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(Comparative) study (in structure/mode/ways of pronunciation, articulation, phonetics, or whatever; that is, in differences of speaking mouth postures and resultant speaking weight/force center points) between English/foreign languages and mother tongue, for better (more practical/effective/smooth) hearing/speaking of English/foreign languages.       Copyright.   Young-Won Kim,   yw@voicespec.com
open : home | brd2 | Kor | book | FUN member : main II | Kor II


::: Comparative phonetics, main :::


596 12 View counter   Join Member Login Admin
Name   Young-Won Kim
Subject   Joseph Conrad,  Lawrence/Hogarth,  Flinders Petrie,  Amelia Edwards,  Gaston Maspero,  Nathaniel Hawthorne

Joseph Conrad,    Lawrence,    Flinders Petrie,  Amelia Edwards,  Gaston Maspero,     Hogarth,    Nathaniel Hawthorne


Joseph Conrad
http://encyclopedia.thefreedictionary.com/Joseph+Conrad ,  

*      Turgenev  >>  ("Mikhail Kheraskov" /P/Ch)/T  >>  ("Theodor Storm" /P/Ch)/T  >>  ("Joseph Conrad" /T)/P

>>             Conrad,            Teodor Josef Konrad Korzeniowski

*      ("Joseph Conrad" /T/Ch)/P  >>  Conrad /P  >>  "Teodor Josef Konrad Korzeniowski" /C2

Born                  3 December 1857             Berdichev, Kiev Governorate, Russian Empire
Died                  3 August 1924 (aged 66)                      Bishopsbourne, England
Resting place                 Canterbury Cemetery, Canterbury

"1857"                   (J/GC/S/abT + "-oseph Conrad"/T)/+bp                   "Joseph Conrad"
December                 (J/GC/S/abT + "-oseph Conrad"/T)/+cp                  "Joseph Conrad"
"3"                   (J/GC/S/abT + "-oseph Conrad"/T)/Ch/+bp                   "Joseph Conrad"
"Berdichev, Kiev Governorate, Russian Empire"                (J/GC/S/abT + "-oseph Conrad"/T)/Ch/+cp                 "Joseph Conrad"

"1924"                   (J/GC/S/abT + "-oseph Conrad"/P)/+bp                   "Joseph Conrad"
August                   (J/GC/S/abT + "-oseph Conrad"/P)/+cp                   "Joseph Conrad"
"3"                   (J/GC/S/abT + "-oseph Conrad"/P)/Ch/+bp                   "Joseph Conrad"
"Bishopsbourne, England"                (J/GC/S/abT + "-oseph Conrad"/P)/Ch/+bp                 "Joseph Conrad"

"Canterbury Cemetery, Canterbury"                 (J/GC/S/abT + "-oseph Conrad"/C1)                   "Joseph Conrad"

>>               he is viewed as a precursor of modernist literature

"precursor of modernist literature"                   (J/GC/S/abT + "-oseph Conrad"/S)/Ch                   "Joseph Conrad"

>>                  Alfred de Vigny

*           "Joseph Conrad"  >>  ("Alfred de Vigny" /P/Ch)/GC/S/abT

>>         Polish Romantic poet Adam Mickiewicz's patriotic narrative poem,
http://encyclopedia.thefreedictionary.com/Adam+Mickiewicz ,  
*           "Joseph Conrad"  >>  ("Adam Mickiewicz" /T)/P


http://www.gutenberg.org/browse/authors/c#a125 ,  
•  Almayer's Folly: a story of an Eastern river (English) (as Author)
•  Amy Foster (English) (as Author)
•  The Arrow of Gold
A Story Between Two Notes (English) (as Author)
•  Chance
A Tale in Two Parts (English) (as Author)

"Almayer's Folly: story of Eastern river"                (J/T + "-oseph Conrad's writing"/P)/+bp                 "Joseph Conrad's writing"
"Amy Foster"                (J/T + "-oseph Conrad's writing"/P)/+cp                 "Joseph Conrad's writing"

"Arrow of Gold"                (J/T + "-oseph Conrad's writing"/P)/Ch/+bp                 "Joseph Conrad's writing"
"Story Between Two Notes"                (J/T + "-oseph Conrad's work"/P)/Ch/+bp                 "Joseph Conrad's work"

Chance                (J/T + "-oseph Conrad's writing"/P)/Ch/+cp                 "Joseph Conrad's writing"
"Tale in Two Parts"                (J/T + "-oseph Conrad's work"/P)/Ch/+cp                 "Joseph Conrad's work"

http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's   "King Lear"

"Almayer's Folly: story of Eastern river"                (K/T + "-ing Lear"/P)/+bp                 "King Lear"
"Amy Foster"                           (K/T + "-ing Lear"/P)/+cp                        "King Lear"
"Arrow of Gold"                        (K/T + "-ing Lear"/P)/Ch/+bp                    "King Lear"
Chance                                (K/T + "-ing Lear"/P)/Ch/+cp                     "King Lear"

•  Chance
A Tale in Two Parts (English) (as Author)
•  The End of the Tether (English) (as Author)
•  Falk
A Reminiscence (English) (as Author)
•  Gaspar Ruiz (English) (as Author)

Chance                (J/T + "-oseph Conrad's writing"/S)/+bp                 "Joseph Conrad's writing"
"Tale in Two Parts"                (J/T + "-oseph Conrad's work"/S)/+bp                 "Joseph Conrad's work"

"End of Tether"                (J/T + "-oseph Conrad's writing"/S)/+cp                 "Joseph Conrad's writing"

Falk                (J/T + "-oseph Conrad's writing"/S)/Ch/+bp                 "Joseph Conrad's writing"
Reminiscence                (J/T + "-oseph Conrad's work"/S)/Ch/+bp                 "Joseph Conrad's work"

"Gaspar Ruiz"               (J/T + "-oseph Conrad's writing"/S)/Ch/+cp                 "Joseph Conrad's writing"

http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's   "King Lear"

Chance                            (K/T + "-ing Lear"/S)/+bp                            "King Lear"
"End of Tether"                         (K/T + "-ing Lear"/S)/+cp                       "King Lear"
Falk                             (K/T + "-ing Lear"/S)/Ch/+bp                           "King Lear"
"Gaspar Ruiz"                      (K/T + "-ing Lear"/S)/Ch/+cp                        "King Lear"

•  Heart of Darkness (English) (as Author)
•  Heart of Darkness (English) (as Author)
•  The Inheritors (English) (as Author)
•  Lord Jim (English) (as Author)

"Heart of Darkness"                (J/T + "-oseph Conrad's writing"/C2)/+bp                 "Joseph Conrad's writing"
"Heart of Darkness"                (J/T + "-oseph Conrad's writing"/C2)/+cp                 "Joseph Conrad's writing"
Inheritors                (J/T + "-oseph Conrad's writing"/C2)/Ch/+bp                 "Joseph Conrad's writing"
"Lord Jim"                (J/T + "-oseph Conrad's writing"/C2)/Ch/+cp                 "Joseph Conrad's writing"

http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's   "King Lear"

"Heart of Darkness"                     (K/T + "-ing Lear"/C2)/+bp                     "King Lear"
"Heart of Darkness"                     (K/T + "-ing Lear"/C2)/+cp                     "King Lear"
Inheritors                         (K/T + "-ing Lear"/C2)/Ch/+bp                        "King Lear"
"Lord Jim"                         (K/T + "-ing Lear"/C2)/Ch/+cp                       "King Lear"

•  The Mirror of the Sea (English) (as Author)
•  The Nigger Of The "Narcissus"
A Tale Of The Forecastle (English) (as Author)
•  Nostromo, a Tale of the Seaboard (English) (as Author)
•  Notes on Life and Letters (English) (as Author)

"Mirror of Sea"                (J/T + "-oseph Conrad's writing"/GC/S/abT)/+bp                 "Joseph Conrad's writing"

"Nigger Of Narcissus"                (J/T + "-oseph Conrad's writing"/GC/S/abT)/+cp                 "Joseph Conrad's writing"
"Tale Of Forecastle"                (J/T + "-oseph Conrad's work"/GC/S/abT)/+cp                 "Joseph Conrad's work"

"Nostromo, Tale of Seaboard"                (J/T + "-oseph Conrad's writing"/GC/S/abT)/Ch/+bp                 "Joseph Conrad's writing"
"Notes on Life and Letters"                (J/T + "-oseph Conrad's writing"/GC/S/abT)/Ch/+cp                 "Joseph Conrad's writing"

http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's   "King Lear"

"Mirror of Sea"                    (K/T + "-ing Lear"/GC/S/abT)/+bp                    "King Lear"
"Nigger Of Narcissus"                (K/T + "-ing Lear"/GC/S/abT)/+cp                 "King Lear"
"Nostromo, Tale of Seaboard"                (K/T + "-ing Lear"/GC/S/abT)/Ch/+bp                 "King Lear"
"Notes on Life and Letters"                (K/T + "-ing Lear"/GC/S/abT)/Ch/+cp                 "King Lear"

•  Notes on My Books (English) (as Author)
•  One Day More
A Play In One Act (English) (as Author)
•  An Outcast of the Islands (English) (as Author)
•  A Personal Record (English) (as Author)

"Notes on My Books"                (J/P + "-oseph Conrad's writing"/T)/+bp                 "Joseph Conrad's writing"

"One Day More"                (J/P + "-oseph Conrad's writing"/T)/+cp                 "Joseph Conrad's writing"
"Play In One Act"                (J/P + "-oseph Conrad's work"/T)/+cp                 "Joseph Conrad's work"

"Outcast of Islands"                (J/P + "-oseph Conrad's writing"/T)/Ch/+bp                 "Joseph Conrad's writing"
"Personal Record"                (J/P + "-oseph Conrad's writing"/T)/Ch/+cp                 "Joseph Conrad's writing"

http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's   "King Lear"

"Notes on My Books"                     (K/P + "-ing Lear"/T)/+bp                      "King Lear"
"One Day More"                          (K/P + "-ing Lear"/T)/+cp                      "King Lear"
"Outcast of Islands"                    (K/P + "-ing Lear"/T)/Ch/+bp                    "King Lear"
"Personal Record"                     (K/P + "-ing Lear"/T)/Ch/+cp                     "King Lear"

•  The Point Of Honor
A Military Tale (English) (as Author)
•  The Project Gutenberg Works of Joseph Conrad
An Index (English) (as Author)
•  The Rescue
A Romance of the Shallows (English) (as Author)
•  Romance (English) (as Author)

"Point Of Honor"                (J/P + "-oseph Conrad's writing"/S)/+bp                 "Joseph Conrad's writing"
"Military Tale"                (J/P + "-oseph Conrad's work"/S)/+bp                 "Joseph Conrad's work"

"Project Gutenberg Works of Joseph Conrad"                (J/P + "-oseph Conrad's writing"/S)/+cp                 "Joseph Conrad's writing"
Index                (J/P + "-oseph Conrad's work"/S)/+cp                 "Joseph Conrad's work"

Rescue               (J/P + "-oseph Conrad's writing"/S)/Ch/+bp                 "Joseph Conrad's writing"
"Romance of Shallows"               (J/P + "-oseph Conrad's work"/S)/Ch/+bp                 "Joseph Conrad's work"

Romance               (J/P + "-oseph Conrad's writing"/S)/Ch/+cp                 "Joseph Conrad's writing"

http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's   "King Lear"

"Point Of Honor"                        (K/P + "-ing Lear"/S)/+bp                       "King Lear"
"Project Gutenberg Works of Joseph Conrad"                (K/P + "-ing Lear"/S)/+cp                 "King Lear"
Rescue                            (K/P + "-ing Lear"/S)/Ch/+bp                         "King Lear"
Romance                          (K/P + "-ing Lear"/S)/Ch/+cp                         "King Lear"

•  The Secret Agent
a Simple Tale (English) (as Author)
•  The Secret Sharer (English) (as Author)
•  A Set of Six (English) (as Author)
•  The Shadow Line; a confession (English) (as Author)

"Secret Agent"                (J/P + "-oseph Conrad's writing"/C2)/+bp                 "Joseph Conrad's writing"
"Simple Tale"                (J/P + "-oseph Conrad's "/C2)/+bp                 "Joseph Conrad's work"

"Secret Sharer"                (J/P + "-oseph Conrad's writing"/C2)/+cp                 "Joseph Conrad's writing"
"Set of Six"                (J/P + "-oseph Conrad's writing"/C2)/Ch/+bp                 "Joseph Conrad's writing"
"Shadow Line; confession"                (J/P + "-oseph Conrad's writing"/C2)/Ch/+cp                 "Joseph Conrad's writing"

http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's   "King Lear"

"Secret Agent"                       (K/P + "-ing Lear"/C2)/+bp                        "King Lear"
"Secret Sharer"                      (K/P + "-ing Lear"/C2)/+cp                         "King Lear"
"Set of Six"                           (K/P + "-ing Lear"/C2)/Ch/+bp                    "King Lear"
"Shadow Line; confession"                (K/P + "-ing Lear"/C2)/Ch/+cp                 "King Lear"

•  Some Reminiscences (English) (as Author)
•  Tales Of Hearsay (English) (as Author)
•  Tales of Unrest (English) (as Author)
•  To-morrow (English) (as Author)

"Some Reminiscences"                (J/P + "-oseph Conrad's writing"/GC/S/abT)/+bp                 "Joseph Conrad's writing"
"Tales Of Hearsay"                (J/P + "-oseph Conrad's writing"/GC/S/abT)/+cp                 "Joseph Conrad's writing"
"Tales of Unrest"                (J/P + "-oseph Conrad's writing"/GC/S/abT)/Ch/+bp                 "Joseph Conrad's writing"
"To-morrow"                (J/P + "-oseph Conrad's writing"/GC/S/abT)/Ch/+cp                 "Joseph Conrad's writing"

http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's   "King Lear"

"Some Reminiscences"                (K/P + "-ing Lear"/GC/S/abT)/+bp                 "King Lear"
"Tales Of Hearsay"                   (K/P + "-ing Lear"/GC/S/abT)/+cp                  "King Lear"
"Tales of Unrest"                 (K/P + "-ing Lear"/GC/S/abT)/Ch/+bp                  "King Lear"
"To-morrow"                   (K/P + "-ing Lear"/GC/S/abT)/Ch/+cp                    "King Lear"

•  'Twixt Land and Sea (English) (as Author)
•  Typhoon (English) (as Author)
•  Under Western Eyes (English) (as Author)
•  Victory
An Island Tale (English) (as Author)

"'Twixt Land and Sea"                (J/S + "-oseph Conrad's writing"/T)/+bp                 "Joseph Conrad's writing"
Typhoon                (J/S + "-oseph Conrad's writing"/T)/+cp                 "Joseph Conrad's writing"
"'Under Western Eyes"                (J/S + "-oseph Conrad's writing"/T)/Ch/+bp                 "Joseph Conrad's writing"

Victory                 (J/S + "-oseph Conrad's writing"/T)/Ch/+cp                 "Joseph Conrad's writing"
"Island Tale"                 (J/S + "-oseph Conrad's work"/T)/Ch/+cp                 "Joseph Conrad's work"

http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's   "King Lear"

"'Twixt Land and Sea"                     (K/S + "-ing Lear"/T)/+bp                     "King Lear"
Typhoon                             (K/S + "-ing Lear"/T)/+cp                          "King Lear"
"'Under Western Eyes"                   (K/S + "-ing Lear"/T)/Ch/+bp                  "King Lear"
Victory                            (K/S + "-ing Lear"/T)/Ch/+cp                         "King Lear"

•  Within the Tides (English) (as Author)
•  Youth, a Narrative (English) (as Author)

"'Within Tides"                (J/S + "-oseph Conrad's writing"/p)                 "Joseph Conrad's writing"
"Youth, Narrative"                (J/S + "-oseph Conrad's writing"/p)/Ch                 "Joseph Conrad's writing"

http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's   "King Lear"

"'Within Tides"                              (K/S + "-ing Lear"/p)                        "King Lear"
"Youth, Narrative"                       (K/S + "-ing Lear"/p)/Ch                        "King Lear"



>> Phonetic correspondence   between    Joseph Conrad's  "Chance  (1)"    and   William Shakespeare's  "King Lear"

http://shakespeare.mit.edu/lear/full.html ,  
King Lear

ACT I

SCENE I. King Lear's palace.

Enter KENT, GLOUCESTER, and EDMUND

KENT

I thought the king had more affected the Duke of
Albany than Cornwall.

GLOUCESTER

It did always seem so to us: but now, in the
division of the kingdom, it appears not which of
the dukes he values most; for equalities are so
weighed, that curiosity in neither can make choice
of either's moiety.

KENT

Is not this your son, my lord?

GLOUCESTER

His breeding, sir, hath been at my charge: I have
so often blushed to acknowledge him, that now I am
brazed to it.

KENT

I cannot conceive you.

GLOUCESTER

Sir, this young fellow's mother could: ~ ~


http://www.gutenberg.org/files/23506/23506-h/23506-h.htm ,  
•  Chance
A Tale in Two Parts

Part 1—Chapter 1.

Young Powell and his Chance.

I believe he had seen us out of the window coming off to dine in the dinghy of a fourteen-ton yawl belonging to Marlow my host and skipper. We helped the boy we had with us to haul the boat up on the landing-stage before we went up to the riverside inn, where we found our new acquaintance eating his dinner in dignified loneliness at the head of a long table, white and inhospitable like a snow bank.

The red tint of his clear-cut face with trim short black whiskers under a cap of curly iron-grey hair was the only warm spot in the dinginess of that room cooled by the cheerless tablecloth. We knew him already by sight as the owner of a little five-ton cutter, which he sailed alone apparently, a fellow yachtsman in the unpretending band of fanatics who cruise at the mouth of the Thames. But the first time he addressed the waiter sharply as ‘steward’ we knew him at once for a sailor as well as a yachtsman. ~ ~


Chance                (J/T + "-oseph Conrad's writing"/P)/Ch/+cp                 "Joseph Conrad's writing"
"Tale in Two Parts"                (J/T + "-oseph Conrad's work"/P)/Ch/+cp                 "Joseph Conrad's work"

Chance                                (K/T + "-ing Lear"/P)/Ch/+cp                     "King Lear"


1.                   Part 1

"Part i"                 ([ŋ=  w=]/T + "ACT i SCENE i"/P)/Ch/+cp                  "ACT i SCENE i"

2.                  Chapter 1

"Chapter i"                (K/T + "-ing Lear's palace"/P)/Ch/+cp                 "King Lear's palace"

3.
"Young Powell and his Chance"                ([ŋ=  y=]/T + "Enter KENT"/P)/Ch/+cp                 "Enter KENT"

4.       I believe he had seen us out of <the> window coming off to dine in <the> dinghy of <a> fourteen

"I believe he had seen us out of window coming off to dine in dinghy of fourteen"                (GL/T + OUCESTER/P)/Ch/+cp                 GLOUCESTER

5. and EDMUND KENT I thought <the> king had more affected <the> Duke of Albany than Cornwall

"ton yawl belonging to Marlow my host and skipper"                ([ŋ=  w=]/T + "and EDMUND KENT I thought king had more affected Duke of Albany than Cornwall"/P)/Ch/+cp                 "and EDMUND KENT I thought king had more affected Duke of Albany than Cornwall"

6.              We helped <the> boy we had with us to haul <the> boat up on <the> landing

"We helped boy we had with us to haul boat up on landing"                (GL/T + "-OUCESTER It did always seem so to us"/P)/Ch/+cp                 "GLOUCESTER It did always seem so to us"

7.                stage before we went up to <the> riverside inn

"stage before we went up to riverside inn"                (b/T + "-ut now"/P)/Ch/+cp                 "but now"

8. in <the> division of <the> kingdom --- where we found our new acquaintance eating his dinner in dignified loneliness at <the> head of <a> long table

"where we found our new acquaintance eating his dinner in dignified loneliness at head of long table"                ([ŋ=  y=]/T + "-in division of kingdom"/P)/Ch/+cp                 "in division of kingdom"

9.   it appears not which of <the> dukes he values most --- white and inhospitable like <a> snow bank

"white and inhospitable like snow bank"                ([ŋ=  y=]/T + "it appears not which of <the> dukes he values most"/P)/Ch/+cp                 "it appears not which of dukes he values most"

10.                    <The> red tint of his clear

"red tint of his clear"                (f/T + "-or equalities are so weighed"/P)/Ch/+cp                 "for equalities are so weighed"

11.            cut face with trim short black whiskers under <a> cap of curly iron

"cut face with trim short black whiskers under cap of curly iron"                (th/T + "-at curiosity in neither can make choice of either's moiety"/P)/Ch/+cp                 "that curiosity in neither can make choice of either's moiety"

12. grey hair was <the> only warm spot in <the> dinginess of that room cooled by <the> cheerless tablecloth

"grey hair was only warm spot in dinginess of that room cooled by cheerless tablecloth"                (K/T + "-ENT Is not this your son"/P)/Ch/+cp                 "KENT Is not this your son"

13.            We knew him already by sight as <the> owner of <a> little five

"We knew him already by sight as owner of little five"                ("my l-"/T + ord/P)/Ch/+cp                 "my lord"

14.
"ton cutter"                (GL/T + "-OUCESTER His breeding"/P)/Ch/+cp                 "GLOUCESTER His breeding"

15.
"which he sailed alone apparently"                (s/T + "-ir, hath been at my charge"/P)/Ch/+cp                 "sir, hath been at my charge"

16. <a> fellow yachtsman in <the> unpretending band of fanatics who cruise at <the> mouth of <the> Thames

"fellow yachtsman in unpretending band of fanatics who cruise at mouth of Thames"                ([ŋ=  w=]/T + "I have so often blushed to acknowledge him"/P)/Ch/+cp                 "I have so often blushed to acknowledge him"

17.               But <the> first time he addressed <the> waiter sharply as

"But first time he addressed waiter sharply as"                (th/T + "-at now I am brazed to it"/P)/Ch/+cp                 "that now I am brazed to it"

18.
steward                (K/T + "-ENT I cannot conceive you"/P)/Ch/+cp                 "KENT I cannot conceive you"

19.                      we knew him at once for <a> sailor as well as <a> yachtsman

"we knew him at once for sailor as well as yachtsman"                (GL/T + "-OUCESTER Sir, this young fellow's mother could"/P)/Ch/+cp                 "GLOUCESTER Sir, this young fellow's mother could"

Et cetera.



>> Phonetic correspondence   between    Joseph Conrad's  "Chance  (2)"    and   William Shakespeare's  "King Lear"

http://www.gutenberg.org/files/1476/1476-h/1476-h.htm ,  
•  Chance
A Tale in Two Parts

Those that hold that all things are governed by Fortune had not erred, had they not persisted there

    SIR THOMAS BROWNE

TO SIR HUGH CLIFFORD, K.C.M.G. WHO STEADFAST FRIENDSHIP IS RESPONSIBLE FOR THE EXISTENCE OF THESE PAGES

PART I—THE DAMSEL

CHAPTER ONE—YOUNG POWELL AND HIS CHANCE

I believe he had seen us out of the window coming off to dine in the dinghy of a fourteen-ton yawl belonging to Marlow my host and skipper.  We helped the boy we had with us to haul the boat up on the landing-stage before we went up to the riverside inn, where we found our new acquaintance eating his dinner in dignified loneliness at the head of a long table, white and inhospitable like a snow bank.

