those who do not believe in <the> existence of <a> unique

"for those who do not believe in existence of unique"               (G/T + "-espenst des Kommunismus"/P)/+bp               "Gespenst des Kommunismus"

3. Alle Mächte des alten Europa haben sich zu <einer> heiligen Hetzjagd gegen dies Gespenst verbündet

all               ([ŋ=  w=]/T + "Alle Mächte des alten Europa haben sich zu heiligen Hetzjagd gegen dies Gespenst verbündet"/P)/+bp               "Alle Mächte des alten Europa haben sich zu heiligen Hetzjagd gegen dies Gespenst verbündet"

4.                <der> Papst und <der> Zar

powerful                        (P/T + "-apst und Zar"/P)/+bp                      "Papst und Zar"

5.
"infallible Judge"               (M/T + "-etternich und Guizot"/P)/+bp               "Metternich und Guizot"

6.
"for ever intent on our thoughts"               (fr/T + "-anzösische Radikale und deutsche Polizisten"/P)/+bp               "französische Radikale und deutsche Polizisten"

7.                   Wo ist <die> Oppostitionspartei

"our feelings and actions"               (W/T + "-o ist die Oppostitionspartei"/P)/+bp               "Wo ist Oppostitionspartei"

Et cetera.



Maurice Maeterlinck
http://encyclopedia.thefreedictionary.com/Maurice+Maeterlinck ,    

"Maurice Maeterlinck"                  (Fr/P + "-iedrich Engels"/GC/S/abT)/Ch                  "Friedrich Engels"

>>         Count Maurice Maeterlinck,

* "Maurice Maeterlinck"  >>  Maeterlinck /P  >>  "Count Maurice Maeterlinck" /C2  >>  "Maurice Polydore Marie Bernard" /GC/S/abT  >>  "Count Maeterlinck" /T/Ch

Maurice Polydore Marie Bernard
Born                                29 August 1862                           Ghent, Belgium
Died                           6 May 1949 (aged 86)                             Nice, France

"1862"                  (M/T + "-aurice Maeterlinck"/P)/+bp                  "Maurice Maeterlinck"
August                  (M/T + "-aurice Maeterlinck"/P)/+cp                  "Maurice Maeterlinck"
"29"                  (M/T + "-aurice Maeterlinck"/P)/Ch/+bp                  "Maurice Maeterlinck"
"Ghent, Belgium"                  (M/T + "-aurice Maeterlinck"/P)/Ch/+cp                  "Maurice Maeterlinck"

"1949"                  (M/P + "-aurice Maeterlinck"/T)/+bp                  "Maurice Maeterlinck"
May                     (M/P + "-aurice Maeterlinck"/T)/+cp                  "Maurice Maeterlinck"
"6"                  (M/P + "-aurice Maeterlinck"/T)/Ch/+bp                  "Maurice Maeterlinck"
"Nice, France"                  (M/P + "-aurice Maeterlinck"/T)/Ch/+cp                  "Maurice Maeterlinck"

>>              received enthusiastic praise from Octave Mirbeau
http://encyclopedia.thefreedictionary.com/Octave+Mirbeau ,  
*              "Maurice Maeterlinck"  >>  ("Octave Mirbeau" /GC/S/abT/Ch)/P

>>         He had a relationship with the singer and actress Georgette Leblanc from 1895 till 1918
http://encyclopedia.thefreedictionary.com/Georgette+Leblanc ,  
*         "Maurice Maeterlinck"  >>  ("Octave Mirbeau" /GC/S/abT/Ch)/P  >>  ("Georgette Leblanc" /GC/S/abT)/P

>>          Jean Lorrain, and Paul Fort
http://encyclopedia.thefreedictionary.com/Jean+Lorrain ,  
http://encyclopedia.thefreedictionary.com/Paul+Fort ,  
*         "Maurice Maeterlinck"  >>  ("Octave Mirbeau" /GC/S/abT/Ch)/P  >>  ("Georgette Leblanc" /GC/S/abT)/P  >>  ("Jean Lorrain" /GC/S/abT/Ch)/T >>  ("Paul Fort" /GC/S/abT)/T


http://www.gutenberg.org/browse/authors/m#a795 ,  
•  The Betrothal
A Sequel to the Blue Bird (English) (as Author)
•  The Blue Bird: a Fairy Play in Six Acts (English) (as Author)
•  The Blue Bird for Children
The Wonderful Adventures of Tyltyl and Mytyl in Search of Happiness (English) (as Author)
•  The Buried Temple (English) (as Author)

Betrothal                (M/T + "-aurice Maeterlinck's writing"/P)/+bp               "Maurice Maeterlinck's writing"
"Sequel to Blue Bird"                (M/T + "-aurice Maeterlinck's work"/P)/+bp               "Maurice Maeterlinck's work"

"Blue Bird: Fairy Play in Six Acts"                (M/T + "-aurice Maeterlinck's writing"/P)/+cp               "Maurice Maeterlinck's writing"

"Blue Bird for Children"                (M/T + "-aurice Maeterlinck's writing"/P)/Ch/+bp               "Maurice Maeterlinck's writing"
"Wonderful Adventures of Tyltyl and Mytyl in Search of Happiness"                (M/T + "-aurice Maeterlinck's work"/P)/Ch/+bp               "Maurice Maeterlinck's work"

"Buried Temple"                (M/T + "-aurice Maeterlinck's writing"/P/Ch)/+cp               "Maurice Maeterlinck's writing"

http://www.gutenberg.org/cache/epub/3023/pg3023.html ,  
Goethe's      Faust

Betrothal                                    (F/T + aust/P)/+bp                               Faust
"Blue Bird: Fairy Play in Six Acts"                    (F/T + aust /P)/+cp                      Faust
"Blue Bird for Children"                (M/T + "-aurice Maeterlinck's writing"/P)/Ch/+bp                Faust
"Buried Temple"                            (F/T + aust/P)/Ch/+cp                             Faust

•  Death (English) (as Author)
•  The Inner Beauty (English) (as Author)
•  The Life of the Bee (English) (as Author)
•  Mehiläisten elämä (Finnish) (as Author)

Death                (M/T + "-aurice Maeterlinck's writing"/S)/+bp               "Maurice Maeterlinck's writing"
"Inner Beauty"                (M/T + "-aurice Maeterlinck's writing"/S)/+cp               "Maurice Maeterlinck's writing"
"Life of Bee"                (M/T + "-aurice Maeterlinck's writing"/S)/Ch/+bp               "Maurice Maeterlinck's writing"
"Mehiläisten elämä"                (M/T + "-aurice Maeterlinck's writing"/S)/Ch/+cp               "Maurice Maeterlinck's writing"

http://www.gutenberg.org/cache/epub/3023/pg3023.html ,  
Goethe's      Faust

Death                                     (F/T + aust/S)/+bp                                 Faust
"Inner Beauty"                            (F/T + aust/S)/+cp                                  Faust
"Life of Bee"                           (F/T + aust/S)/Ch/+bp                                 Faust
"Mehiläisten elämä"                       (F/T + aust/S)/Ch/+cp                              Faust

•  Our Friend the Dog (English) (as Author)
•  Pélléas and Mélisande (English) (as Author)
•  La sagesse et la destinée (French) (as Author)
•  Stories by Foreign Authors: Polish, Greek, Belgian, Hungarian (English) (as Contributor)

"Our Friend Dog"                (M/T + "-aurice Maeterlinck's writing"/C2)/+bp               "Maurice Maeterlinck's writing"
"Pélléas and Mélisande"                (M/T + "-aurice Maeterlinck's writing"/C2)/+cp               "Maurice Maeterlinck's writing"
"sagesse et destinée"                (M/T + "-aurice Maeterlinck's writing"/C2)/Ch/+bp               "Maurice Maeterlinck's writing"
"Stories by Foreign Authors: Polish, Greek, Belgian, Hungarian"                (M/T + "-aurice Maeterlinck's writing"/C2)/Ch/+cp               "Maurice Maeterlinck's writing"

http://www.gutenberg.org/cache/epub/3023/pg3023.html ,  
Goethe's      Faust

"Our Friend Dog"                               (F/T + aust/C2)/+bp                           Faust
"Pélléas and Mélisande"                         (F/T + aust/C2)/+cp                          Faust
"sagesse et destinée"                        (F/T + aust/C2)/Ch/+bp                          Faust
"Stories by Foreign Authors: Polish, Greek, Belgian, Hungarian"                (F/T + aust/C2)/Ch/+cp                Faust

•  The Unknown Guest (English) (as Author)
•  Wisdom and Destiny (English) (as Author)
•  The Wrack of the Storm (English) (as Author)

"Unknown Guest"                (M/T + "-aurice Maeterlinck's writing"/GC/S/abT)/+bp               "Maurice Maeterlinck's writing"
"Wisdom and Destiny"                (M/T + "-aurice Maeterlinck's writing"/GC/S/abT)/+cp               "Maurice Maeterlinck's writing"
"Wrack of Storm"                (M/T + "-aurice Maeterlinck's writing"/GC/S/abT)/Ch               "Maurice Maeterlinck's writing"

http://www.gutenberg.org/cache/epub/3023/pg3023.html ,  
Goethe's      Faust

"Unknown Guest"                          (F/T + aust/GC/S/abT)/+bp                        Faust
"Wisdom and Destiny"                       (F/T + aust/GC/S/abT)/+cp                       Faust
"Wrack of Storm"                            (F/T + aust/GC/S/abT)/Ch                        Faust



>> Phonetic correspondence   between     Maurice Maeterlinck's  "The Buried Temple"    and    Goethe's  "Faust"

http://www.gutenberg.org/cache/epub/19711/pg19711.html ,  
•  The Buried Temple

NOTE

Of the five essays in this volume, two only, those on "The Past" and "Luck," were written in 1901. The others, "The Mystery of Justice," "The Evolution of Mystery," and "The Kingdom of Matter," are anterior to "The Life of the Bee, ~ ~


http://www.gutenberg.org/cache/epub/3023/pg3023.html ,  
Goethe's      Faust

PROLOGUE FOR THE THEATRE

MANAGER. DRAMATIC POET. MERRYMAN.

