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(Comparative) study (in structure/mode/ways of pronunciation, articulation, phonetics, or whatever; that is, in differences of speaking mouth postures and resultant speaking weight/force center points) between English/foreign languages and mother tongue, for better (more practical/effective/smooth) hearing/speaking of English/foreign languages.       Copyright.   Young-Won Kim,   yw@voicespec.com
open : home | brd2 | Kor | book | FUN member : main II | Kor II


::: Comparative phonetics, main :::


596 12 View counter   Join Member Login Admin
Name   Young-Won Kim
Subject      Jane Austen,   Franz Kafka,   Virginia Woolf,   James Joyce,   Ezra Pound,   Gustave Flaubert,   George Sand

Jane Austen
http://encyclopedia.thefreedictionary.com/Jane+Austen ,  

*           "Walter Scott"  >>  ("James Ballantyne" /T)/P  >>  ("Thomas Blacklock" /T/Ch)/P  >>  ("James Macpherson" /T)/S  >>  ("John Langhorne" /T/Ch)/S  >>  ("Robert Burns" /T)/GC/S/abT  >>  ("Mark Twain" /C1/Ch)/GC/S/abT  >>  ("Jane Austen" /C1)/GC/S/abT

>>        When Austen was twenty, Tom Lefroy, a nephew of neighbours,
http://encyclopedia.thefreedictionary.com/Thomas+Langlois+Lefroy ,  
"Tom Lefroy"                         (J/S + "-ane Austen"/T)                         "Jane Austen"


http://www.gutenberg.org/browse/authors/a#a68 ,  
•    The Complete Project Gutenberg Works of Jane Austen
A Linked Index of all PG Editions of Jane Austen (English) (as Author)
•    Emma (English) (as Author)
•    Gevoel en verstand (Dutch) (as Author)
•    Lady Susan (English) (as Author)

"Complete Project Gutenberg Works of Jane Austen"             (J/C1 + "-ane Austen's writing"/GC/S/abT)/+bp              "Jane Austen's writing"
"Linked Index of all PG Editions of Jane Austen"             (J/C1 + "-ane Austen's work"/GC/S/abT)/+bp              "Jane Austen's work"

Emma                (J/C1 + "-ane Austen's writing"/GC/S/abT)/+cp                "Jane Austen's writing"
"Gevoel en verstand"             (J/C1 + "-ane Austen's writing"/GC/S/abT)/Ch/+bp              "Jane Austen's writing"
"Lady Susan"             (J/C1 + "-ane Austen's writing"/GC/S/abT)/Ch/+cp              "Jane Austen's writing"

http://gutenberg.net.au/ebooks03/0300431h.html ,  
George Bernard Shaw's          "The Apple Cart"

"Complete Project Gutenberg Works of Jane Austen"             ([ŋ=  w=]/C1 + "Apple Cart"/GC/S/abT)/+bp              "Apple Cart"
Emma                  ([ŋ=  w=]/C1 + "Apple Cart"/GC/S/abT)/+cp                  "Apple Cart"
"Gevoel en verstand"             ([ŋ=  w=]/C1 + "Apple Cart"/GC/S/abT)/Ch/+bp              "Apple Cart"
"Lady Susan"             ([ŋ=  w=]/C1 + "Apple Cart"/GC/S/abT)/Ch/+cp              "Apple Cart"

•    Love and Freindship [sic] (English) (as Author)
•    Mansfield Park (English) (as Author)
•    Northanger Abbey (English) (as Author)
•    Persuasion (English) (as Author)

"Love and Freindship s i c"             (J/T + "-ane Austen's writing"/C1)/+bp              "Jane Austen's writing"
"Mansfield Park"             (J/T + "-ane Austen's writing"/C1)/+cp              "Jane Austen's writing"
"Northanger Abbey"             (J/T + "-ane Austen's writing"/C1)/Ch/+bp              "Jane Austen's writing"
Persuasion             (J/T + "-ane Austen's writing"/C1)/Ch/+cp              "Jane Austen's writing"

http://gutenberg.net.au/ebooks03/0300431h.html ,  
George Bernard Shaw's          "The Apple Cart"

"Love and Freindship s i c"             ([ŋ=  w=]/T + "Apple Cart"/C1)/+bp              "Apple Cart"
"Mansfield Park"                 ([ŋ=  w=]/T + "Apple Cart"/C1)/+cp                  "Apple Cart"
"Northanger Abbey"             ([ŋ=  w=]/T + "Apple Cart"/C1)/Ch/+bp              "Apple Cart"
Persuasion                  ([ŋ=  w=]/T + "Apple Cart"/C1)/Ch/+cp                   "Apple Cart"

•    Persuasion (French) (as Author)
•    Pride and Prejudice (English) (as Author)
•    Raison et sensibilité (tome premier)
ou les deux manières d'aimer (French) (as Author)
•    Raison et Sensibilité (tome quatrième)
ou les deux manièress d'aimer (French) (as Author)

Persuasion              (J/P + "-ane Austen's writing"/C1)/+bp              "Jane Austen's writing"
"Pride and Prejudice"              (J/P + "-ane Austen's writing"/C1)/+cp              "Jane Austen's writing"

"Raison et sensibilité tome premier"              (J/P + "-ane Austen's writing"/C1)/Ch/+bp              "Jane Austen's writing"
"ou deux manières d'aimer"              (J/P + "-ane Austen's work"/C1)/Ch/+bp              "Jane Austen's work"

"Raison et sensibilité tome quatrième"              (J/P + "-ane Austen's writing"/C1)/Ch/+cp              "Jane Austen's writing"
"ou deux manières d'aimer"              (J/P + "-ane Austen's work"/C1)/Ch/+cp              "Jane Austen's work"

http://gutenberg.net.au/ebooks03/0300431h.html ,  
George Bernard Shaw's          "The Apple Cart"

Persuasion                    ([ŋ=  w=]/P + "Apple Cart"/C1)/+bp                    "Apple Cart"
"Pride and Prejudice"               ([ŋ=  w=]/P + "Apple Cart"/C1)/+cp               "Apple Cart"
"Raison et sensibilité tome premier"              ([ŋ=  w=]/P + "Apple Cart"/C1)/Ch/+bp              "Apple Cart"
"Raison et sensibilité tome quatrième"              ([ŋ=  w=]/P + "Apple Cart"/C1)/Ch/+cp              "Apple Cart"

•    Raison et sensibilité (tome second)
ou les deux manières d'aimer (French) (as Author)
•    Raison et sensibilité (tome troisième)
ou les deux manières d'aimer (French) (as Author)
•    Sense and Sensibility (English) (as Author)
•    Sense and Sensibility (English) (as Author)

"Raison et sensibilité tome second"              (J/S + "-ane Austen's writing"/C1)/+bp              "Jane Austen's writing"
"ou deux manières d'aimer"              (J/S + "-ane Austen's work"/C1)/+bp              "Jane Austen's work"

"Raison et sensibilité tome troisième"              (J/S + "-ane Austen's writing"/C1)/+cp              "Jane Austen's writing"
"ou deux manières d'aimer"              (J/S + "-ane Austen's work"/C1)/+cp              "Jane Austen's work"

"Sense and Sensibility"              (J/S + "-ane Austen's writing"/C1)/Ch/+bp              "Jane Austen's writing"
"Sense and Sensibility"              (J/S + "-ane Austen's writing"/C1)/Ch/+cp              "Jane Austen's writing"

http://gutenberg.net.au/ebooks03/0300431h.html ,  
George Bernard Shaw's          "The Apple Cart"

"Raison et sensibilité tome second"              ([ŋ=  w=]/S + "Apple Cart"/C1)/+bp              "Apple Cart"
"Raison et sensibilité tome troisième"              ([ŋ=  w=]/S + "Apple Cart"/C1)/+cp              "Apple Cart"
"Sense and Sensibility"              ([ŋ=  w=]/S + "Apple Cart"/C1)/Ch/+bp              "Apple Cart"
"Sense and Sensibility"              ([ŋ=  w=]/S + "Apple Cart"/C1)/Ch/+cp              "Apple Cart"



>> Phonetic correspondence   between    Jane Austen's   "The Complete Project Gutenberg Works of Jane Austen"    and    George Bernard Shaw's   "The Apple Cart"

http://gutenberg.net.au/ebooks03/0300431h.html ,  
The Apple Cart

A Political Extravaganza

Preface
 
The first performances of this play at home and abroad provoked several confident anticipations that it would be published with an elaborate prefatory treatise on Democracy to explain why I, formerly a notorious democrat, have apparently veered round to the opposite quarter and become a devoted Royalist. In Dresden the performance was actually prohibited as a blasphemy against Democracy.

What was all this pother about? I had written a comedy in which a King defeats an attempt by his popularly elected Prime Minister to deprive him of the right to influence public opinion through the press and the platform: in short, to reduce him to a cipher. The King's reply is that rather than be a cipher he will abandon his throne and take his obviously very rosy chance of becoming a popularly elected Prime Minister himself. To those who believe that our system of votes for everybody produces parliaments which represent the people it should seem that this solution of the difficulty is completely democratic, and that the Prime Minister must at once accept it joyfully as such. He knows better. The change would rally the anti-democratic royalist vote against him, and impose on him a rival in the person of the only public man whose ability he has to fear. The comedic paradox of the situation is that the King wins, not by exercising his royal authority, but by threatening to resign it and go to the democratic poll. ~ ~


http://www.gutenberg.org/files/31100/31100-h/31100-h.htm ,  
•    The Complete Project Gutenberg Works of Jane Austen
A Linked Index of all PG Editions of Jane Austen (English) (as Author)

A Linked Index to all Volumes and Chapters ~ ~


"Complete Project Gutenberg Works of Jane Austen"             (J/C1 + "-ane Austen's writing"/GC/S/abT)/+bp              "Jane Austen's writing"
"Linked Index of all PG Editions of Jane Austen"             (J/C1 + "-ane Austen's work"/GC/S/abT)/+bp              "Jane Austen's work"

"Complete Project Gutenberg Works of Jane Austen"             ([ŋ=  w=]/C1 + "Apple Cart"/GC/S/abT)/+bp              "Apple Cart"


1. <A> Political Extravaganza Preface <The> first performances of this play at home and abroad provoked several confident anticipations that it would be published with <an> elaborate prefatory treatise on Democracy to explain why I --- <A> Linked

L             (P/C1 + "-olitical Extravaganza Preface first performances of this play at home and abroad provoked several confident anticipations that it would be published with elaborate prefatory treatise on Democracy to explain why I"/GC/S/abT)/+bp              "Political Extravaganza Preface first performances of this play at home and abroad provoked several confident anticipations that it would be published with elaborate prefatory treatise on Democracy to explain why I"

2.               formerly <a> notorious democrat

i             (f/C1 + "-ormerly notorious democrat"/GC/S/abT)/+bp              "formerly notorious democrat"

3.       have apparently veered round to <the> opposite quarter and become <a> devoted Royalist

n             (h/C1 + "-ave apparently veered round to opposite quarter and become devoted Royalist"/GC/S/abT)/+bp              "have apparently veered round to opposite quarter and become devoted Royalist"

4.    In Dresden <the> performance was actually prohibited as <a> blasphemy against Democracy

k             ([ŋ=  y=]/C1 + "In Dresden performance was actually prohibited as blasphemy against Democracy"/GC/S/abT)/+bp              "In Dresden performance was actually prohibited as blasphemy against Democracy"

5.
e             (Wh/C1 + "at was all this pother about"/GC/S/abT)/+bp              "What was all this pother about"

6. I had written <a> comedy in which <a> King defeats <an> attempt by his popularly elected Prime Minister to deprive him of <the> right to influence public opinion through <the> press and <the> platform

d             ([ŋ=  y=]/C1 + "I had written comedy in which King defeats attempt by his popularly elected Prime Minister to deprive him of right to influence public opinion through press and platform"/GC/S/abT)/+bp              "I had written comedy in which King defeats attempt by his popularly elected Prime Minister to deprive him of right to influence public opinion through press and platform"

7.                     Index

I                          ([ŋ=  y=]/C1 + "in short"/GC/S/abT)/+bp                      "in short"

8.                       to reduce him to <a> cipher

n             (t/C1 + "-o reduce him to cipher"/GC/S/abT)/+bp              "to reduce him to cipher"

9. <The> King's reply is that rather than be <a> cipher he will abandon his throne and take his obviously very rosy chance of becoming <a> popularly elected Prime Minister himself

d             (K/C1 + "-ing's reply is that rather than be cipher he will abandon his throne and take his obviously very rosy chance of becoming popularly elected Prime Minister himself"/GC/S/abT)/+bp              "King's reply is that rather than be cipher he will abandon his throne and take his obviously very rosy chance of becoming popularly elected Prime Minister himself"

10. To those who believe that our system of votes for everybody produces parliaments which represent <the> people it should seem that this solution of <the> difficulty is completely democratic

e             (T/C1 + "-o those who believe that our system of votes for everybody produces parliaments which represent people it should seem that this solution of difficulty is completely democratic"/GC/S/abT)/+bp              "To those who believe that our system of votes for everybody produces parliaments which represent people it should seem that this solution of difficulty is completely democratic"

11.                  and that <the> Prime Minister must at once accept it joyfully as such

x             ([ŋ=  w=]/C1 + "and that Prime Minister must at once accept it joyfully as such"/GC/S/abT)/+bp              "and that Prime Minister must at once accept it joyfully as such"

12.                       to all

t                   (H/C1 + "-e knows better"/GC/S/abT)/+bp                    "He knows better"

13.                      <The> change would rally <the> anti

o             (ch/C1 + "-ange would rally anti"/GC/S/abT)/+bp              "change would rally anti"

14.
a             (d/C1 + "-emocratic royalist vote against him"/GC/S/abT)/+bp              "democratic royalist vote against him"

15. and impose on him <a> rival in <the> person of <the> only public man whose ability he has to fear

l             ([ŋ=  w=]/C1 + "and impose on him rival in person of only public man whose ability he has to fear"/GC/S/abT)/+bp              "and impose on him rival in person of only public man whose ability he has to fear"

16.                  <The> comedic paradox of <the> situation is that <the> King wins

l             (c/C1 + "-omedic paradox of situation is that King wins"/GC/S/abT)/+bp              "comedic paradox of situation is that King wins"

17.                          Volumes

V              (n/C1 + "-ot by exercising his royal authority"/GC/S/abT)/+bp              "not by exercising his royal authority"

18.                   but by threatening to resign it and go to <the> democratic poll

o             (b/C1 + "-ut by threatening to resign it and go to democratic poll"/GC/S/abT)/+bp              "but by threatening to resign it and go to democratic poll"

Et cetera.



>> Phonetic correspondence   between    Jane Austen's   "Sense and Sensibility (1)"    and    George Bernard Shaw's   "The Apple Cart"

http://www.gutenberg.org/files/21839/21839-h/21839-h.htm ,  
•    Sense and Sensibility (English) (as Author)

INTRODUCTION

With the title of Sense and Sensibility is connected one of those minor problems which delight the cummin-splitters of criticism. In the Cecilia of Madame D'Arblay—the forerunner, if not the model, of Miss Austen—is a sentence which at first sight suggests some relationship to the name of the book which, in the present series, inaugurated Miss Austen's novels. 'The whole of this unfortunate business'—says a certain didactic Dr. Lyster, talking in capitals, towards the end of volume three of Cecilia— ~ ~


http://gutenberg.net.au/ebooks03/0300431h.html ,  
George Bernard Shaw's          "The Apple Cart"


"Sense and Sensibility"              (J/S + "-ane Austen's writing"/C1)/Ch/+bp              "Jane Austen's writing"

"Sense and Sensibility"              ([ŋ=  w=]/S + "Apple Cart"/C1)/Ch/+bp              "Apple Cart"


1. <A> Political Extravaganza Preface <The> first performances of this play at home and abroad provoked several confident anticipations that it would be published with <an> elaborate prefatory treatise on Democracy to explain why I --- INTRODUCTION With <the> title of Sense and Sensibility is connected one of those minor problems which delight <the> cummin

"INTRODUCTION With title of Sense and Sensibility is connected one of those minor problems which delight cummin"              (P/S + "-olitical Extravaganza Preface first performances of this play at home and abroad provoked several confident anticipations that it would be published with elaborate prefatory treatise on Democracy to explain why I"/C1)/Ch/+bp              "Political Extravaganza Preface first performances of this play at home and abroad provoked several confident anticipations that it would be published with elaborate prefatory treatise on Democracy to explain why I"

2.                     formerly <a> notorious democrat

"splitters of criticism"              (f/S + "-ormerly notorious democrat"/C1)/Ch/+bp              "formerly notorious democrat"

3. have apparently veered round to <the> opposite quarter and become <a> devoted Royalist --- In <the> Cecilia of Madame D'Arblay

"In Cecilia of Madame D'Arblay"              (h/S + "-ave apparently veered round to opposite quarter and become devoted Royalist"/C1)/Ch/+bp              "have apparently veered round to opposite quarter and become devoted Royalist"

4. In Dresden <the> performance was actually prohibited as <a> blasphemy against Democracy --- <the> forerunner

forerunner              ([ŋ=  y=]/S + "In Dresden performance was actually prohibited as blasphemy against Democracy"/C1)/Ch/+bp              "In Dresden performance was actually prohibited as blasphemy against Democracy"

5.                if not <the> model

"if not model"              (Wh/S + "-at was all this pother about"/C1)/Ch/+bp              "What was all this pother about"

6. I had written <a> comedy in which <a> King defeats <an> attempt by his popularly elected Prime Minister to deprive him of <the> right to influence public opinion through <the> press and <the> platform

"of Miss Austen"              ([ŋ=  y=]/S + "I had written comedy in which King defeats attempt by his popularly elected Prime Minister to deprive him of right to influence public opinion through press and platform"/C1)/Ch/+bp              "I had written comedy in which King defeats attempt by his popularly elected Prime Minister to deprive him of right to influence public opinion through press and platform"

7. is <a> sentence which at first sight suggests some relationship to <the> name of <the> book which

"is sentence which at first sight suggests some relationship to name of book which"              ([ŋ=  y=]/S + "in short"/C1)/Ch/+bp              "in short"

8.                     to reduce him to <a> cipher --- in <the> present series

"in present series"              (t/S + "-o reduce him to cipher"/C1)/Ch/+bp              "to reduce him to cipher"

9. <The> King's reply is that rather than be <a> cipher he will abandon his throne and take his obviously very rosy chance of becoming <a> popularly elected Prime Minister himself

"inaugurated Miss Austen's novels"              (K/S + "-ing's reply is that rather than be cipher he will abandon his throne and take his obviously very rosy chance of becoming popularly elected Prime Minister himself"/C1)/Ch/+bp              "King's reply is that rather than be cipher he will abandon his throne and take his obviously very rosy chance of becoming popularly elected Prime Minister himself"

10. To those who believe that our system of votes for everybody produces parliaments which represent <the> people it should seem that this solution of <the> difficulty is completely democratic --- <The> whole of this unfortunate business

"whole of this unfortunate business"              (T/S + "-o those who believe that our system of votes for everybody produces parliaments which represent people it should seem that this solution of difficulty is completely democratic"/C1)/Ch/+bp              "To those who believe that our system of votes for everybody produces parliaments which represent people it should seem that this solution of difficulty is completely democratic"

11. and that <the> Prime Minister must at once accept it joyfully as such --- says <a> certain didactic Dr

"says certain didactic D r"              ([ŋ=  w=]/S + "and that Prime Minister must at once accept it joyfully as such"/C1)/Ch/+bp              "and that Prime Minister must at once accept it joyfully as such"

12.
Lyster                    (H/S + "-e knows better"/C1)/Ch/+bp                  "He knows better"

13.                     <The> change would rally <the> anti

"talking in capitals"              (ch/S + "-ange would rally anti"/C1)/Ch/+bp              "change would rally anti"

14.                   towards <the> end of volume three of Cecilia

"towards end of volume three of Cecilia"              (d/S + "-emocratic royalist vote against him"/C1)/Ch/+bp              "democratic royalist vote against him"

Et cetera.