The red tint of his clear-cut face with trim short black whiskers under a cap of curly iron-grey hair was the only warm spot in the dinginess of that room cooled by the cheerless tablecloth.  We knew him already by sight as the owner of a little five-ton cutter, ~ ~


http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's   "King Lear"


Chance                (J/T + "-oseph Conrad's writing"/S)/+bp                 "Joseph Conrad's writing"
"Tale in Two Parts"                (J/T + "-oseph Conrad's work"/S)/+bp                 "Joseph Conrad's work"

Chance                            (K/T + "-ing Lear"/S)/+bp                            "King Lear"


1.
"Those that hold that all things are governed by Fortune had not erred"                 ([ŋ=  w=]/T + "ACT i SCENE i"/S)/+bp                  "ACT i SCENE i"

2.
"had they not persisted there SIR THOMAS BROWNE TO SIR HUGH CLIFFORD"                (K/T + "-ing Lear's palace"/S)/+bp                 "King Lear's palace"

3.
K                         ([ŋ=  y=]/T + "Enter KENT"/S)/+bp                         "Enter KENT"

4.
C                              (GL/T + OUCESTER/S)/+bp                            GLOUCESTER

5. and EDMUND KENT I thought <the> king had more affected <the> Duke of Albany than Cornwall

M                ([ŋ=  w=]/T + "and EDMUND KENT I thought king had more affected Duke of Albany than Cornwall"/S)/+bp                 "and EDMUND KENT I thought king had more affected Duke of Albany than Cornwall"

6.
G                (GL/T + "-OUCESTER It did always seem so to us"/S)/+bp                 "GLOUCESTER It did always seem so to us"

7.    WHO STEADFAST FRIENDSHIP IS RESPONSIBLE FOR <THE> EXISTENCE OF THESE PAGES PART I

"WHO STEADFAST FRIENDSHIP IS RESPONSIBLE FOR EXISTENCE OF THESE PAGES PART i"                (b/T + "-ut now"/S)/+bp                 "but now"

8.                  in <the> division of <the> kingdom --- <THE> DAMSEL CHAPTER ONE

"DAMSEL CHAPTER ONE"                ([ŋ=  y=]/T + "-in division of kingdom"/S)/+bp                 "in division of kingdom"

9.   it appears not which of <the> dukes he values most --- YOUNG POWELL AND HIS CHANCE I believe he had seen us out of <the> window coming off to dine in <the> dinghy of <a> fourteen

"YOUNG POWELL AND HIS CHANCE I believe he had seen us out of window coming off to dine in dinghy of fourteen"                ([ŋ=  y=]/T + "it appears not which of <the> dukes he values most"/S)/+bp                 "it appears not which of dukes he values most"

10.
"ton yawl belonging to Marlow my host and skipper"                (f/T + "-or equalities are so weighed"/S)/+bp                 "for equalities are so weighed"

11.              We helped <the> boy we had with us to haul <the> boat up on <the> landing

"We helped boy we had with us to haul boat up on landing"                (th/T + "-at curiosity in neither can make choice of either's moiety"/S)/+bp                 "that curiosity in neither can make choice of either's moiety"

12.                stage before we went up to <the> riverside inn

"stage before we went up to riverside inn"                (K/T + "-ENT Is not this your son"/S)/+bp                 "KENT Is not this your son"

13. where we found our new acquaintance eating his dinner in dignified loneliness at <the> head of <a> long table

"where we found our new acquaintance eating his dinner in dignified loneliness at head of long table"                ("my l-"/T + ord/S)/+bp                 "my lord"

14.                 white and inhospitable like <a> snow bank

"white and inhospitable like snow bank"                (GL/T + "-OUCESTER His breeding"/S)/+bp                 "GLOUCESTER His breeding"

15.                    <The> red tint of his clear

"red tint of his clear"                (s/T + "-ir, hath been at my charge"/S)/+bp                 "sir, hath been at my charge"

16.                  cut face with trim short black whiskers under <a> cap of curly iron

"cut face with trim short black whiskers under cap of curly iron"                ([ŋ=  w=]/T + "I have so often blushed to acknowledge him"/S)/+bp                 "I have so often blushed to acknowledge him"

17. grey hair was <the> only warm spot in <the> dinginess of that room cooled by <the> cheerless tablecloth

"grey hair was only warm spot in dinginess of that room cooled by cheerless tablecloth"                (th/T + "-at now I am brazed to it"/S)/+bp                 "that now I am brazed to it"

18.                  We knew him already by sight as <the> owner of <a> little five

"We knew him already by sight as owner of little five"                (K/T + "-ENT I cannot conceive you"/S)/+bp                 "KENT I cannot conceive you"

19.
"ton cutter"                (GL/T + "-OUCESTER Sir, this young fellow's mother could"/S)/+bp                 "GLOUCESTER Sir, this young fellow's mother could"

Et cetera.



T. E. Lawrence
http://encyclopedia.thefreedictionary.com/T.+E.+Lawrence ,  

*           "Joseph Conrad"  >>  (Lawrence /P/Ch)/T

>>           Lawrence of Arabia,         T. E. Lawrence,            Thomas Edward Lawrence

* (Lawrence /P)/T  >>  "Thomas Edward Lawrence" /GC/S/abT  >>  "T. E. Lawrence" /GC/S/abT/Ch  >>  "Lawrence of Arabia" /C1

Nickname               Lawrence of Arabia,   El Aurens
Place of birth            Tremadog, Caernarfonshire, North Wales
Place of death            Bovington Camp, Dorset, England

>>            (16 August 1888 – 19 May 1935)

"1888"                              (L/C1 + awrence/P)/+bp                              Lawrence
August                              (L/C1 + awrence/P)/+cp                              Lawrence
"16"                              (L/C1 + awrence/P)/Ch/+bp                             Lawrence
"Tremadog, Caernarfonshire, North Wales"                 (L/C1 + awrence/P)/Ch/+cp               Lawrence

"1935"                              (L/C2 + awrence/P)/+bp                              Lawrence
May                                 (L/C2 + awrence/P)/+cp                              Lawrence
"19"                              (L/C2 + awrence/P)/Ch/+bp                             Lawrence
"Bovington Camp, Dorset, England"                 (L/C2 + awrence/P)/Ch/+cp                 Lawrence

>>   Lawrence's public image was due in part to American journalist Lowell Thomas' sensationalised reportage of the revolt as well as to Lawrence's autobiographical account Seven Pillars of Wisdom (1922)
http://encyclopedia.thefreedictionary.com/Lowell+Thomas ,  
*               (Lawrence /P)/T  >>  ("Lowell Thomas" /C1)/P
http://encyclopedia.thefreedictionary.com/Seven+Pillars+of+Wisdom ,  
"Seven Pillars of Wisdom"                 (L/C1 + "-awrence' work"/S)/+cp/Ch               "Lawrence' work"

http://www.gutenberg.org/files/3825/3825-h/3825-h.htm ,  
George Bernard Shaw's       Pygmalion

"Seven Pillars of Wisdom"                   (Pygm/C1 + alion/S)/+cp/Ch                 Pygmalion

>>   Lawrence was a polyglot who could speak English, French, German, Latin, Greek, Arabic, Turkish and Syriac

*  (Lawrence /P)/T  >>  (polyglot /T/Ch)/GC/S/abT  >>  English/T  >>  French/T/Ch  >>  German/P  >>  
Latin/P/Ch  >>  Greek/S  >>  Arabic/S/Ch  >>  Turkish/C2  >>  Syriac/C2/Ch

>>                 where he worked under D. G. Hogarth

*               (Lawrence /P)/T  >>  (Hogarth /C2)/GC/S/abT

>>        Gertrude Bell, who was to influence him during his time in the Middle East

*               (Lawrence /P)/T  >>  (Hogarth /C2)/GC/S/abT  >>  ("Gertrude Bell" /C2/Ch)/GC/S/abT

>>                 at Carchemish, where he was to work with Leonard Woolley
http://encyclopedia.thefreedictionary.com/Leonard+Woolley ,  

* (Lawrence /P)/T  >>  (Hogarth /C2)/GC/S/abT  >>  ("Gertrude Bell" /C2/Ch)/GC/S/abT  >>  ("Leonard Woolley" /C1)/GC/S/abT

>>                  with Flinders Petrie at Kafr Ammar in Egypt

* (Lawrence /P)/T  >>  (Hogarth /C2)/GC/S/abT  >>  ("Gertrude Bell" /C2/Ch)/GC/S/abT  >>  ("Leonard Woolley" /C1)/GC/S/abT  >>  ("Flinders Petrie" /C1/Ch)/GC/S/abT

>>    with Arab irregular troops under the command of Emir Faisal, a son of Sherif Hussein of Mecca
http://encyclopedia.thefreedictionary.com/Faisal+I+of+Iraq ,
http://encyclopedia.thefreedictionary.com/Hussein+bin+Ali%2c+Sharif+of+Mecca ,  
* (Lawrence /P)/T  >>  ("Emir Faisal" /C1)/P  >>  ("Sherif Hussein" /C1/Ch)/P

>>     new commander-in-chief of the Egyptian Expeditionary Force, General Sir Edmund Allenby
http://encyclopedia.thefreedictionary.com/Edmund+Allenby%2c+1st+Viscount+Allenby ,  
* (Lawrence /P)/T  >>  ("Emir Faisal" /C1)/P  >>  ("Sherif Hussein" /C1/Ch)/P  >>  ("Edmund Allenby" /C1)/S

>>         French Forces of General Gouraud under the command of General Mariano Goybet
http://encyclopedia.thefreedictionary.com/Henri+Gouraud+(French+Army+officer) ,  
* (Lawrence /P)/T  >>  ("Emir Faisal" /C1)/P  >>  ("Sherif Hussein" /C1/Ch)/P  >>  ("Edmund Allenby" /C1)/S  >>  (Gouraud /C1/Ch)/S

>> In 1918 he co-operated with war correspondent Lowell Thomas for a short period. During this time Thomas and his cameraman Harry Chase

* (Lawrence /P)/T  >>  ("Lowell Thomas" /P)/C1  >>  ("Lowell Thomas" /P/Ch)/C1

>>              Lawrence was a keen motorcyclist,

*                    (Lawrence /P)/T  >>  ("keen motorcyclist" /T)/C1


http://wikilivres.info/wiki/Thomas_Edward_Lawrence ,  
Works
English
•    Seven Pillars of Wisdom, 1926  
•    Revolt in the Desert, 1926
•    The Mint, first edition 1936, 1955
•    Crusader Castles, thesis
•    The Letters of T. E. Lawrence
Translations
•    Odyssey, by Homer (see The Odyssey of Homer's proemic lines#T. E. Lawrence)
•    The Forest Giant, by Adrien Le Corbeau, novel, translation from the French
French translations
•    Les Sept Piliers de la sagesse (Seven Pillars of Wisdom, traduction par Charles Mauron, 1936)
•    Les Sept Piliers de la sagesse (Seven Pillars of Wisdom, traduction par Julien Deleuze, 1992)
•    Guérilla dans le désert (Revolt in the Desert)
•    La Matrice (The Mint)

"Seven Pillars of Wisdom"                 (L/C1 + "-awrence' work"/S)/+cp/Ch               "Lawrence' work"
"Revolt in Desert"                  (L/C1 + "-awrence' work"/S)/+bp                   "Lawrence' work"
Mint                        (L/C1 + "-awrence' work"/S)/+cp                      "Lawrence' work"

Odyssey                    (L/C1 + "-awrence' work"/S)/+bp/Ch                  "Lawrence' work"

http://www.gutenberg.org/files/3825/3825-h/3825-h.htm ,  
George Bernard Shaw's       Pygmalion

"Seven Pillars of Wisdom"                   (Pygm/C1 + alion/S)/+cp/Ch                 Pygmalion
"Revolt in Desert"                      (Pygm/C1 + alion/S)/+bp                         Pygmalion
Mint                              (Pygm/C1 + alion/S)/+cp                               Pygmalion

Odyssey                         (Pygm/C1 + alion/S)/+bp/Ch                            Pygmalion

---------

"Letters of T. E. Lawrence"                   (L/C1 + "-awrence' work"/P)/+bp/Ch                  "Lawrence' work"
"Crusader Castles, thesis"                   (L/C1 + "-awrence' work"/P)/+cp/Ch                  "Lawrence' work"

"Forest Giant"                   (L/C1 + "-awrence' work"/P)/+bp                  "Lawrence' work"
"Guérilla dans désert"                   (L/C1 + "-awrence' work"/P)/+cp                  "Lawrence' work"

http://www.gutenberg.org/files/3825/3825-h/3825-h.htm ,  
George Bernard Shaw's       Pygmalion

"Letters of T. E. Lawrence"                   (Pyg/C1 + malion/P)/+bp/Ch                  Pygmalion
"Crusader Castles, thesis"                   (Pyg/C1 + malion/P)/+cp/Ch                  Pygmalion

"Forest Giant"                         (Pyg/C1 + malion/P)/+bp                          Pygmalion
"Guérilla dans désert"                     (Pyg/C1 + malion/P)/+cp                      Pygmalion

-------------

Matrice                         (L/C1 + "-awrence' work"/T)                       "Lawrence' work"

"Sept Piliers de sagesse"                   (L/C1 + "-awrence' work"/T)/+bp/Ch                  "Lawrence' work"
"Sept Piliers de la sagesse"                   (L/C1 + "-awrence' work"/T)/+cp/Ch                  "Lawrence' work"

http://www.gutenberg.org/files/3825/3825-h/3825-h.htm ,  
George Bernard Shaw's       Pygmalion

Matrice                                 (Pyg/C1 + malion/T)                              Pygmalion

"Sept Piliers de sagesse"                   (Pyg/C1 + malion/T)/+bp/Ch                  Pygmalion
"Sept Piliers de la sagesse"                   (Pyg/C1 + malion/T)/+cp/Ch                  Pygmalion



>>     Phonetic correspondence   between     Lawrence'   "Seven Pillars of Wisdom"    and    George Bernard Shaw's    "Pygmalion"

http://encyclopedia.thefreedictionary.com/Seven+Pillars+of+Wisdom ,  
http://www.wesjones.com/lawrence1.htm ,  
http://www.wesjones.com/seven%20pillars/sevenpillars%2000.xml ,  
Seven Pillars of Wisdom

To S.A.

I loved you, so I drew these tides of men into my hands
and wrote my will across the sky in stars
To earn you Freedom, the seven-pillared worthy house,
that your eyes might be shining for me
When we came.

Death seemed my servant on the road, till we were near
and saw you waiting:
When you smiled, and in sorrowful envy he outran me
and took you apart:
Into his quietness.

Love, the way-weary, groped to your body, our brief wage
ours for the moment
Before earth's soft hand explored your shape, and the blind
worms grew fat upon
Your substance.

Men prayed me that I set our work, the inviolate house,
as a menory of you. ~ ~


http://www.gutenberg.org/files/3825/3825-h/3825-h.htm ,  
Pygmalion

PREFACE TO PYGMALION.

A Professor of Phonetics.

As will be seen later on, Pygmalion needs, not a preface, but a sequel, which I have supplied in its due place. The English have no respect for their language, and will not teach their children to speak it. They spell it so abominably that no man can teach himself what it sounds like. It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him. German and Spanish are accessible to foreigners: English is not accessible even to Englishmen. The reformer England needs today is an energetic phonetic enthusiast: that is why I have made such a one the hero of a popular play. There have been heroes of that kind crying in the wilderness for many years past. When I became interested in the subject towards the end of the eighteen-seventies, Melville Bell was dead; but Alexander J. Ellis was still a living patriarch, ~ ~


"Seven Pillars of Wisdom"                 (L/C1 + "-awrence' work"/S)/+cp/Ch               "Lawrence' work"

"Seven Pillars of Wisdom"                   (Pygm/C1 + alion/S)/+cp/Ch                 Pygmalion


1.
"To S"                (PR/C1 + "-EFACE TO PYGMALION"/S)/+cp/Ch                "PREFACE TO PYGMALION"

2.                   <A> Professor of Phonetics

A                (Pr/C1 + "-ofessor of Phonetics"/S)/+cp/Ch                "Professor of Phonetics"

3.
"I loved you"                ([ŋ=  w=]/C1 + "As will be seen later on"/S)/+cp/Ch                "As will be seen later on"

4. so I drew these tides of men into my hands and wrote my will across <the> sky in stars To earn you Freedom

"so I drew these tides of men into my hands and wrote my will across sky in stars To earn you Freedom"                (Pygm/C1 + "-alion needs"/S)/+cp/Ch                "Pygmalion needs"

5.                  not <a> preface --- <the> seven

seven                            (n/C1 + "-ot preface"/S)/+cp/Ch                     "not preface"

6.                   but <a> sequel

"pillared worthy house"                 (b/C1 + "-ut sequel"/S)/+cp/Ch                "but sequel"

7.
"that your eyes might be shining for me When we came"                (wh/C1 + "-ich I have supplied in its due place"/S)/+cp/Ch                "which I have supplied in its due place"

8.   <The> English have no respect for their language --- Death seemed my servant on <the> road

"Death seemed my servant on road"                ([ŋ=  y=]/C1 + "English have no respect for their language"/S)/+cp/Ch                "English have no respect for their language"

9.
"till we were near and saw you waiting"                ([ŋ=  w=]/C1 + "and will not teach their children to speak it"/S)/+cp/Ch                "and will not teach their children to speak it"

10.
"When you smiled"                (Th/C1 + "-ey spell it so abominably that no man can teach himself what it sounds like"/S)/+cp/Ch                "They spell it so abominably that no man can teach himself what it sounds like"

11. It is impossible for <an> Englishman to open his mouth without making some other Englishman hate or despise him

"and in sorrowful envy he outran me and took you apart"                ([ŋ=  y=]/C1 + "It is impossible for Englishman to open his mouth without making some other Englishman hate or despise him"/S)/+cp/Ch                "It is impossible for Englishman to open his mouth without making some other Englishman hate or despise him"

12.
"Into his quietness"                (G/C1 + "-erman and Spanish are accessible to foreigners"/S)/+cp/Ch                "German and Spanish are accessible to foreigners"

13.
Love                ([ŋ=  y=]/C1 + "English is not accessible even to Englishmen"/S)/+cp/Ch                "English is not accessible even to Englishmen"

14.    <The> reformer England needs today is <an> energetic phonetic enthusiast --- <the> way

way                (r/C1 + "-eformer England needs today is energetic phonetic enthusiast"/S)/+cp/Ch                "reformer England needs today is energetic phonetic enthusiast"

15.                that is why I have made such <a> one <the> hero of <a> popular play

weary                (th/C1 + "-at is why I have made such one hero of popular play"/S)/+cp/Ch                "that is why I have made such one hero of popular play"

16.            There have been heroes of that kind crying in <the> wilderness for many years past

"groped to your body"                (Th/C1 + "-ere have been heroes of that kind crying in wilderness for many years past"/S)/+cp/Ch                "There have been heroes of that kind crying in wilderness for many years past"

17. When I became interested in <the> subject towards <the> end of <the> eighteen --- our brief wage ours for <the> moment Before earth's soft hand explored your shape

"our brief wage ours for moment Before earth's soft hand explored your shape"                (Wh/C1 + "-en I became interested in subject towards end of eighteen"/S)/+cp/Ch                "When I became interested in subject towards end of the eighteen"

18.                   and <the> blind worms grew fat upon Your substance

"and blind worms grew fat upon Your substance"                (s/C1 + eventies/S)/+cp/Ch                seventies

19.
"Men prayed me that I set our work"                (M/C1 + "-elville Bell was dead"/S)/+cp/Ch                "Melville Bell was dead"

20.                    <the> inviolate house

"inviolate house"                (b/C1 + "-ut Alexander J"/S)/+cp/Ch                "but Alexander J"

21.                    Ellis was still <a> living patriarch --- as <a> menory of you

"as menory of you"                ([ŋ=  y=]/C1 + "Ellis was still living patriarch"/S)/+cp/Ch                "Ellis was still living patriarch"

Et cetera.



>>     Phonetic correspondence   between     Lawrence'   (or Homer's ??  or Denton J. Snider's ??)   "Odyssey"    and    George Bernard Shaw's    "Pygmalion"


*              Homer  >> ("Denton J. Snider" /C1)/GC/S/abT


http://www.gutenberg.org/ebooks/26275 ,  
http://www.gutenberg.org/files/26275/ ,  
http://www.gutenberg.org/files/26275/26275-8.txt ,  
By Denton J. Snider,    Denton Jaques Snider
I.
The Goddess Pallas has already come down to Ithaca and stands among the
suitors. She has taken the form of Mentes, the King of a neighboring
tribe; she is in disguise as she usually is when she appears on earth.
Who will recognize her? Not the suitors; they can see no God in their
condition, least of all, the Goddess of Wisdom. "Telemachus was much
the first to observe her;" why just he? The fact is he was ready to see
her, and not only to see her, but to hear what she had to say. "For he
sat among the suitors grieved in heart, seeing his father in his mind's
eye," like Hamlet just before the latter saw the ghost. So careful is
the poet to prepare both sides--the divine epiphany, and the mortal who
is to behold it.

Furthermore, the young man saw his father "scattering the suitors and
himself obtaining honor and ruling his own house." This is just what
the Goddess is going to tell with a new sanction, and it is just what
is going to happen in the course of the poem. Truly Telemachus is
prepared internally; he has already everything within him which is to
come out of him. Throughout the whole interview the two main facts are
the example of the parent and the final revenge, both of which are
urged by the Goddess without and by the man within.

Still there is a difference. Telemachus is despondent; we might almost
say, he is getting to disbelieve in any divine order of the world. "The
Gods plot evil things" against the House of Ulysses, whose fate "they
make unknown above that of all men." Then they have sent upon me these
suitors who consume my heritage. The poor boy has had a hard time; he
has come to question providence in his misery, and discredits the
goodness of the Gods.

Here, now, is the special function of Pallas. She instills courage into
his heart. ~ ~


http://www.gutenberg.org/files/3825/3825-h/3825-h.htm ,  
Pygmalion

PREFACE TO PYGMALION.

A Professor of Phonetics.