MANAGER

YE twain, in trouble and distress
True friends whom I so oft have found,
Say, for our scheme on German ground,
What prospect have we of success?
Fain would I please the public, win their thanks;
They live and let live, hence it is but meet.
The posts are now erected, and the planks, ~ ~


"Buried Temple"                (M/T + "-aurice Maeterlinck's writing"/P)/Ch/+cp               "Maurice Maeterlinck's writing"

"Buried Temple"                            (F/T + aust/P)/Ch/+cp                             Faust


1.     PROLOGUE FOR <THE> THEATRE MANAGER --- NOTE Of <the> five essays in this volume

"NOTE Of five essays in this volume"               (PR/T + "-OLOGUE FOR THEATRE MANAGER"/P)/Ch/+cp               "PROLOGUE FOR THEATRE MANAGER"

2.
"two only"                  (DR/T + "-AMATIC POET"/P)/Ch/+cp                 "DRAMATIC POET"

3.
"those on"                           (M/T + ERRYMAN/P)/Ch/+cp                       MERRYMAN

4.                     MANAGER <YE> twain --- <The> Past

Past                       (M/T + "- ANAGER twain"/P)/Ch/+cp                   "MANAGER twain"

5.
and               ([ŋ=  y=]/T + "in trouble and distress True friends whom I so oft have found"/P)/Ch/+cp               "in trouble and distress True friends whom I so oft have found"

6.
Luck                                    (S/T + ay/P)/Ch/+cp                                    Say

7.
"were written in 1901"               (f/T + "-or our scheme on German ground"/P)/Ch/+cp               "for our scheme on German ground"

8.                          <The> others

others               (Wh/T + "-at prospect have we of success"/P)/Ch/+cp               "What prospect have we of success"

9.              Fain would I please <the> public --- <The> Mystery of Justice

"Mystery of Justice"               (F/T + "-ain would I please public"/P)/Ch/+cp               "Fain would I please public"

10.                   <The> Evolution of Mystery

"Evolution of Mystery"               (w/T + "-in their thanks"/P)/Ch/+cp               "win their thanks"

11.
and                 (Th/T + "-ey live and let live"/P)/Ch/+cp                 "They live and let live"

12.                         <The> Kingdom of Matter

"Kingdom of Matter"               (h/T + "-ence it is but meet"/P)/Ch/+cp               "hence it is but meet"

13.                <The> posts are now erected

"are anterior to"               (p/T + "-osts are now erected"/P)/Ch/+cp               "posts are now erected"

14.               and <the> planks --- <The> Life of <the> Bee

"Life of Bee"                  ([ŋ=  w=]/T + "and planks"/P)/Ch/+cp                  "and planks"

Et cetera.



Henrik Ibsen
http://encyclopedia.thefreedictionary.com/Henrik+Ibsen ,    

"Henrik Ibsen"                ([ŋ=  w=]/T + "Anton Chekhov"/C1)                "Anton Chekhov"

>>       Henrik Johan Ibsen,   Ibsen

*         "Henrik Ibsen"  >>  Ibsen /P  >>  "Henrik Johan Ibsen" /C2

Born                               20 March 1828                            Skien, Norway
Died                            23 May 1906 (aged 78)                   Christiania (Oslo), Norway

"1828"                          (H/T + "-enrik Ibsen"/P)/+bp                        "Henrik Ibsen"
March                           (H/T + "-enrik Ibsen"/P)/+cp                        "Henrik Ibsen"
"20"                          (H/T + "-enrik Ibsen"/P)/Ch/+bp                       "Henrik Ibsen"
"Skien, Norway"                   (H/T + "-enrik Ibsen"/P)/Ch/+cp                  "Henrik Ibsen"

"1906"                          (H/P + "-enrik Ibsen"/T)/+bp                        "Henrik Ibsen"
May                             (H/P + "-enrik Ibsen"/T)/+cp                        "Henrik Ibsen"
"23"                          (H/P + "-enrik Ibsen"/T)/Ch/+bp                       "Henrik Ibsen"
"Christiania, Norway"                 (H/P + "-enrik Ibsen"/T)/Ch/+cp               "Henrik Ibsen"

>>                He is often referred to as "the father" of modern theater

*             "Henrik Ibsen"  >>  ("father of modern theater" /C1)/P

>>                Many consider him the greatest playwright since Shakespeare

"greatest playwright since Shakespeare"                (H/C1 + "-enrik Ibsen"/S)               "Henrik Ibsen"

>>              in a letter to critic and scholar Georg Brandes
http://encyclopedia.thefreedictionary.com/Georg+Brandes ,    
*             "Henrik Ibsen"  >>  ("Georg Brandes" /S/Ch)/C1

>>    He married Suzannah Thoresen on 18 June 1858 and she gave birth to their only child Sigurd on 23 December 1859
http://encyclopedia.thefreedictionary.com/Suzannah+Ibsen ,  
*             "Henrik Ibsen"  >>  ("Suzannah Thoresen" /GC/S/abT/Ch)/C1
http://encyclopedia.thefreedictionary.com/Sigurd+Ibsen ,  
*              ("Suzannah Thoresen" /GC/S/abT)/C1  >>  Sigurd /P

>>    Peer Gynt (1867), to which Edvard Grieg famously composed incidental music and songs

*             "Henrik Ibsen"  >>  ("Edvard Grieg" /S/Ch)/C2

>>              Danish philosopher Søren Kierkegaard

*             "Henrik Ibsen"  >>  ("Søren Kierkegaard" /T/Ch)/P


http://www.gutenberg.org/browse/authors/i#a861 ,    
•  La Asocio de la Junuloj
Dramo en kvin aktoj (Esperanto) (as Author)
•  Baumeister Solneß
Schauspiel in drei Aufzügen (German) (as Author)
•  Catilina (Norwegian) (as Author)
•  A Doll's House (English) (as Author)

"Asocio de Junuloj"               (H/T + "-enrik Ibsen's work"/P)/+bp              "Henrik Ibsen's work"
"Dramo en kvin aktoj"               (H/T + "-enrik Ibsen's writing"/P)/+bp              "Henrik Ibsen's writing"

"Baumeister Solneß"               (H/T + "-enrik Ibsen's work"/P)/+cp              "Henrik Ibsen's work"
"Schauspiel in drei Aufzügen"               (H/T + "-enrik Ibsen's writing"/P)/+cp              "Henrik Ibsen's writing"

Catilina                 (H/T + "-enrik Ibsen's work"/P)/Ch/+bp              "Henrik Ibsen's work"
"Doll's House"                (H/T + "-enrik Ibsen's work"/P)/Ch/+cp              "Henrik Ibsen's work"

http://shakespeare.mit.edu/richardii/full.html ,    
William Shakespeare's "Richard II"            <Richard i i>

"Asocio de Junuloj"                      (R/T + "-ichard i i"/P)/+bp                     "Richard i i"
"Baumeister Solneß"                     (R/T + "-ichard i i"/P)/+cp                     "Richard i i"
Catilina                             (R/T + "-ichard i i"/P)/Ch/+bp                      "Richard i i"
"Doll's House"                       (R/T + "-ichard i i"/P)/Ch/+cp                      "Richard i i"

•  A Doll's House : a play (English) (as Author)
•  Dramatische werken (Dutch) (as Author)
•  Early Plays — Catiline, the Warrior's Barrow, Olaf Liljekrans (English) (as Author)
•  An Enemy of the People (English) (as Author)

"Doll's House : play"               (H/T + "-enrik Ibsen's work"/S)/+bp              "Henrik Ibsen's work"
"Dramatische werken"               (H/T + "-enrik Ibsen's work"/S)/+cp              "Henrik Ibsen's work"
"Early Plays — Catiline, Warrior's Barrow, Olaf Liljekrans"               (H/T + "-enrik Ibsen's work"/S)/Ch/+bp              "Henrik Ibsen's work"
"Enemy of People"               (H/T + "-enrik Ibsen's work"/S)/Ch/+cp              "Henrik Ibsen's work"

http://shakespeare.mit.edu/richardii/full.html ,    
William Shakespeare's "Richard II"            <Richard i i>

"Doll's House : play"                      (R/T + "-ichard i i"/S)/+bp                    "Richard i i"
"Dramatische werken"                    (R/T + "-ichard i i"/S)/+cp                    "Richard i i"
"Early Plays — Catiline, Warrior's Barrow, Olaf Liljekrans"               (R/T + "-ichard i i"/S)/Ch/+bp              "Richard i i"
"Enemy of People"                     (R/T + "-ichard i i"/S)/Ch/+cp                   "Richard i i"

•  Eta Eyolf (Esperanto) (as Author)
•  The Feast at Solhoug (English) (as Author)
•  Fru Inger til Østråt (Norwegian) (as Author)
•  Gespenster
Ein Familiendrama in drei Aufzügen (German) (as Author)

"Eta Eyolf"                (H/T + "-enrik Ibsen's work"/C2)/+bp              "Henrik Ibsen's work"
"Feast at Solhoug"               (H/T + "-enrik Ibsen's work"/C2)/+cp              "Henrik Ibsen's work"
"Fru Inger til Østråt"               (H/T + "-enrik Ibsen's work"/C2)/Ch/+bp              "Henrik Ibsen's work"

Gespenster               (H/T + "-enrik Ibsen's work"/C2)/Ch/+cp              "Henrik Ibsen's work"
"Familiendrama in drei Aufzügen"               (H/T + "-enrik Ibsen's writing"/C2)/Ch/+cp              "Henrik Ibsen's writing"

http://shakespeare.mit.edu/richardii/full.html ,    
William Shakespeare's "Richard II"            <Richard i i>

"Eta Eyolf"                          (R/T + "-ichard i i"/C2)/+bp                        "Richard i i"
"Feast at Solhoug"                      (R/T + "-ichard i i"/C2)/+cp                     "Richard i i"
"Fru Inger til Østråt"                   (R/T + "-ichard i i"/C2)/Ch/+bp                  "Richard i i"
Gespenster                       (R/T + "-ichard i i"/C2)/Ch/+cp                       "Richard i i"

•  Ghosts (English) (as Author)
•  Ghosts (English) (as Author)
•  Gildet på Solhaug (Norwegian) (as Author)
•  Hærmændene på Helgeland
Med anmerkninger av stud. mag. Birger Knudsen (Norwegian) (as Author)

Ghosts               (H/T + "-enrik Ibsen's work"/GC/S/abT)/+bp              "Henrik Ibsen's work"
Ghosts               (H/T + "-enrik Ibsen's work"/GC/S/abT)/+cp              "Henrik Ibsen's work"
"Gildet på Solhaug"               (H/T + "-enrik Ibsen's work"/GC/S/abT)/Ch/+bp              "Henrik Ibsen's work"