>> Phonetic correspondence   between    Jane Austen's   "Sense and Sensibility (2)"    and    George Bernard Shaw's   "The Apple Cart"

http://www.gutenberg.org/files/161/161-h/161-h.htm ,  
Sense and Sensibility            (2)

CONTENTS

CHAPTER I         CHAPTER II         CHAPTER III         CHAPTER IV         CHAPTER V  ~ ~


http://gutenberg.net.au/ebooks03/0300431h.html ,  
George Bernard Shaw's          "The Apple Cart"


"Sense and Sensibility"              (J/S + "-ane Austen's writing"/C1)/Ch/+cp              "Jane Austen's writing"

"Sense and Sensibility"              ([ŋ=  w=]/S + "Apple Cart"/C1)/Ch/+cp              "Apple Cart"


1. <A> Political Extravaganza Preface <The> first performances of this play at home and abroad provoked several confident anticipations that it would be published with <an> elaborate prefatory treatise on Democracy to explain why I --- CONTENTS

C              (P/S + "-olitical Extravaganza Preface first performances of this play at home and abroad provoked several confident anticipations that it would be published with elaborate prefatory treatise on Democracy to explain why I"/C1)/Ch/+cp              "Political Extravaganza Preface first performances of this play at home and abroad provoked several confident anticipations that it would be published with elaborate prefatory treatise on Democracy to explain why I"

2.                     formerly <a> notorious democrat

O              (f/S + "-ormerly notorious democrat"/C1)/Ch/+cp              "formerly notorious democrat"

3.      have apparently veered round to <the> opposite quarter and become <a> devoted Royalist

N              (h/S + "-ave apparently veered round to opposite quarter and become devoted Royalist"/C1)/Ch/+cp              "have apparently veered round to opposite quarter and become devoted Royalist"

4.    In Dresden <the> performance was actually prohibited as <a> blasphemy against Democracy

T              ([ŋ=  y=]/S + "In Dresden performance was actually prohibited as blasphemy against Democracy"/C1)/Ch/+cp              "In Dresden performance was actually prohibited as blasphemy against Democracy"

5.
E              (Wh/S + "-at was all this pother about"/C1)/Ch/+cp              "What was all this pother about"

6. I had written <a> comedy in which <a> King defeats <an> attempt by his popularly elected Prime Minister to deprive him of <the> right to influence public opinion through <the> press and <the> platform

N              ([ŋ=  y=]/S + "I had written comedy in which King defeats attempt by his popularly elected Prime Minister to deprive him of right to influence public opinion through press and platform"/C1)/Ch/+cp              "I had written comedy in which King defeats attempt by his popularly elected Prime Minister to deprive him of right to influence public opinion through press and platform"

7. is <a> sentence which at first sight suggests some relationship to <the> name of <the> book which

T                             ([ŋ=  y=]/S + "in short"/C1)/Ch/+cp                       "in short"

8.                     to reduce him to <a> cipher --- in <the> present series

S               (t/S + "-o reduce him to cipher"/C1)/Ch/+cp              "to reduce him to cipher"

9. <The> King's reply is that rather than be <a> cipher he will abandon his throne and take his obviously very rosy chance of becoming <a> popularly elected Prime Minister himself --- CHAPTER I

C              (K/S + "-ing's reply is that rather than be cipher he will abandon his throne and take his obviously very rosy chance of becoming popularly elected Prime Minister himself"/C1)/Ch/+cp              "King's reply is that rather than be cipher he will abandon his throne and take his obviously very rosy chance of becoming popularly elected Prime Minister himself"

10. To those who believe that our system of votes for everybody produces parliaments which represent <the> people it should seem that this solution of <the> difficulty is completely democratic

H              (T/S + "-o those who believe that our system of votes for everybody produces parliaments which represent people it should seem that this solution of difficulty is completely democratic"/C1)/Ch/+cp              "To those who believe that our system of votes for everybody produces parliaments which represent people it should seem that this solution of difficulty is completely democratic"

11.                   and that <the> Prime Minister must at once accept it joyfully as such

A              ([ŋ=  w=]/S + "and that Prime Minister must at once accept it joyfully as such"/C1)/Ch/+cp              "and that Prime Minister must at once accept it joyfully as such"

12.
P                       (H/S + "-e knows better"/C1)/Ch/+cp                    "He knows better"

13.                     <The> change would rally <the> anti

T                (ch/S + "-ange would rally anti"/C1)/Ch/+cp              "change would rally anti"

14.
E              (d/S + "-emocratic royalist vote against him"/C1)/Ch/+cp              "democratic royalist vote against him"

Et cetera.



Franz Kafka
http://encyclopedia.thefreedictionary.com/Franz+Kafka  ,  

*       "Fyodor Dostoevsky"  >>  ("E.T.A. Hoffmann" /T)/P   >>  ("Nikolai Nekrasov" /T/Ch)/P  >>  ("Vissarion Belinsky" /C2)/T  >>  ("Vladimir Sergeyevich Solovyov" /GC/S/abT)/T  >>  (Pushkin /GC/S/abT/Ch)/T  >>  ("Franz Kafka" /C2/Ch)/T

*             ("Franz Kafka" /C2)/T  >>  Kafka /T

Born                          3 July 1883                   Prague, Austria-Hungary
Died                     3 June 1924 (aged 40)             Kierling near Vienna, Austria

"1883"                          (Fr/T + "-anz Kafka"/P)/+bp                        "Franz Kafka"
July                             (Fr/T + "-anz Kafka"/P)/+cp                        "Franz Kafka"
"3"                          (Fr/T + "-anz Kafka"/P)/Ch/+bp                        "Franz Kafka"
"Prague, Austria-Hungary"              (Fr/T + "-anz Kafka"/P)/Ch/+cp               "Franz Kafka"

"1924"                          (Fr/T + "-anz Kafka"/S)/+bp                        "Franz Kafka"
June                             (Fr/T + "-anz Kafka"/S)/+cp                        "Franz Kafka"
"3"                           (Fr/T + "-anz Kafka"/S)/Ch/+bp                        "Franz Kafka"
"Kierling near Vienna, Austria"              (Fr/T + "-anz Kafka"/S)/Ch/+cp              "Franz Kafka"

>>               The term "Kafkaesque" has become part of the English vernacular

*                   ("Franz Kafka" /C2/Ch)/T  >>  Kafkaesque /C1/Ch/+cp

>> Max Brod, who would become a close friend of his throughout his life, together with the journalist Felix Weltsch
http://encyclopedia.thefreedictionary.com/Max+Brod ,  
"Max Brod"                           (Fr/T + "-anz Kafka"/C1)                        "Franz Kafka"
http://encyclopedia.thefreedictionary.com/Felix+Weltsch ,
"Felix Weltsch"                      (Fr/T + "-anz Kafka"/C1)/Ch                      "Franz Kafka"

>>      intense relationship with Czech journalist and writer Milena Jesenská. In July 1923
http://encyclopedia.thefreedictionary.com/Milena+Jesensk%c3%a1 ,  
"Milena Jesenská"                        (Fr/P + "-anz Kafka"/C1)                     "Franz Kafka"

>>               he lived with Diamant
http://encyclopedia.thefreedictionary.com/Dora+Diamant ,  
"Dora Diamant"                       (Fr/P + "-anz Kafka"/C1)/Ch                    "Franz Kafka"

>>      In his essay, Sadness in Palestine?!, Dan Miron explores Kafka's connection to Zionism
http://encyclopedia.thefreedictionary.com/Dan+Miron ,  
"Dan Miron"                         (Fr/S + "-anz Kafka"/C1)/Ch                      "Franz Kafka"


http://www.gutenberg.org/browse/authors/k#a1735 ,    
•  Betrachtung (German) (as Author)
•  Grosser Lärm (German) (as Author)
•  Der Heizer
Ein Fragment (German) (as Author)
•  Ein Hungerkünstler (German) (as Author)

Betrachtung                (Fr/C1 + "-anz Kafka's work"/P)/+bp               "Franz Kafka's work"
"Grosser Lärm"                (Fr/C1 + "-anz Kafka's work"/P)/+cp               "Franz Kafka's work"

Heizer                (Fr/C1 + "-anz Kafka's work"/P)/Ch/+bp               "Franz Kafka's work"
Fragment              (Fr/C1 + "-anz Kafka's writing"/P)/Ch/+bp             "Franz Kafka's writing"

Hungerkünstler                (Fr/C1 + "-anz Kafka's work"/P)/Ch/+cp               "Franz Kafka's work"

http://www.gutenberg.org/files/15492/15492-h/15492-h.htm ,  
Henrik Ibsen's       "A Doll's House"

Betrachtung                       (D/C1 + "-oll's House"/P)/+bp                     "Doll's House"
"Grosser Lärm"                    (D/C1 + "-oll's House"/P)/+cp                     "Doll's House"
Heizer                        (D/C1 + "-oll's House"/P)/Ch/+bp                      "Doll's House"
Hungerkünstler                   (D/C1 + "-oll's House"/P)/Ch/+cp                  "Doll's House"

•  In der Strafkolonie (German) (as Author)
•  Ein Landarzt
Kleine Erzählungen (German) (as Author)
•  Metamorphosis (English) (as Author)
•  Der Mord (German) (as Author)

"In Strafkolonie"                (Fr/C1 + "-anz Kafka's work"/S)/+bp               "Franz Kafka's work"

Landarzt                  (Fr/C1 + "-anz Kafka's work"/S)/+cp                "Franz Kafka's work"
"Kleine Erzählungen"              (Fr/C1 + "-anz Kafka's writing"/S)/+cp              "Franz Kafka's writing"

Metamorphosis                (Fr/C1 + "-anz Kafka's work"/S)/Ch/+bp                "Franz Kafka's work"
Mord                  (Fr/C1 + "-anz Kafka's work"/S)/Ch/+cp                 "Franz Kafka's work"

http://www.gutenberg.org/files/15492/15492-h/15492-h.htm ,  
Henrik Ibsen's       "A Doll's House"

"In Strafkolonie"                     (D/C1 + "-oll's House"/S)/+bp                   "Doll's House"
Landarzt                         (D/C1 + "-oll's House"/S)/+cp                       "Doll's House"
Metamorphosis                   (D/C1 + "-oll's House"/S)/Ch/+bp                  "Doll's House"
Mord                        (D/C1 + "-oll's House"/S)/Ch/+cp                        "Doll's House"

•  The Trial (English) (as Author)
•  Das Urteil
Eine Geschichte (German) (as Author)
•  Die Verwandlung (German) (as Author)

Trial                (Fr/C1 + "-anz Kafka's work"/GC/S/abT)/+bp               "Franz Kafka's work"

Urteil                (Fr/C1 + "-anz Kafka's work"/GC/S/abT)/+cp               "Franz Kafka's work"
Geschichte                 (Fr/C1 + "-anz Kafka's writing"/GC/S/abT)/+cp               "Franz Kafka's writing"

Verwandlung                (Fr/C1 + "-anz Kafka's work"/GC/S/abT)/Ch               "Franz Kafka's work"

http://www.gutenberg.org/files/15492/15492-h/15492-h.htm ,  
Henrik Ibsen's       "A Doll's House"

Trial                       (D/C1 + "-oll's House"/GC/S/abT)/+bp                     "Doll's House"
Urteil                      (D/C1 + "-oll's House"/GC/S/abT)/+cp                     "Doll's House"
Verwandlung                (D/C1 + "-oll's House"/GC/S/abT)/Ch                    "Doll's House"



>> Phonetic correspondence   between    Franz Kafka's   "Betrachtung"    and    Henrik Ibsen's       "A Doll's House"

http://www.gutenberg.org/files/15492/15492-h/15492-h.htm ,  
A Doll's House

ACT I

(SCENE.—A room furnished comfortably and tastefully, but not extravagantly. At the back, a door to the right leads to the entrance-hall, another to the left leads to Helmer's study. Between the doors stands a piano. In the middle of the left-hand wall is a door, and beyond it a window. Near the window are a round table, armchairs and a small sofa. In the right-hand wall, at the farther end, another door; and on the same side, nearer the footlights, a stove, two easy chairs and a rocking-chair; between the stove and the door, a small table. Engravings on the wall; a cabinet with china and other small objects; a small book-case with well-bound books. The floors are carpeted, and a fire burns in the stove. It is winter.

A bell rings in the hall; shortly afterwards the door is heard to open. Enter NORA, humming a tune and in high spirits. She is in out-door dress and carries a number of parcels; these she lays on the table ~ ~


http://www.gutenberg.org/files/23532/23532-h/23532-h.htm ,  
•  Betrachtung

MDCCCCXIII

ERNST ROWOHLT VERLAG

LEIPZIG

Dies Buch wurde in 800 numerierten Exemplaren im (in <dem>) November 1912 von <der> Offizin ~ ~


Betrachtung                (Fr/C1 + "-anz Kafka's work"/P)/+bp               "Franz Kafka's work"

Betrachtung                       (D/C1 + "-oll's House"/P)/+bp                     "Doll's House"


1.
M                             ([ŋ=  w=]/C1 + "ACT i"/P)/+bp                               "ACT i"

2.
D                                    (S/C1 + CENE/P)/+bp                                   SCENE

3.                  A room furnished comfortably and tastefully

C                                      (r/C1 + oom/P)/+bp                                    room

4.
C                                     (f/C1 + urnished/P)/+bp                             furnished

5.
C                                   (c/C1 + omfortably/P)/+bp                          comfortably

6.
C                       ([ŋ=  w=]/C1 + "and tastefully"/P)/+bp                    "and tastefully"

7.
X                                     (b/C1 + "-ut not"/P)/+bp                            "but not"

8.
I                         ([ŋ=  y=]/C1 + extravagantly/P)/+bp                       extravagantly

9.                     At <the> back

I                            ([ŋ=  w=]/C1 + "At back"/P)/+bp                            "At back"

10.                     <a> door

I                                        (d/C1 + oor/P)/+bp                                    door

11.                             to <the> right

E                                   (t/C1 + "-o right"/P)/+bp                              "to right"

12.
R                                    (l/C1 + "-eads to"/P)/+bp                            "leads to"

13.                             <the> entrance-hall

N                             ([ŋ=  y=]/C1 + entrance/P)/+bp                            entrance

14.
S                                        (h/C1 + all/P)/+bp                                     hall

15.
T                           ([ŋ=  w=]/C1 + "another to"/P)/+bp                       "another to"

16.                            <the> left leads to

R                                 (l/C1 + "-eft leads to"/P)/+bp                       "left leads to"

17.
O                             (H/C1 + "-elmer's study"/P)/+bp                     "Helmer's study"

18.                             Between <the> doors

W                         (B/C1 + "-etween doors"/P)/+bp                        "Between doors"

19.                       stands <a> piano

O                           (s/C1 + "-tands piano"/P)/+bp                           "stands piano"

20.                         In <the> middle

H                         ([ŋ=  y=]/C1 + "In middle"/P)/+bp                           "In middle"

21.                          of <the> left

L                             ([ŋ=  w=]/C1 + "of left"/P)/+bp                              "of left"

22.
T                                (h/C1 + "-and wall"/P)/+bp                             "hand wall"

23.                            is <a> door

V                            ([ŋ=  y=]/C1 + "is door"/P)/+bp                              "is door"

24.
E                       ([ŋ=  w=]/C1 + "and beyond it"/P)/+bp                    "and beyond it"

25.                                <a> window

R                                    (w/C1 + indow/P)/+bp                                 window

26.                            Near <the> window

L                             (N/C1 + "-ear window"/P)/+bp                         "Near window"

27.                    are <a> round

A                          ([ŋ=  w=]/C1 + "are round"/P)/+bp                         "are round"

28.
G                                     (t/C1 + able/P)/+bp                                     table

29.
L                            ([ŋ=  w=]/C1 + armchairs/P)/+bp                           armchairs

30.                      and <a> small

E                           ([ŋ=  w=]/C1 + "and small"/P)/+bp                        "and small"

31.
I                                       (s/C1 + ofa/P)/+bp                                      sofa

32.                         In <the> right

P                           ([ŋ=  y=]/C1 + "In right"/P)/+bp                             "In right"

33.
Z                                 (h/C1 + "-and wall"/P)/+bp                            "hand wall"

34.                            at <the> farther

I                           ([ŋ=  w=]/C1 + "at farther"/P)/+bp                         "at farther"

35.
G                                 ([ŋ=  y=]/C1 + end/P)/+bp                                  end

36.
D                       ([ŋ=  w=]/C1 + "another door"/P)/+bp                      "another door"

37.
i                             ([ŋ=  w=]/C1 + "and on"/P)/+bp                             "and on"

38.                          <the> same

e                                       (s/C1 + ame/P)/+bp                                   same

39.
s                                        (s/C1 + ide/P)/+bp                                     side

40.
B                                      (n/C1 + earer/P)/+bp                                 nearer

41.                          <the> footlights

u                                    (f/C1 + ootlights/P)/+bp                              footlights

42.                         <a> stove

c                                       (s/C1 + tove/P)/+bp                                   stove

43.
h                                        (t/C1 + wo/P)/+bp                                     two

44.
w                                   ([ŋ=  y=]/C1 + easy/P)/+bp                              easy

45.
u                                        (c/C1 + hairs/P)/+bp                                 chairs

46.                         and <a> rocking

r                        ([ŋ=  w=]/C1 + "and rocking"/P)/+bp                        "and rocking"

47.
d                                         (c/C1 + hair/P)/+bp                                  chair

48.
e                                      (b/C1 + etween/P)/+bp                              between

49.                         <the> stove

i                                        (s/C1 + tove/P)/+bp                                  stove

50.                        and <the> door

n                           ([ŋ=  w=]/C1 + "and door"/P)/+bp                          "and door"

51.                     <a> small table

"800"                            (s/C1 + "-mall table"/P)/+bp                          "small table"

52.
n                            ([ŋ=  y=]/C1 + Engravings/P)/+bp                         Engravings

53.                         on <the> wall

u                             ([ŋ=  w=]/C1 + "on wall"/P)/+bp                            "on wall"

54.                         <a> cabinet

m                                      (c/C1 + abinet/P)/+bp                               cabinet

55.
e                               (w/C1 + "-ith china"/P)/+bp                            "with china"

56.
r                             ([ŋ=  w=]/C1 + "and other"/P)/+bp                       "and other"

57.
i                                (s/C1 + "-mall objects"/P)/+bp                      "small objects"

58.                        <a> small book

e                                  (s/C1 + "-mall book"/P)/+bp                        "small book"

59.
r                                      (c/C1 + ase/P)/+bp                                     case

60.
t                                  (w/C1 + "-ith well"/P)/+bp                             "with well"

61.
e                             (b/C1 + "-ound books"/P)/+bp                         "bound books"

62.                     <The> floors

n                                      (f/C1 + loors/P)/+bp                                   floors

63.
E                       ([ŋ=  w=]/C1 + "are carpeted"/P)/+bp                      "are carpeted"

64.                        and <a> fire

x                             ([ŋ=  w=]/C1 + "and fire"/P)/+bp                           "and fire"

65.
e                                       (b/C1 + urns/P)/+bp                                  burns

66.                          in <the> stove

m                             ([ŋ=  y=]/C1 + "in stove"/P)/+bp                          "in stove"

67.
p                            ([ŋ=  y=]/C1 + "It is winter"/P)/+bp                      "It is winter"

68.                         <A> bell

l                                          (b/C1 + ell/P)/+bp                                    bell

69.
a                                         (r/C1 + ings/P)/+bp                                  rings

70.                          in <the> hall

r                                 ([ŋ=  y=]/C1 + "in hall"/P)/+bp                           "in hall"

71.
e                                     (s/C1 + hortly/P)/+bp                                  shortly

72.
n                              ([ŋ=  w=]/C1 + afterwards/P)/+bp                       afterwards

73.                     <the> door is --- im (in <dem>)

i                                      (d/C1 + "-oor is"/P)/+bp                             "door is"

74.
n                                        (/C1 + "-"/P)/+bp                               "heard to"

75.
N                                ([ŋ=  w=]/C1 + open/P)/+bp                                open

76.
o                                ([ŋ=  y=]/C1 + Enter/P)/+bp                                Enter

77.
v                                       (N/C1 + ORA/P)/+bp                                  NORA

78.
e                                    (h/C1 + umming/P)/+bp                              humming

79.                          <a> tune

m                                       (t/C1 + une/P)/+bp                                   tune

80.
b                                ([ŋ=  w=]/C1 + "and in"/P)/+bp                          "and in"

81.
e                                        (h/C1 + igh/P)/+bp                                    high

82.
r                                          (s/C1 + pirits/P)/+bp                               spirits

83.
"1912"                                  (S/C1 + "-he is"/P)/+bp                            "She is"

84.
v                                ([ŋ=  y=]/C1 + "in out"/P)/+bp                            "in out"

85.
o                                    (d/C1 + "-oor dress"/P)/+bp                       "door dress"

86.
n                          ([ŋ=  w=]/C1 + "and carries"/P)/+bp                       "and carries"

87.                           <a> number of --- <der> Offizin

O                                (n/C1 + "-umber of"/P)/+bp                           "number of"

88.
f                                      (p/C1 + arcels/P)/+bp                                parcels

89.
f                                        (th/C1 + ese/P)/+bp                                 these

90.
i                                     (s/C1 + "-he lays"/P)/+bp                           "she lays"

91.                            on <the> table

z              ([ŋ=  w=]/C1 + "on table"/P)/+bp               "on table"

Et cetera.