As will be seen later on, Pygmalion needs, not a preface, but a sequel, which I have supplied in its due place. The English have no respect for their language, and will not teach their children to speak it. They spell it so abominably that no man can teach himself what it sounds like. It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him. German and Spanish are accessible to foreigners: English is not accessible even to Englishmen. The reformer England needs today is an energetic phonetic enthusiast: that is why I have made such a one the hero of a popular play. There have been heroes of that kind crying in the wilderness for many years past. When I became interested in the subject towards the end of the eighteen-seventies, Melville Bell was dead; but Alexander J. Ellis was still a living patriarch, with an impressive head always covered by a velvet skull cap, for which he would apologize to public meetings in a very courtly manner. He and Tito Pagliardini, another phonetic veteran, were men whom it was impossible to dislike. Henry Sweet, then a young man, lacked their sweetness of character: he was about as conciliatory to conventional mortals as Ibsen or Samuel Butler. His great ability as a phonetician (he was, I think, the best of them all at his job) would have entitled him to high official recognition, and perhaps enabled him to popularize his subject, but for his Satanic contempt for all academic dignitaries and persons in general who thought more of Greek than of phonetics. Once, in the days when the Imperial Institute rose in South Kensington, and Joseph Chamberlain was booming the Empire, I induced the editor of a leading monthly review to commission an article from Sweet on the imperial importance of his subject. When it arrived, it contained nothing but a savagely derisive attack on a professor of language and literature whose chair Sweet regarded as proper to a phonetic expert only. The article, being libelous, had to be returned as impossible; ~ ~


Odyssey                    (L/C1 + "-awrence' work"/S)/+bp/Ch                  "Lawrence' work"

Odyssey                         (Pygm/C1 + alion/S)/+bp/Ch                            Pygmalion


1.
"Book First"                (PR/C1 + "-EFACE TO PYGMALION"/S)/+bp/Ch                "PREFACE TO PYGMALION"

2. <A> Professor of Phonetics --- <The> Goddess Pallas has already come down to Ithaca and stands among the suitors

"Goddess Pallas has already come down to Ithaca and stands among the suitors"                (Pr/C1 + "-ofessor of Phonetics"/S)/+bp/Ch                "Professor of Phonetics"

3.                     She has taken <the> form of Mentes

"She has taken form of Mentes"                ([ŋ=  w=]/C1 + "As will be seen later on"/S)/+bp/Ch                "As will be seen later on"

4.                   <the> King of <a> neighboring tribe

"King of neighboring tribe"                (Pygm/C1 + "-alion needs"/S)/+bp/Ch                "Pygmalion needs"

5.                  not <a> preface

"she is in disguise as she usually is when she appears on earth"                (n/C1 + "-ot preface"/S)/+bp/Ch                 "not preface"

6.                   but <a> sequel

"Who will recognize her"                 (b/C1 + "-ut sequel"/S)/+bp/Ch                "but sequel"

7.                     Not <the> suitors

"Not suitors"                (wh/C1 + "-ich I have supplied in its due place"/S)/+bp/Ch                "which I have supplied in its due place"

8.               <The> English have no respect for their language

"they can see no God in their condition"                ([ŋ=  y=]/C1 + "English have no respect for their language"/S)/+bp/Ch                "English have no respect for their language"

9.
"least of all"                ([ŋ=  w=]/C1 + "and will not teach their children to speak it"/S)/+bp/Ch                "and will not teach their children to speak it"

10.                    <the> Goddess of Wisdom

"Goddess of Wisdom"                (Th/C1 + "-ey spell it so abominably that no man can teach himself what it sounds like"/S)/+bp/Ch                "They spell it so abominably that no man can teach himself what it sounds like"

11. It is impossible for <an> Englishman to open his mouth without making some other Englishman hate or despise him --- Telemachus was much <the> first to observe her

"Telemachus was much first to observe her"                ([ŋ=  y=]/C1 + "It is impossible for Englishman to open his mouth without making some other Englishman hate or despise him"/S)/+bp/Ch                "It is impossible for Englishman to open his mouth without making some other Englishman hate or despise him"

12.
"why just he"                (G/C1 + "-erman and Spanish are accessible to foreigners"/S)/+bp/Ch                "German and Spanish are accessible to foreigners"

13.                   <The> fact is he was ready to see her

"fact is he was ready to see her"                ([ŋ=  y=]/C1 + "English is not accessible even to Englishmen"/S)/+bp/Ch                "English is not accessible even to Englishmen"

14. <The> reformer England needs today is <an> energetic phonetic enthusiast --- <a> Being of so contradictory a nature

"Being of so contradictory a nature"                (r/C1 + "-eformer England needs today is energetic phonetic enthusiast"/S)/+bp/Ch                "reformer England needs today is energetic phonetic enthusiast"

15.                that is why I have made such <a> one <the> hero of <a> popular play

"but to hear what she had to say"                (th/C1 + "-at is why I have made such one hero of popular play"/S)/+bp/Ch                "that is why I have made such one hero of popular play"

16. There have been heroes of that kind crying in <the> wilderness for many years past --- For he sat among <the> suitors grieved in heart

"For he sat among suitors grieved in heart"                (Th/C1 + "-ere have been heroes of that kind crying in wilderness for many years past"/S)/+bp/Ch                "There have been heroes of that kind crying in wilderness for many years past"

17.            When I became interested in <the> subject towards <the> end of <the> eighteen

"seeing his father in his mind's eye"                (Wh/C1 + "-en I became interested in subject towards end of eighteen"/S)/+bp/Ch                "When I became interested in subject towards end of the eighteen"

18.                    like Hamlet just before <the> latter saw <the> ghost

"like Hamlet just before latter saw ghost"                (s/C1 + eventies/S)/+bp/Ch                seventies

19.                     So careful is <the> poet to prepare both sides

"So careful is poet to prepare both sides"                (M/C1 + "-elville Bell was dead"/S)/+bp/Ch                "Melville Bell was dead"

20.                    <the> divine epiphany

"divine epiphany"                (b/C1 + "-ut Alexander J"/S)/+bp/Ch                "but Alexander J"

21.                    Ellis was still <a> living patriarch --- and <the> mortal who is to behold it

"and mortal who is to behold it"                ([ŋ=  y=]/C1 + "Ellis was still living patriarch"/S)/+bp/Ch                "Ellis was still living patriarch"

22.             with <an> impressive head always covered by <a> velvet skull cap

Furthermore                 (w/C1 + "-ith impressive head always covered by velvet skull cap"/S)/+bp/Ch                "with impressive head always covered by velvet skull cap"

23. for which he would apologize to public meetings in <a> very courtly manner --- <the> young man saw his father

"young man saw his father"                (f/C1 + "-or which he would apologize to public meetings in very courtly manner"/S)/+bp/Ch                "for which he would apologize to public meetings in very courtly manner"

24.              scattering <the> suitors and himself obtaining honor and ruling his own house

"scattering suitors and himself obtaining honor and ruling his own house"                (H/C1 + "-e and Tito Pagliardini"/S)/+bp/Ch                "He and Tito Pagliardini"

25.              This is just what <the> Goddess is going to tell with <a> new sanction

"This is just what Goddess is going to tell with new sanction"                ([ŋ=  w=]/C1 + "another phonetic veteran"/S)/+bp/Ch                "another phonetic veteran"

26.               and it is just what is going to happen in <the> course of <the> poem

"and it is just what is going to happen in course of poem"                (w/C1 + "-ere men whom it was impossible to dislike"/S)/+bp/Ch                "were men whom it was impossible to dislike"

27.
"Truly Telemachus is prepared internally"                (H/C1 + "-enry Sweet"/S)/+bp/Ch                "Henry Sweet"

28.                    then <a> young man

"he has already everything within him which is to come out of him"                (th/C1 + "-en young man"/S)/+bp/Ch                "then young man"

29. Throughout <the> whole interview <the> two main facts are <the> example of <the> parent and <the> final revenge

"Throughout whole interview two main facts are example of parent and final revenge"                (l/C1 + "-acked their sweetness of character"/S)/+bp/Ch                "lacked their sweetness of character"

30.              both of which are urged by <the> Goddess without and by <the> man within

"both of which are urged by Goddess without and by man within"                (h/C1 + "-e was about as conciliatory to conventional mortals as Ibsen or Samuel Butler"/S)/+bp/Ch                "he was about as conciliatory to conventional mortals as Ibsen or Samuel Butler"

31.                His great ability as <a> phonetician --- Still there is <a> difference

"Still there is difference"                (H/C1 + "-is great ability as phonetician"/S)/+bp/Ch                "His great ability as phonetician"

32.
"Telemachus is despondent"                (h/C1 + "-e was"/S)/+bp/Ch                "he was"

33.
"we might almost say"                ([ŋ=  y=]/C1 + "I think"/S)/+bp/Ch                "I think"

34.    <the> best of them all at his job --- he is getting to disbelieve in any divine order of <the> world

"he is getting to disbelieve in any divine order of world"                (b/C1 + "-est of them all at his job"/S)/+bp/Ch                "best of them all at his job"

35.                      <The> Gods plot evil things

"Gods plot evil things"                (w/C1 + "-ould have entitled him to high official recognition"/S)/+bp/Ch                "would have entitled him to high official recognition"

36.                         against <the> House of Ulysses

"against House of Ulysses"                ([ŋ=  w=]/C1 + "and perhaps enabled him to popularize his subject"/S)/+bp/Ch                "and perhaps enabled him to popularize his subject"

37.
"whose fate"                (b/C1 + "-ut for his Satanic contempt for all academic dignitaries and persons in general who thought more of Greek than of phonetics"/S)/+bp/Ch                "but for his Satanic contempt for all academic dignitaries and persons in general who thought more of Greek than of phonetics"

38.
"they make unknown above that of all men"                ([ŋ=  w=]/C1 + Once/S)/+bp/Ch                Once

39.         in <the> days when <the> Imperial Institute rose in South Kensington

"Then they have sent upon me these suitors who consume my heritage"                ([ŋ=  y=]/C1 + "in days when Imperial Institute rose in South Kensington"/S)/+bp/Ch                "in days when Imperial Institute rose in South Kensington"

40. and Joseph Chamberlain was booming <the> Empire --- <The> poor boy has had <a> hard time

"poor boy has had hard time"                ([ŋ=  w=]/C1 + "and Joseph Chamberlain was booming Empire"/S)/+bp/Ch                "and Joseph Chamberlain was booming Empire"

41. I induced <the> editor of <a> leading monthly review to commission <an> article from Sweet on <the> imperial importance of his subject

"he has come to question providence in his misery"                ([ŋ=  y=]/C1 + "I induced the editor of leading monthly review to commission article from Sweet on imperial importance of his subject"/S)/+bp/Ch                "I induced editor of leading monthly review to commission an article from Sweet on imperial importance of his subject"

42.                   and discredits <the> goodness of <the> Gods

"and discredits goodness of Gods"                (Wh/C1 + "-en it arrived"/S)/+bp/Ch                "When it arrived"

43. it contained nothing but <a> savagely derisive attack on <a> professor of language and literature whose chair Sweet regarded as proper to <a> phonetic expert only

Here                ([ŋ=  y=]/C1 + "it contained nothing but savagely derisive attack on professor of language and literature whose chair Sweet regarded as proper to phonetic expert only"/S)/+bp/Ch                "it contained nothing but savagely derisive attack on professor of language and literature whose chair Sweet regarded as proper to phonetic expert only"

44.                      <The> article

now                             ([ŋ=  w=]/C1 + article/S)/+bp/Ch                         "article"

45.                        is <the> special function of Pallas

"is special function of Pallas"                (b/C1 + "-eing libelous"/S)/+bp/Ch                "being libelous"

46.
"She instills courage into his heart"                (h/C1 + "-ad to be returned as impossible"/S)/+bp/Ch                "had to be returned as impossible"

Et cetera.



Flinders Petrie
http://encyclopedia.thefreedictionary.com/Flinders+Petrie ,  

* (Lawrence /P)/T  >>  (Hogarth /C2)/GC/S/abT  >>  ("Gertrude Bell" /C2/Ch)/GC/S/abT  >>  ("Leonard Woolley" /C1)/GC/S/abT  >>  ("Flinders Petrie" /C1/Ch)/GC/S/abT

*         ("Flinders Petrie" /C1)/GC/S/abT  >>  "Sir William Matthew Flinders Petrie" /C2

Born                      3 June 1853                     Charlton, London, United Kingdom
Died                     28 July 1942 (aged 89)                               Jerusalem

"1853"                         (Fl/T + "-inders Petrie"/P)/+bp                      "Flinders Petrie"
June                            (Fl/T + "-inders Petrie"/P)/+cp                      "Flinders Petrie"
"3"                         (Fl/T + "-inders Petrie"/P)/Ch/+bp                      "Flinders Petrie"
"Charlton, London, United Kingdom"             (Fl/T + "-inders Petrie"/P)/Ch/+cp              "Flinders Petrie"

"1942"                         (F/P + "-linders Petrie"/T)/+bp                      "Flinders Petrie"
July                            (F/P + "-linders Petrie"/T)/+cp                      "Flinders Petrie"
"28"                        (F/P + "-linders Petrie"/T)/Ch/+bp                      "Flinders Petrie"
Jerusalem                    (F/P + "-linders Petrie"/T)/Ch/+cp                    "Flinders Petrie"

>>                    pioneer of systematic methodology in archaeology

*         ("Flinders Petrie" /C1)/GC/S/abT  >>  ("pioneer of systematic methodology in archaeology" /P)/C1  

>>                   as the successor to Édouard Naville
http://encyclopedia.thefreedictionary.com/%c3%89douard+Naville ,  
* ("Flinders Petrie" /C1)/GC/S/abT  >>  ("Amelia Edwards" /T/Ch)/GC/S/abT  >>  ("Édouard Naville" /T)/GC/S/abT

>>                  Under Auguste Mariette's arrangements
http://encyclopedia.thefreedictionary.com/Auguste+Mariette ,  
* ("Flinders Petrie" /C1)/GC/S/abT  >>  ("Amelia Edwards" /T/Ch)/GC/S/abT  >>  ("Édouard Naville" /T)/GC/S/abT  >>  ("Auguste Mariette" /T/Ch)/GC/S/abT

>>     responsible for mentoring and training a whole generation of Egyptologists, including Howard Carter
http://encyclopedia.thefreedictionary.com/Howard+Carter ,    
* ("Flinders Petrie" /C1)/GC/S/abT  >>  ("Amelia Edwards" /T/Ch)/GC/S/abT  >>  ("Édouard Naville" /T)/GC/S/abT  >>  ("Auguste Mariette" /T/Ch)/GC/S/abT   >>  ("Gaston Maspero" /P/Ch)/GC/S/abT  >>  ("Howard Carter" /P)/GC/S/abT

>> Archaeological Journal by his good friend and fellow archaeologist, Flaxman Charles John Spurrell
http://encyclopedia.thefreedictionary.com/Flaxman+Charles+John+Spurrell ,  
* ("Flinders Petrie" /C1)/GC/S/abT  >>  ("Amelia Edwards" /T/Ch)/GC/S/abT  >>  ("Édouard Naville" /T)/GC/S/abT  >>  ("Auguste Mariette" /T/Ch)/GC/S/abT   >>  ("Gaston Maspero" /P/Ch)/GC/S/abT  >>  ("Howard Carter" /P)/GC/S/abT  >>  ("Flaxman Charles John Spurrell" /S/Ch)/GC/S/abT


http://www.gutenberg.org/browse/authors/p#a2454 ,  
•  Egyptian Tales, Translated from the Papyri
First series, IVth to XIIth dynasty (English) (as Author)
•  Egyptian Tales, Translated from the Papyri
Second series, XVIIIth to XIXth dynasty (English) (as Author)
•  The Religion of Ancient Egypt (English) (as Author)

"Egyptian Tales, Translated from Papyri"              (Fl/T + "-inders Petrie's writing"/P)               "Flinders Petrie's writing"
"First series, i v x i i dynasty "              (Fl/T + "-inders Petrie's work"/P)               "Flinders Petrie's work"

"Egyptian Tales, Translated from Papyri"              (Fl/T + "-inders Petrie's writing"/P)/Ch               "Flinders Petrie's writing"
"Second series, x v i i i x i x dynasty"              (Fl/T + "-inders Petrie's work"/P)/Ch               "Flinders Petrie's work"

"Religion of Ancient Egypt"              (F/P + "-linders Petrie's writing"/T)               "Flinders Petrie's writing"

http://www.gutenberg.org/files/3825/3825-h/3825-h.htm ,  
George Bernard Shaw's       Pygmalion

"Egyptian Tales, Translated from Papyri"               (Pygm/T + alion/P)                Pygmalion
"Egyptian Tales, Translated from Papyri"              (Pygm/T + alion/P)/Ch               Pygmalion
"Religion of Ancient Egypt"                       (Pygm/P + alion/T)                      Pygmalion



>>     Phonetic correspondence   between     Flinders Petrie's   "Egyptian Tales, Translated from the Papyri --- First series, IVth to XIIth dynasty"    and    George Bernard Shaw's    "Pygmalion"

http://www.gutenberg.org/cache/epub/7386/pg7386.html ,    
Egyptian Tales, Translated from the Papyri
First series, IVth to XIIth dynasty

INTRODUCTION

IT is strange that while literature occupies so much attention as at present, and while fiction is the largest division of our book-work, the oldest literature and fiction of the world should yet have remained unpresented to English readers. The tales of ancient Egypt have appeared collectively only in French, in the charming volume of Maspero's "Contes Populaires"; while some have been translated into English at scattered times in volumes of the "Records of the Past." But research moves forward; ~ ~


http://www.gutenberg.org/files/3825/3825-h/3825-h.htm ,  
George Bernard Shaw's       Pygmalion


"Egyptian Tales, Translated from Papyri"              (Fl/T + "-inders Petrie's writing"/P)               "Flinders Petrie's writing"
"First series, i v x i i dynasty "              (Fl/T + "-inders Petrie's work"/P)               "Flinders Petrie's work"

"Egyptian Tales, Translated from Papyri"               (Pygm/T + alion/P)                Pygmalion


1.
"INTRODUCTION IT is strange that while literature occupies so much attention as at present"                (PR/T + "-EFACE TO PYGMALION"/P)                "PREFACE TO PYGMALION"

2.            <A> Professor of Phonetics --- and while fiction is <the> largest division of our book

"and while fiction is largest division of our book"                (Pr/T + "-ofessor of Phonetics"/P)                "Professor of Phonetics"

3.
work                ([ŋ=  w=]/T + "As will be seen later on"/P)                "As will be seen later on"

4. <the> oldest literature and fiction of <the> world should yet have remained unpresented to English readers

"oldest literature and fiction of world should yet have remained unpresented to English readers"                (Pygm/T + "-alion needs"/P)                "Pygmalion needs"

5.         not <a> preface --- <The> tales of ancient Egypt have appeared collectively only in French

"tales of ancient Egypt have appeared collectively only in French"                (n/T + "-ot preface"/P)                 "not preface"

6.                   but <a> sequel --- in <the> charming volume of Maspero's

"in charming volume of Maspero's"                 (b/T + "-ut sequel"/P)                "but sequel"

7.
"Contes Populaires"                (wh/T + "-ich I have supplied in its due place"/P)                "which I have supplied in its due place"

8.               <The> English have no respect for their language

"while some have been translated into English at scattered times in volumes of"                ([ŋ=  y=]/T + "English have no respect for their language"/P)                "English have no respect for their language"

9.                  <the> "Records of <the> Past

"Records of Past"                ([ŋ=  w=]/T + "and will not teach their children to speak it"/P)                "and will not teach their children to speak it"

10.
"But research moves forward"                (Th/T + "-ey spell it so abominably that no man can teach himself what it sounds like"/P)                "They spell it so abominably that no man can teach himself what it sounds like"

Et cetera.



>>     Phonetic correspondence   between     Flinders Petrie's   "Egyptian Tales, Translated from the Papyri --- First series, IVth to XIIth dynasty"    and    George Bernard Shaw's    "Pygmalion"

http://www.gutenberg.org/cache/epub/7413/pg7413.html ,  
•  Egyptian Tales, Translated from the Papyri
Second series, XVIIIth to XIXth dynasty (English)

PREFACE

As the scope of the first series of these Tales seems to have been somewhat overlooked, a few words of introduction may not be out of place before this second volume.

It seems that any simple form of fiction is supposed to be a "fairy tale:" which implies that it has to do with an impossible world of imaginary beings. Now the Egyptian Tales are exactly the opposite of this, they relate the doings and the thoughts of men and women who are human—sometimes "very human," as Mr. ~ ~


http://www.gutenberg.org/files/3825/3825-h/3825-h.htm ,  
George Bernard Shaw's       Pygmalion


"Egyptian Tales, Translated from Papyri"              (Fl/T + "-inders Petrie's writing"/P)/Ch               "Flinders Petrie's writing"
"Second series, x v i i i x i x dynasty"              (Fl/T + "-inders Petrie's work"/P)/Ch               "Flinders Petrie's work"

"Egyptian Tales, Translated from Papyri"              (Pygm/T + alion/P)/Ch               Pygmalion


1. PREFACE As <the> scope of <the> first series of these Tales seems to have been somewhat overlooked

"PREFACE As scope of first series of these Tales seems to have been somewhat overlooked"                (PR/T + "-EFACE TO PYGMALION"/P)/Ch                "PREFACE TO PYGMALION"

2. <A> Professor of Phonetics --- <a> few words of introduction may not be out of place before this second volume

"few words of introduction may not be out of place before this second volume"                (Pr/T + "-ofessor of Phonetics"/P)/Ch                "Professor of Phonetics"

3.
"It seems that any simple form of fiction is supposed to be"                ([ŋ=  w=]/T + "As will be seen later on"/P)/Ch                "As will be seen later on"

4.                          <a> "fairy tale

"fairy tale"                    (Pygm/T + "-alion needs"/P)/Ch                   "Pygmalion needs"

5.     not <a> preface --- which implies that it has to do with <an> impossible world of imaginary beings

"which implies that it has to do with impossible world of imaginary beings"                (n/T + "-ot preface"/P)/Ch               "not preface"

6.                 but <a> sequel --- Now <the> Egyptian Tales are exactly <the> opposite of this

"Now Egyptian Tales are exactly opposite of this"                 (b/T + "-ut sequel"/P)/Ch                "but sequel"

7.              they relate <the> doings and <the> thoughts of men and women who are human

"they relate doings and thoughts of men and women who are human"                (wh/T + "-ich I have supplied in its due place"/P)/Ch                "which I have supplied in its due place"

8.               <The> English have no respect for their language

sometimes                ([ŋ=  y=]/T + "English have no respect for their language"/P)/Ch                "English have no respect for their language"

9.
"very human"                ([ŋ=  w=]/T + "and will not teach their children to speak it"/P)/Ch                "and will not teach their children to speak it"

10.
"as M r"                (Th/T + "-ey spell it so abominably that no man can teach himself what it sounds like"/P)/Ch                "They spell it so abominably that no man can teach himself what it sounds like"

Et cetera.



Amelia Edwards
http://encyclopedia.thefreedictionary.com/Amelia+Edwards ,  

*         ("Flinders Petrie" /C1)/GC/S/abT  >>  ("Amelia Edwards" /T/Ch)/GC/S/abT

*     ("Amelia Edwards" /T)/GC/S/abT  >>  Edwards /C2  >>  "Amelia Ann Blandford Edwards" /C2/Ch

>>                (7 June 1831 – 15 April 1892)

"1772"                  ([ŋ=  w=]/T + "Amelia Edwards"/P)/+bp                  "Amelia Edwards"
June                   ([ŋ=  w=]/T + "Amelia Edwards"/P)/+cp                  "Amelia Edwards"
"7"                    ([ŋ=  w=]/T + "Amelia Edwards"/P)/Ch                    "Amelia Edwards"

"1892"                  ([ŋ=  w=]/P + "Amelia Edwards"/T)/+bp                  "Amelia Edwards"
April                   ([ŋ=  w=]/P + "Amelia Edwards"/T)/+cp                  "Amelia Edwards"
"15"                    ([ŋ=  w=]/P + "Amelia Edwards"/T)/Ch                   "Amelia Edwards"

>>   in 1882, co-founded the Egypt Exploration Fund (now the Egypt Exploration Society) with Reginald Stuart Poole, curator of the Department of Coins and Medals at the British Museum

"Reginald Stuart Poole"                  ([ŋ=  w=]/T + "Amelia Edwards"/P)                  "Amelia Edwards"


http://www.gutenberg.org/browse/authors/e#a2716 ,    
•  In the Days of My Youth (English) (as Author)
•  A Lady's Captivity among Chinese Pirates in the Chinese Seas (English) (as Translator)
•  Monsieur Maurice (English) (as Author)
•  Mugby Junction (English) (as Contributor)

"In Days of My Youth"                ([ŋ=  w=]/T + "Amelia Edwards' work"/P)/+bp                  "Amelia Edwards' work"
"Lady's Captivity among Chinese Pirates in Chinese Seas"                ([ŋ=  w=]/T + "Amelia Edwards' work"/P)/+cp                  "Amelia Edwards' work"
"Monsieur Maurice"                ([ŋ=  w=]/T + "Amelia Edwards' work"/P)/Ch/+bp                  "Amelia Edwards' work"
"Mugby Junction"                ([ŋ=  w=]/T + "Amelia Edwards' work"/P)/Ch/+cp                  "Amelia Edwards' work"

http://gutenberg.net.au/ebooks03/0300431h.html ,  
George Bernard Shaw's       "The Apple Cart"

"In Days of My Youth"                ([ŋ=  w=]/T + "Apple Cart"/P)/+bp                  "Apple Cart"
"Lady's Captivity among Chinese Pirates in Chinese Seas"                ([ŋ=  w=]/T + "Apple Cart"/P)/+cp                  "Apple Cart"
"Monsieur Maurice"                ([ŋ=  w=]/T + "Apple Cart"/P)/Ch/+bp                  "Apple Cart"
"Mugby Junction"                ([ŋ=  w=]/T + "Apple Cart"/P)/Ch/+cp                  "Apple Cart"

•  A Night on the Borders of the Black Forest (English) (as Author)
•  Stories by English Authors: England (English) (as Contributor)

"Night on Borders of Black Forest"                ([ŋ=  w=]/P + "Amelia Edwards' work"/T)                  "Amelia Edwards' work"
"Stories by English Authors: England"                ([ŋ=  w=]/P + "Amelia Edwards' work"/T)/Ch                  "Amelia Edwards' work"

http://gutenberg.net.au/ebooks03/0300431h.html ,  
George Bernard Shaw's       "The Apple Cart"

"Night on Borders of Black Forest"                ([ŋ=  w=]/P + "Apple Cart"/T)                  "Apple Cart"
"Stories by English Authors: England"                ([ŋ=  w=]/P + "Apple Cart"/T)/Ch                  "Apple Cart"



>>     Phonetic correspondence   between    Amelia Edwards'   "Stories by English Authors: England"    and    George Bernard Shaw's    "The Apple Cart"

http://gutenberg.net.au/ebooks03/0300431h.html ,  
The Apple Cart

A Political Extravaganza

Preface
 
The first performances of this play at home and abroad provoked several confident anticipations that it would be published with an elaborate prefatory treatise on Democracy to explain why I, formerly a notorious democrat, have apparently veered round to the opposite quarter and become a devoted Royalist. In Dresden the performance was actually prohibited as a blasphemy against Democracy.