"Hærmændene på Helgeland"               (H/T + "-enrik Ibsen's work"/GC/S/abT)/Ch/+cp              "Henrik Ibsen's work"
"Med anmerkninger av stud. mag. Birger Knudsen"               (H/T + "-enrik Ibsen's writing"/GC/S/abT)/Ch/+cp              "Henrik Ibsen's writing"

http://shakespeare.mit.edu/richardii/full.html ,    
William Shakespeare's "Richard II"            <Richard i i>

Ghosts                        (R/T + "-ichard i i"/GC/S/abT)/+bp                       "Richard i i"
Ghosts                        (R/T + "-ichard i i"/GC/S/abT)/+cp                       "Richard i i"
"Gildet på Solhaug"                (R/T + "-ichard i i"/GC/S/abT)/Ch/+bp              "Richard i i"
"Hærmændene på Helgeland"               (R/T + "-ichard i i"/GC/S/abT)/Ch/+cp              "Richard i i"

•  Hedda Gabler (English) (as Author)
•  Hedda Gabler
Dramo en kvar aktoj (Esperanto) (as Author)
•  Helgelannin sankarit
Näytelmä neljässä näytöksessä (Finnish) (as Author)
•  Henrik Ibsen's Prose Dramas Vol III
Lady Inger of Ostrat (English) (as Author)

"Hedda Gabler"               (H/P + "-enrik Ibsen's work"/T)/+bp              "Henrik Ibsen's work"

"Hedda Gabler"               (H/P + "-enrik Ibsen's work"/T)/+cp              "Henrik Ibsen's work"
"Dramo en kvar aktoj"               (H/P + "-enrik Ibsen's writing"/T)/+cp              "Henrik Ibsen's writing"

"Helgelannin sankarit"               (H/P + "-enrik Ibsen's work"/T)/Ch/+bp              "Henrik Ibsen's work"
"Näytelmä neljässä näytöksessä"               (H/P + "-enrik Ibsen's writing"/T)/Ch/+bp              "Henrik Ibsen's writing"

"Henrik Ibsen's Prose Dramas V o l i i i"               (H/P + "-enrik Ibsen's work"/T)/Ch/+cp              "Henrik Ibsen's work"
"Lady Inger of Ostrat"               (H/P + "-enrik Ibsen's writing"/T)/Ch/+cp              "Henrik Ibsen's writing"

http://shakespeare.mit.edu/richardii/full.html ,    
William Shakespeare's "Richard II"            <Richard i i>

"Hedda Gabler"                        (R/P + "-ichard i i"/T)/+bp                       "Richard i i"
"Hedda Gabler"                        (R/P + "-ichard i i"/T)/+cp                       "Richard i i"
"Helgelannin sankarit"                   (R/P + "-ichard i i"/T)/Ch/+bp                 "Richard i i"
"Henrik Ibsen's Prose Dramas V o l i i i"               (R/P + "-ichard i i"/T)/Ch/+cp              "Richard i i"

•  Inger, Östråtin rouva
Viisinäytöksinen murhenäytelmä (Finnish) (as Author)
•  John Gabriel Borkman (English) (as Author)
•  John Gabriel Borkman (Esperanto) (as Author)
•  Kærlighedens Komedie (Norwegian) (as Author)

"Inger, Östråtin rouva"               (H/P + "-enrik Ibsen's work"/S)/+bp              "Henrik Ibsen's work"
"Viisinäytöksinen murhenäytelmä"               (H/P + "-enrik Ibsen's writing"/S)/+bp              "Henrik Ibsen's writing"

"John Gabriel Borkman"               (H/P + "-enrik Ibsen's work"/S)/+cp              "Henrik Ibsen's work"
"John Gabriel Borkman"               (H/P + "-enrik Ibsen's work"/S)/Ch/+bp              "Henrik Ibsen's work"
"Kærlighedens Komedie"               (H/P + "-enrik Ibsen's work"/S)/Ch/+cp              "Henrik Ibsen's work"

http://shakespeare.mit.edu/richardii/full.html ,    
William Shakespeare's "Richard II"            <Richard i i>

"Inger, Östråtin rouva"                     (R/P + "-ichard i i"/S)/+bp                   "Richard i i"
"John Gabriel Borkman"                    (R/P + "-ichard i i"/S)/+cp                   "Richard i i"
"John Gabriel Borkman"                  (R/P + "-ichard i i"/S)/Ch/+bp                 "Richard i i"
"Kærlighedens Komedie"                  (R/P + "-ichard i i"/S)/Ch/+cp                "Richard i i"

•  La kolonoj de la socio
Dramo en kvar aktoj (Esperanto) (as Author)
•  Konstruestro Solness (Esperanto) (as Author)
•  Kuninkaan-alut
Historiallinen näytelmä viidessä näytöksessä (Finnish) (as Author)
•  The Lady from the Sea (English) (as Author)

"kolonoj de socio"               (H/P + "-enrik Ibsen's work"/C2)/+bp              "Henrik Ibsen's work"
"Dramo en kvar aktoj"               (H/P + "-enrik Ibsen's writing"/C2)/+bp              "Henrik Ibsen's writing"

"Konstruestro Solness"               (H/P + "-enrik Ibsen's work"/C2)/+cp              "Henrik Ibsen's work"

"Kuninkaan-alut"               (H/P + "-enrik Ibsen's work"/C2)/Ch/+bp              "Henrik Ibsen's work"
"Historiallinen näytelmä viidessä näytöksessä"               (H/P + "-enrik Ibsen's writing"/C2)/Ch/+bp              "Henrik Ibsen's writing"

"Lady from Sea"               (H/P + "-enrik Ibsen's work"/C2)/Ch/+cp              "Henrik Ibsen's work"

http://shakespeare.mit.edu/richardii/full.html ,    
William Shakespeare's "Richard II"            <Richard i i>

"kolonoj de socio"                      (R/P + "-ichard i i"/C2)/+bp                     "Richard i i"
"Konstruestro Solness"                    (R/P + "-ichard i i"/C2)/+cp                  "Richard i i"
"Kuninkaan-alut"                     (R/P + "-ichard i i"/C2)/Ch/+bp                   "Richard i i"
"Lady from Sea"                     (R/P + "-ichard i i"/C2)/Ch/+cp                    "Richard i i"

•  Little Eyolf (English) (as Author)
•  Love's Comedy (English) (as Author)
•  The Master Builder (English) (as Author)
•  Nora
Näytelmä kolmessa näytöksessä (Finnish) (as Author)

"Little Eyolf"               (H/P + "-enrik Ibsen's work"/GC/S/abT)/+bp              "Henrik Ibsen's work"
"Love's Comedy"               (H/P + "-enrik Ibsen's work"/GC/S/abT)/+cp              "Henrik Ibsen's work"
"Master Builder"               (H/P + "-enrik Ibsen's work"/GC/S/abT)/Ch/+bp              "Henrik Ibsen's work"

Nora                (H/P + "-enrik Ibsen's work"/GC/S/abT)/Ch/+cp              "Henrik Ibsen's work"
"Näytelmä kolmessa näytöksessä"               (H/P + "-enrik Ibsen's writing"/GC/S/abT)/Ch/+cp              "Henrik Ibsen's writing"

http://shakespeare.mit.edu/richardii/full.html ,    
William Shakespeare's "Richard II"            <Richard i i>

"Little Eyolf"                       (R/P + "-ichard i i"/GC/S/abT)/+bp                   "Richard i i"
"Love's Comedy"                 (R/P + "-ichard i i"/GC/S/abT)/+cp                    "Richard i i"
"Master Builder"                  (R/P + "-ichard i i"/GC/S/abT)/Ch/+bp                "Richard i i"
Nora                        (R/P + "-ichard i i"/GC/S/abT)/Ch/+cp                      "Richard i i"

•  Pikku Eyolf
Kolminäytöksinen näytelmä (Finnish) (as Author)
•  Pillars of Society (English) (as Author)
•  Popolmalamiko
Dramo en kvin aktoj (Esperanto) (as Author)
•  Puphejmo
Dramo en tri aktoj (Esperanto) (as Author)

"Pikku Eyolf"                (H/S + "-enrik Ibsen's work"/T)/+bp              "Henrik Ibsen's work"
"Kolminäytöksinen näytelmä"                (H/S + "-enrik Ibsen's writing"/T)/+bp              "Henrik Ibsen's writing"

"Pillars of Society"                (H/S + "-enrik Ibsen's work"/T)/+cp              "Henrik Ibsen's work"

Popolmalamiko                 (H/S + "-enrik Ibsen's work"/T)/Ch/+bp              "Henrik Ibsen's work"
"Dramo en kvin aktoj"                (H/S + "-enrik Ibsen's writing"/T)/Ch/+bp              "Henrik Ibsen's writing"

Puphejmo                 (H/S + "-enrik Ibsen's work"/T)/Ch/+cp              "Henrik Ibsen's work"
"Dramo en tri aktoj"                 (H/S + "-enrik Ibsen's writing"/T)/Ch/+cp              "Henrik Ibsen's writing"

http://shakespeare.mit.edu/richardii/full.html ,    
William Shakespeare's "Richard II"            <Richard i i>

"Pikku Eyolf"                          (R/S + "-ichard i i"/T)/+bp                        "Richard i i"
"Pillars of Society"                      (R/S + "-ichard i i"/T)/+cp                      "Richard i i"
Popolmalamiko                       (R/S + "-ichard i i"/T)/Ch/+bp                    "Richard i i"
Puphejmo                            (R/S + "-ichard i i"/T)/Ch/+cp                     "Richard i i"

•  Rakkauden komedia
(1862) 3-näytöksinen komedia (Finnish) (as Author)
•  Rosmersholm (English) (as Author)
•  Rosmersholma
Nelinäytöksinen näytelmä (Finnish) (as Author)
•  Rosmersholm
Dramo en kvar aktoj (Esperanto) (as Author)

"Rakkauden komedia"                (H/S + "-enrik Ibsen's work"/P)/+bp              "Henrik Ibsen's work"
"(1862) 3-näytöksinen komedia"                (H/S + "-enrik Ibsen's writing"/P)/+bp              "Henrik Ibsen's writing"

Rosmersholm                 (H/S + "-enrik Ibsen's work"/P)/+cp              "Henrik Ibsen's work"

Rosmersholma                (H/S + "-enrik Ibsen's work"/P)/Ch/+bp              "Henrik Ibsen's work"
"Nelinäytöksinen näytelmä"                (H/S + "-enrik Ibsen's writing"/P)/Ch/+bp              "Henrik Ibsen's writing"