>> Phonetic correspondence   between    Franz Kafka's   "The Trial"    and    Henrik Ibsen's       "A Doll's House"

http://www.gutenberg.org/cache/epub/7849/pg7849.html ,    
•  The Trial

Chapter One Arrest - Conversation with Mrs. Grubach - Then Miss Bürstner

Someone must have been telling lies about Josef K., he knew he had done nothing wrong but, one morning, he was arrested. ~ ~


http://www.gutenberg.org/files/15492/15492-h/15492-h.htm ,  
Henrik Ibsen's       "A Doll's House"

ACT I

(SCENE.—A room furnished comfortably and tastefully, but not extravagantly. At the back, a door to the right leads to the entrance-hall, ~ ~


Trial                (Fr/C1 + "-anz Kafka's work"/GC/S/abT)/+bp               "Franz Kafka's work"

Trial                       (D/C1 + "-oll's House"/GC/S/abT)/+bp                     "Doll's House"


1.
"Chapter One Arrest"                  ([ŋ=  w=]/C1 + "ACT i"/GC/S/abT)/+bp                   "ACT i"

2.
"Conversation with M r s"                   (S/C1 + CENE/GC/S/abT)/+bp                   SCENE

3.                  <A> room furnished comfortably and tastefully

Grubach                  (r/C1 + "-oom furnished comfortably and tastefully"/GC/S/abT)/+bp                    "room furnished comfortably and tastefully"

4.
"Then Miss Bürstner Someone must have been telling lies about Josef K"                 (b/C1 + "-ut not extravagantly"/GC/S/abT)/+bp                  "but not extravagantly"

5.                     At <the> back

"he knew he had done nothing wrong but"                  ([ŋ=  w=]/C1 + "At back"/GC/S/abT)/+bp                  "At back"

6.                       <a> door to <the> right leads to <the> entrance

"one morning"                   (d/C1 + "-oor to right leads to entrance"/GC/S/abT)/+bp                    "door to right leads to entrance"

7.
"he was arrested"                          (h/C1 + all/GC/S/abT)/+bp                      hall

Et cetera.



Virginia Woolf
http://encyclopedia.thefreedictionary.com/Virginia+Woolf ,    

*  "Charles Dickens"  >>  ("George Gissing" /C2)/P  >>  ("Leo Tolstoy" /C2/Ch)/P  >>  (Chesterton /C2)/T  >>  ("Virginia Woolf" /C2/Ch)/T

>>       Adeline Virginia Stephen Woolf,                  Woolf

*       ("Virginia Woolf" /C2)/T  >>  Woolf /C2  >>  "Adeline Virginia Stephen Woolf" /T

Born                          25 January 1882                      London, England
Died                       28 March 1941 (aged 59)            near Lewes, East Sussex, England

"1882"                          (V/T + "-irginia Woolf"/P)/+bp                      "Virginia Woolf"
January                         (V/T + "-irginia Woolf"/P)/+cp                      "Virginia Woolf"
"25"                         (V/T + "-irginia Woolf"/P)/Ch/+bp                      "Virginia Woolf"
"London, England"                (V/T + "-irginia Woolf"/P)/Ch/+cp                 "Virginia Woolf"

"1941"                          (V/P + "-irginia Woolf"/T)/+bp                      "Virginia Woolf"
March                           (V/P + "-irginia Woolf"/T)/+cp                      "Virginia Woolf"
"28"                          (V/P + "-irginia Woolf"/T)/Ch/+bp                     "Virginia Woolf"
"near Lewes, East Sussex, England"               (V/P + "-irginia Woolf"/T)/Ch/+cp               "Virginia Woolf"

>>                     member of the Bloomsbury Group
http://encyclopedia.thefreedictionary.com/Bloomsbury+Group ,  
"Bloomsbury Group"                 (V/GC/S/abT + "-irginia Woolf"/C2)                "Virginia Woolf"
"Bloomsbury Group"                 (J/GC/S/abT + "-ohn Maynard Keynes"/C2)                "John Maynard Keynes"
"Bloomsbury Group"                 ([ŋ=  y=]/GC/S/abT + "E. M. Forster"/C2)                "E. M. Forster"
"Bloomsbury Group"                 (Lyt/GC/S/abT + "- ton Strachey"/C2)                "Lytton Strachey"

*               "Bloomsbury Group"  >>  "Bloomsbury Set" /GC/S/abT

>> Woolf came to know Lytton Strachey, Clive Bell, Rupert Brooke, Saxon Sydney-Turner, Duncan Grant, Leonard Woolf and Roger Fry,

"Lytton Strachey"                     (V/C2 + "-irginia Woolf"/P)                    "Virginia Woolf"
"Clive Bell"                          (V/C1 + "-irginia Woolf"/P)                      "Virginia Woolf"
"Rupert Brooke"                      (V/S + "-irginia Woolf"/P)                      "Virginia Woolf"
http://encyclopedia.thefreedictionary.com/Duncan+Grant ,  
"Duncan Grant"                      (V/S + "-irginia Woolf"/P)/Ch                  "Virginia Woolf"
"Leonard Woolf"                     (V/C2 + "-irginia Woolf"/P)/Ch                  "Virginia Woolf"
http://encyclopedia.thefreedictionary.com/Roger+Fry ,  
"Roger Fry"                      (V/C1 + "-irginia Woolf"/P)/Ch                     "Virginia Woolf"

>> Hogarth Press, which subsequently published Virginia's novels along with works by T.S. Eliot, Laurens van der Post, and others
http://encyclopedia.thefreedictionary.com/Laurens+van+der+Post ,  
"Laurens van der Post"                   (V/S + "-irginia Woolf"/T)                  "Virginia Woolf"

>> The Press also commissioned works by contemporary artists, including Dora Carrington and Vanessa Bell
http://encyclopedia.thefreedictionary.com/Dora+Carrington ,    
"Dora Carrington"                  (V/GC/S/abT + "-irginia Woolf"/T)                "Virginia Woolf"
http://encyclopedia.thefreedictionary.com/Vanessa+Bell ,  
"Vanessa Bell"                       (V/P + "-irginia Woolf"/T)                       "Virginia Woolf"

>> liberal approach to sexuality, and in 1922 she met the writer and gardener Vita Sackville-West, wife of Harold Nicolson
http://encyclopedia.thefreedictionary.com/Vita+Sackville-West ,  
"Vita Sackville-West"                (V/GC/S/abT + "-irginia Woolf"/T)/Ch              "Virginia Woolf"
http://encyclopedia.thefreedictionary.com/Harold+Nicolson ,  
"Harold Nicolson"                   (V/P + "-irginia Woolf"/T)/Ch                    "Virginia Woolf"

>>             in a 1930 letter to the composer, Ethel Smyth
http://encyclopedia.thefreedictionary.com/Ethel+Smyth ,    
"Ethel Smyth"                   (V/GC/S/abT + "-irginia Woolf"/C2)                 "Virginia Woolf"


http://www.gutenberg.org/browse/authors/w#a89 ,  
•  Jacob's Room (English) (as Author)
•  Monday or Tuesday (English) (as Author)
•  Night and Day (English) (as Author)
•  The Voyage Out (English) (as Author)

"Jacob's Room"                (V/GC/S/abT + "-irginia Woolf's work"/C1)/+bp                 "Virginia Woolf's work"
"Monday or Tuesday"                (V/GC/S/abT + "-irginia Woolf's work"/C1)/+cp                 "Virginia Woolf's work"
"Night and Day"                (V/GC/S/abT + "-irginia Woolf's work"/C1)/Ch/+bp                 "Virginia Woolf's work"
"Voyage Out"                (V/GC/S/abT + "-irginia Woolf's work"/C1)/Ch/+cp                 "Virginia Woolf's work"

http://www.gutenberg.org/cache/epub/5071/pg5071.html ,  
George Bernard Shaw's       "The Philanderer"

"Jacob's Room"                   (P/GC/S/abT + hilanderer/C1)/+bp                    Philanderer
"Monday or Tuesday"                (P/GC/S/abT + hilanderer/C1)/+cp                 Philanderer
"Night and Day"                 (P/GC/S/abT + hilanderer/C1)/Ch/+bp                 Philanderer
"Voyage Out"                  (P/GC/S/abT + hilanderer/C1)/Ch/+cp                   Philanderer



>>     Phonetic correspondence   between     Virginia Woolf''s   "Night and Day"    and    George Bernard Shaw's    "The Philanderer"

http://www.gutenberg.org/files/1245/1245-h/1245-h.htm ,    
•  Night and Day (English) (as Author)

TO
VANESSA BELL
BUT, LOOKING FOR A PHRASE,
I FOUND NONE TO STAND
BESIDE YOUR NAME

CHAPTER I

It was a Sunday evening in October, and in common with many other young ladies of her class, Katharine Hilbery was pouring out tea. Perhaps a fifth part of her mind was thus occupied, and the remaining parts leapt over the little barrier of day which interposed between Monday morning and this rather subdued moment, and played with the things one does voluntarily and normally in the daylight. But although she was silent, she was evidently mistress of a situation which was familiar enough to her, and inclined to let it take its way for the six hundredth time, perhaps, without bringing into play any of her unoccupied faculties. A single glance was enough to show that Mrs. Hilbery was so rich in the gifts which make tea-parties of elderly distinguished people successful, that she scarcely needed any help from her daughter, provided that the tiresome business of teacups and bread and butter was discharged for her.

Considering that the little party had been seated round the tea-table for less than twenty minutes, the animation observable on their faces, ~ ~


http://www.gutenberg.org/cache/epub/5071/pg5071.html ,  
George Bernard Shaw's       "The Philanderer"

Act I
 
A lady and gentleman are making love to one another in the drawing-room of a flat in Ashly Gardens in the Victoria district of London. It is past ten at night. The walls are hung with theatrical engravings and photographs—Kemble as Hamlet, Mrs. Siddons as Queen Katharine pleading in court, Macready as Werner (after Maclise), Sir Henry Irving as Richard III (after Long), Miss Ellen Terry, Mrs. Kendal, Miss Ada Rehan, Madame Sarah Bernhardt, Mr. Henry Arthur Jones, Mr. A. W. Pinero, Mr. Sydney Grundy, and so on, but not the Signora Duse or anyone connected with Ibsen. The room is not a perfect square, ~ ~


"Night and Day"                (V/GC/S/abT + "-irginia Woolf's work"/C1)/Ch/+bp                 "Virginia Woolf's work"

"Night and Day"                 (P/GC/S/abT + hilanderer/C1)/Ch/+bp                 Philanderer


1.               ACT I <A> lady and gentleman are making love to one another in <the> drawing

"TO VANESSA BELL BUT"                  ([ŋ=  w=]/GC/S/abT + "ACT i lady and gentleman are making love to one another in drawing"/C1)/Ch/+bp                  "ACT i lady and gentleman are making love to one another in drawing"

2.    room of <a> flat in Ashly Gardens in <the> Victoria district of London --- LOOKING FOR <A> PHRASE

"LOOKING FOR PHRASE"                  (r/GC/S/abT + "-oom of flat in Ashly Gardens in Victoria district of London"/C1)/Ch/+bp                  "room of flat in Ashly Gardens in Victoria district of London"

3.
"I FOUND NONE TO STAND BESIDE YOUR NAME"                  ([ŋ=  y=]/GC/S/abT + "It is past ten at night"/C1)/Ch/+bp                  "It is past ten at night"

4. <The> walls are hung with theatrical engravings and photographs --- CHAPTER I It was <a> Sunday evening in October

"CHAPTER i It was Sunday evening in October"                  (w/GC/S/abT + "-alls are hung with theatrical engravings and photographs"/C1)/Ch/+bp                  "walls are hung with theatrical engravings and photographs"

5.
"and in common with many other young ladies of her class"                  (K/GC/S/abT + "-emble as Hamlet"/C1)/Ch/+bp                  "Kemble as Hamlet"

6.                 Mrs

"Katharine Hilbery was pouring out tea"                  ([ŋ=  y=]/GC/S/abT + "M r s"/T)/Ch/+cp                  "M r s"

7.                  Perhaps <a> fifth part of her mind was thus occupied
 
"Perhaps fifth part of her mind was thus occupied"                  (S/GC/S/abT + "-iddons as Queen Katharine pleading in court"/C1)/Ch/+bp                  "Siddons as Queen Katharine pleading in court"

8. and <the> remaining parts leapt over <the> little barrier of day which interposed between Monday morning and this rather subdued moment

"and remaining parts leapt over little barrier of day which interposed between Monday morning and this rather subdued moment"                  (M/GC/S/abT + "-acready as Werner"/C1)/Ch/+bp                  "Macready as Werner"

9.             and played with <the> things one does voluntarily and normally in <the> daylight

"and played with things one does voluntarily and normally in daylight"                  ([ŋ=  w=]/GC/S/abT + "after Maclise"/C1)/Ch/+bp                  "after Maclise"

10.
"But although she was silent"                 (S/GC/S/abT + "-ir Henry Irving as Richard i i i"/C1)/Ch/+bp                  "Sir Henry Irving as Richard i i i"

11.              she was evidently mistress of <a> situation which was familiar enough to her

"she was evidently mistress of situation which was familiar enough to her"                  ([ŋ=  w=]/GC/S/abT + "after Long"/C1)/Ch/+bp                  "after Long"

12.                  and inclined to let it take its way for <the> six hundredth time

"and inclined to let it take its way for six hundredth time"                  (M/GC/S/abT + "-iss Ellen Terry"/C1)/Ch/+bp                  "Miss Ellen Terry"

13.
perhaps                  ([ŋ=  y=]/GC/S/abT + "M r s. Kendal"/C1)/Ch/+bp                  "M r s. Kendal"

14.
"without bringing into play any of her unoccupied faculties"                  ([ŋ=  y=]/GC/S/abT + "M i s s Ada Rehan"/C1)/Ch/+bp                  "M i s s Ada Rehan"

15.              <A> single glance was enough to show that Mrs

"single glance was enough to show that M r s"                  (M/GC/S/abT + "-adame Sarah Bernhardt"/C1)/Ch/+bp                  "Madame Sarah Bernhardt"

16.                   Hilbery was so rich in <the> gifts which make tea

"Hilbery was so rich in gifts which make tea"                  ([ŋ=  y=]/GC/S/abT + "M r. Henry Arthur Jones"/C1)/Ch/+bp                  "M r. Henry Arthur Jones"

17.
"parties of elderly distinguished people successful"                  ([ŋ=  y=]/GC/S/abT + "M r. A"/C1)/Ch/+bp                  "M r. A"

18.
"that she scarcely needed any help from her daughter"                  (d/GC/S/abT + "-ouble-yu. Pinero"/C1)/Ch/+bp                  "W. Pinero"

19.  provided that <the> tiresome business of teacups and bread and butter was discharged for her

"provided that tiresome business of teacups and bread and butter was discharged for her"                  ([ŋ=  y=]/GC/S/abT + "Mr. Sydney Grundy"/C1)/Ch/+bp                  "M r. Sydney Grundy"

20.              Considering that <the> little party had been seated round <the> tea

"Considering that little party had been seated round tea"                  ([ŋ=  w=]/GC/S/abT + "and so on"/C1)/Ch/+bp                  "and so on"

21.                   but not <the> Signora Duse or anyone connected with Ibsen

"table for less than twenty minutes"                  (b/GC/S/abT + "-ut not Signora Duse or anyone connected with Ibsen"/C1)/Ch/+bp                  "but not Signora Duse or anyone connected with Ibsen"

22.        <The> room is not <a> perfect square --- <the> animation observable on their faces

"animation observable on their faces"                  (r/GC/S/abT + "-oom is not perfect square"/C1)/Ch/+bp                  "room is not perfect square"

Et cetera.



James Joyce
http://encyclopedia.thefreedictionary.com/James+Joyce ,  

* "Leo Tolstoy"  >>  ("Alexander Herzen" /T)/P  >>  ("Mikhail Bakunin" /T/Ch)/P  >>  ("Peter Kropotkin" /P)/T  >>  ("Pierre-Joseph Proudhon" /P/Ch)/T  >>  ("Fyodor Dostoevsky" /S/Ch)/P  >>  ("Gustave Flaubert" /S)/P  >>  ("Anton Chekhov" /S)/T  >>  ("James Joyce" /S/Ch)/T

>>             James Augustine Aloysius Joyce,       Joyce

*   ("James Joyce" /S)/T  >>  Joyce /GC/S/abT  >>  "James Augustine Aloysius Joyce" /C2

>>             In 1891, Joyce wrote a poem, Et Tu Healy on the death of Charles Stewart Parnell
http://encyclopedia.thefreedictionary.com/Charles+Stewart+Parnell ,    
"Charles Stewart Parnell"                    (J/P + "-ames Joyce"/S)                 "James Joyce"

>>              Nora Barnacle, a young woman from Connemara, County Galway
http://encyclopedia.thefreedictionary.com/Nora+Barnacle ,  
"Nora Barnacle"                        (J/C1 + "-ames Joyce"/S)                     "James Joyce"

>>               Leopold Bloom, the protagonist of Ulysses
http://encyclopedia.thefreedictionary.com/Leopold+Bloom ,    
"Leopold Bloom"                        (J/C2 + "-ames Joyce"/S)                     "James Joyce"

>> Frank Budgen, whose opinion Joyce constantly sought through the writing of Ulysses and Finnegans Wake
http://encyclopedia.thefreedictionary.com/Frank+Budgen ,  
"Frank Budgen"                        (J/C1 + "-ames Joyce"/T)                     "James Joyce"

>>    Ezra Pound brought him to the attention of English feminist and publisher Harriet Shaw Weaver

"Ezra Pound"                         (J/C1 + "-ames Joyce"/P)                       "James Joyce"
http://encyclopedia.thefreedictionary.com/Harriet+Shaw+Weaver ,  
"Harriet Shaw Weaver"                  (J/C1 + "-ames Joyce"/GC/S/abT)                  "James Joyce"


http://www.gutenberg.org/browse/authors/j#a1039 ,    
•  Chamber Music (English) (as Author)
•  Dubliners (English) (as Author)
•  A Portrait of the Artist as a Young Man (English) (as Author)
•  Ulysses (English) (as Author)

"Chamber Music"                   (J/GC/S/abT + "-ames Joyce' writing"/C1)/+bp                   "James Joyce' writing"
Dubliners                   (J/GC/S/abT + "-ames Joyce' writing"/C1)/+cp                   "James Joyce' writing"
"Portrait of Artist as Young Man"                   (J/GC/S/abT + "-ames Joyce' writing"/C1)/Ch/+bp                   "James Joyce' writing"
Ulysses                   (J/GC/S/abT + "-ames Joyce' writing"/C1)/Ch/+cp                   "James Joyce' writing"

http://shakespeare.mit.edu/julius_caesar/full.html ,  
William Shakespeare's          "Julius Caeser"

"Chamber Music"                   (J/GC/S/abT + "-ulius Caeser"/C1)/+bp                   "Julius Caeser"
Dubliners                   (J/GC/S/abT + "-ulius Caeser"/C1)/+cp                   "Julius Caeser"
"Portrait of Artist as Young Man"                   (J/GC/S/abT + "-ulius Caeser"/C1)/Ch/+bp                   "Julius Caeser"
Ulysses                   (J/GC/S/abT + "-ulius Caeser"/C1)/Ch/+cp                   "Julius Caeser"



>> Phonetic correspondence   between    James Joyce'   "Chamber Music"    and     William Shakespeare's    "Julius Caeser"

http://shakespeare.mit.edu/julius_caesar/full.html ,  
Julius Caeser

ACT I

SCENE I. Rome. A street.