What was all this pother about? I had written a comedy in which a King defeats an attempt by his popularly elected Prime Minister to deprive him of the right to influence public opinion through the press and the platform: in short, to reduce him to a cipher. The King's reply is that rather than be a cipher he will abandon his throne and take his obviously very rosy chance of becoming a popularly elected Prime Minister himself. To those who believe that our system of votes for everybody produces parliaments which represent the people it should seem that this solution of the difficulty is completely democratic, and that the Prime Minister must at once accept it joyfully as such. He knows better. The change would rally the anti-democratic royalist vote against him, and impose on him a rival in the person of the only public man whose ability he has to fear. The comedic paradox of the situation is that the King wins, ~ ~


http://www.gutenberg.org/cache/epub/6039/pg6039.html ,    
Stories by English Authors: England

THE BOX TUNNEL
BY CHARLES READE

The 10:15 train glided from Paddington May 7, 1847. In the left compartment of a certain first-class carriage were four passengers; of these two were worth description. The lady had a smooth, white, delicate brow, strongly marked eyebrows, long lashes, eyes that seemed to change colour, and a good-sized, delicious mouth, with teeth as white as milk. ~ ~


"Stories by English Authors: England"                ([ŋ=  w=]/P + "Amelia Edwards' work"/T)/Ch                  "Amelia Edwards' work"

"Stories by English Authors: England"                ([ŋ=  w=]/P + "Apple Cart"/T)/Ch                  "Apple Cart"


1. <A> Political Extravaganza Preface <The> first performances of this play at home and abroad provoked several confident anticipations that it would be published with <an> elaborate prefatory treatise on Democracy to explain why I --- <THE> BOX TUNNEL BY CHARLES READE <The> 10

"BOX TUNNEL BY CHARLES READE 10"                (P/P + "-olitical Extravaganza Preface first performances of this play at home and abroad provoked several confident anticipations that it would be published with elaborate prefatory treatise on Democracy to explain why I"/T)/Ch                 "Political Extravaganza Preface first performances of this play at home and abroad provoked several confident anticipations that it would be published with elaborate prefatory treatise on Democracy to explain why I"

2.                      formerly <a> notorious democrat

"15 train glided from Paddington May 7"                (f/P + "-ormerly notorious democrat"/T)/Ch                 "formerly notorious democrat"

3.     have apparently veered round to <the> opposite quarter and become <a> devoted Royalist

"1847"                (h/P + "-ave apparently veered round to opposite quarter and become devoted Royalist"/T)/Ch                 "have apparently veered round to opposite quarter and become devoted Royalist"

4. In Dresden <the> performance was actually prohibited as <a> blasphemy against Democracy --- In <the> left compartment of <a> certain first

"In left compartment of certain first"                ([ŋ=  y=]/P + "In Dresden performance was actually prohibited as blasphemy against Democracy"/T)/Ch                 "In Dresden performance was actually prohibited as blasphemy against Democracy"

5.
"class carriage were four passengers"                (Wh/P + "-at was all this pother about"/T)/Ch                 "What was all this pother about"

6. I had written <a> comedy in which <a> King defeats <an> attempt by his popularly elected Prime Minister to deprive him of <the> right to influence public opinion through <the> press and <the> platform

"of these two were worth description"                ([ŋ=  y=]/P + "I had written comedy in which King defeats attempt by his popularly elected Prime Minister to deprive him of right to influence public opinion through press and platform"/T)/Ch                 "I had written comedy in which King defeats attempt by his popularly elected Prime Minister to deprive him of right to influence public opinion through press and platform"

7.                      <The> lady had <a> smooth

"lady had smooth"                    ([ŋ=  y=]/P + "in short"/T)/Ch                     "in short"

8.                      to reduce him to <a> cipher

white                (t/P + "-o reduce him to cipher"/T)/Ch                 "to reduce him to cipher"

9. <The> King's reply is that rather than be <a> cipher he will abandon his throne and take his obviously very rosy chance of becoming <a> popularly elected Prime Minister himself

"delicate brow"                (K/P + "-ing's reply is that rather than be cipher he will abandon his throne and take his obviously very rosy chance of becoming popularly elected Prime Minister himself"/T)/Ch                 "King's reply is that rather than be cipher he will abandon his throne and take his obviously very rosy chance of becoming popularly elected Prime Minister himself"

10. To those who believe that our system of votes for everybody produces parliaments which represent <the> people it should seem that this solution of <the> difficulty is completely democratic

"strongly marked eyebrows"                (T/P + "-o those who believe that our system of votes for everybody produces parliaments which represent people it should seem that this solution of difficulty is completely democratic"/T)/Ch                 "To those who believe that our system of votes for everybody produces parliaments which represent people it should seem that this solution of difficulty is completely democratic"

11.                  and that <the> Prime Minister must at once accept it joyfully as such

"long lashes"                ([ŋ=  w=]/P + "and that Prime Minister must at once accept it joyfully as such"/T)/Ch                 "and that Prime Minister must at once accept it joyfully as such"

12.
"eyes that seemed to change colour"                (H/P + "-e knows better"/T)/Ch                 "He knows better"

13.                    <The> change would rally <the> anti --- and <a> good

"and good"                (ch/P + "ange would rally anti"/T)/Ch                 "change would rally anti"

14.
sized                (d/P + "-emocratic royalist vote against him"/T)/Ch                 "democratic royalist vote against him"

15. and impose on him <a> rival in <the> person of <the> only public man whose ability he has to fear

"delicious mouth"                ([ŋ=  w=]/P + "and impose on him rival in person of only public man whose ability he has to fear"/T)/Ch                 "and impose on him rival in person of only public man whose ability he has to fear"

16.                <The> comedic paradox of <the> situation is that <the> King wins

"with teeth as white as milk"                (c/P + "-omedic paradox of situation is that King wins"/T)/Ch                 "comedic paradox of situation is that King wins"

Et cetera.



Gaston Maspero
http://encyclopedia.thefreedictionary.com/Gaston+Maspero ,  

* ("Flinders Petrie" /C1)/GC/S/abT  >>  ("Amelia Edwards" /T/Ch)/GC/S/abT  >>  ("Édouard Naville" /T)/GC/S/abT  >>  ("Auguste Mariette" /T/Ch)/GC/S/abT   >>  ("Gaston Maspero" /P/Ch)/GC/S/abT

*     ("Gaston Maspero" /P/Ch)/GC/S/abT  >>  "Gaston Camille Charles Maspero" /GC/S/abT

Born                    June 23, 1846                       Paris
Died                June 30, 1916 (aged 70)

"1864"                      (G/T + "-aston Maspero"/P)/+bp                     "Gaston Maspero"
June                        (G/T + "-aston Maspero"/P)/+cp                     "Gaston Maspero"
"23"                     (G/T + "-aston Maspero"/P)/Ch/+bp                     "Gaston Maspero"
Paris                     (G/T + "-aston Maspero"/P)/Ch/+cp                     "Gaston Maspero"

"1916"                      (G/P + "-aston Maspero"/T)/+bp                     "Gaston Maspero"
June                        (G/P + "-aston Maspero"/T)/+cp                     "Gaston Maspero"
"30"                        (G/P + "-aston Maspero"/T)/Ch                       "Gaston Maspero"


http://www.gutenberg.org/browse/authors/m#a3672 ,  
•  L'archéologie égyptienne (French) (as Author)
•  L'égyptologie (French) (as Author)
•  History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria
A Linked Index to the Project Gutenberg Editions (English) (as Author)
•  History Of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 1 (of 12) (English) (as Author)

"archéologie égyptienne"                 (G/T + "-aston Maspero's writing"/P)/+bp                "Gaston Maspero's writing"
égyptologie                 (G/T + "-aston Maspero's writing"/P)/+cp                "Gaston Maspero's writing"

"History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria"                 (G/T + "-aston Maspero's writing"/P)/Ch/+bp                "Gaston Maspero's writing"
"Linked Index to Project Gutenberg Editions"                 (G/T + "-aston Maspero's work"/P)/Ch/+bp                "Gaston Maspero's work"

"History Of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i (of 12)"                 (G/T + "-aston Maspero's writing"/P)/Ch/+cp                "Gaston Maspero's writing"
"History Of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i"                 (G/T + "-aston Maspero's work"/P)/Ch/+cp                "Gaston Maspero's work"

http://www.gutenberg.org/files/4023/4023-h/4023-h.htm ,  
George Bernard Shaw's       "Candida"

"archéologie égyptienne"                       (C/T + andida/P)/+bp                       Candida
égyptologie                                (C/T + andida/P)/+cp                            Candida
"History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria"                 (C/T + andida/P)/Ch/+bp                Candida
"History Of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i (of 12)"                 (C/T + andida/P)/Ch/+cp                Candida

•  History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 2 (of 12) (English) (as Author)
•  History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 3 (of 12) (English) (as Author)
•  History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 4 (of 12) (English) (as Author)
•  History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 5 (of 12) (English) (as Author)

"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i i (of 12)"                 (G/T + "-aston Maspero's writing"/S)/+bp                "Gaston Maspero's writing"
"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i i"                 (G/T + "-aston Maspero's work"/S)/+bp                "Gaston Maspero's work"

"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i i i (of 12)"                 (G/T + "-aston Maspero's writing"/S)/+cp                "Gaston Maspero's writing"
"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i i i"                 (G/T + "-aston Maspero's work"/S)/+cp                "Gaston Maspero's work"

"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i v (of 12)"                 (G/T + "-aston Maspero's writing"/S)/Ch/+bp                "Gaston Maspero's writing"
"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i v"                 (G/T + "-aston Maspero's work"/S)/Ch/+bp                "Gaston Maspero's work"

"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume v (of 12)"                 (G/T + "-aston Maspero's writing"/S)/Ch/+cp                "Gaston Maspero's writing"
"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume v"                 (G/T + "-aston Maspero's work"/S)/Ch/+cp                "Gaston Maspero's work"

http://www.gutenberg.org/files/4023/4023-h/4023-h.htm ,  
George Bernard Shaw's       "Candida"

"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i i (of 12)"                 (C/T + andida/S)/+bp                Candida
"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i i i (of 12)"                 (C/T + andida/S)/+cp                Candida
"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i v (of 12)"                 (C/T + andida/S)/Ch/+bp                Candida
"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume v (of 12)"                 (C/T + andida/S)/Ch/+cp                Candida

•  History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 6 (of 12) (English) (as Author)
•  History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 7 (of 12) (English) (as Author)
•  History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 8 (of 12) (English) (as Author)
•  History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 9 (of 12) (English) (as Author)

"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume v i (of 12)"                 (G/T + "-aston Maspero's writing"/C2)/+bp                "Gaston Maspero's writing"
"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume v i"                 (G/T + "-aston Maspero's work"/C2)/+bp                "Gaston Maspero's work"

"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume v i i (of 12)"                 (G/T + "-aston Maspero's writing"/C2)/+cp                "Gaston Maspero's writing"
"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume v i i"                 (G/T + "-aston Maspero's work"/C2)/+cp                "Gaston Maspero's work"

"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume v i i i (of 12)"                 (G/T + "-aston Maspero's writing"/C2)/Ch/+bp                "Gaston Maspero's writing"
"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume v i i i"                 (G/T + "-aston Maspero's work"/C2)/Ch/+bp                "Gaston Maspero's work"

"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i x (of 12)"                 (G/T + "-aston Maspero's writing"/C2)/Ch/+cp                "Gaston Maspero's writing"
"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i x"                 (G/T + "-aston Maspero's work"/C2)/Ch/+cp                "Gaston Maspero's work"

http://www.gutenberg.org/files/4023/4023-h/4023-h.htm ,  
George Bernard Shaw's       "Candida"

"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume v i (of 12)"                 (C/T + andida/C2)/+bp                Candida
"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume v i i (of 12)"                 (C/T + andida/C2)/+cp                Candida
"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume v i i i (of 12)"                 (C/T + andida/C2)/Ch/+bp                Candida
"History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i x (of 12)"                 (C/T + andida/C2)/Ch/+cp                Candida

•  Manual of Egyptian Archaeology and Guide to the Study of Antiquities in Egypt (English) (as Author)

"Manual of Egyptian Archaeology and Guide to Study of Antiquities in Egypt"                 (G/T + "-aston Maspero's writing"/GC/S/abT)                "Gaston Maspero's writing"

http://www.gutenberg.org/files/4023/4023-h/4023-h.htm ,  
George Bernard Shaw's       "Candida"

"Manual of Egyptian Archaeology and Guide to Study of Antiquities in Egypt"                 (C/T + andida/GC/S/abT)                Candida



>>     Phonetic correspondence   between    Gaston Maspero's   "History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria"    and    George Bernard Shaw's    "Candida"

http://www.gutenberg.org/files/4023/4023-h/4023-h.htm ,  
Candida

ACT I

A fine October morning in the north east suburbs of London, a vast district many miles away from the London of Mayfair and St. James's, much less known there than the Paris of the Rue de Rivoli and the Champs Elysees, and much less narrow, squalid, fetid and airless in its slums; strong in comfortable, prosperous middle class life; wide-streeted, myriad-populated; well-served with ugly iron urinals, Radical clubs,
tram lines, and a perpetual stream of yellow cars; ~ ~


http://www.gutenberg.org/files/28876/28876-h/28876-h.htm ,  
•  History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria
A Linked Index to the Project Gutenberg Editions

AN INDEX

VOLUMES, CHAPTERS AND STORIES

Volume I.

EDITOR'S PREFACE
TRANSLATOR'S PREFACE
CHAPTER I.—THE NILE AND EGYPT
CHAPTER II.—THE GODS OF EGYPT
CHAPTER III.—THE LEGENDARY HISTORY OF EGYPT

Illustrations of Particular Interest
(170 images in Volume I.)

Mummy Wrappings from Tomb at Thebes
Well Providing Water for Irrigation
Sacrifice of the Bull
Occupations of Ani in the Elysian Fields
An Incident in the Wars of Hartheous and Sit

Volume II.

CHAPTER I—THE POLITICAL CONSTITUTION OF EGYPT
CHAPTER II—THE MEMPHITE EMPIRE
CHAPTER III—THE FIRST THEBAN EMPIRE

List of Colored and Special Illustrations

Stele in the Form of a Door
The Island and Temple of Phil.
Collosal Statue of a King
Colored Sculptures in the Palace
Cutting and Carrying the Harvest
The Pyramid of Khephren
Passenger Vessel Under Sail
Avenue of Sphinxes—Karnak
Denderah—Temple of Tentyra
The Channel of The Nile Between The Two
    Fortresses of Semneh and Kummeh
Painting at the Entrance of The Fifth Tomb

Volume III.

CHAPTER I—ANCIENT CHALDÆA ~ ~


"History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria"                 (G/T + "-aston Maspero's writing"/P)/Ch/+bp                "Gaston Maspero's writing"
"Linked Index to Project Gutenberg Editions"                 (G/T + "-aston Maspero's work"/P)/Ch/+bp                "Gaston Maspero's work"

"History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria"                 (C/T + andida/P)/Ch/+bp                Candida


1.      ACT I <A> fine October morning in <the> north east suburbs of London --- <AN> INDEX

INDEX                ([ŋ=  w=]/T + "ACT i fine October morning in north east suburbs of London"/P)/Ch/+bp                "ACT i fine October morning in north east suburbs of London"

2.              <a> vast district many miles away from <the> London of Mayfair and St

VOLUMES                (v/T + "-ast district many miles away from London of Mayfair and S t"/P)/Ch/+bp                "vast district many miles away from London of Mayfair and S t"

3.
"CHAPTERS AND STORIES Volume i"                (J/T + ames's/P)/Ch/+bp                James's

4. much less known there than <the> Paris of <the> Rue de Rivoli and <the> Champs Elysees

"EDITOR'S PREFACE TRANSLATOR'S PREFACE CHAPTER i"                (m/T + "-uch less known there than Paris of Rue de Rivoli and Champs Elysees"/P)/Ch/+bp                "much less known there than Paris of Rue de Rivoli and Champs Elysees"

5.                    <THE> NILE AND EGYPT CHAPTER II

"NILE AND EGYPT CHAPTER i i"                ([ŋ=  w=]/T + "and much less narrow"/P)/Ch/+bp                "and much less narrow"

6.                    <THE> GODS OF EGYPT CHAPTER III

"GODS OF EGYPT CHAPTER i i i"                   (sq/T + ualid/P)/Ch/+bp                  squalid

7.              <THE> LEGENDARY HISTORY OF EGYPT Illustrations of Particular Interest

"LEGENDARY HISTORY OF EGYPT Illustrations of Particular Interest"                (f/T + "-etid and airless in its slums"/P)/Ch/+bp                "fetid and airless in its slums"

8.
"170 images in Volume i"                (str/T + "-ong in comfortable"/P)/Ch/+bp                "strong in comfortable"

9. Mummy Wrappings from Tomb at Thebes Well Providing Water for Irrigation Sacrifice of <the> Bull Occupations of Ani in <the> Elysian Fields <An> Incident in <the> Wars of Hartheous and Sit Volume II

"Mummy Wrappings from Tomb at Thebes Well Providing Water for Irrigation Sacrifice of Bull Occupations of Ani in Elysian Fields Incident in Wars of Hartheous and Sit Volume i i"                (pr/T + "-osperous middle class life"/P)/Ch/+bp                "prosperous middle class life"

10.
"CHAPTER i"                               (w/T + ide/P)/Ch/+bp                               wide

11.                  <THE> POLITICAL CONSTITUTION OF EGYPT CHAPTER II

"POLITICAL CONSTITUTION OF EGYPT CHAPTER i i"                (str/T + eeted/P)/Ch/+bp                streeted

12.                       <THE> MEMPHITE EMPIRE CHAPTER III

"MEMPHITE EMPIRE CHAPTER i i i"                 (myr/T + iad/P)/Ch/+bp                 myriad

13. <THE> FIRST THEBAN EMPIRE List of Colored and Special Illustrations Stele in <the> Form of <a> Door <The> Island and Temple of Phil

"FIRST THEBAN EMPIRE List of Colored and Special Illustrations Stele in Form of Door Island and Temple of Phil"                (p/T + opulated/P)/Ch/+bp                populated

14. Collosal Statue of <a> King Colored Sculptures in <the> Palace Cutting and Carrying <the> Harvest <The> Pyramid of Khephren Passenger Vessel Under Sail Avenue of Sphinxes

"Collosal Statue of King Colored Sculptures in Palace Cutting and Carrying Harvest Pyramid of Khephren Passenger Vessel Under Sail Avenue of Sphinxes"                (w/T + ell/P)/Ch/+bp                well

15. Temple of Tentyra <The> Channel of <The> Nile Between <The> Two Fortresses of Semneh and Kummeh Painting at <the> Entrance of <The> Fifth Tomb Volume III

"Temple of Tentyra Channel of Nile Between Two Fortresses of Semneh and Kummeh Painting at Entrance of Fifth Tomb Volume i i i"                (s/T + "-erved with ugly iron urinals"/P)/Ch/+bp                "served with ugly iron urinals"

16.
"CHAPTER i"                (R/T + "-adical clubs"/P)/Ch/+bp                "Radical clubs"

Et cetera.



>>     Phonetic correspondence   between    Gaston Maspero's   "History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria"    and    George Bernard Shaw's    "Candida"

http://www.gutenberg.org/files/19400/19400-h/19400-h.htm ,    
•  History Of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 1 (of 12)

CHAPTER I.—THE NILE AND EGYPT

THE RIVER AND ITS INFLUENCE UPON THE FORMATION AND CHARACTER OF THE COUNTRY—THE OLDEST INHABITANTS OF THE LAND—THE FIRST POLITICAL ORGANIZATION OF THE VALLEY.

The Delta: its gradual formation, its structure, its canals—The valley of Egypt—The two arms of the river—The Eastern Nile—The appearance of its hanks—The hills—The gorge of Gehel Silsileh—The cataracts: the falls of Aswan—Nubia—The rapids of Wady Halfah—The Takazze—The Blue Nile and the White Nile. ~ ~


"History Of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i (of 12)"                 (G/T + "-aston Maspero's writing"/P)/Ch/+cp                "Gaston Maspero's writing"
"History Of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i"                 (G/T + "-aston Maspero's work"/P)/Ch/+cp                "Gaston Maspero's work"

http://www.gutenberg.org/files/4023/4023-h/4023-h.htm ,  
George Bernard Shaw's       "Candida"

"History Of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume i (of 12)"                 (C/T + andida/P)/Ch/+cp                Candida


1.      ACT I <A> fine October morning in <the> north east suburbs of London

"CHAPTER i"                ([ŋ=  w=]/T + "ACT i fine October morning in north east suburbs of London"/P)/Ch/+cp                "ACT i fine October morning in north east suburbs of London"

2. <a> vast district many miles away from <the> London of Mayfair and St --- <THE> NILE AND EGYPT <THE> RIVER AND ITS INFLUENCE UPON <THE> FORMATION AND CHARACTER OF <THE> COUNTRY

"NILE AND EGYPT RIVER AND ITS INFLUENCE UPON FORMATION AND CHARACTER OF COUNTRY"                (v/T + "-ast district many miles away from London of Mayfair and S t"/P)/Ch/+cp                "vast district many miles away from London of Mayfair and S t"

3.                <The> Delta

Delta                               (J/T + ames's/P)/Ch/+cp                               James's

4. much less known there than <the> Paris of <the> Rue de Rivoli and <the> Champs Elysees

"its gradual formation"                (m/T + "-uch less known there than Paris of Rue de Rivoli and Champs Elysees"/P)/Ch/+cp                "much less known there than Paris of Rue de Rivoli and Champs Elysees"

5.
"its structure"                ([ŋ=  w=]/T + "and much less narrow"/P)/Ch/+cp                "and much less narrow"

6.
"its canals"                              (sq/T + ualid/P)/Ch/+cp                            squalid

7.              <The> valley of Egypt

"valley of Egypt"                (f/T + "-etid and airless in its slums"/P)/Ch/+cp                "fetid and airless in its slums"

8.                   <The> two arms of <the> river

"two arms of river"                (str/T + "-ong in comfortable"/P)/Ch/+cp                "strong in comfortable"

9.                       <The> Eastern Nile

"Eastern Nile"                (pr/T + "-osperous middle class life"/P)/Ch/+cp                "prosperous middle class life"

10.                     <The> appearance of its hanks

"appearance of its hanks"                        (w/T + ide/P)/Ch/+cp                         wide

11.                  <The> hills

hills                                   (str/T + eeted/P)/Ch/+cp                            streeted

12.                      <The> gorge of Gehel Silsileh

"gorge of Gehel Silsileh"                       (myr/T + iad/P)/Ch/+cp                      myriad

13.                           <The> cataracts

"cataracts"                           (p/T + opulated/P)/Ch/+cp                          populated

14.                            <the> falls of Aswan

"falls of Aswan"                               (w/T + ell/P)/Ch/+cp                             well

15.
Nubia                (s/T + "-erved with ugly iron urinals"/P)/Ch/+cp                "served with ugly iron urinals"

16.                           <The> rapids of Wady Halfah

"rapids of Wady Halfah"                (R/T + "-adical clubs"/P)/Ch/+cp                "Radical clubs"

Et cetera.