Rosmersholm                (H/S + "-enrik Ibsen's work"/P)/Ch/+cp              "Henrik Ibsen's work"
Rosmersholm                (H/S + "-enrik Ibsen's writing"/P)/Ch/+cp              "Henrik Ibsen's writing"

http://shakespeare.mit.edu/richardii/full.html ,    
William Shakespeare's "Richard II"            <Richard i i>

"Rakkauden komedia"                      (R/S + "-ichard i i"/P)/+bp                  "Richard i i"
Rosmersholm                          (R/S + "-ichard i i"/P)/+cp                       "Richard i i"
Rosmersholma                       (R/S + "-ichard i i"/P)/Ch/+bp                     "Richard i i"
Rosmersholm                        (R/S + "-ichard i i"/P)/Ch/+cp                     "Richard i i"

•  Rosmersholm
Schauspiel in vier Aufzügen (German) (as Author)
•  La Sinjorino el la Maro (Esperanto) (as Author)
•  La Tronpretendantoj (Esperanto) (as Author)
•  The Vikings of Helgeland
The Prose Dramas Of Henrik Ibsen, Vol. III. (English) (as Author)

Rosmersholm                 (H/S + "-enrik Ibsen's work"/C2)/+bp              "Henrik Ibsen's work"
"Schauspiel in vier Aufzügen"                 (H/S + "-enrik Ibsen's writing"/C2)/+bp              "Henrik Ibsen's writing"

"Sinjorino el Maro"                 (H/S + "-enrik Ibsen's work"/C2)/+cp              "Henrik Ibsen's work"
Tronpretendantoj                 (H/S + "-enrik Ibsen's work"/C2)/Ch/+bp              "Henrik Ibsen's work"

"Vikings of Helgeland"                 (H/S + "-enrik Ibsen's work"/C2)/Ch/+cp              "Henrik Ibsen's work"
"Prose Dramas Of Henrik Ibsen, V o l. i i i"                 (H/S + "-enrik Ibsen's writing"/C2)/Ch/+cp              "Henrik Ibsen's writing"

http://shakespeare.mit.edu/richardii/full.html ,    
William Shakespeare's "Richard II"            <Richard i i>

Rosmersholm                         (R/S + "-ichard i i"/C2)/+bp                      "Richard i i"
"Sinjorino el Maro"                    (R/S + "-ichard i i"/C2)/+cp                      "Richard i i"
Tronpretendantoj                    (R/S + "-ichard i i"/C2)/Ch/+bp                    "Richard i i"
"Vikings of Helgeland"                   (R/S + "-ichard i i"/C2)/Ch/+cp                "Richard i i"

•  Vildanden (Norwegian) (as Author)
•  When We Dead Awaken (English) (as Author)

Vildanden                (H/S + "-enrik Ibsen's work"/GC/S/abT)              "Henrik Ibsen's work"
"When We Dead Awaken"                (H/S + "-enrik Ibsen's work"/GC/S/abT)/Ch              "Henrik Ibsen's work"

http://shakespeare.mit.edu/richardii/full.html ,    
William Shakespeare's "Richard II"            <Richard i i>

Vildanden                         (R/S + "-ichard i i"/GC/S/abT)                       "Richard i i"
"When We Dead Awaken"                (R/S + "-ichard i i"/GC/S/abT)/Ch              "Richard i i"



>> Phonetic correspondence   between   Henrik Ibsen's  "Ghosts (Translated, with an Introduction, by William Archer)"    and   William Shakespeare's  "Richard II"

http://www.gutenberg.org/files/8121/8121-h/8121-h.htm ,  
•  Ghosts

INTRODUCTION.

The winter of 1879-80 Ibsen spent in Munich, and the greater part of the summer of 1880 at Berchtesgaden. November 1880 saw him back in Rome, and he passed the summer of 1881 at Sorrento. There, fourteen years earlier, he had written the last acts of Peer Gynt; there he now wrote, ~ `


http://shakespeare.mit.edu/richardii/full.html ,    
Richard II

ACT I

SCENE I. London. KING RICHARD II's palace.

Enter KING RICHARD II, JOHN OF GAUNT, with other Nobles and Attendants

KING RICHARD II

Old John of Gaunt, time-honour'd Lancaster,
Hast thou, according to thy oath and band, ~ ~


Ghosts               (H/T + "-enrik Ibsen's work"/GC/S/abT)/+bp              "Henrik Ibsen's work"

Ghosts                        (R/T + "-ichard i i"/GC/S/abT)/+bp                       "Richard i i"


1.
INTRODUCTION                ([ŋ=  w=]/T + "ACT i SCENE i"/GC/S/abT)/+bp              "ACT i SCENE i"

2.               <The> winter of 1879

"winter of 1879"                        (L/T + ondon/GC/S/abT)/+bp                       London

3.
"80 Ibsen spent in Munich"               (K/T + "-ING RICHARD i i 's palace"/GC/S/abT)/+bp              "KING RICHARD i i 's palace"

4.             and <the> greater part of <the> summer of 1880 at Berchtesgaden

"and greater part of summer of 1880 at Berchtesgaden"               ([ŋ=  y=]/T + "Enter KING RICHARD i i"/GC/S/abT)/+bp              "Enter KING RICHARD i i"

5.
"November 1880 saw him back in Rome"               (J/T + "-OHN OF GAUNT"/GC/S/abT)/+bp              "JOHN OF GAUNT"

6.                     and he passed <the> summer of 1881 at Sorrento

"and he passed summer of 1881 at Sorrento"               (w/T + "-ith other Nobles and Attendants KING RICHARD i i Old John of Gaunt"/GC/S/abT)/+bp              "with other Nobles and Attendants KING RICHARD i i Old John of Gaunt"

7.
There                                 (t/T + ime/GC/S/abT)/+bp                               time

8.
"fourteen years earlier"               ([ŋ=  w=]/T + "honour'd Lancaster "/GC/S/abT)/+bp              "honour'd Lancaster"

9.                    he had written <the> last acts of Peer Gynt

"he had written last acts of Peer Gynt"               (H/T + "-ast thou"/GC/S/abT)/+bp              "Hast thou"

10.
"there he now wrote"               ([ŋ=  w=]/T + "according to thy oath and band"/GC/S/abT)/+bp              "according to thy oath and band"

Et cetera.



>> Phonetic correspondence   between   Henrik Ibsen's  "Ghosts (A Domestic Tragedy in Three Acts)"    and   William Shakespeare's  "Richard II"

http://www.gutenberg.org/files/2467/2467-h/2467-h.htm ,  
•  Ghosts

A Domestic Tragedy in Three Acts

ACT I

(SCENE.—A large room looking upon a garden door in the left-hand wall, and two in the right. In the middle of the room, a round table with chairs set about it, and books, magazines and newspapers upon it. ~ ~


http://shakespeare.mit.edu/richardii/full.html ,    
William Shakespeare's "Richard II"            <Richard i i>


Ghosts               (H/T + "-enrik Ibsen's work"/GC/S/abT)/+cp              "Henrik Ibsen's work"

Ghosts                        (R/T + "-ichard i i"/GC/S/abT)/+cp                       "Richard i i"


1.                     <A> Domestic Tragedy in Three Acts

"Domestic Tragedy in Three Acts"                ([ŋ=  w=]/T + "ACT i SCENE i"/GC/S/abT)/+cp              "ACT i SCENE i"

2.
"ACT i"                            (L/T + ondon/GC/S/abT)/+cp                            London

3.
SCENE               (K/T + "-ING RICHARD i i 's palace"/GC/S/abT)/+cp              "KING RICHARD i i 's palace"

4.                  <A> large room looking upon <a> garden door in <the> left

"large room looking upon garden door in left"               ([ŋ=  y=]/T + "Enter KING RICHARD i i"/GC/S/abT)/+cp              "Enter KING RICHARD i i"

5.
"hand wall"               (J/T + "-OHN OF GAUNT"/GC/S/abT)/+cp              "JOHN OF GAUNT"

6.                       and two in <the> right

"and two in right"               (w/T + "-ith other Nobles and Attendants KING RICHARD i i Old John of Gaunt"/GC/S/abT)/+cp              "with other Nobles and Attendants KING RICHARD i i Old John of Gaunt"

7.                      In <the> middle of <the> room

"In middle of room"                           (t/T + ime/GC/S/abT)/+cp                       time

8.                   <a> round table with chairs set about it

"round table with chairs set about it"               ([ŋ=  w=]/T + "honour'd Lancaster "/GC/S/abT)/+cp              "honour'd Lancaster"

9.
"and books"                       (H/T + "-ast thou"/GC/S/abT)/+cp                    "Hast thou"

10.
"magazines and newspapers upon it"               ([ŋ=  w=]/T + "according to thy oath and band"/GC/S/abT)/+cp              "according to thy oath and band"

Et cetera.



Søren Kierkegaard
http://encyclopedia.thefreedictionary.com/S%c3%b8ren+Kierkegaard ,  

*             "Henrik Ibsen"  >>  ("Søren Kierkegaard" /T/Ch)/P

>>         Kierkegaard,     Soren Aabye Kierkegaard

*               ("Søren Kierkegaard" /T)/P  >>  Kierkegaard /P  >>  "Soren Aabye Kierkegaard" /C2

Born                         5 May 1813                          Copenhagen, Denmark
Died                 11 November 1855 (aged 42)                Copenhagen, Denmark

"1813"                   (S/T + "-øren Kierkegaard"/P)/+bp                   "Søren Kierkegaard"
May                      (S/T + "-øren Kierkegaard"/P)/+cp                   "Søren Kierkegaard"
"5"                   (S/T + "-øren Kierkegaard"/P)/Ch/+bp                   "Søren Kierkegaard"
"Copenhagen, Denmark"               (S/T + "-øren Kierkegaard"/P)/Ch/+cp                "Søren Kierkegaard"

"1855"                   (S/P + "-øren Kierkegaard"/T)/+bp                   "Søren Kierkegaard"
November                   (S/P + "-øren Kierkegaard"/T)/+cp                   "Søren Kierkegaard"
"11"                  (S/P + "-øren Kierkegaard"/T)/Ch/+bp                   "Søren Kierkegaard"
"Copenhagen, Denmark"                  (S/P + "-øren Kierkegaard"/T)/Ch/+bp                   "Søren Kierkegaard"



Guy de Maupassant
http://encyclopedia.thefreedictionary.com/Guy+de+Maupassant ,  

Maupassant                ([ŋ=  w=]/P + "Anton Chekhov"/C1)/Ch               "Anton Chekhov"