Enter FLAVIUS, MARULLUS, and certain Commoners

FLAVIUS

Hence! home, you idle creatures get you home:
Is this a holiday? what! ~ ~


http://www.gutenberg.org/files/2817/2817-h/2817-h.htm ,  
Chamber Music

I           VII                XIII               XIX               XXV                  XXXI

II          VIII               XIV                XX               XXVI                  XXXII

III           IX               XV                XXI                XXVII                XXXIII

IV           X                XVI               XXII               XXVIII                XXXIV

V            XI                XVII             XXIII               XXIX                 XXXV

VI           XII              XVIII               XXIV              XXX                 XXXVI
    

"Chamber Music"                   (J/GC/S/abT + "-ames Joyce' writing"/C1)/+bp                   "James Joyce' writing"

"Chamber Music"                   (J/GC/S/abT + "-ulius Caeser"/C1)/+bp                   "Julius Caeser"


1.
"i"                  ([ŋ=  w=]/GC/S/abT + "ACT i SCENE i"/C1)/+bp                   "ACT i SCENE i"

2.
"v i i"                               (R/GC/S/abT + ome/C1)/+bp                             Rome

3.                <A> street
"x i i i"                              (st/GC/S/abT + reet/C1)/+bp                             street

4.
"x i x"                  ([ŋ=  y=]/GC/S/abT + "Enter FLAVIUS"/C1)/+bp                   "Enter FLAVIUS"

5.
"x x v"                        (M/GC/S/abT + ARULLUS/C1)/+bp                        MARULLUS

6.
"x x x i"                  ([ŋ=  w=]/GC/S/abT + "and certain Commoners FLAVIUS Hence"/C1)/+bp                   "and certain Commoners FLAVIUS Hence"

7.
"i i"                                 (h/GC/S/abT + ome/C1)/+bp                            home

8.
"v i i i"                  (y/GC/S/abT + "-ou idle creatures get you home"/C1)/+bp                   "you idle creatures get you home"

9.                     Is this <a> holiday

"x i v"                  ([ŋ=  y=]/GC/S/abT + "Is this holiday"/C1)/+bp                   "Is this holiday"

10.
"x x"                                (w/GC/S/abT + hat/C1)/+bp                              what

Et cetera.



>> Phonetic correspondence   between    James Joyce'   "Ulysses"    and     William Shakespeare's    "Julius Caeser"

http://shakespeare.mit.edu/julius_caesar/full.html ,  
Julius Caeser

ACT I

SCENE I. Rome. A street.

Enter FLAVIUS, MARULLUS, and certain Commoners

FLAVIUS

Hence! home, you idle creatures get you home:
Is this a holiday? what! know you not,
Being mechanical, you ought not walk
Upon a labouring day without the sign
Of your profession? Speak, what trade art thou?

First Commoner

Why, sir, a carpenter.

MARULLUS

Where is thy leather apron and thy rule?
What dost thou with thy best apparel on?
You, sir, what trade are you? ~ ~


http://www.gutenberg.org/files/4300/4300-h/4300-h.htm ,  
Ulysses

— I —

Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed. A yellow dressinggown, ungirdled, was sustained gently behind him on the mild morning air. He held the bowl aloft and intoned:

—Introibo ad altare Dei.

Halted, he peered down the dark winding stairs and called out coarsely:

—Come up, Kinch! Come up, you fearful jesuit!

Solemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding land and the awaking mountains. Then, catching sight of Stephen Dedalus, ~ ~


Ulysses                   (J/GC/S/abT + "-ames Joyce' writing"/C1)/Ch/+cp                   "James Joyce' writing"

Ulysses                   (J/GC/S/abT + "-ulius Caeser"/C1)/Ch/+cp                   "Julius Caeser"


1.
"i"                  ([ŋ=  w=]/GC/S/abT + "ACT i SCENE i"/C1)/Ch/+cp                   "ACT i SCENE i"

2.
Stately                             (R/GC/S/abT + ome/C1)/Ch/+cp                          Rome

3.                <A> street --- plump Buck Mulligan came from <the> stairhead

"plump Buck Mulligan came from stairhead"                 (st/GC/S/abT + reet/C1)/Ch/+cp                street

4.                bearing <a> bowl of lather on which <a> mirror and <a> razor lay crossed

"bearing bowl of lather on which mirror and razor lay crossed"                  ([ŋ=  y=]/GC/S/abT + "Enter FLAVIUS"/C1)/Ch/+cp                   "Enter FLAVIUS"

5.                     <A> yellow dressinggown

"yellow dressinggown"               (M/GC/S/abT + ARULLUS/C1)/Ch/+cp               MARULLUS

6.
ungirdled                  ([ŋ=  w=]/GC/S/abT + "and certain Commoners FLAVIUS Hence"/C1)/+bp                   "and certain Commoners FLAVIUS Hence"

7.                  was sustained gently behind him on <the> mild morning air

"was sustained gently behind him on mild morning air"                  (h/GC/S/abT + ome/C1)/Ch/+cp                home

8.                   He held <the> bowl aloft and intoned

"He held bowl aloft and intoned"                  (y/GC/S/abT + "-ou idle creatures get you home"/C1)/Ch/+cp                   "you idle creatures get you home"

9.                     Is this <a> holiday

"Introibo ad altare Dei"                  ([ŋ=  y=]/GC/S/abT + "Is this holiday"/C1)/Ch/+cp                   "Is this holiday"

10.
Halted                             (w/GC/S/abT + hat/C1)/Ch/+cp                            what

11. he peered down <the> dark winding stairs and called out coarsely

"he peered down dark winding stairs and called out coarsely"                (k/GC/S/abT + "-now you not"/C1)/Ch/+cp                 "know you not"

12.
"Come up"                (B/GC/S/abT + "-eing mechanical"/C1)/Ch/+cp                 "Being mechanical"

13.            you ought not walk Upon <a> labouring day without <the> sign Of your profession

Kinch                (y/GC/S/abT + "-ou ought not walk Upon labouring day without sign Of your profession"/C1)/Ch/+cp                 "you ought not walk Upon labouring day without sign Of your profession"

14.
"Come up"                         (S/GC/S/abT + peak/C1)/Ch/+cp                         Speak

15.
"you fearful jesuit"                (w/GC/S/abT + "-hat trade art thou"/C1)/Ch/+cp                 "what trade art thou"

16.                  Solemnly he came forward and mounted <the> round gunrest

"Solemnly he came forward and mounted round gunrest"                (F/GC/S/abT + "-irst Commoner Why"/C1)/Ch/+cp                 "First Commoner Why"

17.              sir, <a> carpenter --- He faced about and blessed gravely thrice <the> tower

"He faced about and blessed gravely thrice tower"                  (s/GC/S/abT + "-ir, carpenter"/C1)/Ch/+cp                 "sir, carpenter"

18.                  <the> surrounding land and <the> awaking mountains

"surrounding land and awaking mountains"                (M/GC/S/abT + "-ARULLUS Where is thy leather apron and thy rule"/C1)/Ch/+cp                 "MARULLUS Where is thy leather apron and thy rule"

19.
Then                (W/GC/S/abT + "-hat dost thou with thy best apparel on"/C1)/Ch/+cp                 "What dost thou with thy best apparel on"

20.
"catching sight of Stephen Dedalus"                (Y/GC/S/abT + "-ou, sir, what trade are you"/C1)/Ch/+cp                 "You, sir, what trade are you"

Et cetera.



Ezra Pound
http://encyclopedia.thefreedictionary.com/Ezra+Pound ,    

"Ezra Pound"                         (J/C1 + "-ames Joyce"/P)                       "James Joyce"

>>            Ezra Loomis Pound,                    Pound

*           "Ezra Pound"  >>   Pound /S  >>  "Ezra Loomis Pound" /GC/S/abT

American expatriate poet and critic

>>    Elkin Mathews—publisher of Yeats's Wind Among the Reeds and the Book of the Rhymer's Club
http://encyclopedia.thefreedictionary.com/Charles+Elkin+Mathews ,  
"Elkin Mathews"                    ([ŋ=  y=]/C2 + "Ezra Pound"/P)                   "Ezra Pound"

>> novelist Olivia Shakespear—Yeats's former lover and the subject of his The Lover Mourns for the Loss of Love
http://encyclopedia.thefreedictionary.com/Dorothy+Shakespear ,  
"Dorothy Shakespear"                   ([ŋ=  y=]/P + "Ezra Pound"/C1)                  "Ezra Pound"

http://www.gutenberg.org/ebooks/search.html/?default_prefix=author_id&sort_order=title&query=2637 ,    
•  Certain Noble Plays of Japan                    Ezra Pound
•  Hugh Selwyn Mauberley                         Ezra Pound

•  The Cantos             <The Pisan Cantos>
http://www.poemhunter.com/poem/canto-1/ ,  
http://www.questia.com/PM.qst?a=o&d=65945965 ,  

"Certain Noble Plays of Japan"                  ([ŋ=  y=]/S + "Ezra Pound's work"/C1)                  "Ezra Pound's work"
"Hugh Selwyn Mauberley"                  ([ŋ=  y=]/S + "Ezra Pound's work"/C1)/Ch                  "Ezra Pound's work"

"Pisan Cantos"                  ([ŋ=  y=]/GC/S/abT + "Ezra Pound's work"/C1)                  "Ezra Pound's work"
Cantos                  ([ŋ=  y=]/GC/S/abT + "Ezra Pound's work"/C1)/Ch                  "Ezra Pound's work"

http://www.gutenberg.org/files/15492/15492-h/15492-h.htm ,  
Henrik Ibsen's       "A Doll's House"

"Certain Noble Plays of Japan"                  (D/S + "-oll's House"/C1)                  "Doll's House"
"Hugh Selwyn Mauberley"                  (D/S + "-oll's House"/C1)/Ch                  "Doll's House"

"Pisan Cantos"                    (D/GC/S/abT + "-oll's House"/C1)                  "Doll's House"
Cantos                      (D/GC/S/abT + "-oll's House"/C1)/Ch                    "Doll's House"



>> Phonetic correspondence   between     Ezra Pound's   "Certain Noble Plays of Japan"    and    Henrik Ibsen's       "A Doll's House"

http://www.gutenberg.org/files/15492/15492-h/15492-h.htm ,  
A Doll's House

ACT I

(SCENE.—A room furnished comfortably and tastefully, but not extravagantly. At the back, a door to the right leads to the entrance-hall, another to the left leads to Helmer's study. Between the doors stands a piano. In the middle of the left-hand wall is a door, and beyond it a window. Near the window are a round table, armchairs and a small sofa. In the right-hand wall, at the farther end, another door; and on the same side, nearer the footlights, a stove, two easy chairs and a rocking-chair; between the stove and the door, a small table. Engravings on the wall; a cabinet with china and other small objects; a small book- ~ ~


http://www.gutenberg.org/cache/epub/8094/pg8094.html ,    
Certain Noble Plays of Japan

FROM THE MANUSCRIPTS OF ERNEST FENOLLOSA,
CHOSEN AND FINISHED BY EZRA POUND,
WITH AN INTRODUCTION BY WILLIAM BUTLER YEATS

INTRODUCTION

I

In the series of books I edit for my sister I confine myself to those that have I believe some special value to Ireland, now or in the future. I have asked Mr. Pound for these beautiful plays because I think they will help me to explain a certain possibility of the Irish dramatic movement. I am writing these words with my imagination stirred by a visit to the studio of Mr. Dulac, the distinguished illustrator of the Arabian Nights. I saw there the mask and head-dress to be worn in a play of mine by the player who will speak the part of Cuchulain, and who wearing this noble half-Greek half-Asiatic face will appear perhaps like an image seen in revery by some Orphic worshipper. I hope to have attained the distance from life which can make credible strange events, elaborate words. I have written a little play that can be played in a room for so little money that forty or fifty readers of poetry can pay the price. There will be no scenery, for three musicians, whose seeming sun-burned faces will I hope suggest that they have wandered from village to village in some country of our dreams, can describe place and weather, and at moments action, and accompany it all by drum and gong or flute and dulcimer. Instead of the players working themselves into a violence of passion indecorous in our sitting-room, the music, the beauty of form and voice all come to climax in pantomimic dance. ~ ~


"Certain Noble Plays of Japan"                  ([ŋ=  y=]/S + "Ezra Pound's work"/C1)                  "Ezra Pound's work"

"Certain Noble Plays of Japan"                  (D/S + "-oll's House"/C1)                  "Doll's House"


1.                  FROM <THE> MANUSCRIPTS OF ERNEST FENOLLOSA

"FROM MANUSCRIPTS OF ERNEST FENOLLOSA"                    ([ŋ=  w=]/S + "ACT i"/C1)                   "ACT i"

2.
"CHOSEN AND FINISHED BY EZRA POUND"                  (S/S + CENE/C1)                  SCENE

3. <A> room furnished comfortably and tastefully --- WITH <AN> INTRODUCTION BY WILLIAM BUTLER YEATS INTRODUCTION I In <the> series of books I edit for my sister I confine myself to those that have I believe some special value to Ireland

"WITH INTRODUCTION BY WILLIAM BUTLER YEATS INTRODUCTION I In series of books I edit for my sister I confine myself to those that have I believe some special value to Ireland"                   (r/S + "-oom furnished comfortably and tastefully"/C1)                  "room furnished comfortably and tastefully"

4.                      now or in <the> future

"now or in future"                   (b/S + "-ut not extravagantly"/C1)                  "but not extravagantly"

5.                           At <the> back

"I have asked M r"                      ([ŋ=  w=]/S + "At back"/C1)                     "At back"

6. <a> door to <the> right leads to <the> entrance --- Pound for these beautiful plays because I think they will help me to explain <a> certain possibility of <the> Irish dramatic movement

"Pound for these beautiful plays because I think they will help me to explain certain possibility of Irish dramatic movement"                 (d/S + "-oor to right leads to entrance"/C1)                 "door to right leads to entrance"

7.         I am writing these words with my imagination stirred by <a> visit to <the> studio of Mr

"I am writing these words with my imagination stirred by visit to studio of M r"                 (h/S + all/C1)                hall

8.                   another to <the> left leads to Helmer's study

Dulac                   ([ŋ=  w=]/S + "another to left leads to Helmer's study"/C1)                   "another to left leads to Helmer's study"

9.     Between <the> doors stands <a> piano --- <the> distinguished illustrator of <the> Arabian Nights

"distinguished illustrator of Arabian Nights"                   (B/S + "-etween doors stands piano"/C1)                 "Between doors stands piano"

10.                     In <the> middle of <the> left --- I saw there <the> mask and head

"I saw there mask and head"                  ([ŋ=  y=]/S + "In middle of left"/C1)                "In middle of left"

11. hand wall is <a> door --- dress to be worn in <a> play of mine by the player who will speak <the> part of Cuchulain

"dress to be worn in play of mine by player who will speak the part of Cuchulain"                  (h/S + "-and wall is door"/C1)                "hand wall is door"

12.                          and beyond it <a> window

"and who wearing this noble half"                 ([ŋ=  w=]/S + "and beyond it window"/C1)                 "and beyond it window"

13.                   Near <the> window are <a> round table

"Greek half"               (N/S + "-ear window are round table"/C1)                "Near window are round table"

14. armchairs and <a> small sofa --- Asiatic face will appear perhaps like <an> image seen in revery by some Orphic worshipper

"Asiatic face will appear perhaps like image seen in revery by some Orphic worshipper"                ([ŋ=  w=]/S + "armchairs and small sofa"/C1)               "armchairs and small sofa"

15. In <the> right --- I hope to have attained <the> distance from life which can make credible strange events

"I hope to have attained distance from life which can make credible strange events"                 ([ŋ=  y=]/S + "In right"/C1)                  "In right"

16.
"elaborate words"                        (h/S + "-and wall"/C1)                         "hand wall"

17. at <the> farther end --- I have written <a> little play that can be played in <a> room for so little money that forty or fifty readers of poetry can pay <the> price

"I have written little play that can be played in room for so little money that forty or fifty readers of poetry can pay price"                 ([ŋ=  w=]/S + "at farther end"/C1)                  "at farther end"

18.
"There will be no scenery"               ([ŋ=  w=]/S + "another door"/C1)               "another door"

19.                             and on <the> same side

"for three musicians"                  ([ŋ=  w=]/S + "and on same side"/C1)                 "and on same side"

20.                     nearer <the> footlights

"whose seeming sun"                 (n/S + "-earer footlights"/C1)               "nearer footlights"

21.                   <a> stove

"burned faces will I hope suggest that they have wandered from village to village in some country of our dreams"                 (s/S + tove/C1)                 stove

22.                  two easy chairs and <a> rocking

"can describe place and weather"                   (t/S + "-wo easy chairs and rocking"/C1)                "two easy chairs and rocking"

23.
"and at moments action"                             (c/S + hair/C1)                           chair

24.               between <the> stove and <the> door

"and accompany it all by drum and gong or flute and dulcimer"                 (b/S + "-etween stove and door"/C1)                "between stove and door"

25. <a> small table --- Instead of <the> players working themselves into <a> violence of passion indecorous in our sitting

"Instead of players working themselves into violence of passion indecorous in our sitting"                   (s/S + "-mall table"/C1)                  "small table"

26.                 Engravings on <the> wall

room                   ([ŋ=  w=]/S + "Engravings on wall"/C1)                    "Engravings on wall"

27.                    <a> cabinet with china and other small objects --- <the> music

music                    (c/S + "-abinet with china and other small objects"/C1)                   "cabinet with china and other small objects"

28.        <a> small book --- <the> beauty of form and voice all come to climax in pantomimic dance

"beauty of form and voice all come to climax in pantomimic dance"                   (s/S + "-mall book"/C1)                   "small book"

Et cetera.



>> Phonetic correspondence   between     Ezra Pound's   "Certain Noble Plays of Japan"    and    Henrik Ibsen's       "A Doll's House"

http://www.gutenberg.org/cache/epub/23538/pg23538.html ,    
•  Hugh Selwyn Mauberley

BY
E. P.

"VOCAT ÆSTUS IN UMBRAM"
           Nemesianus Ec. IV.