>>     Phonetic correspondence   between    Gaston Maspero's   "History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria"    and    George Bernard Shaw's    "Candida"

http://www.gutenberg.org/files/14400/14400-h/14400-h.htm ,  
•  Manual of Egyptian Archaeology and Guide to the Study of Antiquities in Egypt

CHAPTER I.
ARCHITECTURE--CIVIL AND MILITARY.

{1} Archaeologists, when visiting Egypt, have so concentrated their attention upon temples and tombs, that not one has devoted himself to a careful examination of the existing remains of private dwellings and military buildings. Few countries, nevertheless, have preserved so many relics of their ancient civil architecture. Setting aside towns of Roman or Byzantine date, such as are found almost intact at Koft (Coptos), at Kom Ombo, and at El Agandiyeh, one-half ~ ~


http://www.gutenberg.org/files/4023/4023-h/4023-h.htm ,  
George Bernard Shaw's       "Candida"

"Manual of Egyptian Archaeology and Guide to Study of Antiquities in Egypt"                 (G/T + "-aston Maspero's writing"/GC/S/abT)                "Gaston Maspero's writing"

"Manual of Egyptian Archaeology and Guide to Study of Antiquities in Egypt"                 (C/T + andida/GC/S/abT)                Candida


1.      ACT I <A> fine October morning in <the> north east suburbs of London

"CHAPTER i"                ([ŋ=  w=]/T + "ACT i fine October morning in north east suburbs of London"/GC/S/abT)                "ACT i fine October morning in north east suburbs of London"

2.              <a> vast district many miles away from <the> London of Mayfair and St

ARCHITECTURE                (v/T + "-ast district many miles away from London of Mayfair and S t"/GC/S/abT)                "vast district many miles away from London of Mayfair and S t"

3.
"CIVIL AND MILITARY"                     (J/T + ames's/GC/S/abT)                        James's

4.      much less known there than <the> Paris of <the> Rue de Rivoli and <the> Champs Elysees

"1/one"                (m/T + "-uch less known there than Paris of Rue de Rivoli and Champs Elysees"/GC/S/abT)                "much less known there than Paris of Rue de Rivoli and Champs Elysees"

5.
Archaeologists                ([ŋ=  w=]/T + "and much less narrow"/GC/S/abT)                "and much less narrow"

6.
"when visiting Egypt"                         (sq/T + ualid/GC/S/abT)                       squalid

7.
"have so concentrated their attention upon temples and tombs"                (f/T + "-etid and airless in its slums"/GC/S/abT)                "fetid and airless in its slums"

8. that not one has devoted himself to <a> careful examination of <the> existing remains of private dwellings and military buildings

"that not one has devoted himself to careful examination of existing remains of private dwellings and military buildings"                (str/T + "-ong in comfortable"/GC/S/abT)                "strong in comfortable"

9.
"Few countries"                (pr/T + "-osperous middle class life"/GC/S/abT)                "prosperous middle class life"

10.
nevertheless                                (w/T + ide/GC/S/abT)                              wide

11.
"have preserved so many relics of their ancient civil architecture"                (str/T + eeted/GC/S/abT)                  streeted

12.
"Setting aside towns of Roman or Byzantine date"                  (myr/T + iad/GC/S/abT)                  myriad

13.
"such as are found almost intact at Koft"                  (p/T + opulated/GC/S/abT)                   populated

14.
Coptos                                   (w/T + ell/GC/S/abT)                                 well

15.
"at Kom Ombo"                (s/T + "-erved with ugly iron urinals"/GC/S/abT)                "served with ugly iron urinals"

16.
"and at El Agandiyeh"                (R/T + "-adical clubs"/GC/S/abT)                "Radical clubs"

17.
one                                (tr/T + "-am lines"/GC/S/abT)                       "tram lines"

Et cetera.



Hogarth
http://encyclopedia.thefreedictionary.com/David+George+Hogarth ,    

*               (Lawrence /P)/T  >>  (Hogarth /C2)/GC/S/abT

*               (Hogarth /C2/Ch)/GC/S/abT  >>  "David George Hogarth" /S/Ch

Born                      23 May 1862                 Barton-upon-Humber, Lincolnshire
Died                    6 November 1927                               Oxford

"1862"                                   (H/T + ogarth/P)/+bp                             Hogarth
May                                      (H/T + ogarth/P)/+cp                             Hogarth
"23"                                  (H/T + ogarth/P)/Ch/+bp                             Hogarth
"Barton-upon-Humber, Lincolnshire"               (H/T + ogarth/P)/Ch/+cp                Hogarth

"1927"                                   (H/P + ogarth/T)/+bp                             Hogarth
November                                (H/P + ogarth/T)/+cp                             Hogarth
"6"                                   (H/P + ogarth/T)/Ch/+bp                             Hogarth
Oxford                                (H/P + ogarth/T)/Ch/+cp                             Hogarth


http://www.gutenberg.org/browse/authors/h#a2480 ,  
•    The Ancient East (English) (as Author)
•    The Balkans
A History of Bulgaria—Serbia—Greece—Rumania—Turkey (English) (as Author)

"Ancient East"                    (H/S + "-ogarth' work"/C2)/Ch                    "Hogarth' work"

Balkans                         (H/S + "-ogarth' work"/C2)                         "Hogarth' work"
"History of Bulgaria—Serbia—Greece—Rumania—Turkey"               (H/S + "-ogarth' writing"/C2)                "Hogarth' writing"

http://www.gutenberg.org/files/1097/1097-h/1097-h.htm ,    
George Bernard Shaw's       "Mrs. Warren's Profession"

"Ancient East"              ([ŋ=  y=]/S + "M r s. Warren's Profession"/C2)/Ch               "M r s. Warren's Profession"
Balkans               ([ŋ=  y=]/S + "M r s. Warren's Profession"/C2)              "M r s. Warren's Profession"



>>     Phonetic correspondence   between     Hogarth'   "The Ancient East"    and    George Bernard Shaw's    "Mrs. Warren's Profession"

http://www.gutenberg.org/files/1097/1097-h/1097-h.htm ,    
Mrs. Warren's Profession

THE AUTHOR'S APOLOGY
Mrs Warren's Profession has been performed at last, after a delay of only eight years; and I have once more shared with Ibsen the triumphant amusement of startling all but the strongest-headed of the London theatre critics clean out of the practice of their profession. No author who has ever known the exultation of sending the Press into an hysterical tumult of protest, of moral panic, of involuntary and frantic confession of sin, of a horror of conscience in which the power of distinguishing between the work of art on the stage and the real life of the spectator is confused and overwhelmed, will ever care for the stereotyped compliments which every successful farce or melodrama elicits from the newspapers. Give me that critic who rushed from my play to declare furiously that Sir George Crofts ought to be kicked. What a triumph for the actor, thus to reduce a jaded London journalist to the condition of the simple sailor in the Wapping gallery, ~ ~


http://www.gutenberg.org/cache/epub/7474/pg7474.html ,  
The Ancient East

CHAPTER I
THE EAST IN 1000 B.C.

In 1000 B.C. West Asia was a mosaic of small states and contained, so far as we know, no imperial power holding wide dominion over aliens. Seldom in its history could it so be described. Since it became predominantly Semitic, over a thousand years before our survey, it had fallen under simultaneous or successive dominations, exercised from at least three regions within itself and from one without. ~ ~


"Ancient East"                    (H/S + "-ogarth' work"/C2)/Ch                    "Hogarth' work"

"Ancient East"              ([ŋ=  y=]/S + "M r s. Warren's Profession"/C2)/Ch               "M r s. Warren's Profession"


1. <THE> AUTHOR'S APOLOGY Mrs Warren's Profession has been performed at last --- CHAPTER I <THE> EAST IN 1000 B

"CHAPTER i EAST IN 1000 B"              ([ŋ=  w=]/S + "AUTHOR'S APOLOGY M r s Warren's Profession has been performed at last"/C2)/Ch               "AUTHOR'S APOLOGY M r s Warren's Profession has been performed at last"

2.            after <a> delay of only eight years

C              ([ŋ=  w=]/S + "after delay of only eight years"/C2)/Ch               "after delay of only eight years"

3. and I have once more shared with Ibsen <the> triumphant amusement of startling all but <the> strongest

"In 1000 B"              ([ŋ=  w=]/S + "and I have once more shared with Ibsen triumphant amusement of startling all but strongest"/C2)/Ch               "and I have once more shared with Ibsen triumphant amusement of startling all but strongest"

4. headed of <the> London theatre critics clean out of <the> practice of their profession

C              (h/S + "-eaded of London theatre critics clean out of practice of their profession"/C2)/Ch               "headed of London theatre critics clean out of practice of their profession"

5. No author who has ever known <the> exultation of sending <the> Press into <an> hysterical tumult of protest --- West Asia was <a> mosaic of small states and contained

"West Asia was mosaic of small states and contained"              (N/S + "-o author who has ever known exultation of sending Press into hysterical tumult of protest"/C2)/Ch               "No author who has ever known exultation of sending Press into hysterical tumult of protest"

6.
"so far as we know"              ([ŋ=  w=]/S + "of moral panic"/C2)/Ch               "of moral panic"

7.
"no imperial power holding wide dominion over aliens"              ([ŋ=  w=]/S + "of involuntary and frantic confession of sin"/C2)/Ch               "of involuntary and frantic confession of sin"

8. of <a> horror of conscience in which <the> power of distinguishing between <the> work of art on <the> stage and <the> real life of <the> spectator is confused and overwhelmed

"Seldom in its history could it so be described"              ([ŋ=  w=]/S + "of horror of conscience in which power of distinguishing between work of art on stage and real life of spectator is confused and overwhelmed"/C2)/Ch               "of horror of conscience in which power of distinguishing between work of art on stage and real life of spectator is confused and overwhelmed"

9. will ever care for <the> stereotyped compliments which every successful farce or melodrama elicits from <the> newspapers

"Since it became predominantly Semitic"              (w/S + "-ill ever care for stereotyped compliments which every successful farce or melodrama elicits from newspapers"/C2)/Ch               "will ever care for stereotyped compliments which every successful farce or melodrama elicits from newspapers"

10.                over <a> thousand years before our survey

"over thousand years before our survey"              (G/S + "-ive me that critic who rushed from my play to declare furiously that Sir George Crofts ought to be kicked"/C2)/Ch               "Give me that critic who rushed from my play to declare furiously that Sir George Crofts ought to be kicked"

11.                   What <a> triumph for <the> actor

"it had fallen under simultaneous or successive dominations"              (Wh/S + "-at triumph for actor"/C2)/Ch               "What triumph for actor"

12. thus to reduce <a> jaded London journalist to <the> condition of <the> simple sailor in <the> Wapping gallery

"exercised from at least three regions within itself and from one without"              (th/S + "-us to reduce jaded London journalist to condition of simple sailor in Wapping gallery"/C2)/Ch               "thus to reduce jaded London journalist to condition of simple sailor in Wapping gallery"

Et cetera.



>>     Phonetic correspondence   between     Hogarth'   "The Balkans"    and    George Bernard Shaw's    "Mrs. Warren's Profession"

http://www.gutenberg.org/cache/epub/11716/pg11716.html ,    
•    The Balkans
A History of Bulgaria—Serbia—Greece—Rumania—Turkey (English) (as Author)

BULGARIA AND SERBIA

1

Introductory

The whole of what may be called the trunk or massif of the Balkan peninsula, bounded on the north by the rivers Save and Danube, on the west by the Adriatic, on the east by the Black Sea, and on the south by a very irregular line running from Antivari (on the coast of the Adriatic) and the lake of Scutari in the west, through lakes Okhrida and Prespa (in Macedonia) to the outskirts of Salonika and thence to Midia on the shores of the Black Sea, following the coast of the Aegean Sea some miles inland, is preponderatingly inhabited by Slavs. ~ ~


Balkans                         (H/S + "-ogarth' work"/C2)                         "Hogarth' work"
"History of Bulgaria—Serbia—Greece—Rumania—Turkey"               (H/S + "-ogarth' writing"/C2)                "Hogarth' writing"

Balkans               ([ŋ=  y=]/S + "M r s. Warren's Profession"/C2)              "M r s. Warren's Profession"


1. <THE> AUTHOR'S APOLOGY Mrs Warren's Profession has been performed at last --- BULGARIA AND SERBIA 1 Introductory <The> whole of what may be called <the> trunk or massif of <the> Balkan peninsula

"BULGARIA AND SERBIA i Introductory whole of what may be called trunk or massif of Balkan peninsula"              ([ŋ=  w=]/S + "AUTHOR'S APOLOGY M r s Warren's Profession has been performed at last"/C2)               "AUTHOR'S APOLOGY M r s Warren's Profession has been performed at last"

2.       after <a> delay of only eight years --- bounded on <the> north by <the> rivers Save and Danube

"bounded on north by rivers Save and Danube"              ([ŋ=  w=]/S + "after delay of only eight years"/C2)               "after delay of only eight years"

3. and I have once more shared with Ibsen <the> triumphant amusement of startling all but <the> strongest --- on <the> west by the Adriatic

"on west by Adriatic"              ([ŋ=  w=]/S + "and I have once more shared with Ibsen triumphant amusement of startling all but strongest"/C2)               "and I have once more shared with Ibsen triumphant amusement of startling all but strongest"

4. headed of <the> London theatre critics clean out of <the> practice of their profession --- on <the> east by <the> Black Sea

"on east by Black Sea"              (h/S + "-eaded of London theatre critics clean out of practice of their profession"/C2)               "headed of London theatre critics clean out of practice of their profession"

5. No author who has ever known <the> exultation of sending <the> Press into <an> hysterical tumult of protest --- and on <the> south by <a> very irregular line running from Antivari

"and on south by very irregular line running from Antivari"              (N/S + "-o author who has ever known exultation of sending Press into hysterical tumult of protest"/C2)               "No author who has ever known exultation of sending Press into hysterical tumult of protest"

6.                    on <the> coast of <the> Adriatic

"on coast of Adriatic"              ([ŋ=  w=]/S + "of moral panic"/C2)               "of moral panic"

7.                        and <the> lake of Scutari in <the> west

"and lake of Scutari in west"              ([ŋ=  w=]/S + "of involuntary and frantic confession of sin"/C2)               "of involuntary and frantic confession of sin"

8. of <a> horror of conscience in which <the> power of distinguishing between <the> work of art on <the> stage and <the> real life of <the> spectator is confused and overwhelmed

"through lakes Okhrida and Prespa"              ([ŋ=  w=]/S + "of horror of conscience in which power of distinguishing between work of art on stage and real life of spectator is confused and overwhelmed"/C2)               "of horror of conscience in which power of distinguishing between work of art on stage and real life of spectator is confused and overwhelmed"

9. will ever care for <the> stereotyped compliments which every successful farce or melodrama elicits from <the> newspapers

"in Macedonia"              (w/S + "-ill ever care for stereotyped compliments which every successful farce or melodrama elicits from newspapers"/C2)               "will ever care for stereotyped compliments which every successful farce or melodrama elicits from newspapers"

10.        to <the> outskirts of Salonika and thence to Midia on <the> shores of <the> Black Sea

"to outskirts of Salonika and thence to Midia on shores of Black Sea"              (G/S + "-ive me that critic who rushed from my play to declare furiously that Sir George Crofts ought to be kicked"/C2)               "Give me that critic who rushed from my play to declare furiously that Sir George Crofts ought to be kicked"

11.      What <a> triumph for <the> actor --- following <the> coast of <the> Aegean Sea some miles inland

"following coast of Aegean Sea some miles inland"              (Wh/S + "-at triumph for actor"/C2)               "What triumph for actor"

12. thus to reduce <a> jaded London journalist to <the> condition of <the> simple sailor in <the> Wapping gallery

"is preponderatingly inhabited by Slavs"              (th/S + "-us to reduce jaded London journalist to condition of simple sailor in Wapping gallery"/C2)               "thus to reduce jaded London journalist to condition of simple sailor in Wapping gallery"

Et cetera.



Gertrude Bell
http://encyclopedia.thefreedictionary.com/Gertrude+Bell ,  

*               (Lawrence /P)/T  >>  (Hogarth /C2)/GC/S/abT  >>  ("Gertrude Bell" /C2/Ch)/GC/S/abT



Nathaniel Hawthorne
http://encyclopedia.thefreedictionary.com/Nathaniel+Hawthorne ,  

"Nathaniel Hawthorne"                           (G/P + ogol/C2)                             Gogol

*                 "Nathaniel Hawthorne"  >>  Hawthorne /P

Born                         July 4, 1804                      Salem, Massachusetts, United States
Died                    May 19, 1864 (aged 59)           Plymouth, New Hampshire, United States

"1804"                  (N/T + "-athaniel Hawthorne"/P)/+bp                  "Nathaniel Hawthorne"
July                   (N/T + "-athaniel Hawthorne"/P)/+cp                  "Nathaniel Hawthorne"
"4"                  (N/T + "-athaniel Hawthorne"/P)/Ch/+bp                  "Nathaniel Hawthorne"
"Salem, Massachusetts, United States"                  (N/T + "-athaniel Hawthorne"/P)/Ch/+cp                  "Nathaniel Hawthorne"

"1864"                  (N/P + "-athaniel Hawthorne"/T)/+bp                  "Nathaniel Hawthorne"
May                   (N/P + "-athaniel Hawthorne"/T)/+cp                  "Nathaniel Hawthorne"
"19"                 (N/P + "-athaniel Hawthorne"/T)/Ch/+bp                 "Nathaniel Hawthorne"
"Plymouth, New Hampshire, United States"                 (N/P + "-athaniel Hawthorne"/T)/Ch/+cp                 "Nathaniel Hawthorne"

>>      a biography of his friend Franklin Pierce

"Franklin Pierce"               (N/S + "-athaniel Hawthorne"/GC/S/abT)/+bp/Ch                "Nathaniel Hawthorne"

>>    future poet Henry Wadsworth Longfellow, future congressman Jonathan Cilley, and future naval reformer Horatio Bridge.[16] Years after his graduation with the class of 1825, he would describe his college experience to Richard Henry Stoddard

"Henry Wadsworth Longfellow"               (N/S + "-athaniel Hawthorne"/GC/S/abT)/+bp                "Nathaniel Hawthorne"
http://encyclopedia.thefreedictionary.com/Jonathan+Cilley ,  
"Jonathan Cilley"               (N/S + "-athaniel Hawthorne"/GC/S/abT)/+cp                "Nathaniel Hawthorne"

"Horatio Bridge"               (N/S + "-athaniel Hawthorne"/GC/S/abT)/+cp/Ch                "Nathaniel Hawthorne"

"Richard Henry Stoddard"               (N/T + "-athaniel Hawthorne"/C1)/+bp/Ch                "Nathaniel Hawthorne"

>>    he rented a room from George Stillman Hillard, business partner of Charles Sumner

"George Stillman Hillard"               (N/T + "-athaniel Hawthorne"/C1)/+cp/Ch                "Nathaniel Hawthorne"

>>  Elizabeth Peabody, he began pursuing the latter's sister, illustrator and transcendentalist Sophia Peabody.
http://encyclopedia.thefreedictionary.com/Elizabeth+Peabody ,  
"Elizabeth Peabody"               (N/T + "-athaniel Hawthorne"/C1)/+bp                "Nathaniel Hawthorne"
http://encyclopedia.thefreedictionary.com/Sophia+Hawthorne ,  
"Sophia Peabody"               (N/P + "-athaniel Hawthorne"/C1)/+cp                "Nathaniel Hawthorne"

>>   On the first anniversary of the Hawthornes' marriage, the poet Ellery Channing came to the Old Manse for help
http://encyclopedia.thefreedictionary.com/William+Ellery+Channing+(poet) ,  
"Ellery Channing"               (N/T + "-athaniel Hawthorne"/C1)/+cp                "Nathaniel Hawthorne"

>>      previously inhabited by Amos Bronson Alcott
http://encyclopedia.thefreedictionary.com/Amos+Bronson+Alcott ,    
"Amos Bronson Alcott"               (N/GC/S/abT + "-athaniel Hawthorne"/C1)/Ch/+cp                "Nathaniel Hawthorne"

>>                 his publishers William Ticknor
http://encyclopedia.thefreedictionary.com/William+Ticknor ,  
"William Ticknor"               (N/GC/S/abT + "-athaniel Hawthorne"/C1)/+bp                "Nathaniel Hawthorne"


http://www.gutenberg.org/browse/authors/h#a28 ,    
•  The Ancestral Footstep (fragment)
Outlines of an English Romance (English) (as Author)
•  A Bell's Biography (English) (as Author)
•  Beneath an Umbrella (From "Twice Told Tales") (English) (as Author)
•  Biographical Sketches
(From: "Fanshawe and Other Pieces") (English) (as Author)

"Ancestral Footstep"                  (N/T + "-athaniel Hawthorne's writing"/P)/+bp                  "Nathaniel Hawthorne's writing"
"Outlines of English Romance"                  (N/T + "-athaniel Hawthorne's work"/P)/+bp                  "Nathaniel Hawthorne's work"

"Bell's Biography"                  (N/T + "-athaniel Hawthorne's writing"/P)/+cp                  "Nathaniel Hawthorne's writing"
"Beneath Umbrella (From "Twice Told Tales")"                  (N/T + "-athaniel Hawthorne's writing"/P)/Ch/+bp                  "Nathaniel Hawthorne's writing"

"Biographical Sketches"                  (N/T + "-athaniel Hawthorne's writing"/P)/Ch/+cp                  "Nathaniel Hawthorne's writing"
"From: (Fanshawe and Other Pieces)"                  (N/T + "-athaniel Hawthorne's work"/P)/Ch/+cp                  "Nathaniel Hawthorne's work"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Ancestral Footstep"                        (Ph/T + ilanderer/P)/+bp                    Philanderer
"Bell's Biography"                        (Ph/T + ilanderer/P)/+cp                       Philanderer
"Beneath Umbrella (From "Twice Told Tales")"                  (Ph/T + ilanderer/P)/Ch/+bp                  Philanderer
"Biographical Sketches"                  (Ph/T + ilanderer/P)/Ch/+cp                  Philanderer

•  Biographical Stories
(From: "True Stories of History and Biography") (English) (as Author)
•  The Blithedale Romance (English) (as Author)
•  A Book of Autographs (English) (as Author)
•  Browne's Folly
(From: "The Doliver Romance and Other Pieces: Tales and Sketches") (English) (as Author)

"Biographical Stories"                  (N/T + "-athaniel Hawthorne's writing"/S)/+bp                  "Nathaniel Hawthorne's writing"
"From: (True Stories of History and Biography)"                  (N/T + "-athaniel Hawthorne's work"/S)/+bp                  "Nathaniel Hawthorne's work"

"Blithedale Romance"                  (N/T + "-athaniel Hawthorne's writing"/S)/+cp                  "Nathaniel Hawthorne's writing"
"Book of Autographs"                  (N/T + "-athaniel Hawthorne's writing"/S)/Ch/+bp                  "Nathaniel Hawthorne's writing"

"Browne's Folly"                  (N/T + "-athaniel Hawthorne's writing"/S)/Ch/+cp                  "Nathaniel Hawthorne's writing"
"From: (Doliver Romance and Other Pieces: Tales and Sketches)"                  (N/T + "-athaniel Hawthorne's work"/S)/Ch/+cp                  "Nathaniel Hawthorne's work"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Biographical Stories"                      (Ph/T + ilanderer/S)/+bp                     Philanderer
"Blithedale Romance"                      (Ph/T + ilanderer/S)/+cp                     Philanderer
"Book of Autographs"                   (Ph/T + ilanderer/S)/Ch/+bp                    Philanderer
"Browne's Folly"                        (Ph/T + ilanderer/S)/Ch/+cp                     Philanderer