>>        Guy de Maupassant,     Henri Rene Albert Guy de Maupassant

*             Maupassant  >>  "Guy de Maupassant" /S  >>  "Henri Rene Albert Guy de Maupassant" /C2

Born                5 August 1850
Died                6 July 1893 (aged 42)

"1850"                               (M/T + aupassant/P)/+bp                         Maupassant
August                               (M/T + aupassant/P)/+cp                          Maupassant
"5"                                    (M/T + aupassant/P)/Ch                          Maupassant

"1893"                               (M/P + aupassant/T)/+bp                         Maupassant
July                                  (M/P + aupassant/T)/+cp                          Maupassant
"6"                                   (M/P + aupassant/T)/Ch                           Maupassant


http://www.gutenberg.org/browse/authors/m#a306 ,  
•  Bel Ami (English) (as Author)
•  Boule de Suif (French) (as Author)
•  Claire de Lune (French) (as Author)
•  Comedy of Marriage and Other Tales (English) (as Author)

"Bel Ami"                (M/T + "-aupassant's writing"/P)/+bp                "Maupassant's writing"
"Boule de Suif"                (M/T + "-aupassant's writing"/P)/+cp                "Maupassant's writing"
"Claire de Lune"                (M/T + "-aupassant's writing"/P)/Ch/+bp                "Maupassant's writing"
"Comedy of Marriage and Other Tales"                (M/T + "-aupassant's writing"/P)/Ch/+bp                "Maupassant's writing"

http://shakespeare.mit.edu/john/full.html ,  
William Shakespeare's   "King John"

"Bel Ami"                             (K/T + "- ing John"/P)/+bp                        "King John"
"Boule de Suif"                        (K/T + "-ing John"/P)/+cp                        "King John"
"Claire de Lune"                     (K/T + "-ing John"/P)/Ch/+bp                      "King John"
"Comedy of Marriage and Other Tales"                (K/T + "-ing John"/P)/Ch/+bp                "King John"

•  Complete Original Short Stories of Guy De Maupassant (English) (as Author)
•  Contes de la Becasse (French) (as Author)
•  Contes du jour et de la nuit (French) (as Author)
•  Contes Français (French) (as Contributor)

"Complete Original Short Stories of Guy De Maupassant"                (M/T + "-aupassant's writing"/S)/+bp                "Maupassant's writing"
"Contes de Becasse"                (M/T + "-aupassant's writing"/S)/+cp                "Maupassant's writing"
"Contes du jour et de nuit"                (M/T + "-aupassant's writing"/S)/Ch/+bp                "Maupassant's writing"
"Contes Français"                (M/T + "-aupassant's writing"/S)/Ch/+cp                "Maupassant's writing"

http://shakespeare.mit.edu/john/full.html ,  
William Shakespeare's   "King John"

"Complete Original Short Stories of Guy De Maupassant"                (K/T + "-ing John/S)/+bp                "King John"
"Contes de Becasse"                (K/T + "-ing John"/S)/+cp                "King John"
"Contes du jour et de nuit"                (K/T + "-ing John"/S)/Ch/+bp                "King John"
"Contes Français"                    (K/T + "-ing John"/S)/Ch/+cp                      "King John"

•  Elämän tarina (Finnish) (as Author)
•  Famous Modern Ghost Stories (English) (as Contributor)
•  La Femme de Paul (French) (as Author)
•  Fort comme la mort (French) (as Author)

"Elämän tarina"                (M/T + "-aupassant's writing"/C2)/+bp                "Maupassant's writing"
"Famous Modern Ghost Stories"                (M/T + "-aupassant's writing"/C2)/+cp                "Maupassant's writing"
"Femme de Paul"                (M/T + "-aupassant's writing"/C2)/Ch/+bp                "Maupassant's writing"
"Fort comme mort"                (M/T + "-aupassant's writing"/C2)/Ch/+cp                "Maupassant's writing"

http://shakespeare.mit.edu/john/full.html ,  
William Shakespeare's   "King John"

"Elämän tarina"                          (K/T + "-ing John"/C2)/+bp                    "King John"
"Famous Modern Ghost Stories"                (K/T + "-ing John"/C2)/+cp                "King John"
"Femme de Paul"                    (K/T + "-ing John"/C2)/Ch/+bp                     "King John"
"Fort comme mort"                    (K/T + "-ing John"/C2)/Ch/+cp                   "King John"

•  Le Horla and Others (French) (as Author)
•  International Short Stories: French (English) (as Contributor)
•  L'inutile beauté (French) (as Author)
•  Library of the World's Best Mystery and Detective Stories (English) (as Contributor)

"Horla and Others"                (M/T + "-aupassant's writing"/GC/S/abT)/+bp                "Maupassant's writing"
"International Short Stories: French"                (M/T + "-aupassant's writing"/GC/S/abT)/+cp                "Maupassant's writing"
"inutile beauté"                (M/T + "-aupassant's writing"/GC/S/abT)/Ch/+bp                "Maupassant's writing"
"Library of World's Best Mystery and Detective Stories"                (M/T + "-aupassant's writing"/GC/S/abT)/Ch/+cp                "Maupassant's writing"

http://shakespeare.mit.edu/john/full.html ,  
William Shakespeare's   "King John"

"Horla and Others"                  (K/T + "-ing John"/GC/S/abT)/+bp                 "King John"
"International Short Stories: French"                (K/T + "-ing John"/GC/S/abT)/+cp                "King John"
"inutile beauté"                  (K/T + "-ing John"/GC/S/abT)/Ch/+bp                 "King John"
"Library of World's Best Mystery and Detective Stories"                (K/T + "-ing John"/GC/S/abT)/Ch/+cp                 "King John"

•  Mademoiselle Fifi (English) (as Author)
•  La Main Gauche (French) (as Author)
•  La Maison Tellier (French) (as Author)
•  Mlle Fifi
Nouveaux Contes (French) (as Author)

"Mademoiselle Fifi"                (M/P+ "-aupassant's writing"/T)/+bp                "Maupassant's writing"
"Main Gauche"                (M/P+ "-aupassant's writing"/T)/+cp                "Maupassant's writing"
"Maison Tellier"                (M/P+ "-aupassant's writing"/T)/Ch/+bp                "Maupassant's writing"

"Mlle Fifi"                (M/P+ "-aupassant's writing"/T)/Ch/+cp                "Maupassant's writing"
"Nouveaux Contes"                (M/P+ "-aupassant's work"/T)/Ch/+cp                "Maupassant's work"

http://shakespeare.mit.edu/john/full.html ,  
William Shakespeare's   "King John"

"Mademoiselle Fifi"                       (K/P+ "-ing John"/T)/+bp                      "King John"
"Main Gauche"                           (K/P+ "-ing John"/T)/+cp                      "King John"
"Maison Tellier"                       (K/P+ "-ing John"/T)/Ch/+bp                      "King John"
"Mlle Fifi"                           (K/P+ "-ing John"/T)/Ch/+cp                        "King John"

•  Monsieur Parent
Et autres histoires courtes (French) (as Author)
•  Original Short Stories, Complete, Volumes 1-13
An Index to All Stories (English) (as Author)
•  Original Short Stories — Volume 01 (English) (as Author)
•  Original Short Stories — Volume 02 (English) (as Author)

"Monsieur Parent"                (M/P+ "-aupassant's writing"/S)/+bp                "Maupassant's writing"
"Et autres histoires courtes"                (M/P+ "-aupassant's work"/S)/+bp                "Maupassant's work"

"Original Short Stories, Complete, Volumes i - x i i i"                (M/P+ "-aupassant's writing"/S)/+cp                "Maupassant's writing"
"Index to All Stories"                (M/P+ "-aupassant's work"/S)/+cp                "Maupassant's work"

"Original Short Stories — Volume o i"                (M/P+ "-aupassant's writing"/S)/Ch/+bp                "Maupassant's writing"
"Original Short Stories — Volume o i i"                (M/P+ "-aupassant's writing"/S)/Ch/+cp                "Maupassant's writing"

http://shakespeare.mit.edu/john/full.html ,  
William Shakespeare's   "King John"

"Monsieur Parent"                       (K/P+ "-ing John"/S)/+bp                       "King John"
"Original Short Stories, Complete, Volumes i - x i i i"                (K/P+ "-ing John"/S)/+cp                "King John"
"Original Short Stories — Volume o i"                (K/P+ "-ing John"/S)/Ch/+bp                "King John"
"Original Short Stories — Volume o i i"                (K/P+ "-ing John"/S)/Ch/+cp                "King John"

•  Original Short Stories — Volume 03 (English) (as Author)
•  Original Short Stories — Volume 04 (English) (as Author)
•  Original Short Stories — Volume 05 (English) (as Author)
•  Original Short Stories — Volume 06 (English) (as Author)

"Original Short Stories — Volume o i i i"                (M/P+ "-aupassant's writing"/C2)/+bp                "Maupassant's writing"
"Original Short Stories — Volume o i v"                (M/P+ "-aupassant's writing"/C2)/+cp                "Maupassant's writing"
"Original Short Stories — Volume o v"                (M/P+ "-aupassant's writing"/C2)/Ch/+bp                "Maupassant's writing"
"Original Short Stories — Volume o v i"                (M/P+ "-aupassant's writing"/C2)/Ch/+cp                "Maupassant's writing"

http://shakespeare.mit.edu/john/full.html ,  
William Shakespeare's   "King John"

"Original Short Stories — Volume o i i i"                (K/P+ "-ing John"/C2)/+bp                "King John"
"Original Short Stories — Volume o i v"                (K/P+ "-ing John"/C2)/+cp                "King John"
"Original Short Stories — Volume o v"                (K/P+ "-ing John"/C2)/Ch/+bp                "King John"
"Original Short Stories — Volume o v i"                (K/P+ "-ing John"/C2)/Ch/+cp                "King John"

•  Original Short Stories — Volume 07 (English) (as Author)
•  Original Short Stories — Volume 08 (English) (as Author)
•  Original Short Stories — Volume 09 (English) (as Author)
•  Original Short Stories — Volume 10 (English) (as Author)