H. S. Mauberley

(LIFE AND CONTACTS)

E.P. ODE POUR SELECTION DE SON SEPULCHRE
FOR three years, out of ~ ~


http://www.gutenberg.org/files/15492/15492-h/15492-h.htm ,  
Henrik Ibsen's       "A Doll's House"


"Hugh Selwyn Mauberley"                  ([ŋ=  y=]/S + "Ezra Pound's work"/C1)/Ch                  "Ezra Pound's work"

"Hugh Selwyn Mauberley"                  (D/S + "-oll's House"/C1)/Ch                  "Doll's House"


1.
"BY E"                            ([ŋ=  w=]/S + "ACT i"/C1)/Ch                            "ACT i"

2.
P                                        (S/S + CENE/C1)/Ch                                SCENE

3.             <A> room furnished comfortably and tastefully

VOCAT                   (r/S + "-oom furnished comfortably and tastefully"/C1)/Ch                  "room furnished comfortably and tastefully"

4.
ÆSTUS                   (b/S + "-ut not extravagantly"/C1)/Ch                  "but not extravagantly"

5.                           At <the> back

IN                              ([ŋ=  w=]/S + "At back"/C1)/Ch                          "At back"

6.                      <a> door to <the> right leads to <the> entrance

UMBRAM                 (d/S + "-oor to right leads to entrance"/C1)/Ch                 "door to right leads to entrance"

7.
Nemesianus                                 (h/S + all/C1)/Ch                                   hall

8.                   another to <the> left leads to Helmer's study

Ec                    ([ŋ=  w=]/S + "another to left leads to Helmer's study"/C1)/Ch                   "another to left leads to Helmer's study"

9.              Between <the> doors stands <a> piano

"i v"                   (B/S + "-etween doors stands piano"/C1)/Ch                 "Between doors stands piano"

10.                     In <the> middle of <the> left

H                      ([ŋ=  y=]/S + "In middle of left"/C1)/Ch                  "In middle of left"

11.                     hand wall is <a> door

S                          (h/S + "-and wall is door"/C1)/Ch                     "hand wall is door"

12.                          and beyond it <a> window

Mauberley                  ([ŋ=  w=]/S + "and beyond it window"/C1)/Ch                 "and beyond it window"

13.                   Near <the> window are <a> round table

LIFE                (N/S + "-ear window are round table"/C1)/Ch                "Near window are round table"

14.                    armchairs and <a> small sofa

AND                 ([ŋ=  w=]/S + "armchairs and small sofa"/C1)/Ch               "armchairs and small sofa"

15.                    In <the> right

CONTACTS                        ([ŋ=  y=]/S + "In right"/C1)/Ch                        "In right"

16.
E                                   (h/S + "-and wall"/C1)/Ch                           "hand wall"

17.                         at <the> farther end

P                     ([ŋ=  w=]/S + "at farther end"/C1)/Ch                       "at farther end"

18.
ODE                      ([ŋ=  w=]/S + "another door"/C1)/Ch                     "another door"

19.                             and on <the> same side

POUR                   ([ŋ=  w=]/S + "and on same side"/C1)/Ch                 "and on same side"

20.                     nearer <the> footlights

SELECTION                    (n/S + "-earer footlights"/C1)/Ch                  "nearer footlights"

21.                           <a> stove

DE                                    (s/S + tove/C1)/Ch                                    stove

22.                  two easy chairs and <a> rocking

SON                    (t/S + "-wo easy chairs and rocking"/C1)/Ch                "two easy chairs and rocking"

23.
SEPULCHRE                                (c/S + hair/C1)/Ch                                 chair

24.                    between <the> stove and <the> door

FOR                 (b/S + "-etween stove and door"/C1)/Ch                "between stove and door"

25.                            <a> small table

three                            (s/S + "-mall table"/C1)/Ch                           "small table"

26.                     Engravings on <the> wall

years                   ([ŋ=  w=]/S + "Engravings on wall"/C1)/Ch                    "Engravings on wall"

27.                      <a> cabinet with china and other small objects

out                    (c/S + "-abinet with china and other small objects"/C1)/Ch                   "cabinet with china and other small objects"

28.                            <a> small book

of                                 (s/S + "-mall book"/C1)/Ch                          "small book"

Et cetera.



>> Phonetic correspondence   between     Ezra Pound's   "Pisan Cantos"    and    Henrik Ibsen's       "A Doll's House"

http://www.questia.com/PM.qst?a=o&d=65945965 ,  
Pisan Cantos

I
AND then went down to the ship,
Set keel to breakers, forth on the godly sea, and
We set up mast and sail on that swart ship,
Bore sheep aboard her, and our bodies also
Heavy with weeping, and winds from sternward
Bore us out onward with bellying canvas,
Circe's this craft, the trim-coifed goddess.

Then sat we amidships, wind jamming the tiller,
Thus with stretched sail, we went over sea till day's end.
Sun to his slumber, shadows o'er all the ocean,
Came we then to the bounds of deepest water,
To the Kimmerian lands, and peopled cities
Covered with close-webbed mist, unpierced ever
With glitter of sun-rays
Nor with stars stretched, nor looking back from heaven
Swartest night stretched over wretched men there.

The ocean flowing backward, came we then to the place
Aforesaid by Circe.

Here did they rites, Perimedes and Eurylochus, ~ ~


http://www.gutenberg.org/files/15492/15492-h/15492-h.htm ,  
Henrik Ibsen's       "A Doll's House"


"Pisan Cantos"                  ([ŋ=  y=]/GC/S/abT + "Ezra Pound's work"/C1)                  "Ezra Pound's work"

"Pisan Cantos"                    (D/GC/S/abT + "-oll's House"/C1)                  "Doll's House"


1.
i                             ([ŋ=  w=]/GC/S/abT + "ACT i"/C1)                            "ACT i"

2.                   AND then went down to <the> ship

"AND then went down to ship"                    (S/GC/S/abT + CENE/C1)                  SCENE

3.             <A> room furnished comfortably and tastefully

"Set keel to breakers"                   (r/GC/S/abT + "-oom furnished comfortably and tastefully"/C1)                  "room furnished comfortably and tastefully"

4.                      forth on <the> godly sea

"forth on godly sea"                   (b/GC/S/abT + "-ut not extravagantly"/C1)                  "but not extravagantly"

5.                           At <the> back

"and We set up mast and sail on that swart ship"                   ([ŋ=  w=]/GC/S/abT + "At back"/C1)                   "At back"

6.                      <a> door to <the> right leads to <the> entrance

"Bore sheep aboard her"                 (d/GC/S/abT + "-oor to right leads to entrance"/C1)                 "door to right leads to entrance"

7.
"and our bodies also Heavy with weeping"                 (h/GC/S/abT + all/C1)                hall

8.                   another to <the> left leads to Helmer's study

"and winds from sternward Bore us out onward with bellying canvas"                   ([ŋ=  w=]/GC/S/abT + "another to left leads to Helmer's study"/C1)                   "another to left leads to Helmer's study"

9.                   Between <the> doors stands <a> piano

"Circe's this craft"                   (B/GC/S/abT + "-etween doors stands piano"/C1)                 "Between doors stands piano"

10.                     In <the> middle of <the> left --- <the> trim

trim                  ([ŋ=  y=]/GC/S/abT + "In middle of left"/C1)                 "In middle of left"

11.                     hand wall is <a> door

"coifed goddess"                  (h/GC/S/abT + "-and wall is door"/C1)                "hand wall is door"

12.                          and beyond it <a> window

"Then sat we amidships"                 ([ŋ=  w=]/GC/S/abT + "and beyond it window"/C1)                 "and beyond it window"

13.                   Near <the> window are <a> round table --- wind jamming <the> tiller

"wind jamming tiller"               (N/GC/S/abT + "-ear window are round table"/C1)                "Near window are round table"

14.                    armchairs and <a> small sofa

"Thus with stretched sail"                ([ŋ=  w=]/GC/S/abT + "armchairs and small sofa"/C1)               "armchairs and small sofa"

15.                    In <the> right

"we went over sea till day's end"                 ([ŋ=  y=]/GC/S/abT + "In right"/C1)                  "In right"

16.
"Sun to his slumber"                   (h/GC/S/abT + "-and wall"/C1)                   "hand wall"

17.                         at <the> farther end --- shadows o'er all <the> ocean

"shadows o'er all ocean"                 ([ŋ=  w=]/GC/S/abT + "at farther end"/C1)                  "at farther end"

18.                     Came we then to <the> bounds of deepest water

"Came we then to bounds of deepest water"               ([ŋ=  w=]/GC/S/abT + "another door"/C1)               "another door"

19.                             and on <the> same side --- To <the> Kimmerian lands

"To Kimmerian lands"                  ([ŋ=  w=]/GC/S/abT + "and on same side"/C1)                 "and on same side"

20.                     nearer <the> footlights

"and peopled cities Covered with close"                 (n/GC/S/abT + "-earer footlights"/C1)               "nearer footlights"

21.                   <a> stove

"webbed mist"                            (s/GC/S/abT + tove/C1)                             stove

22.                  two easy chairs and <a> rocking

"unpierced ever With glitter of sun"                   (t/GC/S/abT + "-wo easy chairs and rocking"/C1)                "two easy chairs and rocking"

23.
"rays Nor with stars stretched"                      (c/GC/S/abT + hair/C1)                    chair

24.               between <the> stove and <the> door

"nor looking back from heaven Swartest night stretched over wretched men there"                 (b/GC/S/abT + "-etween stove and door"/C1)                "between stove and door"

25.                            <a> small table --- <The> ocean flowing backward

"ocean flowing backward"                   (s/GC/S/abT + "-mall table"/C1)                  "small table"

26.                 Engravings on <the> wall --- came we then to <the> place Aforesaid by Circe

"came we then to place Aforesaid by Circe"                  ([ŋ=  w=]/GC/S/abT + "Engravings on wall"/C1)                    "Engravings on wall"

27.                    <a> cabinet with china and other small objects

"Here did they rites"                    (c/GC/S/abT + "-abinet with china and other small objects"/C1)                   "cabinet with china and other small objects"

28.                            <a> small book

"Perimedes and Eurylochus"                   (s/GC/S/abT + "-mall book"/C1)                   "small book"

Et cetera.



>> Phonetic correspondence   between     Ezra Pound's   "Cantos"    and    Henrik Ibsen's       "A Doll's House"

http://www.questia.com/PM.qst?a=o&d=65945965 ,  
Cantos

XXX

COMPLEYNT, compleynt I hearde upon a day,
Artemis singing, Artemis, Artemis
Agaynst Pity lifted her wail:
Pity causeth the forests to fail,
Pity slayeth my nymphs,
Pity spareth so many an evil thing.
Pity befouleth April,
Pity is the root and the spring.
Now if no fayre creature followeth me
It is on account of Pity,
It is on account that Pity forbideth them slaye.
All things are made foul in this season,
This is the reason, none may seek purity
Having for foulnesse pity
And things growne awry;
No more do my shaftes fly
To slay. Nothing is now clean slayne
But rotteth away.

In Paphos, on a day
I also heard:
... goeth not with young Mars to playe
But she hath pity on a doddering fool,
She tendeth his fyre,
She keepeth his embers warm.

Time is the evil. Evil.

A day, and a day
Walked the young Pedro baffled,
a day and a day ~ ~


http://www.gutenberg.org/files/15492/15492-h/15492-h.htm ,  
Henrik Ibsen's       "A Doll's House"


Cantos                  ([ŋ=  y=]/GC/S/abT + "Ezra Pound's work"/C1)/Ch                  "Ezra Pound's work"

Cantos                      (D/GC/S/abT + "-oll's House"/C1)/Ch                    "Doll's House"


1.
"x x x"                         ([ŋ=  w=]/GC/S/abT + "ACT i"/C1)/Ch                       "ACT i"

2.
COMPLEYNT                            (S/GC/S/abT + CENE/C1)/Ch                         SCENE

3.             <A> room furnished comfortably and tastefully --- compleynt I hearde upon <a> day

"compleynt I hearde upon day"                   (r/GC/S/abT + "-oom furnished comfortably and tastefully"/C1)/Ch                  "room furnished comfortably and tastefully"

4.
"Artemis singing"                   (b/GC/S/abT + "-ut not extravagantly"/C1)/Ch                  "but not extravagantly"

5.                           At <the> back

Artemis                   ([ŋ=  w=]/GC/S/abT + "At back"/C1)/Ch                   "At back"

6.                      <a> door to <the> right leads to <the> entrance

"Artemis Agaynst Pity lifted her wail"                 (d/GC/S/abT + "-oor to right leads to entrance"/C1)/Ch                 "door to right leads to entrance"

7.                       Pity causeth <the> forests to fail

"Pity causeth forests to fail"                      (h/GC/S/abT + all/C1)/Ch                     hall

8.                   another to <the> left leads to Helmer's study

"Pity slayeth my nymphs"                   ([ŋ=  w=]/GC/S/abT + "another to left leads to Helmer's study"/C1)/Ch                   "another to left leads to Helmer's study"

9.              Between <the> doors stands <a> piano --- Pity spareth so many <ab> evil thing

"Pity spareth so many evil thing"                   (B/GC/S/abT + "-etween doors stands piano"/C1)/Ch                 "Between doors stands piano"

10.                     In <the> middle of <the> left

"Pity befouleth April"                   ([ŋ=  y=]/GC/S/abT + "In middle of left"/C1)/Ch                 "In middle of left"

11.                     hand wall is <a> door --- Pity is <the> root and <the> spring

"Pity is root and spring"                  (h/GC/S/abT + "-and wall is door"/C1)/Ch                "hand wall is door"

12.                          and beyond it <a> window

"Now if no fayre creature followeth me It is on account of Pity"                 ([ŋ=  w=]/GC/S/abT + "and beyond it window"/C1)/Ch                 "and beyond it window"

13.                   Near <the> window are <a> round table

"It is on account that Pity forbideth them slaye"               (N/GC/S/abT + "-ear window are round table"/C1)/Ch                "Near window are round table"

14.                    armchairs and <a> small sofa

"All things are made foul in this season"                ([ŋ=  w=]/GC/S/abT + "armchairs and small sofa"/C1)/Ch               "armchairs and small sofa"

15.                    In <the> right --- This is <the> reason

"This is reason"                 ([ŋ=  y=]/GC/S/abT + "In right"/C1)/Ch                  "In right"

16.
"none may seek purity Having for foulnesse pity And things growne awry"                (h/GC/S/abT + "-and wall"/C1)/Ch                "hand wall"

17.                         at <the> farther end

"No more do my shaftes fly To slay"                 ([ŋ=  w=]/GC/S/abT + "at farther end"/C1)/Ch                  "at farther end"

18.
"Nothing is now clean slayne But rotteth away"               ([ŋ=  w=]/GC/S/abT + "another door"/C1)/Ch               "another door"

19.                             and on <the> same side

"In Paphos"                  ([ŋ=  w=]/GC/S/abT + "and on same side"/C1)/Ch                 "and on same side"

20.                     nearer <the> footlights --- on <a> day I also heard

"on day I also heard"                 (n/GC/S/abT + "-earer footlights"/C1)/Ch               "nearer footlights"

21.      <a> stove --- goeth not with young Mars to playe But she hath pity on <a> doddering fool

"goeth not with young Mars to playe But she hath pity on doddering fool"                (s/GC/S/abT + tove/C1)/Ch                  stove

22.                  two easy chairs and <a> rocking

"She tendeth his fyre"                   (t/GC/S/abT + "-wo easy chairs and rocking"/C1)/Ch                "two easy chairs and rocking"

23.
"She keepeth his embers warm"                    (c/GC/S/abT + hair/C1)/Ch                chair

24.               between <the> stove and <the> door --- Time is <the> evil

"Time is evil"                 (b/GC/S/abT + "-etween stove and door"/C1)/Ch                "between stove and door"

25.                            <a> small table

Evil                        (s/GC/S/abT + "-mall table"/C1)/Ch                         "small table"

26.                     Engravings on <the> wall --- <A> day

day                  ([ŋ=  w=]/GC/S/abT + "Engravings on wall"/C1)/Ch                    "Engravings on wall"

27.     <a> cabinet with china and other small objects --- and <a> day Walked <the> young Pedro baffled

"and day Walked young Pedro baffled"                    (c/GC/S/abT + "-abinet with china and other small objects"/C1)/Ch                   "cabinet with china and other small objects"

28.                    <a> small book --- <a> day and <a> day

"day and day"                   (s/GC/S/abT + "-mall book"/C1)/Ch                   "small book"

Et cetera.



Gustave Flaubert
http://encyclopedia.thefreedictionary.com/Gustave+Flaubert ,    

* "Leo Tolstoy"  >>  ("Alexander Herzen" /T)/P  >>  ("Mikhail Bakunin" /T/Ch)/P  >>  ("Peter Kropotkin" /P)/T  >>  ("Pierre-Joseph Proudhon" /P/Ch)/T  >>  ("Fyodor Dostoevsky" /S/Ch)/P  >>  ("Gustave Flaubert" /S)/P

*           ("Gustave Flaubert" /S/Ch)/P  >>  Flaubert /GC/S/abT

Born                       12 December 1821                             Rouen, France
Died                      8 May 1880 (aged 58)                           Rouen, France

"1821"                    (G/T + "-ustave Flaubert"/P)/+bp                     "Gustave Flaubert"
December                   (G/T + "-ustave Flaubert"/P)/+cp                   "Gustave Flaubert"
"12"                    (G/T + "-ustave Flaubert"/P)/Ch/+bp                    "Gustave Flaubert"
"Rouen, France"            (G/T + "-ustave Flaubert"/P)/Ch/+cp                 "Gustave Flaubert"

"1880"                    (G/T + "-ustave Flaubert"/S)/+bp                     "Gustave Flaubert"
May                       (G/T + "-ustave Flaubert"/S)/+cp                     "Gustave Flaubert"
"8"                    (G/T + "-ustave Flaubert"/S)/Ch/+bp                     "Gustave Flaubert"
"Rouen, France"             (G/T + "-ustave Flaubert"/S)/Ch/+cp               "Gustave Flaubert"

>>    From 1846 to 1854, Flaubert had a relationship with the poet Louise Colet
http://encyclopedia.thefreedictionary.com/Louise+Colet ,    
"Louise Colet"                (G/GC/S/abT + "-ustave Flaubert"/S)               "Gustave Flaubert"

>>       close friendship and correspondence with George Sand

"George Sand"                   (G/C2 + "-ustave Flaubert"/S)                  "Gustave Flaubert"

>>   The Temptation of Saint Anthony. He read the novel aloud to Louis Bouilhet and Maxime du Camp
http://encyclopedia.thefreedictionary.com/Louis+Bouilhet ,  
"Louis Bouilhet"                (G/GC/S/abT + "-ustave Flaubert"/P)               "Gustave Flaubert"


http://www.gutenberg.org/browse/authors/f#a574 ,  
•  Bouvard and Pécuchet
A Tragi-comic Novel of Bourgeois Life (English) (as Author)
•  Bouvard et Pécuchet (French) (as Author)
•  Un coeur simple (French) (as Author)
•  Dictionnaire des idées reçues (French) (as Author)

"Bouvard and Pécuchet"              (G/GC/S/abT + "-ustave Flaubert's work"/P)/+bp                "Gustave Flaubert's work"
"Tragi-comic Novel of Bourgeois Life"              (G/GC/S/abT + "-ustave Flaubert's writing"/P)/+bp                "Gustave Flaubert's writing"

"Bouvard et Pécuchet"              (G/GC/S/abT + "-ustave Flaubert's work"/P)/+cp                "Gustave Flaubert's work"
"coeur simple"              (G/GC/S/abT + "-ustave Flaubert's work"/P)/Ch/+bp                "Gustave Flaubert's work"
"Dictionnaire des idées reçues"              (G/GC/S/abT + "-ustave Flaubert's work"/P)/Ch/+cp                "Gustave Flaubert's work"

http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's      "King Lear"

"Bouvard and Pécuchet"              (K/GC/S/abT + "-ing Lear"/P)/+bp                 "King Lear"
"Bouvard et Pécuchet"                (K/GC/S/abT + "-ing Lear"/P)/+cp                 "King Lear"
"coeur simple"                  (K/GC/S/abT + "-ing Lear"/P)/Ch/+bp                   "King Lear"
"Dictionnaire des idées reçues"              (K/GC/S/abT + "-ing Lear"/P)/Ch/+cp                "King Lear"

•  Drie Vertellingen (Dutch) (as Author)
•  Frau Bovary (German) (as Author)
•  The George Sand-Gustave Flaubert Letters (English) (as Author)
•  Herodias (English) (as Author)

"Drie Vertellingen"              (G/GC/S/abT + "-ustave Flaubert's work"/S)/+bp                "Gustave Flaubert's work"
"Frau Bovary"              (G/GC/S/abT + "-ustave Flaubert's work"/S)/+cp                "Gustave Flaubert's work"
"George Sand-Gustave Flaubert Letters"              (G/GC/S/abT + "-ustave Flaubert's work"/S)/Ch/+bp                "Gustave Flaubert's work"
Herodias              (G/GC/S/abT + "-ustave Flaubert's work"/S)/Ch/+cp                "Gustave Flaubert's work"

http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's      "King Lear"

"Drie Vertellingen"                  (K/GC/S/abT + "-ing Lear"/S)/+bp                  "King Lear"
"Frau Bovary"                     (K/GC/S/abT + "-ing Lear"/S)/+cp                    "King Lear"
"George Sand-Gustave Flaubert Letters"              (K/GC/S/abT + "-ing Lear"/S)/Ch/+bp                "King Lear"
Herodias                       (K/GC/S/abT + "-ing Lear"/S)/Ch/+cp                    "King Lear"

•  Madame Bovary (English) (as Author)
•  Madame Bovary (French) (as Author)
•  Madame Bovary
A Tale of Provincial Life (English) (as Author)
•  Over Strand and Field (English) (as Author)