•  Buds and Bird Voices (From "Mosses from an Old Manse") (English) (as Author)
•  Chippings with a Chisel (From "Twice Told Tales") (English) (as Author)
•  The Christmas Banquet (From "Mosses from an Old Manse") (English) (as Author)
•  Doctor Grimshawe's Secret — a Romance (English) (as Author)

"Buds and Bird Voices (From "Mosses from Old Manse")"                  (N/T + "-athaniel Hawthorne's writing"/C2)/+bp                  "Nathaniel Hawthorne's writing"
"Chippings with Chisel (From "Twice Told Tales")"                  (N/T + "-athaniel Hawthorne's writing"/C2)/+cp                  "Nathaniel Hawthorne's writing"
"Christmas Banquet (From "Mosses from Old Manse")"                  (N/T + "-athaniel Hawthorne's writing"/C2)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"Doctor Grimshawe's Secret — Romance"                  (N/T + "-athaniel Hawthorne's writing"/C2)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Buds and Bird Voices (From "Mosses from Old Manse")"                  (Ph/T + ilanderer/C2)/+bp                  Philanderer
"Chippings with Chisel (From "Twice Told Tales")"                  (Ph/T + ilanderer/C2)/+cp                  Philanderer
"Christmas Banquet (From "Mosses from Old Manse")"                  (Ph/T + ilanderer/C2)/Ch/+bp                  Philanderer
"Doctor Grimshawe's Secret — Romance"                  (Ph/T + ilanderer/C2)/Ch/+cp                  Philanderer

•  The Dolliver Romance (English) (as Author)
•  Dr. Bullivant
(From: "The Doliver Romance and Other Pieces: Tales and Sketches") (English) (as Author)
•  Earth's Holocaust (From "Mosses from an Old Manse") (English) (as Author)
•  Edward Fane's Rosebud (From "Twice Told Tales") (English) (as Author)

"Dolliver Romance"                  (N/T + "-athaniel Hawthorne's writing"/GC/S/abT)/+bp                  "Nathaniel Hawthorne's writing"

"D r. Bullivant"                  (N/T + "-athaniel Hawthorne's writing"/GC/S/abT)/+cp                  "Nathaniel Hawthorne's writing"
"From: (Doliver Romance and Other Pieces: Tales and Sketches)"                  (N/T + "-athaniel Hawthorne's work"/GC/S/abT)/+cp                  "Nathaniel Hawthorne's work"

"Earth' Holocaust (From "Mosses from Old Manse")"                  (N/T + "-athaniel Hawthorne's writing"/GC/S/abT)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"Edward Fane's Rosebud (From "Twice Told Tales")"                  (N/T + "-athaniel Hawthorne's writing"/GC/S/abT)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Dolliver Romance"                  (Ph/T + ilanderer/GC/S/abT)/+bp                  Philanderer
"D r. Bullivant"                     (Ph/T + ilanderer/GC/S/abT)/+cp                    Philanderer
"Earth' Holocaust (From "Mosses from Old Manse")"                  (Ph/T + ilanderer/GC/S/abT)/Ch/+bp                  Philanderer
"Edward Fane's Rosebud (From "Twice Told Tales")"                  (Ph/T + ilanderer/GC/S/abT)/Ch/+cp                  Philanderer

•  Fancy's Show-Box (From "Twice Told Tales") (English) (as Author)
•  Fanshawe (English) (as Author)
•  Fire Worship (From "Mosses from an Old Manse") (English) (as Author)
•  Footprints on the Sea-Shore (From "Twice Told Tales") (English) (as Author)

"Fancy's Show-Box (From "Twice Told Tales")"                  (N/P + "-athaniel Hawthorne's writing"/T)/+bp                  "Nathaniel Hawthorne's writing"
Fanshawe                  (N/P + "-athaniel Hawthorne's writing"/T)/+cp                  "Nathaniel Hawthorne's writing"
"Fire Worship (From "Mosses from Old Manse")"                  (N/P + "-athaniel Hawthorne's writing"/T)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"Footprints on Sea-Shore (From "Twice Told Tales")"                  (N/P + "-athaniel Hawthorne's writing"/T)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Fancy's Show-Box (From "Twice Told Tales")"                  (Ph/P + ilanderer/T)/+bp                  Philanderer
Fanshawe                             (Ph/P + ilanderer/T)/+cp                          Philanderer
"Fire Worship (From "Mosses from Old Manse")"                  (Ph/P + ilanderer/T)/Ch/+bp                  Philanderer
"Footprints on Sea-Shore (From "Twice Told Tales")"                  (Ph/P + ilanderer/T)/Ch/+cp                  Philanderer

•  Fragments from the Journal of a Solitary Man
(From: "The Doliver Romance and Other Pieces: Tales and Sketches") (English) (as Author)
•  From Twice Told Tales (English) (as Author)
•  The Gorgon's Head
(From: "A Wonder-Book for Girls and Boys") (English) (as Author)
•  Grandfather's Chair (English) (as Author)

"Fragments from Journal of Solitary Man"                  (N/P + "-athaniel Hawthorne's writing"/S)/+bp                  "Nathaniel Hawthorne's writing"
"From: (Doliver Romance and Other Pieces: Tales and Sketches)"                  (N/P + "-athaniel Hawthorne's work"/S)/+bp                  "Nathaniel Hawthorne's work"

"From Twice Told Tales"                  (N/P + "-athaniel Hawthorne's writing"/S)/+cp                  "Nathaniel Hawthorne's writing"

"Gorgon's Head"                  (N/P + "-athaniel Hawthorne's writing"/S)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"From: (Wonder-Book for Girls and Boys")"                  (N/P + "-athaniel Hawthorne's work"/S)/Ch/+bp                  "Nathaniel Hawthorne's work"

"Grandfather's Chair"                  (N/P + "-athaniel Hawthorne's writing"/S)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Fragments from Journal of Solitary Man"                  (Ph/P + ilanderer/S)/+bp                  "Philanderer
"From Twice Told Tales"                  (Ph/P + ilanderer/S)/+cp                  Philanderer
"Gorgon's Head"                  (N/P + "-athaniel Hawthorne's writing"/S)/Ch/+bp                  Philanderer
"Grandfather's Chair"                  (Ph/P + ilanderer/S)/Ch/+cp                   Philanderer

•  The Great English Short-Story Writers, Volume 1 (English) (as Contributor)
•  The Great Stone Face (English) (as Author)
•  The Hall of Fantasy (From "Mosses from an Old Manse") (English) (as Author)
•  The Haunted Mind (From "Twice Told Tales") (English) (as Author)

"Great English Short-Story Writers, Volume i"                  (N/P + "-athaniel Hawthorne's writing"/C2)/+bp                  "Nathaniel Hawthorne's writing"
"Great Stone Face"                  (N/P + "-athaniel Hawthorne's writing"/C2)/+cp                  "Nathaniel Hawthorne's writing"
"Hall of Fantasy (From "Mosses from Old Manse")"                  (N/P + "-athaniel Hawthorne's writing"/C2)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"Haunted Mind (From "Twice Told Tales")"                  (N/P + "-athaniel Hawthorne's writing"/C2)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Great English Short-Story Writers, Volume i"                  (Ph/P + ilanderer/C2)/+bp                  Philanderer
"Great Stone Face"                     (Ph/P + ilanderer/C2)/+cp                      Philanderer
"Hall of Fantasy (From "Mosses from Old Manse")"                  (Ph/P + ilanderer/C2)/Ch/+bp                  Philanderer
"Haunted Mind (From "Twice Told Tales")"                  (Ph/P + ilanderer/C2)/Ch/+cp                  Philanderer

•  House of the Seven Gables (English) (as Author)
•  The Intelligence Office (From "Mosses from an Old Manse") (English) (as Author)
•  John Inglefield's Thanksgiving
(From: "The Snow Image and Other Twice-Told Tales") (English) (as Author)
•  Journal of an African Cruiser (English) (as Editor)

"House of Seven Gables"                  (N/P + "-athaniel Hawthorne's writing"/GC/S/abT)/+bp                  "Nathaniel Hawthorne's writing"
"Intelligence Office (From "Mosses from Old Manse")"                  (N/P + "-athaniel Hawthorne's writing"/GC/S/abT)/+cp                  "Nathaniel Hawthorne's writing"

"John Inglefield's Thanksgiving"                  (N/P + "-athaniel Hawthorne's writing"/GC/S/abT)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"From: (Snow Image and Other Twice-Told Tales"                  (N/P + "-athaniel Hawthorne's work"/GC/S/abT)/Ch/+bp                  "Nathaniel Hawthorne's work"

"Journal of African Cruiser"                  (N/P + "-athaniel Hawthorne's writing"/GC/S/abT)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"House of Seven Gables"                  (Ph/P + ilanderer/GC/S/abT)/+bp                  Philanderer
"Intelligence Office (From "Mosses from Old Manse")"                  (Ph/P + ilanderer/GC/S/abT)/+cp                  Philanderer
"John Inglefield's Thanksgiving"                  (Ph/P + ilanderer/GC/S/abT)/Ch/+bp                  Philanderer
"Journal of African Cruiser"                  (Ph/P + ilanderer/GC/S/abT)/Ch/+cp                  Philanderer

•  La letra escarlata
novela escrita en inglés (Spanish) (as Author)
•  The Lily's Quest (From "Twice Told Tales") (English) (as Author)
•  Little Annie's Ramble (From "Twice Told Tales") (English) (as Author)
•  Little Daffydowndilly
(From: "The Snow Image and Other Twice-Told Tales") (English) (as Author)

"letra escarlata"                  (N/S + "-athaniel Hawthorne's writing"/T)/+bp                  "Nathaniel Hawthorne's writing"
"novela escrita en inglés"                  (N/S + "-athaniel Hawthorne's work"/T)/+bp                  "Nathaniel Hawthorne's work"

"Lily's Quest (From "Twice Told Tales")"                  (N/S + "-athaniel Hawthorne's writing"/T)/+cp                  "Nathaniel Hawthorne's writing"
"Little Annie's Ramble (From "Twice Told Tales")"                  (N/S + "-athaniel Hawthorne's writing"/T)/Ch/+bp                  "Nathaniel Hawthorne's writing"

"Little Daffydowndilly"                  (N/S + "-athaniel Hawthorne's writing"/T)/Ch/+cp                  "Nathaniel Hawthorne's writing"
"From: (Snow Image and Other Twice-Told Tales)"                  (N/S + "-athaniel Hawthorne's work"/T)/Ch/+cp                  "Nathaniel Hawthorne's work"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"letra escarlata"                        (Ph/S + ilanderer/T)/+bp                        Philanderer
"Lily's Quest (From "Twice Told Tales")"                  (Ph/S + ilanderer/T)/+cp                  Philanderer
"Little Annie's Ramble (From "Twice Told Tales")"                  (Ph/S + ilanderer/T)/Ch/+bp                  Philanderer
"Little Daffydowndilly"                    (Ph/S + ilanderer/T)/Ch/+cp                   Philanderer

•  The Lock and Key Library
The most interesting stories of all nations: American (English) (as Contributor)
•  Main Street
(From: "The Snow Image and Other Twice-Told Tales") (English) (as Author)
•  The Man of Adamant
(From: "The Snow Image and Other Twice-Told Tales") (English) (as Author)
•  The Marble Faun - Volume 1
The Romance of Monte Beni (English) (as Author)

"Lock and Key Library"                  (N/S + "-athaniel Hawthorne's writing"/P)/+bp                  "Nathaniel Hawthorne's writing"
"most interesting stories of all nations: American"                  (N/S + "-athaniel Hawthorne's work"/P)/+bp                  "Nathaniel Hawthorne's work"

"Main Street"                  (N/S + "-athaniel Hawthorne's writing"/P)/+cp                  "Nathaniel Hawthorne's writing"
"From: (Snow Image and Other Twice-Told Tales)"                  (N/S + "-athaniel Hawthorne's work"/P)/+cp                  "Nathaniel Hawthorne's work"

"Man of Adamant"                  (N/S + "-athaniel Hawthorne's writing"/P)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"From: (Snow Image and Other Twice-Told Tales)"                  (N/S + "-athaniel Hawthorne's work"/P)/Ch/+bp                  "Nathaniel Hawthorne's work"

"Marble Faun - Volume i"                  (N/S + "-athaniel Hawthorne's writing"/T)/Ch/+cp                  "Nathaniel Hawthorne's writing"
"Romance of Monte Beni"                  (N/S + "-athaniel Hawthorne's work"/T)/Ch/+cp                  "Nathaniel Hawthorne's work"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Lock and Key Library"                     (Ph/S + ilanderer/P)/+bp                    Philanderer
"Main Street"                          (Ph/S + ilanderer/P)/+cp                         Philanderer
"Man of Adamant"                      (Ph/S + ilanderer/P)/Ch/+bp                    Philanderer
"Marble Faun - Volume i"                  (Ph/S + ilanderer/T)/Ch/+cp                  Philanderer

•  The Marble Faun - Volume 2
The Romance of Monte Beni (English) (as Author)
•  The Miraculous Pitcher
(From: "A Wonder-Book for Girls and Boys") (English) (as Author)
•  Monsieur du Miroir (From "Mosses from an Old Manse") (English) (as Author)
•  Mosses from an Old Manse and other stories (English) (as Author)

"Marble Faun - Volume i i"                  (N/S + "-athaniel Hawthorne's writing"/C2)/+bp                  "Nathaniel Hawthorne's writing"
"Romance of Monte Beni"                  (N/S + "-athaniel Hawthorne's work"/C2)/+bp                  "Nathaniel Hawthorne's work"

"Miraculous Pitcher"                  (N/S + "-athaniel Hawthorne's writing"/C2)/+cp                  "Nathaniel Hawthorne's writing"
"From: (Wonder-Book for Girls and Boys)"                  (N/S + "-athaniel Hawthorne's work"/C2)/+cp                  "Nathaniel Hawthorne's work"

"Monsieur du Miroir (From "Mosses from Old Manse")"                  (N/S + "-athaniel Hawthorne's writing"/C2)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"Mosses from Old Manse and other stories"                  (N/S + "-athaniel Hawthorne's writing"/C2)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Marble Faun - Volume i i"                  (Ph/S + ilanderer/C2)/+bp                  Philanderer
"Miraculous Pitcher"                      (Ph/S + ilanderer/C2)/+cp                     Philanderer
"Monsieur du Miroir (From "Mosses from Old Manse")"                  (Ph/S + ilanderer/C2)/Ch/+bp                  Philanderer
"Mosses from Old Manse and other stories"                  (Ph/S + ilanderer/C2)/Ch/+cp                  Philanderer

•  The New Adam and Eve (From "Mosses from an Old Manse") (English) (as Author)
•  The Old Apple Dealer (From "Mosses from an Old Manse") (English) (as Author)
•  The Old Manse (From "Mosses from an Old Manse") (English) (as Author)
•  Old News
(From: "The Snow Image and Other Twice-Told Tales") (English) (as Author)

"New Adam and Eve (From "Mosses from Old Manse")"                  (N/S + "-athaniel Hawthorne's writing"/GC/S/abT)/+bp                  "Nathaniel Hawthorne's writing"
"Old Apple Dealer (From "Mosses from Old Manse")"                  (N/S + "-athaniel Hawthorne's writing"/GC/S/abT)/+cp                  "Nathaniel Hawthorne's writing"
"Old Manse (From "Mosses from Old Manse")"                  (N/S + "-athaniel Hawthorne's writing"/GC/S/abT)/Ch/+bp                  "Nathaniel Hawthorne's writing"

"Old News"                  (N/S + "-athaniel Hawthorne's writing"/GC/S/abT)/Ch/+cp                  "Nathaniel Hawthorne's writing"
"From: (Snow Image and Other Twice-Told Tales)"                  (N/S + "-athaniel Hawthorne's work"/GC/S/abT)/Ch/+cp                  "Nathaniel Hawthorne's work"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"New Adam and Eve (From "Mosses from Old Manse")"                  (Ph/S + ilanderer/GC/S/abT)/+bp                  Philanderer
"Old Apple Dealer (From "Mosses from Old Manse")"                  (Ph/S + ilanderer/GC/S/abT)/+cp                  Philanderer
"Old Manse (From "Mosses from Old Manse")"                  (Ph/S + ilanderer/GC/S/abT)/Ch/+bp                  Philanderer
"Old News"                     (Ph/S + ilanderer/GC/S/abT)/Ch/+cp                    Philanderer

•  Old Ticonderoga, a Picture of the Past
(From: "The Snow Image and Other Twice-Told Tales") (English) (as Author)
•  An Old Woman's Tale
(From: "The Doliver Romance and Other Pieces: Tales and Sketches") (English) (as Author)
•  Other Tales and Sketches
(From: "The Doliver Romance and Other Pieces: Tales and Sketches") (English) (as Author)
•  Our Old Home
A Series of English Sketches
A Series of English Sketches (English) (as Author)

"Old Ticonderoga, Picture of Past"                  (N/C2 + "-athaniel Hawthorne's writing"/T)/+bp                  "Nathaniel Hawthorne's writing"
"From: (Snow Image and Other Twice-Told Tales)"                  (N/C2 + "-athaniel Hawthorne's work"/T)/+bp                  "Nathaniel Hawthorne's work"

"Old Woman's Tale"                  (N/C2 + "-athaniel Hawthorne's writing"/T)/+cp                  "Nathaniel Hawthorne's writing"
"From: (Doliver Romance and Other Pieces: Tales and Sketches)"                  (N/C2 + "-athaniel Hawthorne's work"/T)/+cp                  "Nathaniel Hawthorne's work"

"Other Tales and Sketches"                  (N/C2 + "-athaniel Hawthorne's writing"/T)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"From: (Doliver Romance and Other Pieces: Tales and Sketches)"                  (N/C2 + "-athaniel Hawthorne's work"/T)/Ch/+bp                  "Nathaniel Hawthorne's work"

"Our Old Home"                  (N/C2 + "-athaniel Hawthorne's writing"/T)/Ch/+cp                  "Nathaniel Hawthorne's writing"
"Series of English Sketches"                  (N/C2 + "-athaniel Hawthorne's work"/T)/Ch/+cp                  "Nathaniel Hawthorne's work"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Old Ticonderoga, Picture of Past"                  (Ph/C2 + ilanderer/T)/+bp                  Philanderer
"Old Woman's Tale"                      (Ph/C2 + ilanderer/T)/+cp                      Philanderer
"Other Tales and Sketches"                  (Ph/C2 + ilanderer/T)/Ch/+bp                  Philanderer
"Our Old Home"                      (Ph/C2 + ilanderer/T)/Ch/+cp                     Philanderer

•  Our Old Home, Vol. 2
Annotated with Passages from the Author's Notebook (English) (as Author)
•  The Paradise of Children
(From: "A Wonder-Book for Girls and Boys") (English) (as Author)
•  Passages from a Relinquished Work (From "Mosses from an Old Manse") (English) (as Author)
•  Passages from the American Notebooks, Volume 1 (English) (as Author)

"Our Old Home, V o l. i i"                  (N/C2 + "-athaniel Hawthorne's writing"/P)/+bp                  "Nathaniel Hawthorne's writing"
"Annotated with Passages from Author's Notebook"                  (N/C2 + "-athaniel Hawthorne's work"/P)/+bp                  "Nathaniel Hawthorne's work"

"Paradise of Children"                  (N/C2 + "-athaniel Hawthorne's writing"/P)/+cp                  "Nathaniel Hawthorne's writing"
"From: (Wonder-Book for Girls and Boys)"                  (N/C2 + "-athaniel Hawthorne's work"/P)/+cp                  "Nathaniel Hawthorne's work"

"Passages from Relinquished Work (From "Mosses from Old Manse")"                  (N/C2 + "-athaniel Hawthorne's writing"/P)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"Passages from American Notebooks, Volume i"                  (N/C2 + "-athaniel Hawthorne's writing"/P)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Our Old Home, V o l. i i"                   (Ph/C2 + ilanderer/P)/+bp                   Philanderer
"Paradise of Children"                     (Ph/C2 + ilanderer/P)/+cp                    Philanderer
"Passages from Relinquished Work (From "Mosses from Old Manse")"                  (Ph/C2 + ilanderer/P)/Ch/+bp                  Philanderer
"Passages from American Notebooks, Volume i"                  (Ph/C2 + ilanderer/P)/Ch/+cp                  Philanderer

•  Passages from the American Notebooks, Volume 2. (English) (as Author)
•  Passages from the English Notebooks, Complete (English) (as Author)
•  Passages from the English Notebooks, Volume 1. (English) (as Author)
•  Passages from the English Notebooks, Volume 2. (English) (as Author)

"Passages from American Notebooks, Volume i i"                  (N/C2 + "-athaniel Hawthorne's writing"/S)/+bp                  "Nathaniel Hawthorne's writing"
"Passages from English Notebooks, Complete"                  (N/C2 + "-athaniel Hawthorne's writing"/S)/+cp                  "Nathaniel Hawthorne's writing"
"Passages from English Notebooks, Volume i"                  (N/C2 + "-athaniel Hawthorne's writing"/S)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"Passages from English Notebooks, Volume i i"                  (N/C2 + "-athaniel Hawthorne's writing"/S)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Passages from American Notebooks, Volume i i"                  (Ph/C2 + ilanderer/S)/+bp                  Philanderer
"Passages from English Notebooks, Complete"                  (Ph/C2 + ilanderer/S)/+cp                  Philanderer
"Passages from English Notebooks, Volume i"                  (Ph/C2 + ilanderer/S)/Ch/+bp                  Philanderer
"Passages from English Notebooks, Volume i i"                  (Ph/C2 + ilanderer/S)/Ch/+cp                  Philanderer

•  Passages from the French and Italian Notebooks, Complete (English) (as Author)
•  Passages from the French and Italian Notebooks, Volume 1. (English) (as Author)
•  Passages from the French and Italian Notebooks, Volume 2. (English) (as Author)
•  The Prophetic Pictures (From "Twice Told Tales") (English) (as Author)

"Passages from French and Italian Notebooks, Complete"                  (N/C2 + "-athaniel Hawthorne's writing"/GC/S/abT)/+bp                  "Nathaniel Hawthorne's writing"
"Passages from French and Italian Notebooks, Volume i"                  (N/C2 + "-athaniel Hawthorne's writing"/GC/S/abT)/+cp                  "Nathaniel Hawthorne's writing"
"Passages from French and Italian Notebooks, Volume i i"                  (N/C2 + "-athaniel Hawthorne's writing"/GC/S/abT)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"Prophetic Pictures (From "Twice Told Tales")"                  (N/C2 + "-athaniel Hawthorne's writing"/GC/S/abT)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Passages from French and Italian Notebooks, Complete"                  (Ph/C2 + ilanderer/GC/S/abT)/+bp                  Philanderer
"Passages from French and Italian Notebooks, Volume i"                  (Ph/C2 + ilanderer/GC/S/abT)/+cp                  Philanderer
"Passages from French and Italian Notebooks, Volume i i"                  (Ph/C2 + ilanderer/GC/S/abT)/Ch/+bp                  Philanderer
"Prophetic Pictures (From "Twice Told Tales")"                  (Ph/C2 + ilanderer/GC/S/abT)/Ch/+cp                  Philanderer

•  P.'s Correspondence (From "Mosses from an Old Manse") (English) (as Author)
•  A Rill from the Town Pump (English) (as Author)
•  The Scarlet Letter (English) (as Author)
•  The Scarlet Letter (English) (as Author)