"Original Short Stories — Volume o v i i"                (M/P+ "-aupassant's writing"/GC/S/abT)/+bp                "Maupassant's writing"
"Original Short Stories — Volume o v i i i"                (M/P+ "-aupassant's writing"/GC/S/abT)/+cp                "Maupassant's writing"
"Original Short Stories — Volume o i x"                (M/P+ "-aupassant's writing"/GC/S/abT)/Ch/+bp                "Maupassant's writing"
"Original Short Stories — Volume x"                (M/P+ "-aupassant's writing"/GC/S/abT)/Ch/+cp                "Maupassant's writing"

http://shakespeare.mit.edu/john/full.html ,  
William Shakespeare's   "King John"

"Original Short Stories — Volume o v i i"                (K/P+ "-ing John"/GC/S/abT)/+bp                "King John"
"Original Short Stories — Volume o v i i i"                (K/P+ "-ing John"/GC/S/abT)/+cp                "King John"
"Original Short Stories — Volume o i x"                (K/P+ "-ing John"/GC/S/abT)/Ch/+bp                "King John"
"Original Short Stories — Volume x"                (K/P+ "-ing John"/GC/S/abT)/Ch/+cp                "King John"

•  Original Short Stories — Volume 11 (English) (as Author)
•  Original Short Stories — Volume 12 (English) (as Author)
•  Original Short Stories — Volume 13 (English) (as Author)
•  La petite roque (French) (as Author)

"Original Short Stories — Volume x i"                (M/S+ "-aupassant's writing"/T)/+bp                "Maupassant's writing"
"Original Short Stories — Volume x i i"                (M/S+ "-aupassant's writing"/T)/+cp                "Maupassant's writing"
"Original Short Stories — Volume x i i i"                (M/S+ "-aupassant's writing"/T)/Ch/+bp                "Maupassant's writing"
"petite roque"                (M/S+ "-aupassant's writing"/T)/Ch/+cp                "Maupassant's writing"

http://shakespeare.mit.edu/john/full.html ,  
William Shakespeare's   "King John"

"Original Short Stories — Volume x i"                (K/S+ "-ing John"/T)/+bp                "King John"
"Original Short Stories — Volume x i i"                (K/S+ "-ing John"/T)/+cp                "King John"
"Original Short Stories — Volume x i i i"                (K/S+ "-ing John"/T)/Ch/+bp                "King John"
"petite roque"                       (K/S+ "-ing John"/T)/Ch/+cp                       "King John"

•  Pierre and Jean (English) (as Author)
•  Pierre et Jean (French) (as Author)
•  Quotes and Images From The Short Stories of Maupassant (English) (as Author)
•  Selected Writings of Guy De Maupassant (English) (as Author)

"Pierre and Jean"                (M/S+ "-aupassant's writing"/P)/+bp                "Maupassant's writing"
"Pierre et Jean"                (M/S+ "-aupassant's writing"/P)/+cp                "Maupassant's writing"
"Quotes and Images From Short Stories of Maupassant"                (M/S+ "-aupassant's writing"/P)/Ch/+bp                "Maupassant's writing"
"Selected Writings of Guy De Maupassant"                (M/S+ "-aupassant's writing"/P)/Ch/+cp                "Maupassant's writing"

http://shakespeare.mit.edu/john/full.html ,  
William Shakespeare's   "King John"

"Pierre and Jean"                        (K/S+ "-ing John"/P)/+bp                      "King John"
"Pierre et Jean"                          (K/S+ "-ing John"/P)/+cp                      "King John"
"Quotes and Images From Short Stories of Maupassant"                (K/S+ "-ing John"/P)/Ch/+bp                "King John"
"Selected Writings of Guy De Maupassant"                (K/S+ "-ing John"/P)/Ch/+cp                "King John"

•  Short-Stories (English) (as Contributor)
•  Strong as Death (English) (as Author)
•  Une vie (French) (as Author)
•  Une Vie, a Piece of String and Other Stories (English) (as Author)

"Short-Stories"                (M/S+ "-aupassant's writing"/C2)/+bp                "Maupassant's writing"
"Strong as Death"                (M/S+ "-aupassant's writing"/C2)/+cp                "Maupassant's writing"
vie                 (M/S+ "-aupassant's writing"/C2)/Ch/+bp                "Maupassant's writing"
"Vie, Piece of String and Other Stories"                 (M/S+ "-aupassant's writing"/C2)/Ch/+cp                "Maupassant's writing"

http://shakespeare.mit.edu/john/full.html ,  
William Shakespeare's   "King John"

"Short-Stories"                        (K/S+ "-ing John"/C2)/+bp                       "King John"
"Strong as Death"                      (K/S+ "-ing John"/C2)/+cp                      "King John"
vie                             (K/S+ "-ing John"/C2)/Ch/+bp                          "King John"
"Vie, Piece of String and Other Stories"                 (K/S+ "-ing John"/C2)/Ch/+cp                "King John"

•  La vie errante (French) (as Author)
•  Widger's Quotations from the Project Gutenberg Editions of the Works of Guy de Maupassant (English) (as Author)
•  The Works of Guy de Maupassant, Vol. 1
Boule de Suif and Other Stories (English) (as Author)
•  The works of Guy de Maupassant, Vol. 5
Une Vie and Other Stories (English) (as Author)

"vie errante"                (M/S+ "-aupassant's writing"/GC/S/abT)/+bp                "Maupassant's writing"
"Widger's Quotations from Project Gutenberg Editions of Works of Guy de Maupassant"                (M/S+ "-aupassant's writing"/GC/S/abT)/+cp                "Maupassant's writing"

"Works of Guy de Maupassant, V o l. i"                (M/S+ "-aupassant's writing"/GC/S/abT)/Ch/+bp                "Maupassant's writing"
"Boule de Suif and Other Stories"                (M/S+ "-aupassant's work"/GC/S/abT)/Ch/+bp                "Maupassant's work"

"Works of Guy de Maupassant, V o l. v"                (M/S+ "-aupassant's writing"/GC/S/abT)/Ch/+cp                "Maupassant's writing"
"Vie and Other Stories"                (M/S+ "-aupassant's work"/GC/S/abT)/Ch/+cp                "Maupassant's work"

http://shakespeare.mit.edu/john/full.html ,  
William Shakespeare's   "King John"

"vie errante"                     (K/S+ "-ing John"/GC/S/abT)/+bp                     "King John"
"Widger's Quotations from Project Gutenberg Editions of Works of Guy de Maupassant"                (K/S+ "-ing John"/GC/S/abT)/+cp                "King John"
"Works of Guy de Maupassant, V o l. i"                (K/S+ "-ing John"/GC/S/abT)/Ch/+bp                "King John"
"Works of Guy de Maupassant, V o l. v"                (K/S+ "-ing John"/GC/S/abT)/Ch/+cp                "King John"

•  The Works of Guy de Maupassant, Vol. 6 (English) (as Author)
•  The Works of Guy de Maupassant, Volume 2 (English) (as Author)
•  The Works of Guy de Maupassant, Volume 3 (English) (as Author)
•  The Works of Guy de Maupassant, Volume 4 (English) (as Author)

"Works of Guy de Maupassant, V o l. v i"                (M/C2+ "-aupassant's writing"/T)/+bp                "Maupassant's writing"
"Works of Guy de Maupassant, Volume i i"                (M/C2+ "-aupassant's writing"/T)/+cp                "Maupassant's writing"
"Works of Guy de Maupassant, Volume i i i"                (M/C2+ "-aupassant's writing"/T)/Ch/+bp                "Maupassant's writing"
"Works of Guy de Maupassant, Volume i v"                (M/C2+ "-aupassant's writing"/T)/Ch/+cp                "Maupassant's writing"

http://shakespeare.mit.edu/john/full.html ,  
William Shakespeare's   "King John"

"Works of Guy de Maupassant, V o l. v i"                (K/C2+ "-ing John"/T)/+bp                "King John"
"Works of Guy de Maupassant, Volume i i"                (K/C2+ "-ing John"/T)/+cp                "King John"
"Works of Guy de Maupassant, Volume i i i"                (K/C2+ "-ing John"/T)/Ch/+bp                "King John"
"Works of Guy de Maupassant, Volume i v"                (K/C2+ "-ing John"/T)/Ch/+cp                "King John"

•  The Works of Guy de Maupassant, Volume VIII. (English) (as Author)
•  Yvette (English) (as Author)

"Works of Guy de Maupassant, Volume v i i i"                (M/C2+ "-aupassant's writing"/P)                "Maupassant's writing"
Yvette                   (M/C2+ "-aupassant's writing"/P)/Ch                "Maupassant's writing"

http://shakespeare.mit.edu/john/full.html ,  
William Shakespeare's   "King John"

"Works of Guy de Maupassant, Volume v i i i"                (K/C2+ "-ing John"/P)                "King John"
Yvette                                 (K/C2+ "-ing John"/P)/Ch                        "King John"



>> Phonetic correspondence   between    Maupassant's  "Original Short Stories — Volume 02"    and   William Shakespeare's  "King John"

http://shakespeare.mit.edu/john/full.html ,  
King John

ACT I

SCENE I. KING JOHN'S palace.

Enter KING JOHN, QUEEN ELINOR, PEMBROKE, ESSEX, SALISBURY, and others, with CHATILLON

KING JOHN

Now, say, Chatillon, what would France with us?