"Madame Bovary"              (G/GC/S/abT + "-ustave Flaubert's work"/C2)/+bp                "Gustave Flaubert's work"
"Madame Bovary"              (G/GC/S/abT + "-ustave Flaubert's work"/C2)/+cp                "Gustave Flaubert's work"

"Madame Bovary"              (G/GC/S/abT + "-ustave Flaubert's work"/C2)/Ch/+bp                "Gustave Flaubert's work"
"Tale of Provincial Life"              (G/GC/S/abT + "-ustave Flaubert's writing"/C2)/Ch/+bp                "Gustave Flaubert's writing"

"Over Strand and Field"              (G/GC/S/abT + "-ustave Flaubert's work"/C2)/Ch/+cp                "Gustave Flaubert's work"

http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's      "King Lear"

"Madame Bovary"                  (K/GC/S/abT + "-ing Lear"/C2)/+bp                  "King Lear"
"Madame Bovary"                 (K/GC/S/abT + "-ing Lear"/C2)/+cp                   "King Lear"
"Madame Bovary"               (K/GC/S/abT + "-ing Lear"/C2)/Ch/+bp                 "King Lear"
"Over Strand and Field"              (K/GC/S/abT + "-ing Lear"/C2)/Ch/+cp                "King Lear"

•  Salambo
Ein Roman aus Alt-Karthago (German) (as Author)
•  Salammbo (English) (as Author)
•  Sentimental Education Vol 1 (English) (as Author)
•  Sentimental Education, Volume II
The History of a Young Man (English) (as Author)

Salambo              (G/GC/S/abT + "-ustave Flaubert's work"/T)/+bp                "Gustave Flaubert's work"
"Roman aus Alt-Karthago"              (G/GC/S/abT + "-ustave Flaubert's writing"/T)/+bp                "Gustave Flaubert's writing"

Salammbo              (G/GC/S/abT + "-ustave Flaubert's work"/T)/+cp                "Gustave Flaubert's work"
"Sentimental Education V o l i"              (G/GC/S/abT + "-ustave Flaubert's work"/T)/Ch/+bp                "Gustave Flaubert's work"

"Sentimental Education, Volume i i"              (G/GC/S/abT + "-ustave Flaubert's work"/T)/Ch/+cp                "Gustave Flaubert's work"
"History of Young Man"              (G/GC/S/abT + "-ustave Flaubert's writing"/T)/Ch/+cp                "Gustave Flaubert's writing"

http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's      "King Lear"

Salambo                        (K/GC/S/abT + "-ing Lear"/T)/+bp                      "King Lear"
Salammbo                      (K/GC/S/abT + "-ing Lear"/T)/+cp                       "King Lear"
"Sentimental Education V o l i"              (K/GC/S/abT + "-ing Lear"/T)/Ch/+bp                "King Lear"
"Sentimental Education, Volume i i"              (K/GC/S/abT + "-ing Lear"/T)/Ch/+cp                "King Lear"

-----------------

•  A Simple Soul (English) (as Author)
•  The Temptation of St. Antony
or A Revelation of the Soul (English) (as Author)
•  La tentation de Saint Antoine (French) (as Author)
•  Three short works
The Dance of Death, the Legend of Saint Julian the Hospitaller, a Simple Soul. (English) (as Author)

"Simple Soul"              (F/GC/S/abT + "-laubert's work"/P)/+bp                "Flaubert's work"

"Temptation of S t. Antony"              (F/GC/S/abT + "-laubert's work"/P)/+cp                "Flaubert's work"
"or Revelation of Soul"              (F/GC/S/abT + "-laubert's writing"/P)/+cp                "Flaubert's writing"

"tentation de Saint Antoine"              (F/GC/S/abT + "-laubert's work"/P)/Ch/+bp                "Flaubert's work"

"Three short works"              (F/GC/S/abT + "-laubert's work"/P)/Ch/+cp                "Flaubert's work"
"Dance of Death, Legend of Saint Julian Hospitaller, Simple Soul"              (F/GC/S/abT + "-laubert's writing"/P)/Ch/+cp                "Flaubert's writing"

http://shakespeare.mit.edu/macbeth/full.html ,    
William Shakespeare's      "Macbeth"

"Simple Soul"                       (M/GC/S/abT + acbeth/P)/+bp                         Macbeth
"Temptation of S t. Antony"                 (M/GC/S/abT + acbeth/P)/+cp                 Macbeth
"tentation de Saint Antoine"              (M/GC/S/abT + acbeth/P)/Ch/+bp                Macbeth
"Three short works"                  (M/GC/S/abT + acbeth/P)/Ch/+cp                    Macbeth

•  Trois contes (French) (as Author)
•  Yksinkertainen sydän (Finnish) (as Author)
•  Ηρωδιάς (Greek) (as Author)

"Trois contes"                 (F/GC/S/abT + "-laubert's work"/S)                  "Flaubert's work"
"Yksinkertainen sydän"              (F/GC/S/abT + "-laubert's work"/S)/Ch                "Flaubert's work"

http://shakespeare.mit.edu/macbeth/full.html ,    
William Shakespeare's      "Macbeth"

"Trois contes"                             (M/GC/S/abT + acbeth/S)                        Macbeth
"Yksinkertainen sydän"                   (M/GC/S/abT + acbeth/S)/Ch                     Macbeth



>> Phonetic correspondence   between    Gustave Flauber's  "Madame Bovary (English)"    and   William Shakespeare's  "King Lear"

http://shakespeare.mit.edu/lear/full.html ,  
King Lear

ACT I

SCENE I. King Lear's palace.

Enter KENT, GLOUCESTER, and EDMUND

KENT

I thought the king had more affected the Duke of
Albany than Cornwall.

GLOUCESTER

It did always seem so to us: but now, in the
division of the kingdom, it appears not which of
the dukes he values most; for equalities are so
weighed, that curiosity in neither can make choice
of either's moiety.

KENT

Is not this your son, my lord?

GLOUCESTER

His breeding, sir, hath been at my charge: I have
so often blushed to acknowledge him, that now I am
brazed to it.

KENT

I cannot conceive you.

GLOUCESTER

Sir, this young fellow's mother could: whereupon
she grew round-wombed, and had, indeed, sir, a son
for her cradle ere she had a husband for her bed.
Do you smell a fault?

KENT

I cannot wish the fault undone, the issue of it
being so proper.

GLOUCESTER

But I have, sir, a son by order of law, some year
elder than this, who yet is no dearer in my account:
though this knave came something saucily into the
world before he was sent for, yet was his mother
fair; there was good sport at his making, and the
whoreson must be acknowledged. Do you know this
noble gentleman, Edmund?

EDMUND

No, my lord.

GLOUCESTER

My lord of Kent: remember him hereafter as my
honourable friend.

EDMUND

My services to your lordship.

KENT

I must love you, and sue to know you better. ~ ~


http://www.gutenberg.org/files/2413/2413-h/2413-h.htm ,    
•  Madame Bovary (English)

PART I.                             PART II.                             PART III

Chapter One                       Chapter One                         Chapter One
Chapter Two                       Chapter Two                          Chapter Two
Chapter Three                     Chapter Three                        Chapter Three
Chapter Four                       Chapter Four                         Chapter Four
Chapter Five                       Chapter Five                          Chapter Five
Chapter Six                        Chapter Six                           Chapter Six
Chapter Seven                     Chapter Seven                        Chapter Seven
Chapter Eight                      Chapter Eight                         Chapter Eight
Chapter Nine                       Chapter Nine                         Chapter Nine
                                    Chapter Ten                           Chapter Ten
                                    Chapter Eleven                        Chapter Eleven
                                    Chapter Twelve
                                    Chapter Thirteen
                                    Chapter Fourteen
                                    Chapter Fifteen

MADAME BOVARY

Part I

Chapter One
We were in class when the head-master came in, followed by a "new fellow," ~ ~


"Madame Bovary"              (G/GC/S/abT + "-ustave Flaubert's work"/C2)/+bp                "Gustave Flaubert's work"

"Madame Bovary"                  (K/GC/S/abT + "-ing Lear"/C2)/+bp                  "King Lear"


1.                   Part 1

"Part i"                 ([ŋ=  w=]/GC/S/abT + "ACT i SCENE i"/C2)/+bp                  "ACT i SCENE i"

2.                  PART II

"PART i i"                (K/GC/S/abT + "-ing Lear's palace"/C2)/+bp                 "King Lear's palace"

3.                    PART III

"PART i i i"                ([ŋ=  y=]/GC/S/abT + "Enter KENT"/C2)/+bp                 "Enter KENT"

4.                     Chapter One

"Chapter i"                (G/GC/S/abT + LOUCESTER/C2)/+bp                 GLOUCESTER

5. and EDMUND KENT I thought <the> king had more affected <the> Duke of Albany than Cornwall --- Chapter One

"Chapter i"                ([ŋ=  w=]/GC/S/abT + "and EDMUND KENT I thought king had more affected Duke of Albany than Cornwall"/C2)/+bp                 "and EDMUND KENT I thought king had more affected Duke of Albany than Cornwall"

6.    We helped <the> boy we had with us to haul <the> boat up on <the> landing --- Chapter One

"Chapter i"                (G/GC/S/abT + "-LOUCESTER It did always seem so to us"/C2)/+bp                 "GLOUCESTER It did always seem so to us"

7.                     Chapter Two

"Chapter i i"                       (b/GC/S/abT + "-ut now"/C2)/+bp                     "but now"

8.                   in <the> division of <the> kingdom --- Chapter Two

"Chapter i i"                ([ŋ=  y=]/GC/S/abT + "-in division of kingdom"/C2)/+bp                 "in division of kingdom"

9.                it appears not which of <the> dukes he values most --- Chapter Two

"Chapter i i"                ([ŋ=  y=]/GC/S/abT + "it appears not which of <the> dukes he values most"/C2)/+bp                 "it appears not which of dukes he values most"

10.                       Chapter Three

"Chapter i i i"                (f/GC/S/abT + "-or equalities are so weighed"/C2)/+bp                 "for equalities are so weighed"

11.                       Chapter Three

"Chapter i i i"                (t/GC/S/abT + "-hat curiosity in neither can make choice of either's moiety"/C2)/+bp                 "that curiosity in neither can make choice of either's moiety"

12.                       Chapter Three

"Chapter i i i"                (K/GC/S/abT + "-ENT Is not this your son"/C2)/+bp                 "KENT Is not this your son"

13.                       Chapter Four

"Chapter i v"                       ("my"/GC/S/abT + lord/C2)/+bp                     "my lord"

14.                        Chapter Four

"Chapter i v"                (G/GC/S/abT + "-LOUCESTER His breeding"/C2)/+bp                 "GLOUCESTER His breeding"

15.                          Chapter Four

"Chapter i v"                (s/GC/S/abT + "-ir, hath been at my charge"/C2)/+bp                 "sir, hath been at my charge"

16.                          Chapter Five

"Chapter v"                ([ŋ=  y=]/GC/S/abT + "I have so often blushed to acknowledge him"/C2)/+bp                 "I have so often blushed to acknowledge him"

17.                         Chapter Five

"Chapter v"                (t/GC/S/abT + "-hat now I am brazed to it"/C2)/+bp                 "that now I am brazed to it"

18.                         Chapter Five

"Chapter v"                (K/GC/S/abT + "-ENT I cannot conceive you"/C2)/+bp                 "KENT I cannot conceive you"

19.                         Chapter Six

"Chapter v i"                (G/GC/S/abT + "-LOUCESTER Sir, this young fellow's mother could"/C2)/+bp                 "GLOUCESTER Sir, this young fellow's mother could"

20.                          Chapter Six

"Chapter v i"                (w/GC/S/abT + "-hereupon she grew round"/C2)/+bp                 "whereupon she grew round"

21.                          Chapter Six

"Chapter v i"                        (w/GC/S/abT + ombed/C2)/+bp                       wombed

22.                          Chapter Seven

"Chapter v i i"                ([ŋ=  w=]/GC/S/abT + "and had"/C2)/+bp                 "and had"

23.                          Chapter Seven

"Chapter v i i"                ([ŋ=  y=]/GC/S/abT + indeed/C2)/+bp                  indeed

24.            sir, <a> son for her cradle ere she had <a> husband for her bed

"Chapter v i i"                (s/GC/S/abT + "-ir, son for her cradle ere she had husband for her bed"/C2)/+bp                 "sir, son for her cradle ere she had husband for her bed"

25.                      Do you smell <a> fault --- Chapter Eight

"Chapter v i i i"                (D/GC/S/abT + "-o you smell a fault"/C2)/+bp                 "Do you smell fault"

26.                       KENT I cannot wish <the> fault undone

"Chapter v i i i"                (K/GC/S/abT + "-ENT I cannot wish fault undone"/C2)/+bp                 "KENT I cannot wish fault undone"

27.                         <the> issue of it being so proper

"Chapter v i i i"                ([ŋ=  y=]/GC/S/abT + "issue of it being so proper"/C2)/+bp                 "issue of it being so proper"

28.                                Chapter Nine

"Chapter i x"                (G/GC/S/abT + "-LOUCESTER But I have"/C2)/+bp                 "GLOUCESTER But I have"

29.                          sir, <a> son by order of law

"Chapter i x"                (s/GC/S/abT + "-ir, son by order of law"/C2)/+bp                 "sir, son by order of law"

30.
"Chapter i x"                (s/GC/S/abT + "-ome year elder than this"/C2)/+bp                 "some year elder than this"

31.                           Chapter Ten

"Chapter x"                (w/GC/S/abT + "-ho yet is no dearer in my account"/C2)/+bp                 "who yet is no dearer in my account"

32.             though this knave came something saucily into <the> world before he was sent for

"Chapter x"                (t/GC/S/abT + "-hough this knave came something saucily into <the> world before he was sent for"/C2)/+bp                 "though this knave came something saucily into world before he was sent for"

33.                  Chapter Eleven

"Chapter x i"                (y/GC/S/abT + "-et was his mother fair "/C2)/+bp                 "yet was his mother fair"

34.
"Chapter x i"                (t/GC/S/abT + "-here was good sport at his making"/C2)/+bp                 "there was good sport at his making"

35.                     and <the> whoreson must be acknowledged --- Chapter Twelve

"Chapter x i i"                ([ŋ=  w=]/GC/S/abT + "and whoreson must be acknowledged"/C2)/+bp                 "and whoreson must be acknowledged"

36.                            Chapter Thirteen

"Chapter x i i i"                (D/GC/S/abT + "-o you know this noble gentleman, Edmund"/C2)/+bp                 "Do you know this noble gentleman, Edmund"

37.                          Chapter Fourteen

"Chapter x i v"                ([ŋ=  y=]/GC/S/abT + "EDMUND No, my lord"/C2)/+bp                 "EDMUND No, my lord"

38.                          Chapter Fifteen

"Chapter x v"                (/GGC/S/abT + "-LOUCESTER My lord of Kent"/C2)/+bp                 "GLOUCESTER My lord of Kent"

39.              MADAME BOVARY Part I Chapter One We were in class when <the> head

"MADAME BOVARY Part i Chapter i We were in class when head"                (r/GC/S/abT + "-emember him hereafter as my honourable friend"/C2)/+bp                 "remember him hereafter as my honourable friend"

40.
"master came in"                ([ŋ=  y=]/GC/S/abT + "EDMUND My services to your lordship"/C2)/+bp                 "EDMUND My services to your lordship"

41.
"followed by"                (K/GC/S/abT + "-ENT I must love you"/C2)/+bp                 "KENT I must love you"

42.                          <a> "new fellow

"new fellow"                ([ŋ=  w=]/GC/S/abT + "and sue to know you better"/C2)/+bp                 "and sue to know you better"

Et cetera.



>> Phonetic correspondence   between    Gustave Flauber's  "Madame Bovary (A Tale of Provincial Life)"    and   William Shakespeare's  "King Lear"

http://www.gutenberg.org/files/27575/27575-h/27575-h.htm ,  
•  Madame Bovary
A Tale of Provincial Life (English) (as Author)

CRITICAL INTRODUCTION

Domi mansit, lanam fecit: "He remained at home and wrote," is the first thing that should be said of Gustave Flaubert. This trait, which he shares with many of the writers of his generation,—Renan, Taine, Leconte de Lisle and Dumas fils,—distinguishes them and distinguishes him from those of the preceding generation, who voluntarily sought inspiration in disorder and agitation,—Balzac and George Sand, for instance (to speak only of romance writers), and the elder Dumas or Eugène Sue. Flaubert, indeed, had no "outward life;" he lived only for his art. ~ ~


http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's      "King Lear"


"Madame Bovary"              (G/GC/S/abT + "-ustave Flaubert's work"/C2)/Ch/+bp                "Gustave Flaubert's work"
"Tale of Provincial Life"              (G/GC/S/abT + "-ustave Flaubert's writing"/C2)/Ch/+bp                "Gustave Flaubert's writing"

"Madame Bovary"               (K/GC/S/abT + "-ing Lear"/C2)/Ch/+bp                 "King Lear"


1.
"CRITICAL INTRODUCTION Domi mansit"                 ([ŋ=  w=]/GC/S/abT + "ACT i SCENE i"/C2)/Ch/+bp               "ACT i SCENE i"

2.
"lanam fecit"                (K/GC/S/abT + "-ing Lear's palace"/C2)/Ch/+bp                 "King Lear's palace"

3.
"He remained at home and wrote"                ([ŋ=  y=]/GC/S/abT + "Enter KENT"/C2)/Ch/+bp                 "Enter KENT"

4.                  is <the> first thing that should be said of Gustave Flaubert

"is first thing that should be said of Gustave Flaubert"              (G/GC/S/abT + LOUCESTER/C2)/Ch/+bp               GLOUCESTER

5. and EDMUND KENT I thought <the> king had more affected <the> Duke of Albany than Cornwall

"This trait"               ([ŋ=  w=]/GC/S/abT + "and EDMUND KENT I thought king had more affected Duke of Albany than Cornwall"/C2)/Ch/+bp                "and EDMUND KENT I thought king had more affected Duke of Albany than Cornwall"

6. We helped <the> boy we had with us to haul <the> boat up on <the> landing --- which he shares with many of <the> writers of his generation

"which he shares with many of writers of his generation"                (G/GC/S/abT + "-LOUCESTER It did always seem so to us"/C2)/Ch/+bp                "GLOUCESTER It did always seem so to us"

7.
Renan                         (b/GC/S/abT + "-ut now"/C2)/Ch/+bp                     "but now"

8.                   in <the> division of <the> kingdom

Taine                ([ŋ=  y=]/GC/S/abT + "-in division of kingdom"/C2)/Ch/+bp                 "in division of kingdom"

9.                it appears not which of <the> dukes he values most

"Leconte de Lisle and Dumas fils"                ([ŋ=  y=]/GC/S/abT + "it appears not which of <the> dukes he values most"/C2)/+bp                 "it appears not which of dukes he values most"

10.          distinguishes them and distinguishes him from those of <the> preceding generation

"distinguishes them and distinguishes him from those of preceding generation"                (f/GC/S/abT + "-or equalities are so weighed"/C2)/Ch/+bp                 "for equalities are so weighed"

11.
"who voluntarily sought inspiration in disorder and agitation"                (t/GC/S/abT + "-hat curiosity in neither can make choice of either's moiety"/C2)/Ch/+bp                 "that curiosity in neither can make choice of either's moiety"

12.
"Balzac and George Sand"                (K/GC/S/abT + "-ENT Is not this your son"/C2)/Ch/+bp                 "KENT Is not this your son"

13.
"for instance"                     ("my"/GC/S/abT + lord/C2)/Ch/+bp                    "my lord"

14.
"to speak only of romance writers"                (G/GC/S/abT + "-LOUCESTER His breeding"/C2)/Ch/+bp                 "GLOUCESTER His breeding"

15.                    and <the> elder Dumas or Eugène Sue

"and elder Dumas or Eugène Sue"                (s/GC/S/abT + "-ir, hath been at my charge"/C2)/Ch/+bp                 "sir, hath been at my charge"

16.
Flaubert                ([ŋ=  y=]/GC/S/abT + "I have so often blushed to acknowledge him"/C2)/Ch/+bp                 "I have so often blushed to acknowledge him"

17.
indeed                (t/GC/S/abT + "-hat now I am brazed to it"/C2)/Ch/+bp                 "that now I am brazed to it"

18.
"had no"                (K/GC/S/abT + "-ENT I cannot conceive you"/C2)/Ch/+bp                 "KENT I cannot conceive you"

19.
"outward life"                (G/GC/S/abT + "-LOUCESTER Sir, this young fellow's mother could"/C2)/Ch/+bp                 "GLOUCESTER Sir, this young fellow's mother could"

20.
"he lived only for his art"                (w/GC/S/abT + "-hereupon she grew round"/C2)/Ch/+bp                 "whereupon she grew round"

Et cetera.