"P.'s Correspondence (From "Mosses from Old Manse")"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/T)/+bp                  "Nathaniel Hawthorne's writing"
"Rill from Town Pump"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/T)/+cp                  "Nathaniel Hawthorne's writing"
"Scarlet Letter"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/T)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"Scarlet Letter"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/T)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"P.'s Correspondence (From "Mosses from Old Manse")"                  (Ph/GC/S/abT + ilanderer/T)/+bp                  Philanderer
"Rill from Town Pump"                  (Ph/GC/S/abT + ilanderer/T)/+cp                  Philanderer
"Scarlet Letter"                  (Ph/GC/S/abT + ilanderer/T)/Ch/+bp                  Philanderer
"Scarlet Letter"                  (Ph/GC/S/abT + ilanderer/T)/Ch/+cp                  Philanderer

•  A Select Party (English) (as Author)
•  Septimius Felton, or, the Elixir of Life (English) (as Author)
•  The Seven Vagabonds (From "Twice Told Tales") (English) (as Author)
•  Short-Stories (English) (as Contributor)

"Select Party"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/P)/+bp                  "Nathaniel Hawthorne's writing"
"Septimius Felton, or, Elixir of Life"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/P)/+cp                  "Nathaniel Hawthorne's writing"
"Seven Vagabonds (From "Twice Told Tales")"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/P)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"Short-Stories"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/P)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Select Party"                    (Ph/GC/S/abT + ilanderer/P)/+bp                     "Philanderer
"Septimius Felton, or, Elixir of Life"                  (Ph/GC/S/abT + ilanderer/P)/+cp                  Philanderer
"Seven Vagabonds (From "Twice Told Tales")"                  (Ph/GC/S/abT + ilanderer/P)/Ch/+bp                  Philanderer
"Short-Stories"                   (Ph/GC/S/abT + ilanderer/P)/Ch/+cp                  Philanderer

•  The Short-story (English) (as Contributor)
•  Sights from a Steeple (From "Twice Told Tales") (English) (as Author)
•  The Sister Years (From "Twice Told Tales") (English) (as Author)
•  Sketches and Studies (English) (as Author)

"Short-story"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/S)/+bp                  "Nathaniel Hawthorne's writing"
"Sights from Steeple (From "Twice Told Tales")"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/S)/+cp                  "Nathaniel Hawthorne's writing"
"Sister Years (From "Twice Told Tales")"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/S)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"Sketches and Studies"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/S)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Short-story"                     (Ph/GC/S/abT + ilanderer/S)/+bp                     Philanderer
"Sights from Steeple (From "Twice Told Tales")"                  (Ph/GC/S/abT + ilanderer/S)/+cp                  Philanderer
"Sister Years (From "Twice Told Tales")"                  (Ph/GC/S/abT + ilanderer/S)/Ch/+bp                  Philanderer
"Sketches and Studies"                  (Ph/GC/S/abT + ilanderer/S)/Ch/+cp                  Philanderer

•  Sketches from Memory (From "Mosses from an Old Manse") (English) (as Author)
•  Sketches from Memory
(From: "The Doliver Romance and Other Pieces: Tales and Sketches") (English) (as Author)
•  Snow Flakes (From "Twice Told Tales") (English) (as Author)
•  The Snow-Image
A Childish Miracle (English) (as Author)

"Sketches from Memory (From "Mosses from Old Manse")"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/C2)/+bp                  "Nathaniel Hawthorne's writing"

"Sketches from Memory"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/C2)/+cp                  "Nathaniel Hawthorne's writing"
"From: (Doliver Romance and Other Pieces: Tales and Sketches)"                  (N/GC/S/abT + "-athaniel Hawthorne's work"/C2)/+cp                  "Nathaniel Hawthorne's work"

"Snow Flakes (From "Twice Told Tales")"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/C2)/Ch/+bp                  "Nathaniel Hawthorne's writing"

"Snow-Image"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/C2)/Ch/+cp                  "Nathaniel Hawthorne's writing"
"Childish Miracle"                  (N/GC/S/abT + "-athaniel Hawthorne's wor"/C2)/Ch/+cp                  "Nathaniel Hawthorne's work"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Sketches from Memory (From "Mosses from Old Manse")"                  (Ph/GC/S/abT + ilanderer/C2)/+bp                  Philanderer
"Sketches from Memory"                  (Ph/GC/S/abT + ilanderer/C2)/+cp                  Philanderer
"Snow Flakes (From "Twice Told Tales")"                  (Ph/GC/S/abT + ilanderer/C2)/Ch/+bp                  Philanderer
"Snow-Image"                  (Ph/GC/S/abT + ilanderer/C2)/Ch/+cp                  Philanderer

•  The Snow Image and other stories (English) (as Author)
•  Sunday at Home (From "Twice Told Tales") (English) (as Author)
•  Sylph Etherege
(From: "The Snow Image and Other Twice-Told Tales") (English) (as Author)
•  Tanglewood Tales (English) (as Author)

"Snow Image and other stories"                  (N/C1 + "-athaniel Hawthorne's writing"/T)/+bp                  "Nathaniel Hawthorne's writing"
"Sunday at Home (From "Twice Told Tales")"                  (N/C1 + "-athaniel Hawthorne's writing"/T)/+cp                  "Nathaniel Hawthorne's writing"

"Sylph Etherege"                  (N/C1 + "-athaniel Hawthorne's writing"/T)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"From: (Snow Image and Other Twice-Told Tales)"                  (N/C1 + "-athaniel Hawthorne's work"/T)/Ch/+bp                  "Nathaniel Hawthorne's work"

"Tanglewood Tales"                  (N/C1 + "-athaniel Hawthorne's writing"/T)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Snow Image and other stories"                  (Ph/C1 + ilanderer/T)/+bp                  Philanderer
"Sunday at Home (From "Twice Told Tales")"                  (Ph/C1 + ilanderer/T)/+cp                  Philanderer
"Sylph Etherege"                     (Ph/C1 + ilanderer/T)/Ch/+bp                     Philanderer
"Tanglewood Tales"                     (Ph/C1 + ilanderer/T)/Ch/+cp                   Philanderer

•  The Threefold Destiny (From "Twice Told Tales") (English) (as Author)
•  The Three Golden Apples
(From: "A Wonder-Book for Girls and Boys") (English) (as Author)
•  Time's Portraiture
(From: "The Doliver Romance and Other Pieces: Tales and Sketches") (English) (as Author)
•  The Toll Gatherer's Day (From "Twice Told Tales") (English) (as Author)

"Threefold Destiny (From "Twice Told Tales")"                  (N/C1 + "-athaniel Hawthorne's writing"/P)/+bp                  "Nathaniel Hawthorne's writing"

"Three Golden Apples"                  (N/C1 + "-athaniel Hawthorne's writing"/P)/+cp                  "Nathaniel Hawthorne's writing"
"From: (Wonder-Book for Girls and Boys)"                  (N/C1 + "-athaniel Hawthorne's work"/P)/+cp                  "Nathaniel Hawthorne's work"

"Time's Portraiture"                  (N/C1 + "-athaniel Hawthorne's writing"/P)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"From: (Doliver Romance and Other Pieces: Tales and Sketches)"                  (N/C1 + "-athaniel Hawthorne's work"/P)/Ch/+bp                  "Nathaniel Hawthorne's work"

"Toll Gatherer's Day (From "Twice Told Tales")"                  (N/C1 + "-athaniel Hawthorne's writing"/P)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Threefold Destiny (From "Twice Told Tales")"                  (Ph/C1 + ilanderer/P)/+bp                  Philanderer
"Three Golden Apples"                     (Ph/C1 + ilanderer/P)/+cp                    Philanderer
"Time's Portraiture"                    (Ph/C1 + ilanderer/P)/Ch/+bp                    Philanderer
"Toll Gatherer's Day (From "Twice Told Tales")"                  (Ph/C1 + ilanderer/P)/Ch/+cp                  Philanderer

•  Tri Noveloj (Esperanto) (as Author)
•  True Stories of History and Biography (English) (as Author)
•  Twice Told Tales (English) (as Author)
•  The Village Uncle (From "Twice Told Tales") (English) (as Author)

"Tri Noveloj"                  (N/C1 + "-athaniel Hawthorne's writing"/P)/+bp                  "Nathaniel Hawthorne's writing"
"True Stories of History and Biography"                  (N/C1 + "-athaniel Hawthorne's writing"/P)/+cp                  "Nathaniel Hawthorne's writing"
"Twice Told Tales"                  (N/C1 + "-athaniel Hawthorne's writing"/P)/Ch/+bp                  "Nathaniel Hawthorne's writing"
"Village Uncle (From "Twice Told Tales")"                  (N/C1 + "-athaniel Hawthorne's writing"/P)/Ch/+cp                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Tri Noveloj"                          (Ph/C1 + ilanderer/P)/+bp                         Philanderer
"True Stories of History and Biography"                  (Ph/C1 + ilanderer/P)/+cp                  Philanderer
"Twice Told Tales"                    (Ph/C1 + ilanderer/P)/Ch/+bp                      Philanderer
"Village Uncle (From "Twice Told Tales")"                  (Ph/C1 + ilanderer/P)/Ch/+cp                  Philanderer

•  A Virtuoso's Collection (From "Mosses from an Old Manse") (English) (as Author)
•  The Vision of the Fountain (From "Twice Told Tales") (English) (as Author)
•  The White Old Maid (From "Twice Told Tales") (English) (as Author)
•  The Wives of the Dead
(From: "The Snow Image and Other Twice-Told Tales") (English) (as Author)

"Virtuoso's Collection (From "Mosses from Old Manse")"                  (N/C1 + "-athaniel Hawthorne's writing"/S)/+bp                  "Nathaniel Hawthorne's writing"
"Vision of Fountain (From "Twice Told Tales")"                  (N/C1 + "-athaniel Hawthorne's writing"/S)/+cp                  "Nathaniel Hawthorne's writing"
"White Old Maid (From "Twice Told Tales")"                  (N/C1 + "-athaniel Hawthorne's writing"/S)/Ch/+bp                  "Nathaniel Hawthorne's writing"

"Wives of Dead"                  (N/C1 + "-athaniel Hawthorne's writing"/S)/Ch/+cp                  "Nathaniel Hawthorne's writing"
"From: "Snow Image and Other Twice-Told Tales)"                  (N/C1 + "-athaniel Hawthorne's work"/S)/Ch/+cp                  "Nathaniel Hawthorne's work"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Virtuoso's Collection (From "Mosses from Old Manse")"                  (Ph/C1 + ilanderer/S)/+bp                  Philanderer
"Vision of Fountain (From "Twice Told Tales")"                  (Ph/C1 + ilanderer/S)/+cp                  Philanderer
"White Old Maid (From "Twice Told Tales")"                  (Ph/C1 + ilanderer/S)/Ch/+bp                  Philanderer
"Wives of Dead"                      (Ph/C1 + ilanderer/S)/Ch/+cp                     Philanderer

•  A Wonder Book and Tanglewood Tales
For girls and boys (English) (as Author)
•  A Wonder Book for Girls & Boys (English) (as Author)

"Wonder Book and Tanglewood Tales"                  (N/C1 + "-athaniel Hawthorne's writing"/GC/S/abT)                  "Nathaniel Hawthorne's writing"
"For girls and boys"                  (N/C1 + "-athaniel Hawthorne's work"/GC/S/abT)                  "Nathaniel Hawthorne's work"

"Wonder Book for Girls & Boys"                  (N/C1 + "-athaniel Hawthorne's writing"/GC/S/abT)/Ch                  "Nathaniel Hawthorne's writing"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"

"Wonder Book and Tanglewood Tales"                  (Ph/C1 + ilanderer/GC/S/abT)                  Philanderer
"Wonder Book for Girls & Boys"                  (Ph/C1 + ilanderer/GC/S/abT)/Ch                  Philanderer



>>     Phonetic correspondence   between    Nathaniel Hawthorne's   "The Scarlet Letter (1)"    and    George Bernard Shaw's    "The Philanderer"

http://www.gutenberg.org/cache/epub/33/pg33.html ,    
•  The Scarlet Letter

THE CUSTOM-HOUSE
INTRODUCTORY TO "THE SCARLET LETTER"

It is a little remarkable, that—though disinclined to talk overmuch of myself and my affairs at the fireside, and to my personal friends—an autobiographical impulse should twice in my life have taken possession of me, in addressing the public. The first time was three or four years since, when I favoured the reader—inexcusably, and for no earthly reason that either the indulgent reader or the intrusive author could imagine—with a description of my way of life in the deep quietude of an Old Manse. And now—because, beyond my deserts, I was happy enough to find a listener or two on the former occasion—I again seize the public by the button, and talk of my three years' experience in a Custom-House. The example of the famous "P. P., Clerk of this Parish," was never more faithfully followed. The truth seems to be, however, that when he casts his leaves forth upon the wind, the author addresses, ~ ~


http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
The Philanderer

ACT I

A lady and gentleman are making love to one another in the drawing-room of a flat in Ashly Gardens in the Victoria district of London. It is past ten at night. The walls are hung with theatrical engravings and photographs—Kemble as Hamlet, Mrs. Siddons as Queen Katharine pleading in court, Macready as Werner (after Maclise), Sir Henry Irving as Richard III (after Long), Miss Ellen Terry, Mrs. Kendal, Miss Ada Rehan, Madame Sarah Bernhardt, Mr. Henry Arthur Jones, Mr. A. W. Pinero, Mr. Sydney Grundy, and so on, but not the Signora Duse or anyone connected with Ibsen. The room is not a perfect square, the right hand corner at the back being cut off diagonally by the doorway, and the opposite corner rounded by a turret window filled up with a stand of flowers surrounding a statue of Shakespear. The fireplace is on the right, with an armchair near it. A small round table, further forward on the same side, with a chair beside it, has a yellow- ~ ~


"Scarlet Letter"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/T)/Ch/+bp                  "Nathaniel Hawthorne's writing"

"Scarlet Letter"                  (Ph/GC/S/abT + ilanderer/T)/Ch/+bp                  Philanderer


1. ACT I <A> lady and gentleman are making love to one another in <the> drawing --- <THE> CUSTOM

CUSTOM                  ([ŋ=  w=]/GC/S/abT + "ACT i lady and gentleman are making love to one another in drawing"/T)/Ch/+bp                  "ACT i lady and gentleman are making love to one another in drawing"

2.                room of <a> flat in Ashly Gardens in <the> Victoria district of London

"HOUSE INTRODUCTORY TO"                  (r/GC/S/abT + "-oom of flat in Ashly Gardens in Victoria district of London"/T)/Ch/+bp                  "room of flat in Ashly Gardens in Victoria district of London"

3.                <THE> SCARLET LETTER

"SCARLET LETTER"                  ([ŋ=  y=]/GC/S/abT + "It is past ten at night"/T)/Ch/+bp                  "It is past ten at night"

4.            <The> walls are hung with theatrical engravings and photographs

"It is little remarkable"                  (w/GC/S/abT + "-alls are hung with theatrical engravings and photographs"/T)/Ch/+bp                  "walls are hung with theatrical engravings and photographs"

5.
that                  (K/GC/S/abT + "-emble as Hamlet"/T)/Ch/+bp                  "Kemble as Hamlet"

6.            Mrs --- though disinclined to talk overmuch of myself and my affairs at <the> fireside

"though disinclined to talk overmuch of myself and my affairs at fireside"                  ([ŋ=  y=]/GC/S/abT + "M r s"/T)/Ch/+bp                  "M r s"

7.
"and to my personal friends"                  (S/GC/S/abT + "-iddons as Queen Katharine pleading in court"/T)/Ch/+bp                  "Siddons as Queen Katharine pleading in court"

8.            <an> autobiographical impulse should twice in my life have taken possession of me

"autobiographical impulse should twice in my life have taken possession of me"                  (M/GC/S/abT + "-acready as Werner"/T)/Ch/+bp                  "Macready as Werner"

9.                   in addressing <the> public

"in addressing public"                  ([ŋ=  w=]/GC/S/abT + "after Maclise"/T)/Ch/+bp                  "after Maclise"

10.                   <The> first time was three or four years since

"first time was three or four years since"                  (S/GC/S/abT + "-ir Henry Irving as Richard i i i"/T)/Ch/+bp                  "Sir Henry Irving as Richard i i i"

11.                      when I favoured <the> reader

"when I favoured reader"                  ([ŋ=  w=]/GC/S/abT + "after Long"/T)/Ch/+bp                  "after Long"

12.
inexcusably                  (M/GC/S/abT + "-iss Ellen Terry"/T)/Ch/+bp                  "Miss Ellen Terry"

13. and for no earthly reason that either <the> indulgent reader or <the> intrusive author could imagine -- Mrs. Kendal

"and for no earthly reason that either indulgent reader or intrusive author could imagine"                  ([ŋ=  y=]/GC/S/abT + "M r s. Kendal"/T)/Ch/+bp                  "M r s. Kendal"

14.           with <a> description of my way of life in <the> deep quietude of <an> Old Manse

"with description of my way of life in deep quietude of Old Manse"                  (M/GC/S/abT + "-iss Ada Rehan"/T)/Ch/+bp                  "Miss Ada Rehan"

15.
"And now"                  (M/GC/S/abT + "-adame Sarah Bernhardt"/T)/Ch/+bp                  "Madame Sarah Bernhardt"

16.                  Mr. Henry Arthur Jones

because                  ([ŋ=  y=]/GC/S/abT + "M r. Henry Arthur Jones"/T)/Ch/+bp                  "M r. Henry Arthur Jones"

17.                        Mr. A

"beyond my deserts"                  ([ŋ=  y=]/GC/S/abT + "M r. A"/T)/Ch/+bp                  "M r. A"

18.          W. Pinero --- I was happy enough to find <a> listener or two on <the> former occasion
 
"I was happy enough to find listener or two on former occasion"                  (d/GC/S/abT + "-ouble-yu Pinero"/T)/Ch/+bp                  "double-yu Pinero"

19.                  Mr. Sydney Grundy --- I again seize <the> public by <the> button

"I again seize public by button"                  ([ŋ=  y=]/GC/S/abT + "M r. Sydney Grundy"/T)/Ch/+bp                  "M r. Sydney Grundy"

20.                  and talk of my three years' experience in <a> Custom

"and talk of my three years' experience in Custom"                  ([ŋ=  w=]/GC/S/abT + "and so on"/T)/Ch/+bp                  "and so on"

21.                     but not <the> Signora Duse or anyone connected with Ibsen

House                  (b/GC/S/abT + "-ut not Signora Duse or anyone connected with Ibsen"/T)/Ch/+bp                  "but not Signora Duse or anyone connected with Ibsen"

22.       <The> room is not <a> perfect square --- <The> example of <the> famous

"example of famous"                  (r/GC/S/abT + "-oom is not perfect square"/T)/Ch/+bp                  "room is not perfect square"

23.            <the> right hand corner at <the> back being cut off diagonally by <the> doorway

P                  (r/GC/S/abT + "-ight hand corner at back being cut off diagonally by doorway"/T)/Ch/+bp                  "right hand corner at back being cut off diagonally by doorway"

24. and <the> opposite corner rounded by <a> turret window filled up with <a> stand of flowers surrounding <a> statue of Shakespear

P                  ([ŋ=  w=]/GC/S/abT + "and opposite corner rounded by turret window filled up with stand of flowers surrounding statue of Shakespear"/T)/Ch/+bp                  "and opposite corner rounded by turret window filled up with stand of flowers surrounding statue of Shakespear"

25.                <The> fireplace is on <the> right

"Clerk of this Parish"                  (f/GC/S/abT + "-ireplace is on right"/T)/Ch/+bp                  "fireplace is on right"

26.                     with <an> armchair near it

"was never more faithfully followed"                  (w/GC/S/abT + "-ith armchair near it"/T)/Ch/+bp                  "with armchair near it"

27.              <A> small round table --- <The> truth seems to be

"truth seems to be"                  (s/GC/S/abT + "-mall round table"/T)/Ch/+bp                  "small round table"

28.                   further forward on <the> same side

however                  (f/GC/S/abT + "-urther forward on same side"/T)/Ch/+bp                  "further forward on same side"

29.                with <a> chair beside it --- that when he casts his leaves forth upon <the> wind

"that when he casts his leaves forth upon wind"                  (w/GC/S/abT + "-ith chair beside it"/T)/Ch/+bp                  "with chair beside it"

30.               has <a> yellow --- <the> author addresses

"author addresses"                  (h/GC/S/abT + "-as yellow"/T)/Ch/+bp                  "has yellow"

Et cetera.



>>     Phonetic correspondence   between    Nathaniel Hawthorne's   "The Scarlet Letter (2)"    and    George Bernard Shaw's    "The Philanderer"

http://www.gutenberg.org/files/25344/25344-h/25344-h.htm ,  
•  The Scarlet Letter

PREFACE TO THE SECOND EDITION.

 Much to the author's surprise, and (if he may say so without additional offence) considerably to his amusement, he finds that his sketch of official life, introductory to The Scarlet Letter, has created an unprecedented excitement in the respectable community immediately around him. It could hardly have been more violent, indeed, had he burned down the Custom-House, ~ ~


http://www.gutenberg.org/cache/epub/5071/pg5071.html ,    
George Bernard Shaw's       "The Philanderer"


"Scarlet Letter"                  (N/GC/S/abT + "-athaniel Hawthorne's writing"/T)/Ch/+cp                  "Nathaniel Hawthorne's writing"

"Scarlet Letter"                  (Ph/GC/S/abT + ilanderer/T)/Ch/+cp                  Philanderer


1. ACT I <A> lady and gentleman are making love to one another in <the> drawing --- PREFACE TO <THE> SECOND EDITION

"PREFACE TO SECOND EDITION"                  ([ŋ=  w=]/GC/S/abT + "ACT i lady and gentleman are making love to one another in drawing"/T)/Ch/+cp                  "ACT i lady and gentleman are making love to one another in drawing"

2. room of <a> flat in Ashly Gardens in <the> Victoria district of London --- Much to <the> author's surprise

"Much to author's surprise"                  (r/GC/S/abT + "-oom of flat in Ashly Gardens in Victoria district of London"/T)/Ch/+cp                  "room of flat in Ashly Gardens in Victoria district of London"

3.
and                  ([ŋ=  y=]/GC/S/abT + "It is past ten at night"/T)/Ch/+cp                  "It is past ten at night"

4.            <The> walls are hung with theatrical engravings and photographs

"if he may say so without additional offence"                  (w/GC/S/abT + "-alls are hung with theatrical engravings and photographs"/T)/Ch/+cp                  "walls are hung with theatrical engravings and photographs"

5.
"considerably to his amusement"                  (K/GC/S/abT + "-emble as Hamlet"/T)/Ch/+cp                  "Kemble as Hamlet"

6.                 Mrs

"he finds that his sketch of official life"                  ([ŋ=  y=]/GC/S/abT + "M r s"/T)/Ch/+cp                  "M r s"

7.                introductory to <The> Scarlet Letter
 
"introductory to Scarlet Letter"                  (S/GC/S/abT + "-iddons as Queen Katharine pleading in court"/T)/Ch/+cp                  "Siddons as Queen Katharine pleading in court"

8. has created <an> unprecedented excitement in <the> respectable community immediately around him

"has created unprecedented excitement in respectable community immediately around him"                  (M/GC/S/abT + "-acready as Werner"/T)/Ch/+cp                  "Macready as Werner"

9.
"It could hardly have been more violent"                  ([ŋ=  w=]/GC/S/abT + "after Maclise"/T)/Ch/+cp                  "after Maclise"

10.
indeed                 (S/GC/S/abT + "-ir Henry Irving as Richard i i i"/T)/Ch/+cp                  "Sir Henry Irving as Richard i i i"

11.                     had he burned down <the> Custom

"had he burned down Custom"                  ([ŋ=  w=]/GC/S/abT + "after Long"/T)/Ch/+cp                  "after Long"

12.
House                  (M/GC/S/abT + "-iss Ellen Terry"/T)/Ch/+cp                  "Miss Ellen Terry"

Et cetera.