CHATILLON

Thus, after greeting, speaks the King of France
In my behavior to the majesty,
The borrow'd majesty, ~ ~


http://www.gutenberg.org/files/3078/3078-h/3078-h.htm ,    
•  Original Short Stories — Volume 02

THE COLONEL'S IDEAS

"Upon my word," said Colonel Laporte, "although I am old and gouty, my legs as stiff as two pieces of wood, yet if a pretty woman were to tell me to go through the eye of a needle, I believe I should take a jump at it, like a clown through a hoop. I shall die like that; it is in the blood. I am an old beau, one of the old school, and the sight of a woman, a pretty woman, stirs me to the tips of my toes. There! ~ ~


"Original Short Stories — Volume o i i"                (M/P+ "-aupassant's writing"/S)/Ch/+cp                "Maupassant's writing"

"Original Short Stories — Volume o i i"                (K/P+ "-ing John"/S)/Ch/+cp                "King John"


1.                  <THE> COLONEL'S IDEAS

"COLONEL'S IDEAS"                ([ŋ=  w=]/P+ "ACT i SCENE i"/S)/Ch/+cp                "ACT i SCENE i"

2.
"Upon my word"                (K/P+ "-ING JOHN'S palace"/S)/Ch/+cp                "KING JOHN'S palace"

3.
"said Colonel Laporte"                ([ŋ=  y=]/P+ "Enter KING JOHN"/S)/Ch/+cp                "Enter KING JOHN"

4.
"although I am old and gouty"                (Q/P+ "-UEEN ELINOR"/S)/Ch/+cp                "QUEEN ELINOR"

5.
"my legs as stiff as two pieces of wood"                (P/P+ EMBROKE/S)/Ch/+cp                PEMBROKE

6.               yet if <a> pretty woman were to tell me to go through <the> eye of <a> needle

"yet if pretty woman were to tell me to go through eye of needle"                ([ŋ=  y=]/P+ ESSEX/S)/Ch/+cp                ESSEX

7.                     I believe I should take <a> jump at it

"I believe I should take jump at it"                (S/P+ ALISBURY/S)/Ch/+cp                SALISBURY

8.                     like <a> clown through <a> hoop

"like clown through hoop"                ([ŋ=  w=]/P+ "and others"/S)/Ch/+cp                "and others"

9.
"I shall die like that"                (w/P+ "-ith CHATILLON KING JOHN Now"/S)/Ch/+cp                "with CHATILLON KING JOHN Now"

10.                    it is in <the> blood

"it is in blood"                               (s/P+ ay/S)/Ch/+cp                               say

11.                     I am <an> old beau

"I am old beau"                         (Ch/P+ atillon/S)/Ch/+cp                          Chatillon

12.                     one of <the> old school

"one of old school"                (wh/P+ "-at would France with us"/S)/Ch/+cp                "what would France with us"

13.                      and <the> sight of <a> woman

"and sight of woman"                (CH/P+ "-ATILLON Thus"/S)/Ch/+cp                "CHATILLON Thus"

14.                         <a> pretty woman

"pretty woman"                ([ŋ=  w=]/P+ "after greeting"/S)/Ch/+cp                "after greeting"

15.   speaks <the> King of France In my behavior to <the> majesty --- stirs me to <the> tips of my toes

"stirs me to tips of my toes"                (sp/P+ "-eaks King of France In my behavior to majesty"/S)/Ch/+cp                "speaks King of France In my behavior to majesty"

16.                    <The> borrow'd majesty

There                     (b/P+ "-orrow'd majesty"/S)/Ch/+cp                  "borrow'd majesty"

Et cetera.



>> Phonetic correspondence   between    Maupassant's  "Original Short Stories, Complete, Volumes 1-13"    and   William Shakespeare's  "King John"

http://www.gutenberg.org/files/28076/28076-h/28076-h.htm ,  
•  Original Short Stories, Complete, Volumes 1-13
An Index to All Stories (English) (as Author)

ALPHABETICAL INDEX    

DOWNLOAD INSTRUCTIONS    

CONTENTS  

GUY DE MAUPASSANT ~ ~


http://shakespeare.mit.edu/john/full.html ,  
King John

ACT I

SCENE I. KING JOHN'S palace.

Enter KING JOHN, QUEEN ELINOR, PEMBROKE, ESSEX, SALISBURY, and others, with CHATILLON

KING JOHN

Now, say, Chatillon, what would France with us?

CHATILLON

Thus, after greeting, speaks the King of France
In my behavior to the majesty,
The borrow'd majesty, of England here.

QUEEN ELINOR

A strange beginning: 'borrow'd majesty!'

KING JOHN

Silence, good mother; hear the embassy.

CHATILLON

Philip of France, in right and true behalf
Of thy deceased brother Geffrey's son,
Arthur Plantagenet, lays most lawful claim
To this fair island and the territories,
To Ireland, Poictiers, Anjou, Touraine, Maine,
Desiring thee to lay aside the sword
Which sways usurpingly these several titles,
And put these same into young Arthur's hand,
Thy nephew and right royal sovereign.

KING JOHN

What follows if we disallow of this?

CHATILLON

The proud control of fierce and bloody war,
To enforce these rights so forcibly withheld.

KING JOHN
Here have we war for war and blood for blood,
Controlment for controlment: so answer France.

CHATILLON
Then take my king's defiance from my mouth,
The farthest limit of my embassy.

KING JOHN
Bear mine to him, and so depart in peace:
Be thou as lightning in the eyes of France;
For ere thou canst report I will be there,
The thunder of my cannon shall be heard:
So hence! Be thou the trumpet of our wrath
And sullen presage of your own decay.
An honourable conduct let him have:
Pembroke, look to 't. Farewell, Chatillon. ~ ~


"Original Short Stories, Complete, Volumes i - x i i i"                (M/P+ "-aupassant's writing"/S)/+cp                "Maupassant's writing"
"Index to All Stories"                (M/P+ "-aupassant's work"/S)/+cp                "Maupassant's work"

"Original Short Stories, Complete, Volumes i - x i i i"                (K/P+ "-ing John"/S)/+cp                "King John"


1.                       ALPHABETICAL     

a                     ([ŋ=  w=]/P+ "ACT i SCENE i"/S)/+cp                        "ACT i SCENE i"

2.
l                      (K/P+ "-ING JOHN'S palace"/S)/+cp                    "KING JOHN'S palace"

3.
p                    ([ŋ=  y=]/P+ "Enter KING JOHN"/S)/+cp                   "Enter KING JOHN"

4.
h                            (Q/P+ "-UEEN ELINOR"/S)/+cp                       "QUEEN ELINOR"

5.
a                                   (P/P+ EMBROKE/S)/+cp                              PEMBROKE

6.
b                                 ([ŋ=  y=]/P+ ESSEX/S)/+cp                               ESSEX

7.
e                                    (S/P+ ALISBURY/S)/+cp                            SALISBURY

8.
t                             ([ŋ=  w=]/P+ "and others"/S)/+cp                       "and others"

9.
i                (w/P+ "-ith CHATILLON KING JOHN Now"/S)/+cp                "with CHATILLON KING JOHN Now"

10.
c                                        (s/P+ ay/S)/+cp                                       say

11.
a                                      (Ch/P+ atillon/S)/+cp                               Chatillon

12.
l                (wh/P+ "-at would France with us"/S)/+cp                "what would France with us"

13.                                 INDEX

i                           (CH/P+ "-ATILLON Thus"/S)/+cp                     "CHATILLON Thus"

14.
n                        ([ŋ=  w=]/P+ "after greeting"/S)/+cp                      "after greeting"

15.                 speaks <the> King of France In my behavior to <the> majesty

d                (sp/P+ "-eaks King of France In my behavior to majesty"/S)/+cp                "speaks King of France In my behavior to majesty"

16.                    <The> borrow'd majesty

e                         (b/P+ "-orrow'd majesty"/S)/+cp                      "borrow'd majesty"

17.
x"                      ([ŋ=  w=]/P+ "of England here"/S)/+cp                   "of England here"

18.                              DOWNLOAD --- QUEEN ELINOR <A> strange beginning

d                (Q/P+ "-UEEN ELINOR strange beginning"/S)/+cp                "QUEEN ELINOR strange beginning"

19.                             'borrow'd majesty!'

o                   (b/P+ "-orrow'd majesty !"/S)/FS/+cp                     "borrow'd majesty !"

20.
w                        (K/P+ "-ING JOHN Silence"/S)/+cp                   "KING JOHN Silence"

21.
n                               (g/P+ "-ood mother"/S)/+cp                         "good mother"

22.                          hear <the> embassy

l                               (h/P+ "-ear embassy"/S)/+cp                        "hear embassy"

23.
o                (CH/P+ "-ATILLON Philip of France"/S)/+cp                "CHATILLON Philip of France"

24.
a                ([ŋ=  y=]/P+ "in right and true behalf Of thy deceased brother Geffrey's son"/S)/+cp                "in right and true behalf Of thy deceased brother Geffrey's son"

25.
d                  ([ŋ=  w=]/P+ "Arthur Plantagenet"/S)/+cp                 "Arthur Plantagenet"

26.                INSTRUCTIONS --- lays most lawful claim To this fair island and <the> territories

i                (l/P+ "-ays most lawful claim To this fair island and territories"/S)/+cp                "lays most lawful claim To this fair island and territories"

27.
n                                 (T/P+ "-o Ireland"/S)/+cp                             "To Ireland"

28.
s                                     (P/P+ oictiers/S)/+cp                                 Poictiers

29.
t                                 ([ŋ=  w=]/P+ Anjou/S)/+cp                                Anjou

30.
r                                      (T/P+ ouraine/S)/+cp                                Touraine

31.
u                                        (M/P+ aine/S)/+cp                                   Maine

32.            Desiring thee to lay aside <the> sword Which sways usurpingly these several titles

c                (D/P+ "-esiring thee to lay aside sword Which sways usurpingly these several titles"/S)/+cp                "Desiring thee to lay aside sword Which sways usurpingly these several titles"

33.
t                ([ŋ=  w=]/P+ "And put these same into young Arthur's hand"/S)/+cp                "And put these same into young Arthur's hand"

34.
i                ("Thy n"/P+ "-ephew and right royal sovereign"/S)/+cp                "Thy nephew and right royal sovereign"

35.
o                (K/P+ "-ING JOHN What follows if we disallow of this"/S)/+cp                "KING JOHN What follows if we disallow of this"

36.                  CHATILLON <The> proud control of fierce and bloody war

n                (CH/P+ "-ATILLON proud control of fierce and bloody war"/S)/+cp                "CHATILLON proud control of fierce and bloody war"

37.
s                (T/P+ "-o enforce these rights so forcibly withheld"/S)/+cp                "To enforce these rights so forcibly withheld"

28.                         CONTENTS

c                (K/P+ "-ING JOHN Here have we war for war and blood for blood"/S)/+cp                "KING JOHN Here have we war for war and blood for blood"

29.
o                (C/P+ "-ontrolment for controlment"/S)/+cp                "Controlment for controlment"

30.
n                       (s/P+ "-o answer France"/S)/+cp                        "so answer France"

31.
t                (CH/P+ "-ATILLON Then take my king's defiance from my mouth"/S)/+cp                "CHATILLON Then take my king's defiance from my mouth"

32.                      <The> farthest limit of my embassy

e                (f/P+ "-arthest limit of my embassy"/S)/+cp                "farthest limit of my embassy"

33.
n                (K/P+ "-ING JOHN Bear mine to him"/S)/+cp                "KING JOHN Bear mine to him"

34.
t                ([ŋ=  w=]/P+ "and so depart in peace"/S)/+cp                "and so depart in peace"

35.                Be thou as lightning in <the> eyes of France

s                (B/P+ "-e thou as lightning in eyes of France"/S)/+cp                "Be thou as lightning in eyes of France"

36.                               GUY

g                (F/P+ "-or ere thou canst report I will be there"/S)/+cp                "For ere thou canst report I will be there"

37.                  <The> thunder of my cannon shall be heard

u                (th/P+ "-under of my cannon shall be heard"/S)/+cp                "thunder of my cannon shall be heard"

38.
y                                    (S/P+ "-o hence"/S)/+cp                            "So hence"

39.               DE --- Be thou <the> trumpet of our wrath And sullen presage of your own decay

d                (B/P+ "-e thou trumpet of our wrath And sullen presage of your own decay"/S)/+cp                "Be thou trumpet of our wrath And sullen presage of your own decay"

40.                           <An> honourable conduct let him have

e                ([ŋ=  y=]/P+ "honourable conduct let him have"/S)/+cp                "honourable conduct let him have"

41.                          MAUPASSANT

m                                    (P/P+ embroke/S)/+cp                              Pembroke

42.
a                     (Ch/P+ "-arewell, Chatillon"/S)/+cp                      "Farewell, Chatillon"

Et cetera.