>> Phonetic correspondence   between    Gustave Flauber's  "Madame Bovary (French)"    and   William Shakespeare's  "King Lear"

http://www.gutenberg.org/cache/epub/14155/pg14155.html ,  
•  Madame Bovary (French) (as Author)

PREMIÈRE PARTIE I II III IV V VI VII VIII IX DEUXIÈME PARTIE I II III IV V VI VII VIII IX X XI XII XIII XIV XV TROISIÈME PARTIE I II III IV V VI VII VIII IX X XI
À Marie-Antoine-Jules Senard

Permettez-moi d’inscrire votre nom en tête de ce livre et au- dessus même de sa dédicace; car c’est à vous, surtout, ~ ~


http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's      "King Lear"


"Madame Bovary"              (G/GC/S/abT + "-ustave Flaubert's work"/C2)/+cp                "Gustave Flaubert's work"

"Madame Bovary"                 (K/GC/S/abT + "-ing Lear"/C2)/+cp                   "King Lear"


1.
"PREMIÈRE PARTIE"                 ([ŋ=  w=]/GC/S/abT + "ACT i SCENE i"/C2)/+cp                  "ACT i SCENE i"

2.
"i"                 (K/GC/S/abT + "-ing Lear's palace"/C2)/+cp                 "King Lear's palace"

3.
"i i"                   ([ŋ=  y=]/GC/S/abT + "Enter KENT"/C2)/+cp                   "Enter KENT"

4.
"i i i"                      (G/GC/S/abT + LOUCESTER/C2)/+cp                       GLOUCESTER

5. and EDMUND KENT I thought <the> king had more affected <the> Duke of Albany than Cornwall

"i v"                ([ŋ=  w=]/GC/S/abT + "and EDMUND KENT I thought king had more affected Duke of Albany than Cornwall"/C2)/+cp                 "and EDMUND KENT I thought king had more affected Duke of Albany than Cornwall"

6.               We helped <the> boy we had with us to haul <the> boat up on <the> landing

"v"                (G/GC/S/abT + "-LOUCESTER It did always seem so to us"/C2)/+cp                 "GLOUCESTER It did always seem so to us"

7.
"v i"                           (b/GC/S/abT + "-ut now"/C2)/+cp                         "but now"

8.                   in <the> division of <the> kingdom --- Chapter Two

"v i i"                ([ŋ=  y=]/GC/S/abT + "-in division of kingdom"/C2)/+cp                 "in division of kingdom"

9.                it appears not which of <the> dukes he values most

"v i i i"                ([ŋ=  y=]/GC/S/abT + "it appears not which of <the> dukes he values most"/C2)/+cp                 "it appears not which of dukes he values most"

10.
"i x"                (f/GC/S/abT + "-or equalities are so weighed"/C2)/+cp                 "for equalities are so weighed"

11.
"DEUXIÈME PARTIE"                (t/GC/S/abT + "-hat curiosity in neither can make choice of either's moiety"/C2)/+cp                 "that curiosity in neither can make choice of either's moiety"

12.
"i"                (K/GC/S/abT + "-ENT Is not this your son"/C2)/+cp                 "KENT Is not this your son"

13.
"i i"                             ("my"/GC/S/abT + lord/C2)/+cp                         "my lord"

14.
"i i i"                (G/GC/S/abT + "-LOUCESTER His breeding"/C2)/+cp                 "GLOUCESTER His breeding"

15.
"i v"                (s/GC/S/abT + "-ir, hath been at my charge"/C2)/+cp                 "sir, hath been at my charge"

16.
"v"                ([ŋ=  y=]/GC/S/abT + "I have so often blushed to acknowledge him"/C2)/+cp                 "I have so often blushed to acknowledge him"

17.
"v i"                (t/GC/S/abT + "-hat now I am brazed to it"/C2)/+cp                 "that now I am brazed to it"

18.
"v i i"                (K/GC/S/abT + "-ENT I cannot conceive you"/C2)/+cp                 "KENT I cannot conceive you"

19.
"v i i i"                (G/GC/S/abT + "-LOUCESTER Sir, this young fellow's mother could"/C2)/+cp                 "GLOUCESTER Sir, this young fellow's mother could"

20.
"i x"                (w/GC/S/abT + "-hereupon she grew round"/C2)/+cp                 "whereupon she grew round"

21.
"x"                                (w/GC/S/abT + ombed/C2)/+cp                         wombed

22.
"x i"                      ([ŋ=  w=]/GC/S/abT + "and had"/C2)/+cp                     "and had"

23.
"x i i"                        ([ŋ=  y=]/GC/S/abT + indeed/C2)/+cp                         indeed

24.            sir, <a> son for her cradle ere she had <a> husband for her bed

"x i i i"                (s/GC/S/abT + "-ir, son for her cradle ere she had husband for her bed"/C2)/+cp                 "sir, son for her cradle ere she had husband for her bed"

25.                      Do you smell <a> fault

"x i v"                (D/GC/S/abT + "-o you smell a fault"/C2)/+cp                 "Do you smell fault"

26.                       KENT I cannot wish <the> fault undone

"x v"                (K/GC/S/abT + "-ENT I cannot wish fault undone"/C2)/+cp                 "KENT I cannot wish fault undone"

27.                         <the> issue of it being so proper

"TROISIÈME PARTIE"                ([ŋ=  y=]/GC/S/abT + "issue of it being so proper"/C2)/+cp                 "issue of it being so proper"

28.
"i"                (G/GC/S/abT + "-LOUCESTER But I have"/C2)/+cp                 "GLOUCESTER But I have"

29.                          sir, <a> son by order of law

"i i"                (s/GC/S/abT + "-ir, son by order of law"/C2)/+cp                 "sir, son by order of law"

30.
"i i i"                (s/GC/S/abT + "-ome year elder than this"/C2)/+cp                 "some year elder than this"

31.
"i v"                (w/GC/S/abT + "-ho yet is no dearer in my account"/C2)/+cp                 "who yet is no dearer in my account"

32.             though this knave came something saucily into <the> world before he was sent for

"v"                (t/GC/S/abT + "-hough this knave came something saucily into <the> world before he was sent for"/C2)/+cp                 "though this knave came something saucily into world before he was sent for"

33.
"v i"                (y/GC/S/abT + "-et was his mother fair "/C2)/+cp                 "yet was his mother fair"

34.
"v i i"                (t/GC/S/abT + "-here was good sport at his making"/C2)/+cp                 "there was good sport at his making"

35.                     and <the> whoreson must be acknowledged

"v i i i"                ([ŋ=  w=]/GC/S/abT + "and whoreson must be acknowledged"/C2)/+cp                 "and whoreson must be acknowledged"

36.
"i x"                (D/GC/S/abT + "-o you know this noble gentleman, Edmund"/C2)/+cp                 "Do you know this noble gentleman, Edmund"

37.
"x"                ([ŋ=  y=]/GC/S/abT + "EDMUND No, my lord"/C2)/+cp                 "EDMUND No, my lord"

38.
"x i"                (/GGC/S/abT + "-LOUCESTER My lord of Kent"/C2)/+cp                 "GLOUCESTER My lord of Kent"

39.
"À Marie"                (r/GC/S/abT + "-emember him hereafter as my honourable friend"/C2)/+cp                 "remember him hereafter as my honourable friend"

40.
Antoine                ([ŋ=  y=]/GC/S/abT + "EDMUND My services to your lordship"/C2)/+cp                 "EDMUND My services to your lordship"

41.
"Jules Senard"                (K/GC/S/abT + "-ENT I must love you"/C2)/+cp                 "KENT I must love you"

42.
"Permettez"                ([ŋ=  w=]/GC/S/abT + "and sue to know you better"/C2)/+cp                 "and sue to know you better"

43.
"moi d’inscrire votre nom en tête de ce livre et au"                ([ŋ=  y=]/GC/S/abT + "EDMUND Sir, I shall study deserving"/C2)/+cp                 "EDMUND Sir, I shall study deserving"

44.
"dessus même de sa dédicace"                (G/GC/S/abT + "-LOUCESTER He hath been out nine years"/C2)/+cp                 "GLOUCESTER He hath been out nine years"

45.
"car c’est à vous"                ([ŋ=  w=]/GC/S/abT + "and away he shall again"/C2)/+cp                 "and away he shall again"

46.                   <The> king is coming

surtout                   (k/GC/S/abT + "-ing is coming"/C2)/+cp                  "king is coming"

Et cetera.



>> Phonetic correspondence   between    Gustave Flauber's  "Frau Bovary"    and   William Shakespeare's  "King Lear"

http://www.gutenberg.org/files/15711/15711-h/15711-h.htm ,  
•  Frau Bovary (German) (as Author)

Erstes Buch

Erstes Kapitel

Es war Arbeitsstunde. Da trat der Rektor ein, ihm zur Seite ein „Neuer“, in gewöhnlichem Anzuge. ~ ~


http://shakespeare.mit.edu/lear/full.html ,  
William Shakespeare's      "King Lear"


"Frau Bovary"              (G/GC/S/abT + "-ustave Flaubert's work"/S)/+cp                "Gustave Flaubert's work"

"Frau Bovary"                     (K/GC/S/abT + "-ing Lear"/S)/+cp                    "King Lear"


1.
"Erstes Buch"                 ([ŋ=  w=]/GC/S/abT + "ACT i SCENE i"/S)/+cp                  "ACT i SCENE i"

2.
"Erstes Kapitel"                 (K/GC/S/abT + "-ing Lear's palace"/S)/+cp                 "King Lear's palace"

3.
"Es war Arbeitsstunde"                ([ŋ=  y=]/GC/S/abT + "Enter KENT"/S)/+cp                 "Enter KENT"

4.                      Da trat <der> Rektor ein

"Da trat Rektor ein"                 (G/GC/S/abT + LOUCESTER/S)/+cp                    GLOUCESTER

5. and EDMUND KENT I thought <the> king had more affected <the> Duke of Albany than Cornwall

"ihm zur Seite ein"                ([ŋ=  w=]/GC/S/abT + "and EDMUND KENT I thought king had more affected Duke of Albany than Cornwall"/S)/+cp                 "and EDMUND KENT I thought king had more affected Duke of Albany than Cornwall"

6.       We helped <the> boy we had with us to haul <the> boat up on <the> landing

Neuer                 (G/GC/S/abT + "-LOUCESTER It did always seem so to us"/S)/+cp                 "GLOUCESTER It did always seem so to us"

7.
"in gewöhnlichem Anzuge"                 (b/GC/S/abT + "-ut now"/S)/+cp                 "but now"

Et cetera.



>> Phonetic correspondence   between    Gustave Flauber's  "A Simple Soul"    and   William Shakespeare's  "Macbeth"

http://shakespeare.mit.edu/macbeth/full.html ,    
Macbeth

ACT I
SCENE I. A desert place.

Thunder and lightning. Enter three Witches
First Witch
When shall we three meet again
In thunder, lightning, or in rain?

Second Witch
When the hurlyburly's done,
When the battle's lost and won.

Third Witch
That will be ere the set of sun.

First Witch
Where the place?

Second Witch
Upon the heath.

Third Witch
There to meet with Macbeth.

First Witch
I come, Graymalkin!

Second Witch
Paddock calls.

Third Witch
Anon. ~ ~


http://www.gutenberg.org/files/1253/1253-h/1253-h.htm ,  
•  A Simple Soul

CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
 
CHAPTER I

For half a century the housewives of Pont-l'Eveque had envied Madame Aubain her servant Felicite.

For a hundred francs a year, she cooked and did the housework, washed, ironed, mended, harnessed the horse, fattened the poultry, made the butter and remained faithful to her mistress—although the latter was by no means an agreeable person. ~ ~


"Simple Soul"              (F/GC/S/abT + "-laubert's work"/P)/+bp                "Flaubert's work"

"Simple Soul"                       (M/GC/S/abT + acbeth/P)/+bp                         Macbeth


1.
"CHAPTER i"                  ([ŋ=  w=]/GC/S/abT + "ACT i SCENE i"/P)/+bp                  "ACT i SCENE i"

2.                   <A> desert place

"CHAPTER i i"                       (d/GC/S/abT + "-esert place"/P)/+bp                       "desert place"

3.
"CHAPTER i i i"                  (T/GC/S/abT + "-hunder and lightning"/P)/+bp                  "Thunder and lightning"

4.
"CHAPTER i v"                  ([ŋ=  y=]/GC/S/abT + "Enter three Witches First Witch When shall we three meet again In thunder"/P)/+bp                  "Enter three Witches First Witch When shall we three meet again In thunder"

5.
"CHAPTER v"                        (l/GC/S/abT + ightning/P)/+bp                        lightning

6.                     CHAPTER I For half <a> century <the> housewives of Pont

"CHAPTER I For half century housewives of Pont"                  ([ŋ=  w=]/GC/S/abT + "or in rain"/P)/+bp                  "or in rain"

7. Second Witch When <the> hurlyburly's done --- <l'>Eveque had envied Madame Aubain her servant Felicite

"Eveque had envied Madame Aubain her servant Felicite"                  (S/GC/S/abT + "-econd Witch When hurlyburly's done"/P)/+bp                  "Second Witch When hurlyburly's done"

8.                     When <the> battle's lost and won --- For <a> hundred francs <a> year

"For hundred francs year"                  (W/GC/S/abT + "-hen battle's lost and won"/P)/+bp                  "When battle's lost and won"

9.           Third Witch That will be ere <the> set of sun --- she cooked and did <the> housework

"she cooked and did housework"                  (T/GC/S/abT + "-hird Witch That will be ere set of sun"/P)/+bp                  "Third Witch That will be ere set of sun"

10.                    First Witch Where <the> place

washed                  (F/GC/S/abT + "-irst Witch Where place"/P)/+bp                  "First Witch Where place"

11.                    Second Witch Upon <the> heath

ironed                  (S/GC/S/abT + "-econd Witch Upon heath"/P)/+bp                  "Second Witch Upon heath"

12.                     Priest and Vicar of <the> parish of Ottery St

mended                  (T/GC/S/abT + "-hird Witch There to meet with Macbeth"/P)/+bp                  "Third Witch There to meet with Macbeth"

13.                       harnessed <the> horse

"harnessed horse"                    (F/GC/S/abT + "-irst Witch I come"/P)/+bp                   "First Witch I come"

14.                         fattened <the> poultry

"fattened poultry"                   (G/GC/S/abT + raymalkin/P)/+bp                   Graymalkin

15,               made <the> butter and remained faithful to her mistress

"made butter and remained faithful to her mistress"                  (S/GC/S/abT + "-econd Witch Paddock calls"/P)/+bp                  "Second Witch Paddock calls"

16.                   although <the> latter was by no means <an> agreeable person

"although latter was by no means agreeable person"                  (T/GC/S/abT + "-hird Witch Anon"/P)/+bp                  "Third Witch Anon"

Et cetera.



George Sand
http://encyclopedia.thefreedictionary.com/George+Sand ,  

"George Sand [zo r z saŋ d]"                  (G/C2 + "-ustave Flaubert"/S)                  "Gustave Flaubert"

>>        Amandine Aurore Lucie Dupin,     Baroness Dudevant,      Sand

* "George Sand [zo r z saŋ d]"  >>  Sand [sæn d] /GC/S/abT  >>  "Amandine Aurore Lucie Dupin" /T  >>  "Amantine Aurore Lucie Dupin" /T/Ch  >>  "Baroness Dudevant" /P

Born                           1 July 1804
Died                           8 June 1876 (aged 71)

"1804"                          (G/T + "-eorge Sand"/P)/+bp                        "George Sand"
July                             (G/T + "-eorge Sand"/P)/+cp                        "George Sand"
"1"                               (G/T + "-eorge Sand"/P)/Ch                        "George Sand"

"1876"                          (G/T + "-eorge Sand"/S)/+bp                        "George Sand"
June                            (G/T + "-eorge Sand"/S)/+cp                        "George Sand"
"8"                              (G/T + "-eorge Sand"/S)/Ch                         "George Sand"

>>               Frédéric Chopin
http://encyclopedia.thefreedictionary.com/Fr%c3%a9d%c3%a9ric+Chopin ,  
*                "George Sand [zo r z saŋ d]"  >>  ("Frédéric Chopin" /P)/S

>>                intimate friendship with actress Marie Dorval
http://encyclopedia.thefreedictionary.com/Marie+Dorval ,  
*                "George Sand [zo r z saŋ d]"  >>  ("Marie Dorval " /T)/S


http://www.gutenberg.org/browse/authors/s#a851 ,  
•  Aldo le rimeur (French) (as Author)
•  Andre (French) (as Author)
•  Autour de la table (French) (as Author)
•  Les beaux messieurs de Bois-Doré (French) (as Author)

"Aldo rimeur"              (G/T + "-eorge Sand's writing"/P)/+bp             "George Sand's writing"
Andre                  (G/T + "-eorge Sand's writing"/P)/+cp               "George Sand's writing"
"Autour de table"              (G/T + "-eorge Sand's writing"/P)/Ch/+bp             "George Sand's writing"
"beaux messieurs de Bois-Doré"              (G/T + "-eorge Sand's writing"/P)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

"Aldo rimeur"              ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/P)/+bp             "Adventures of Tom Sawyer, Part i"
Andre                  ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/P)/+cp               "Adventures of Tom Sawyer, Part i"
"Autour de table"              ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/P)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
"beaux messieurs de Bois-Doré"              ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/P)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  Cadio (French) (as Author)
•  Cesarine Dietrich (French) (as Author)
•  Le château des Désertes (French) (as Author)
•  La comtesse de Rudolstadt (French) (as Author)

Cadio                 (G/T + "-eorge Sand's writing"/S)/+bp               "George Sand's writing"
"Cesarine Dietrich"             (G/T + "-eorge Sand's writing"/S)/+cp             "George Sand's writing"
"château des Désertes"              (G/T + "-eorge Sand's writing"/S)/Ch/+bp             "George Sand's writing"
"comtesse de Rudolstadt"              (G/T + "-eorge Sand's writing"/S)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

Cadio                 ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/S)/+bp               "Adventures of Tom Sawyer, Part i"
"Cesarine Dietrich"             ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/S)/+cp             "Adventures of Tom Sawyer, Part i"
"château des Désertes"              ([ŋ=  w=]/T + "-Adventures of Tom Sawyer, Part i"/S)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
"comtesse de Rudolstadt"              ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/S)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  Consuelo, Tome 1 (1861) (French) (as Author)
•  Consuelo, Tome 2 (1861) (French) (as Author)
•  Consuelo, Tome 3 (1861) (French) (as Author)
•  Contes d'une grand-mère (French) (as Author)

"Consuelo, Tome i (1861)"             (G/T + "-eorge Sand's writing"/C2)/+bp             "George Sand's writing"
"Consuelo, Tome i i (1861)"             (G/T + "-eorge Sand's writing"/C2)/+cp             "George Sand's writing"
"Consuelo, Tome i i i (1861)"             (G/T + "-eorge Sand's writing"/C2)/Ch/+bp             "George Sand's writing"
"Contes d' grand-mère"             (G/T + "-eorge Sand's writing"/C2)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

"Consuelo, Tome i (1861)"             ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/C2)/+bp             "Adventures of Tom Sawyer, Part i"
"Consuelo, Tome i i (1861)"             ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/C2)/+cp             "Adventures of Tom Sawyer, Part i"
"Consuelo, Tome i i i (1861)"             ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/C2)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
"Contes d' grand-mère"             ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/C2)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  Cora (French) (as Author)
•  Correspondance, 1812-1876 — Tome 1 (French) (as Author)
•  Correspondance, 1812-1876 — Tome 2 (French) (as Author)
•  Correspondance, 1812-1876 — Tome 3 (French) (as Author)