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DATE: 2011.10.21 - 14:46


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594Simple view   European Union (EU),            Quantum field theory (QFT),       spacetime,      relativity,         Einstein Y... 2012.10.14
593Simple viewGPCR,    'quantum mechanics'     'quantum state'     'subatomic particle'     quark,   photon,     'quantum optics' Y... 2012.10.12
592Simple viewParkinson's disease,      Nobel Prize,    TNT,     quantum,    'quantum computer'    'quantum electronics'     laser Y... 2012.10.11
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590Simple viewHarvest moon,  Thanksgiving Day,  Oktoberfest,          bacteria/virus/norovirus/vaccine/cancer/genome/rotavirus Y... 2012.10.03
589Simple viewplanet/Earth/Mars/Venus/Uranus/Neptune/Mercury/Jupiter/Pluto/Saturn,      El Niño,  La Niña,     Global warming Y... 2012.10.01
588Simple viewSARS,     Antibiotic,     SAT,       Medicare/Medicaid,       Salmonella,       Alzheimer,       autism,       Moon River Y... 2012.09.27
587Simple view'US dollar'   'US coins'   'State Quarters'      'Seal of the United States'   'E pluribus unum'     Canada, South Africa Y... 2012.09.24
586Simple view'Stay Away From Seattle Day'   nanny, HIV/AIDS,   superbug,  'avian flu', Tamiflu,  GMO,   'National Singles Week' Y... 2012.09.20
585Simple viewrather/quick/question/laconic/scan/boycott/outlaw/amount/fee, precipitate, bless,/regretful/formidable/automatic Y... 2012.09.16
584Simple viewcomplete, fey, damned, important, saving, elder, blatant, tsar, humor, chortle, exist, assure, net, complex, empty Y... 2012.09.16
583Simple view'iuΛ*a//o/='          sex, torturous/tortuous, reaction, accessory, complement/compliment, boast, advance, occur Y... 2012.09.16
582Simple view>>                                        Vowel chart                        (& glossary) Y... 2012.09.16
581Simple view'negative prefix/suffix'       'Labor Day'             'Capital cities' (Washington DC)     'capitals in USA'         WSPD Y... 2012.09.09
580Simple view'Gabrielle Dee 'Gabby' Giffords'       'Assassination of John F. Kennedy'       'schwa ∂ (Λ)'     'be' - inflection,      lingerie Y... 2012.08.28
579Simple view'Phonetics between West/East astrology'                  'Why gold/silver/bronze medal?'                   'why left-handed??' Y... 2012.08.14
578Simple view>>                                        other left-handed celebrities Y... 2013.08.14
577Simple viewColo. James Eagen Holmes   <bad name>          “The Dark Knight Rises.”            Batman,                  Schizophrenia Y... 2012.08.01
576Simple viewPeter Higgs, <Higgs boson>              Korea, 한국 [han gug], 韓國 or 瀚國 ??             swastika; Why Buddhist symbol?? Y... 2012.07.22
575Simple viewJapan/China/Vietnam/Thai-/Cambodia/Laos/Burma/Malaysia/Indonesia/Brunei/Singapore/Philippines/Taiwan/Okinawa Y... 2012.07.12
574Simple view         Who/how made English/German/French spellings??               'Indo-European'       Aryan Y... 2012.07.03
573Simple viewso-called,   self-styled,   various,  different,   practically,   service,  nest,     alternative/alternate,     otherwise/other Y... 2012.07.02
572Simple viewsmart,  rarely,  only,  reduction,  group,  'can't help but',  suffer,  evoke,  careen,  able,  just,  fair/fairly,  good/well Y... 2012.07.02
571Simple viewhubbub, prison, dungeon, situation, belfry, dinner, banquet, loaf, dress, require, prefer/preferable, raid, same, bad Y... 2012.06.29
570Simple viewdoubt, quiz, fire, challenged, mutual, crucial, moot, firstly, right, worry, race, vogue, 'look to', revolution, need/must Y... 2012.06.26
569Simple view'oui*aΛ='    data, dope, comptroller, regard, valediction, hassle, obviate, eliminate, harass, scold, rap, 'riot act' Y... 2012.06.26
568Simple viewstem cell,    snafu/Supermoon/derby,     Luzon Sea, South China Sea,     Financial Derivatives,        Big Ben,        K2 Y... 2012.06.12
567Simple view          common/same  (phonetic) structure  in  Korean,  Chinese,  Japanese  &  English  alphabets/characters Y... 2012.05.31
566Simple view>>  Corrected                               "J *(Y/Ch),  Q *(Z/Ch)  &  X *(S/Ch)", English Y... 2013.02.21
565Simple viewgrieve/speed/fact/lingo,     Amish,     Scarborough/Panatag Shoal,      Parece Vela, (沖ノ鳥島), 冲鸟礁, Okinotorishima Y... 2012.05.04
564Simple view'uio*a/Λ/='    wish/series/fellow/item/period,   be/strike, affect/effect, dare,   very/dig/theme/fun/gambit/discomfit Y... 2012.05.04
563Simple viewPAC,   individual,         동해東海/일본해日本海/한국해韓國海,         and/or,    fraud,    'hedge fund',   'hall of fame',   arse Y... 2012.04.15
562Simple viewtemple/fiction/legend/status/group/impeach/lay/set/emotional,    percent(age), sack/fire,      'modal aux.'  dilemma Y... 2012.04.06
561Simple view'=ui*a/Λ/o'    ketchup/pickle/advise/holler,  'powerful/mighty, metathesis'  bad(ly), intense/medium, impact/contact Y... 2012.04.06
560Simple viewa/an/the/every/one/that/those,          flea market, Niagara/commencement,           supercalifragilisticexpialidocious Y... 2012.03.20
559Simple viewsimilarity between English & Korean/Seoul articulations (articulation of /abD or /abThr),         Nestorius & Prester John Y... 2012.03.11
558Simple viewlb/eg/etc.     Spanish/Basque/Catalan/~     Korean's,  'of ^Korean^ culture'     'head/tail consonants'    'worm moon' Y... 2012.03.08
557Simple viewSenkaku せんか Islands, 釣魚台群島,       Hokkaido/Ainu, Sakhalin/Сахалин,       Liancourt Rocks 독도,  Tsushima Y... 2012.03.06
556Simple view釣魚台群島/尖閣諸島, 琉球諸島, 南西諸島, 薩南諸島, 吐噶喇列島, 沖縄諸島, 慶良間諸島, 先島諸島, 宮古列島, 八重山諸島 Y... 2013.05.05
555Simple view Socotra Rock 이어도,      Falklands,       Paracel Islands,       Spratly Islands,     Yonaguni 與那國,     Hans Island Y... 2012.04.20
554Simple viewslave/Slav,    'Black History Month'    bidet/shampoo/doomsday,   'six pack abs'    birdie/par,     Sparta/Athens Y... 2012.02.18
553Simple viewavenge, scold, anxious, 'auxiliary verb', off, ugly/clever, absolute (term), like, run, able, hardly,           M&M Y... 2012.02.13
552Simple viewacquiesce, check, get, numb, coward, amount, principal, couple, husband, pair, set,  (ad)dress,  'call oneself' Y... 2012.02.13
551Simple viewfounder/flounder, author, passed/past, permit (of), way(s), ticket, race, series, (a)wake(n), mean(s), comprise Y... 2012.02.13
550Simple viewbug, contrast, vulgar, distinct(ive), crucial, contrast,  practicable/practical,  alternative/alternate, role, need Y... 2012.02.13
549Simple view'ui=*a/Λ/o'  act(ion), credentialed, best, spree, plane, number, 'look to', ilk, chagrin, senior/downsize, hassle Y... 2012.02.13
548Simple view>> Corrected                                  "verb /C1 & /S" Y... 2012.04.06
547Simple view       +'Phonetic study  on  English  nouns'        < Lingering of articles >        'definite/indefinite article' Y... 2012.02.13
546Simple view>>         'English  verb/adjective/adverb'     (derived nouns)               < have / be as v.aux. > Y... 2012.02.13
545Simple view             Mr.   Mrs.   씨,   さん,   氏              English/Korean/Japanese/Chinese  honorifics Y... 2012.02.13
544Simple view'Lost Generation',         'black hole'           Pearl S. Buck,          ** Beethoven **         <periodic table> Y... 2011.12.09
543Simple viewThomas Mann,   Ernest Hemingway,   Winston Churchill,   Rabindranath Tagore,    *Albert Einstein*   川端 康成 Y... 2011.11.25
542Simple view   Jane Austen,   Franz Kafka,   Virginia Woolf,   James Joyce,   Ezra Pound,   Gustave Flaubert,   George Sand Y... 2011.11.21
541Simple viewnickname,  'slave states'   'Roman numeral'    Conan Doyle,   Charles Baudelaire,   Mark Twain,    Helen Keller Y... 2011.11.21
540Simple viewIndian/Interlingua,     Leyzer Zamenhof,   'a pair of scissors',     Benjamin Franklin,    Poe/Yeats,   H. G. Wells Y... 2011.11.09
539Simple view'Occupy Wall -'    adjectives;    'US' Presidents'  Lincoln/Washington/Jefferson,   'Declaration of Independence' Y... 2011.11.02
538Simple view    Herman Melville,  G. A. Henty,  Oliver Wendell Holmes,  John Greenleaf Whittier,    James Russell Lowell Y... 2011.10.28
537Now readingJoseph Conrad,  Lawrence/Hogarth,  Flinders Petrie,  Amelia Edwards,  Gaston Maspero,  Nathaniel Hawthorne Y... 2011.10.21
536Simple view    George Bernard Shaw,        William Archer,  Alfred Sutro,  Maurice Maeterlinck,  Henrik Ibsen,   Maupassant Y... 2011.10.15
535Simple viewBalzac,  Charles Dickens,    Leo Tolstoy,  Fyodor Dostoevsky,   Pushkin/Gogol/Gorky/Turgenev,  Anton Chekhov Y... 2011.10.12
534Simple viewJohn Dryden,  Jonathan Swift,  Alexander Pope,  William Cowper,  John Fletcher,       Walter Scott,     Stendhal Y... 2011.10.05
533Simple viewPliny the Younger,  Petronius, Tacitus,     Martial,  Silius Italicus, Quintilian,     Seneca,   William Lisle Bowles Y... 2011.09.29
532Simple viewSamuel Taylor Coleridge,  William Wordsworth,  Emerson,    Virgil/Ovid/Horace/Statius,   Suetonius,  Juvenal Y... 2011.09.26
531Simple viewAugust Bebel,  Herbert Spencer,            Charles Darwin,        Jean-Baptiste Lamarck,     Thomas Henry Huxley Y... 2011.09.23
530Simple viewEdmund Spenser, Franz Liszt,  Victor Hugo, Alphonse de Lamartine, Heinrich Heine,  Karl Marx, Friedrich Engels Y... 2011.09.17
529Simple viewLilly/Tasso, James Henry Leigh Hunt, Samuel Daniel, Martha Foote Crow, Claudio Monteverdi,  Richard Wagner Y... 2011.09.04
528Simple viewRobert Herrick, Samuel Pepys, William Caxton, Henry B. Wheatley, Swinburne, Christina Rossetti,   Vampyre Y... 2011.09.01
527Simple viewHeinrich Bullinger,  Johannes Brenz,  Georg Joachim Rheticus,  Philipp Melanchthon,  William Alabaster Y... 2011.09.01
526Simple viewPetrus Ramus,  Theodore Beza,  Philip Schaff,  Joachim Westphal,  François Hotman,  'The Right to Heresy' Y... 2011.08.07
525Simple viewAdam Smith,  Cassius Dio,    Stephanus,  William Smith,  Pausanias,  Marcus Aurelius, Diogenes Laërtius Y... 2011.08.03
524Simple view>> Corrected                                <Moralia> Y... 2011.08.31
523Simple viewTorricelli, Bernoulli, 'Jean le Rond d'Alembert', Diderot, 'Ephraim Chambers', 'Pierre Bayle', 'Laurence Sterne' Y... 2011.07.26
522Simple view>> Corrected                                <Iliad> Y... 2011.08.19
521Simple viewHero/Vitruvius Apollonius/Diophantus/Theon,       d'Aguilon, 'John Aubrey', 'François Viète', Oughtred/Pascal Y... 2011.07.21
520Simple viewCusa/Nunes/Vesalius/Borelli, 'de Vere', Stanley,  Vinci/Michelangelo/Raphael, 'Luca Pacioli',   Vasari/Alberti Y... 2011.07.12
519Simple view>> Corrected                                <Iliad> Y... 2011.08.24
518Simple viewGuicciardini, 'Pico della Mirandola', Frisius*, Nostradamus, 'Sir Philip Sidney', Milton/Chaucer/Boiardo/Cardano Y... 2011.07.05
517Simple view>> Corrected                                <Iliad> Y... 2011.08.19
516Simple viewShelley/Keats/Byron/Castelli/Orta/Wycliffe/Huss,  'Mary Sidney',  Baïf/Montaigne/Buchanan, 'Marie de Gournay' Y... 2011.07.01
515Simple view>> Corrected                                <Iliad> Y... 2011.08.19
514Simple viewMarlowe/Nashe/Chapman, 'Ben Jonson', 'Beaumont & Fletcher', Marston/Fleay/Glapthorne/Warburton/Brome Y... 2011.06.24
513Simple viewVarro/Catullus/Livy/Sallust,   Ovid/Apuleius/Horace/Lucretius,      Calvin/Servetus/Zwingli/Cranmer/Luther Y... 2011.06.19
512Simple viewSavonarola/Colet/Erasmus/Loyola/Ficino/Mirandola/Gracián/Swedenborg/Ockham/Abelard,    Latin,   'Lex Talio' Y... 2011.06.12
511Simple viewTerence/Menippus/Arcesilaus/Theophras-,  Voltaire/Maupertuis/Schiller/Winckelmann/Rochefoucauld/Cervantes Y... 2011.06.07
510Simple viewBoccaccio/Petrarch/Helvétius/Cesare/Malthus,  Say/Gresham,  Machiavelli/Telesio/Boyle/Bacon/Kepler/Brahe Y... 2011.06.04
509Simple viewHerder/Sanai/Hafez,  Dante, 'Adam Smith', 'Richard Cantillon', 'Henry More', ''Isaac Newton', Ricardo/Bentham Y... 2011.06.01
508Simple viewBerkeley, 'Giordano Bruno', Spinoza/Rousseau/Fichte/Hölderlin/Schelling, 'Jakob Böhme', Hamann/Goethe/Vigo Y... 2011.05.29
507Simple view'Thomas Hobbes' 'John Stuart Mill' 'Arthur Schopenhauer' 'Friedrich Nietzsche' Hegel/Kant/Hume/Locke/Leibniz Y... 2011.05.26
506Simple viewGalileo/Orpheus/Argonautica/Strabo,    'Augustine of Hippo', Neoplatonism/Enneads/Cicero/Anselm/Descartes Y... 2011.05.24
505Simple view                              "English    spelling/vocabulary"                   (Korean connection) Y... 2011.05.19
504Simple viewPyrrho/Galen/Avicenna/Averroes/Maimonides, 'Albertus Magnus', 'Thomas Aquinas', 'Duns Scotus', Copernicus Y... 2011.05.17
503Simple viewArchimedes/Aspasia/Euclid/Hipparchus/Hippocrates/Leonidas/Pericles/Ptolemy/Solon/Themistocles/Epicurus Y... 2011.05.14
502Simple view             Phonetic study    on   German/French   words/sentences Y... 2011.05.13
501Simple view'Milesian school'  'Seven Wonders'  Eleatics/sophism/pluralist/Cynics/Stoic/Montesquieu/Suda/eureka/Vitruvius Y... 2011.05.11
500Simple viewAeschylus/Aesop/Euripides/Hesiod,   Homer/Lucian/Menander/Pindar,  Polybius/Sappho/Sophocles, Alcibiades Y... 2011.05.11
499Simple viewThales/Anaximander/Anaximenes/Pythagoras,  Anaxagoras/Empedocles,  Antisthenes/Diogenes/Crates/Zeno Y... 2011.05.07
498Simple view'geologic era'  'Stone Age'   Yahoo/Google   'Know yourself'   introspection   'Seven Sages'   'material monism' Y... 2011.05.05
497Simple viewSocrates/Thucydides/Plutarch/Herodotus/Xenophon/Aristophanes/Plato/Aristotle/Parmenides/Democritus, etc. Y... 2011.05.04
496Simple view                           phonetic analysis on     Buddha  &  Buddhism Y... 2011.05.04
495Simple viewPhonetic analysis on   Hinduism/Veda/Sanskrit/Prakrit/Zoroaster, Manichaeism/Mani,  Bahá'í Faith, Bahá'u'lláh Y... 2011.04.29
494Simple view'net-cutting'  'country music'  'General Zod'      BC/AD  'Independence day'     BCE/CE    '(Before) Common Era' Y... 2011.04.14
493Simple view    'phonetic study on Jesus Christ  &  Moshe'             'Twelve Apostles'              'Hellenistic civilization??' Y... 2011.04.10
492Simple view           translation :           논어(論語)/공자(孔子/Confucius),               etymological analysis Y... 2011.04.08
491Simple view'論語/논어 [non  ŋΛ]  &  Old Testament'       Torah/Pentateuch         'Why Torah, Prophets, Writings, 四書五經' Y... 2011.04.05
490Simple view'lady-in-waiting'  Confucius/Mencius/Laozi/Micius  popcorn  'Generation Y/X'  'Wonder Woman'       I/you    etc. Y... 2011.04.02
489Simple viewfraction/ordinal,   'national flowers'   'Department of State'    'God bless you!'   'daylight saving time'   *BC/AD Y... 2011.03.20
488Simple view"&/and",                  italic,  ride/drive,       Morrison, Messiah/Immanuel,  succeed,     'Virgin Mary'  Joseph Y... 2011.03.15
487Simple view‘Moby-Dick’     'Coca Cola'       pronouns/4,  'Chinese carry-out'     'days of months'     'leap year (day)'   date Y... 2011.03.04
486Simple view'The Star-Spangled Banner'   &   'God Save the Queen'   &    'Land of Hope and Glory';        national anthems Y... 2011.02.10
485Simple view         'La Marseillaise'              Deutschlandlied              'National anthem of Austria' Y... 2013.05.12
484Simple view'Ask not'/America       months  'days of the week'  day/week/month/year  '(the) first'  hamburger  'Super Bowl' Y... 2011.02.09
483Simple view'passive voice'               'shoe-string budget?'  'you know'  'by the way'  'eh/well'  'blood libel'    'last supper' Y... 2011.01.14
482Simple view'Do I know you?'           'Season's Greetings'  'Auld Lang Syne'      'Christian cross,  resurrection'    'Red Cross' Y... 2011.01.08
481Simple view'Moses & Jesus Christ'            Christ/Jesus,   'Christmas card'   'Why Santa is old man'   MoU,      'Three Magi' Y... 2010.12.25
480Simple view"Shakespeare   &  Plutarch"                  'Sir Thomas More'   'G6'     oneself/myself/ourselves/etc.    ID Y... 2010.12.23
479Simple view'Why wedding dresses are white'              Halloween/제사,  denim, angel(s), eve, Ivy/steak, 'Rhode Island' Y... 2010.12.19
478Simple viewThanksgiving-day,         SantaClaus,           countries,      "silent letter??"     waffle/빈대떡/cupcake Y... 2010.11.26
477Simple view>> More considerations on  "silent letter??";     between GRECOnglish & orthodox English pronunciations Y... 2010.11.27
476Simple view"for the people, by the people, of the people"                          "I have a dream"      yes/no Y... 2010.10.10
475Simple view'it :  imp. v.??'              methinks                               Memorial/Mother's Day,    'hat trick'  franchise/may Y... 2010.06.05
474Simple view"Phonetics/linguistics  &  Bible"                                            "dirty Chinese??" Y... 2010.04.20
473Simple view'aui*Λ/o/='        exigency, need/longing, matter, pressure/force, hurry/rush, weight/postulate/concept/picture Y... 2010.04.05
472Simple view>> Corrected:                   [auiΛ]/S/mES, /S/MS;    [auio]/S/mES, /T/mES, /C1/mES;   [aui=]/P/pES Y... 2010.08.14
471Simple viewview/viewpoint, scheme/surmise/lack/economy/feature,  detail/topic,  item/issue,  point/case,  trifle/matter Y... 2010.04.05
470Simple viewaffair/terrific,  spooky/spook, dreadful/fearsome/awesome/traditional,  customary/familiar,  normal/average Y... 2010.04.05
469Simple viewusual/general,  common/routine, standard, apropos, related/relati-,  germane/cognate, tempor-, fly-by-night Y... 2010.04.05
468Simple viewpassing,  fugitive, 'short-lived', transient/ably/momentarily/amplify/stretch,  expand/wax,  augment/raise Y... 2010.04.05
467Simple viewheighten/lengthen,  embarra-/discountena-,  'show up', offend,  chagrin/vex, mortify/abash,  incarna-/personi- Y... 2010.04.05
466Simple viewrepresent/depict,  illustrate/explicate, codify, manifest, rubbish,  malign/libel,  abuse/mar, decry, blacken Y... 2010.04.05
465Simple viewsignificance/fervour/ebullience,  weight/emphasis, distillation/water/dew/perspiration/moisture/spray/bigotry Y... 2010.04.05
464Simple viewchutzpah', fight, payoff, path,  consequences/end, result(s), verdict,  upshot/event, compatible, consonant Y... 2010.04.05
463Simple viewsociable, convivial,  'dyed in the wool', universal, overall,  total/downright, worldwide,  'far-flung', entire Y... 2010.04.05
462Simple viewwhole/patient,  mild/equab-, kind/generali-/interpola-,  sophisticate/pervert, counsel/instruct,  refine/temper Y... 2010.04.05
461Simple viewhype/razzmatazz, razzle-dazzle, spotlight, play-up, write-up,  champion/uphold, develop,  defend, 'plead for' Y... 2010.04.05
460Simple viewhelp,  advocate/recommend,  puzzle/poser, problem, inconsistency, 'closed book', conundrum, fabrication Y... 2010.04.05
459Simple viewforgery/phony, lie(s), fiction, myth,  fake/counterfeit,  takings, arrest/bust,  catching/espial, trappings/bard Y... 2010.04.05
458Simple viewimprisonment/detenti-, seizure,  dignity, 'self-importa-', decorum/etiquet-,  grandeur/prominen-, proprieties Y... 2010.04.05
457Simple viewsolemnities/gravity,  majesties, 'His Honour, etc.',  destitute, 'down and out',  poor, 'bad(ly) off', 'well-off' Y... 2010.04.05
456Simple viewneedy,  short/low, jovial,  lively, 'full of beans', congenial/ratty/peevish,  sour/tart,  surly/churlish, peppery Y... 2010.04.05
455Simple viewtesty/heady/snappish, unlimited/incomparable/peremptory/complain,  grumble/bellyache, carp/kvetch, groan Y... 2010.04.05
454Simple viewwail/soothe,  'relieve (yourself)', soften/mitigate/scold/blame,  correct/chasten, discipline/censure/advertise Y... 2010.04.05
453Simple viewfortis(?) consonants,                                    Short(?) Program,  Democrat/donkey,  Valentine's Day Y... 2010.02.24
452Simple view>>                                              θ/ð/v/f Y... 2014.03.09
451Simple viewDifference between English & GRECOnglish/GC,                                             pronouns,   'Excuse me.' Y... 2010.01.23
450Simple view'Λui*a/o/=', business/craft, work/occupation, call/job, line/field, condition/symptoms/disorder/appointments Y... 2010.01.06
449Simple view>> Corrections:                                               [Λuia] adjective,       [Λui=] /S/SS Y... 2010.09.18
448Simple viewhorseback-riding?    class, label, creature, gull,   figure/dupe, fitting/fit,    worthy/praiseworthy/worthwhile Y... 2010.01.06
447Simple viewcorrect,  toxic/unhealthful,  deadly/destructive, mortal/killing, choice/prime,  'cool, first-class', select/rare Y... 2010.01.06
446