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DATE: 2011.10.15 - 23:52


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496Simple view                           phonetic analysis on     Buddha  &  Buddhism Y... 2011.05.04
495Simple viewPhonetic analysis on   Hinduism/Veda/Sanskrit/Prakrit/Zoroaster, Manichaeism/Mani,  Bahá'í Faith, Bahá'u'lláh Y... 2011.04.29
494Simple view'net-cutting'  'country music'  'General Zod'      BC/AD  'Independence day'     BCE/CE    '(Before) Common Era' Y... 2011.04.14
493Simple view    'phonetic study on Jesus Christ  &  Moshe'             'Twelve Apostles'              'Hellenistic civilization??' Y... 2011.04.10
492Simple view           translation :           논어(論語)/공자(孔子/Confucius),               etymological analysis Y... 2011.04.08
491Simple view'論語/논어 [non  ŋΛ]  &  Old Testament'       Torah/Pentateuch         'Why Torah, Prophets, Writings, 四書五經' Y... 2011.04.05
490Simple view'lady-in-waiting'  Confucius/Mencius/Laozi/Micius  popcorn  'Generation Y/X'  'Wonder Woman'       I/you    etc. Y... 2011.04.02
489Simple viewfraction/ordinal,   'national flowers'   'Department of State'    'God bless you!'   'daylight saving time'   *BC/AD Y... 2011.03.20
488Simple view"&/and",                  italic,  ride/drive,       Morrison, Messiah/Immanuel,  succeed,     'Virgin Mary'  Joseph Y... 2011.03.15
487Simple view‘Moby-Dick’     'Coca Cola'       pronouns/4,  'Chinese carry-out'     'days of months'     'leap year (day)'   date Y... 2011.03.04
486Simple view'The Star-Spangled Banner'   &   'God Save the Queen'   &    'Land of Hope and Glory';        national anthems Y... 2011.02.10
485Simple view         'La Marseillaise'              Deutschlandlied              'National anthem of Austria' Y... 2013.05.12
484Simple view'Ask not'/America       months  'days of the week'  day/week/month/year  '(the) first'  hamburger  'Super Bowl' Y... 2011.02.09
483Simple view'passive voice'               'shoe-string budget?'  'you know'  'by the way'  'eh/well'  'blood libel'    'last supper' Y... 2011.01.14
482Simple view'Do I know you?'           'Season's Greetings'  'Auld Lang Syne'      'Christian cross,  resurrection'    'Red Cross' Y... 2011.01.08
481Simple view'Moses & Jesus Christ'            Christ/Jesus,   'Christmas card'   'Why Santa is old man'   MoU,      'Three Magi' Y... 2010.12.25
480Simple view"Shakespeare   &  Plutarch"                  'Sir Thomas More'   'G6'     oneself/myself/ourselves/etc.    ID Y... 2010.12.23
479Simple view'Why wedding dresses are white'              Halloween/제사,  denim, angel(s), eve, Ivy/steak, 'Rhode Island' Y... 2010.12.19
478Simple viewThanksgiving-day,         SantaClaus,           countries,      "silent letter??"     waffle/빈대떡/cupcake Y... 2010.11.26
477Simple view>> More considerations on  "silent letter??";     between GRECOnglish & orthodox English pronunciations Y... 2010.11.27
476Simple view"for the people, by the people, of the people"                          "I have a dream"      yes/no Y... 2010.10.10
475Simple view'it :  imp. v.??'              methinks                               Memorial/Mother's Day,    'hat trick'  franchise/may Y... 2010.06.05
474Simple view"Phonetics/linguistics  &  Bible"                                            "dirty Chinese??" Y... 2010.04.20
473Simple view'aui*Λ/o/='        exigency, need/longing, matter, pressure/force, hurry/rush, weight/postulate/concept/picture Y... 2010.04.05
472Simple view>> Corrected:                   [auiΛ]/S/mES, /S/MS;    [auio]/S/mES, /T/mES, /C1/mES;   [aui=]/P/pES Y... 2010.08.14
471Simple viewview/viewpoint, scheme/surmise/lack/economy/feature,  detail/topic,  item/issue,  point/case,  trifle/matter Y... 2010.04.05
470Simple viewaffair/terrific,  spooky/spook, dreadful/fearsome/awesome/traditional,  customary/familiar,  normal/average Y... 2010.04.05
469Simple viewusual/general,  common/routine, standard, apropos, related/relati-,  germane/cognate, tempor-, fly-by-night Y... 2010.04.05
468Simple viewpassing,  fugitive, 'short-lived', transient/ably/momentarily/amplify/stretch,  expand/wax,  augment/raise Y... 2010.04.05
467Simple viewheighten/lengthen,  embarra-/discountena-,  'show up', offend,  chagrin/vex, mortify/abash,  incarna-/personi- Y... 2010.04.05
466Simple viewrepresent/depict,  illustrate/explicate, codify, manifest, rubbish,  malign/libel,  abuse/mar, decry, blacken Y... 2010.04.05
465Simple viewsignificance/fervour/ebullience,  weight/emphasis, distillation/water/dew/perspiration/moisture/spray/bigotry Y... 2010.04.05
464Simple viewchutzpah', fight, payoff, path,  consequences/end, result(s), verdict,  upshot/event, compatible, consonant Y... 2010.04.05
463Simple viewsociable, convivial,  'dyed in the wool', universal, overall,  total/downright, worldwide,  'far-flung', entire Y... 2010.04.05
462Simple viewwhole/patient,  mild/equab-, kind/generali-/interpola-,  sophisticate/pervert, counsel/instruct,  refine/temper Y... 2010.04.05
461Simple viewhype/razzmatazz, razzle-dazzle, spotlight, play-up, write-up,  champion/uphold, develop,  defend, 'plead for' Y... 2010.04.05
460Simple viewhelp,  advocate/recommend,  puzzle/poser, problem, inconsistency, 'closed book', conundrum, fabrication Y... 2010.04.05
459Simple viewforgery/phony, lie(s), fiction, myth,  fake/counterfeit,  takings, arrest/bust,  catching/espial, trappings/bard Y... 2010.04.05
458Simple viewimprisonment/detenti-, seizure,  dignity, 'self-importa-', decorum/etiquet-,  grandeur/prominen-, proprieties Y... 2010.04.05
457Simple viewsolemnities/gravity,  majesties, 'His Honour, etc.',  destitute, 'down and out',  poor, 'bad(ly) off', 'well-off' Y... 2010.04.05
456Simple viewneedy,  short/low, jovial,  lively, 'full of beans', congenial/ratty/peevish,  sour/tart,  surly/churlish, peppery Y... 2010.04.05
455Simple viewtesty/heady/snappish, unlimited/incomparable/peremptory/complain,  grumble/bellyache, carp/kvetch, groan Y... 2010.04.05
454Simple viewwail/soothe,  'relieve (yourself)', soften/mitigate/scold/blame,  correct/chasten, discipline/censure/advertise Y... 2010.04.05
453Simple viewfortis(?) consonants,                                    Short(?) Program,  Democrat/donkey,  Valentine's Day Y... 2010.02.24
452Simple view>>                                              θ/ð/v/f Y... 2014.03.09
451Simple viewDifference between English & GRECOnglish/GC,                                             pronouns,   'Excuse me.' Y... 2010.01.23
450Simple view'Λui*a/o/=', business/craft, work/occupation, call/job, line/field, condition/symptoms/disorder/appointments Y... 2010.01.06
449Simple view>> Corrections:                                               [Λuia] adjective,       [Λui=] /S/SS Y... 2010.09.18
448Simple viewhorseback-riding?    class, label, creature, gull,   figure/dupe, fitting/fit,    worthy/praiseworthy/worthwhile Y... 2010.01.06
447Simple viewcorrect,  toxic/unhealthful,  deadly/destructive, mortal/killing, choice/prime,  'cool, first-class', select/rare Y... 2010.01.06
446Simple viewbrilliant/marvello-, cracking/mega, coolish/aggregate/assemble/accumula-, test/challenge, look at, research Y... 2010.01.06
445Simple viewexaggerate/emphasise/enlarge/inflate/embroider, frighten/scare/stun/alarm, damp/humidness/opacity/dim Y... 2010.01.06
444Simple viewfaintness/funniness/sport/pleasure/cheerfulness/joy,   understanding/affectionateness/toleration/surd/hard Y... 2010.01.06
443Simple viewdire/awful/dreadful/notable, non-specialist, general/easy/simple/plain/significant/suppose/imagine, believe in Y... 2010.01.06
442Simple view'fancy up', feed, 'eat up', graze/pasture/browse,  'dine out', copulate/shag/bonk,  'have a ball', 'have a fuck' Y... 2010.01.06
441Simple view'have a hump', erase, 'cancel out', excise, 'wipe out', luxury/extra/art/pleasure/love/density/want/parsimony Y... 2010.01.06
440Simple viewdimension/solidity/impenetrability/terror/animosity/dread/horror/fright/awe/deadline,    value/unchangeability Y... 2010.01.06
439Simple viewconstancy,  merit/irreversibility,  quality/unalterability,  caliber/invariability, bad,  kind/humane, good, favour Y... 2010.01.06
438Simple viewcaring/sharp/risky/parlous/ominous/dicey/insecure/ugly/quiescent/yielding/soft/dutiful/willing, patient/serene Y... 2010.01.06
437Simple viewliberal/prodigal, lax/permissive/tender, constancy/stability, lenient/magnanimo-/free/evolve, generate/render Y... 2010.01.06
436