Cora             (G/T + "-eorge Sand's writing"/GC/S/abT)/+bp             "George Sand's writing"
"Correspondance, 1812-1876 — Tome i"             (G/T + "-eorge Sand's writing"/GC/S/abT)/+cp             "George Sand's writing"
"Correspondance, 1812-1876 — Tome i i"             (G/T + "-eorge Sand's writing"/GC/S/abT)/Ch/+bp             "George Sand's writing"
"Correspondance, 1812-1876 — Tome i i i"             (G/T + "-eorge Sand's writing"/GC/S/abT)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

Cora             ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/+bp             "Adventures of Tom Sawyer, Part i"
"Correspondance, 1812-1876 — Tome i"             ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/+cp             "Adventures of Tom Sawyer, Part i"
"Correspondance, 1812-1876 — Tome i i"             ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
"Correspondance, 1812-1876 — Tome i i i"             ([ŋ=  w=]/T + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  Correspondance, 1812-1876 — Tome 4 (French) (as Author)
•  Correspondance, 1812-1876 — Tome 5 (French) (as Author)
•  La Daniella, Vol. I. (French) (as Author)
•  La Daniella, Vol. II. (French) (as Author)

"Correspondance, 1812-1876 — Tome i v"              (G/P + "-eorge Sand's writing"/T)/+bp             "George Sand's writing"
"Correspondance, 1812-1876 — Tome v"              (G/P + "-eorge Sand's writing"/T)/+cp             "George Sand's writing"
"Daniella, V o l. i"              (G/P + "-eorge Sand's writing"/T)/Ch/+bp             "George Sand's writing"
"Daniella, V o l. i i"              (G/P + "-eorge Sand's writing"/T)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

"Correspondance, 1812-1876 — Tome i v"              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/T)/+bp             "Adventures of Tom Sawyer, Part i"
"Correspondance, 1812-1876 — Tome v"              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/T)/+cp             "Adventures of Tom Sawyer, Part i"
"Daniella, V o l. i"              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/T)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
"Daniella, V o l. i i"              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/T)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  La dernière Aldini
Simon (French) (as Author)
•  The Devil's Pool (English) (as Author)
•  The Devil's Pool (English) (as Author)
•  Elle et lui (French) (as Author)

"dernière Aldini"              (G/P + "-eorge Sand's writing"/S)/+bp             "George Sand's writing"
Simon                   (G/P + "-eorge Sand's work"/S)/+bp                 "George Sand's work"

"Devil's Pool"              (G/P + "-eorge Sand's writing"/S)/+cp             "George Sand's writing"
"Devil's Pool"              (G/P + "-eorge Sand's writing"/S)/Ch/+bp             "George Sand's writing"
"Elle et lui"              (G/P + "-eorge Sand's writing"/S)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

"dernière Aldini"              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/S)/+bp             "Adventures of Tom Sawyer, Part i"
"Devil's Pool"              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/S)/+cp             "Adventures of Tom Sawyer, Part i"
"Devil's Pool"              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/S)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
"Elle et lui"              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/S)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  Francia; Un bienfait n'est jamais perdu (French) (as Author)
•  Gabriel (French) (as Author)
•  The George Sand-Gustave Flaubert Letters (English) (as Author)
•  Histoire du véritable Gribouille (French) (as Author)

"Francia; bienfait n'est jamais perdu"              (G/P + "-eorge Sand's writing"/C2)/+bp             "George Sand's writing"
Gabriel                (G/P + "-eorge Sand's writing"/C2)/+cp              "George Sand's writing"
"George Sand-Gustave Flaubert Letters"              (G/P + "-eorge Sand's writing"/C2)/Ch/+bp             "George Sand's writing"
"Histoire du véritable Gribouille"              (G/P + "-eorge Sand's writing"/C2)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

"Francia; bienfait n'est jamais perdu"              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/C2)/+bp             "Adventures of Tom Sawyer, Part i"
Gabriel                ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/C2)/+cp              "Adventures of Tom Sawyer, Part i"
"George Sand-Gustave Flaubert Letters"              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/C2)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
"Histoire du véritable Gribouille"              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/C2)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  Un hiver à Majorque (French) (as Author)
•  Horace (French) (as Author)
•  Isidora (French) (as Author)
•  Jacques (French) (as Author)

"hiver à Majorque"              (G/P + "-eorge Sand's writing"/GC/S/abT)/+bp             "George Sand's writing"
Horace              (G/P + "-eorge Sand's writing"/GC/S/abT)/+cp             "George Sand's writing"
Isidora               (G/P + "-eorge Sand's writing"/GC/S/abT)/Ch/+bp             "George Sand's writing"
Jacques              (G/P + "-eorge Sand's writing"/GC/S/abT)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

"hiver à Majorque"              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/+bp             "Adventures of Tom Sawyer, Part i"
Horace              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/+cp             "Adventures of Tom Sawyer, Part i"
Isidora               ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
Jacques              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  Jean Ziska (French) (as Author)
•  Journal d'un voyageur pendant la guerre (French) (as Author)
•  Kourroglou (French) (as Author)
•  Lavinia (French) (as Author)

"Jean Ziska"              (G/S + "-eorge Sand's writing"/T)/+bp             "George Sand's writing"
"Journal d' voyageur pendant guerre"              (G/S + "-eorge Sand's writing"/T)/+cp             "George Sand's writing"
Kourroglou              (G/S + "-eorge Sand's writing"/T)/Ch/+bp             "George Sand's writing"
Lavinia               (G/S + "-eorge Sand's writing"/T)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

"Jean Ziska"              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/T)/+bp             "Adventures of Tom Sawyer, Part i"
"Journal d' voyageur pendant guerre"              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/T)/+cp             "Adventures of Tom Sawyer, Part i"
Kourroglou              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/T)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
Lavinia               ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/T)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  Légendes rustiques (French) (as Author)
•  Leone Leoni (French) (as Author)
•  Lettres d'un voyageur (French) (as Author)
•  Lucrezia Floriani (French) (as Author)

"Légendes rustiques"              (G/S + "-eorge Sand's writing"/P)/+bp             "George Sand's writing"
"Leone Leoni"              (G/S + "-eorge Sand's writing"/P)/+cp             "George Sand's writing"
"Lettres d' voyageur"              (G/S + "-eorge Sand's writing"/P)/Ch/+bp             "George Sand's writing"
"Lucrezia Floriani"              (G/S + "-eorge Sand's writing"/P)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

"Légendes rustiques"              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/P)/+bp             "Adventures of Tom Sawyer, Part i"
"Leone Leoni"              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/P)/+cp             "Adventures of Tom Sawyer, Part i"
"Lettres d' voyageur"              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/P)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
"Lucrezia Floriani"              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/P)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  Mademoiselle La Quintinie (French) (as Author)
•  Les Maîtres sonneurs (French) (as Author)
•  La Mare au Diable (French) (as Author)
•  La Marquise (French) (as Author)

"Mademoiselle Quintinie"              (G/S + "-eorge Sand's writing"/C2)/+bp             "George Sand's writing"
"Maîtres sonneurs"              (G/S + "-eorge Sand's writing"/C2)/+cp             "George Sand's writing"
"Mare au Diable"              (G/S + "-eorge Sand's writing"/C2)/Ch/+bp             "George Sand's writing"
Marquise              (G/S + "-eorge Sand's writing"/C2)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

"Mademoiselle Quintinie"              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/C2)/+bp             "Adventures of Tom Sawyer, Part i"
"Maîtres sonneurs"              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/C2)/+cp             "Adventures of Tom Sawyer, Part i"
"Mare au Diable"              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/C2)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
Marquise              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/C2)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  Mattea (French) (as Author)
•  Mauprat (English) (as Author)
•  Metella (French) (as Author)
•  Le meunier d'Angibault (French) (as Author)

Mattea              (G/S + "-eorge Sand's writing"/GC/S/abT)/+bp             "George Sand's writing"
Mauprat              (G/S + "-eorge Sand's writing"/GC/S/abT)/+cp             "George Sand's writing"
Metella              (G/S + "-eorge Sand's writing"/GC/S/abT)/Ch/+bp             "George Sand's writing"
"meunier d'Angibault"              (G/S + "-eorge Sand's writing"/GC/S/abT)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

Mattea              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/+bp             "Adventures of Tom Sawyer, Part i"
Mauprat              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/+cp             "Adventures of Tom Sawyer, Part i"
Metella              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
"meunier d'Angibault"              ([ŋ=  w=]/S + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  Nanon
La bibliothèque précieuse (French) (as Author)
•  Nouvelles lettres d'un voyageur (French) (as Author)
•  Oeuvres illustrées de George Sand
Les visions de la nuit dans les campagnes - La vallée noire - Une
visite aux catacombes (French) (as Author)
•  L'Orco (French) (as Author)

Nanon                (G/C2 + "-eorge Sand's writing"/T)/+bp              "George Sand's writing"
"bibliothèque précieuse"               (G/C2 + "-eorge Sand's work"/T)/+bp             "George Sand's work"

"Nouvelles lettres d' voyageur"               (G/C2 + "-eorge Sand's writing"/T)/+cp             "George Sand's writing"

"Oeuvres illustrées de George Sand"               (G/C2 + "-eorge Sand's writing"/T)/Ch/+bp             "George Sand's writing"
"visions de nuit dans campagnes - vallée noire - visite aux catacombes"               (G/C2 + "-eorge Sand's work"/T)/Ch/+bp             "George Sand's work"

Orco                (G/C2 + "-eorge Sand's writing"/T)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

Nanon                ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/T)/+bp              "Adventures of Tom Sawyer, Part i"
"Nouvelles lettres d' voyageur"               ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/T)/+cp             "Adventures of Tom Sawyer, Part i"
"Oeuvres illustrées de George Sand"               ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/T)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
Orco                ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/T)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  Pauline (French) (as Author)
•  Le péché de Monsieur Antoine, Tome 1 (French) (as Author)
•  Le péché de Monsieur Antoine, Tome 2 (French) (as Author)
•  La petite fadette (French) (as Author)

Pauline                (G/C2 + "-eorge Sand's writing"/P)/+bp             "George Sand's writing"
"péché de Monsieur Antoine, Tome i"               (G/C2 + "-eorge Sand's writing"/P)/+cp             "George Sand's writing"
"péché de Monsieur Antoine, Tome i i"               (G/C2 + "-eorge Sand's writing"/P)/Ch/+bp             "George Sand's writing"
"petite fadette"               (G/C2 + "-eorge Sand's writing"/P)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

Pauline                ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/P)/+bp             "Adventures of Tom Sawyer, Part i"
"péché de Monsieur Antoine, Tome i"               ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/P)/+cp             "Adventures of Tom Sawyer, Part i"
"péché de Monsieur Antoine, Tome i i"               ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/P)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
"petite fadette"               ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/P)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  Le Piccinino (French) (as Author)
•  Le poëme de Myrza - Hamlet (French) (as Author)
•  Promenades autour d'un village (French) (as Author)
•  Ranskalaisia kansansatuja ja tarinoita (Finnish) (as Author)

Piccinino               (G/C2 + "-eorge Sand's writing"/S)/+bp             "George Sand's writing"
"poëme de Myrza - Hamlet"               (G/C2 + "-eorge Sand's writing"/S)/+cp             "George Sand's writing"
"Promenades autour d' village"               (G/C2 + "-eorge Sand's writing"/S)/Ch/+bp             "George Sand's writing"
"Ranskalaisia kansansatuja ja tarinoita"               (G/C2 + "-eorge Sand's writing"/S)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

Piccinino               ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/S)/+bp             "Adventures of Tom Sawyer, Part i"
"poëme de Myrza - Hamlet"               ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/S)/+cp             "Adventures of Tom Sawyer, Part i"
"Promenades autour d' village"               ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/S)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
"Ranskalaisia kansansatuja ja tarinoita"               ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/S)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  Le secrétaire intime (French) (as Author)
•  Simon (French) (as Author)
•  Spiridion (French) (as Author)
•  Teverino (French) (as Author)

"secrétaire intime"              (G/C2 + "-eorge Sand's writing"/GC/S/abT)/+bp             "George Sand's writing"
Simon              (G/C2 + "-eorge Sand's writing"/GC/S/abT)/+bp             "George Sand's writing"
Spiridion              (G/C2 + "-eorge Sand's writing"/GC/S/abT)/Ch/+bp             "George Sand's writing"
Teverino              (G/C2 + "-eorge Sand's writing"/GC/S/abT)/Ch/+cp             "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

"secrétaire intime"              ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/+bp             "Adventures of Tom Sawyer, Part i"
Simon              ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/+bp             "Adventures of Tom Sawyer, Part i"
Spiridion              ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/Ch/+bp             "Adventures of Tom Sawyer, Part i"
Teverino              ([ŋ=  w=]/C2 + "Adventures of Tom Sawyer, Part i"/GC/S/abT)/Ch/+cp             "Adventures of Tom Sawyer, Part i"

•  L'Uscoque (French) (as Author)
•  Valentine (French) (as Author)
•  Valvèdre (French) (as Author)

Uscoque                 (G/GC/S/abT + "-eorge Sand's writing"/T)/+bp             "George Sand's writing"
Valentine                 (G/GC/S/abT + "-eorge Sand's writing"/T)/+cp             "George Sand's writing"
Valvèdre                 (G/GC/S/abT + "-eorge Sand's writing"/T)/Ch              "George Sand's writing"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
Mark Twain's        "The Adventures of Tom Sawyer, Part 1"

Uscoque                 ([ŋ=  w=]/GC/S/abT + "Adventures of Tom Sawyer, Part i"/T)/+bp             "Adventures of Tom Sawyer, Part i"
Valentine                 ([ŋ=  w=]/GC/S/abT + "Adventures of Tom Sawyer, Part i"/T)/+cp             "Adventures of Tom Sawyer, Part i"
Valvèdre                 ([ŋ=  w=]/GC/S/abT + "Adventures of Tom Sawyer, Part i"/T)/Ch              "Adventures of Tom Sawyer, Part i"



>> Phonetic correspondence   between     George Sand's  "The George Sand-Gustave Flaubert Letters"    and   Mark Twain's  "The Adventures of Tom Sawyer, Part 1"

http://www.gutenberg.org/files/7193/7193-h/7193-h.htm ,  
The Adventures of Tom Sawyer, Part 1

Part 1.

PREFACE

Most of the adventures recorded in this book really occurred; one or two were experiences of my own, the rest those of boys who were schoolmates of mine. Huck Finn is drawn from life; Tom Sawyer also, but not from an individual—he is a combination of the characteristics of three boys whom I knew, and therefore belongs to the composite order of architecture.

The odd superstitions touched upon were all prevalent among children and slaves in the West at the period of this story—that is to say, thirty or forty years ago.

Although my book is intended mainly for the entertainment of boys and girls, I hope it will not be shunned by men and women on that account, for part of my plan has been to try to pleasantly remind adults of what they once were themselves, and of how they felt and thought and talked, and what queer enterprises they sometimes engaged in.

THE AUTHOR.

HARTFORD, 1876.

CHAPTER I

"TOM!"

No answer.

"TOM!"

No answer.

"What's gone with that boy,  I wonder? You TOM!"

No answer.

The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them. She seldom or never looked THROUGH them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for "style," not service—she could have seen through a pair of stove-lids just as well. She looked perplexed for a moment, and then said, not fiercely, ~ ~


http://www.gutenberg.org/cache/epub/5115/pg5115.html ,  
•  The George Sand-Gustave Flaubert Letters

PREFATORY NOTE

This translation of the correspondence between George Sand and Gustave Flaubert was undertaken in consequence of a suggestion by Professor Stuart P. Sherman. The translator desires to acknowledge valuable criticism given by Professor Sherman, Ruth M. Sherman, and Professor Kenneth McKenzie, all of whom have generously assisted in revising the manuscript.

A. L. McKenzie

INTRODUCTION

The correspondence of George Sand and Gustave Flaubert, if approached merely as a chapter in the biographies of these heroes of nineteenth century letters, is sufficiently rewarding. In a relationship extending over twelve years, including the trying period of the Franco-Prussian War and the Commune, these extraordinary personalities disclose the aspects of their diverse natures which are best worth the remembrance of posterity. However her passionate and erratic youth may have captivated our grandfathers, George Sand in the mellow autumn of her life is for us at her most attractive phase. The storms and anguish and hazardous adventures that attended the defiant unfolding of her spirit are over. In her final retreat at Nohant, surrounded by her affectionate children and grandchildren, diligently writing, botanizing, bathing in her little river, visited by her friends and undistracted by the fiery lovers of the old time, she shows an unguessed wealth of maternal virtue, swift, comprehending sympathy, fortitude, sunny resignation, and a goodness of heart that has ripened into wisdom. For Flaubert, too, though he was seventeen years her junior, the flamboyance of youth was long since past; in 1862, when the correspondence begins, he was firmly settled, a shy, ~ ~


"George Sand-Gustave Flaubert Letters"              (G/P + "-eorge Sand's writing"/C2)/Ch/+bp             "George Sand's writing"

"George Sand-Gustave Flaubert Letters"              ([ŋ=  w=]/P + "Adventures of Tom Sawyer, Part i"/C2)/Ch/+bp             "Adventures of Tom Sawyer, Part i"


1. PREFATORY NOTE This translation of <the> correspondence between George Sand and Gustave Flaubert was undertaken in consequence of <a> suggestion by Professor Stuart P

"PREFATORY NOTE This translation of correspondence between George Sand and Gustave Flaubert was undertaken in consequence of suggestion by Professor Stuart P"              (P/P + "-art i"/C2)/Ch/+bp             "Part i"

2.                  PREFACE Most of <the> adventures recorded in this book really occurred

Sherman              (PR/P + "-EFACE Most of <the> adventures recorded in this book really occurred"/C2)/Ch/+bp             "PREFACE Most of adventures recorded in this book really occurred"

3. <The> translator desires to acknowledge valuable criticism given by Professor Sherman --- <The> translator desires to acknowledge valuable criticism given by Professor Sherman

"translator desires to acknowledge valuable criticism given by Professor Sherman"              ([ŋ=  w=]/P + "one or two were experiences of my own"/C2)/Ch/+bp             "one or two were experiences of my own"

4.                  <the> rest those of boys who were schoolmates of mine

"Ruth M"              (r/P + "-est those of boys who were schoolmates of mine"/C2)/Ch/+bp             "rest those of boys who were schoolmates of mine"

5.
Sherman              (H/P + "-uck Finn is drawn from life"/C2)/Ch/+bp             "Huck Finn is drawn from life"

6.
"and Professor Kenneth McKenzie"              (T/P + "-om Sawyer also"/C2)/Ch/+bp             "Tom Sawyer also"

7.     but not from <an> individual --- all of whom have generously assisted in revising <the> manuscript

"all of whom have generously assisted in revising manuscript"              (b/P + "-ut not from individual"/C2)/Ch/+bp             "but not from individual"

8.                he is <a> combination of <the> characteristics of three boys whom I knew

A               (h/P + "-e is combination of characteristics of three boys whom I knew"/C2)/Ch/+bp             "he is combination of characteristics of three boys whom I knew"

9.               and therefore belongs to <the> composite order of architecture

L               ([ŋ=  w=]/P + "and therefore belongs to composite order of architecture"/C2)/Ch/+bp             "and therefore belongs to composite order of architecture"

10. <The> odd superstitions touched upon were all prevalent among children and slaves in <the> West at <the> period of this story --- McKenzie INTRODUCTION <The> correspondence of George Sand and Gustave Flaubert

"McKenzie INTRODUCTION correspondence of George Sand and Gustave Flaubert"              ([ŋ=  w=]/P + "odd superstitions touched upon were all prevalent among children and slaves in West at period of this story"/C2)/Ch/+bp             "odd superstitions touched upon were all prevalent among children and slaves in West at period of this story"

11. if approached merely as <a> chapter in <the> biographies of these heroes of nineteenth century letters

"if approached merely as chapter in biographies of these heroes of nineteenth century letters"              (th/P + "-at is to say"/C2)/Ch/+bp             "that is to say"

12.
"is sufficiently rewarding"              (th/P + "-irty or forty years ago"/C2)/Ch/+bp             "thirty or forty years ago"

13. Although my book is intended mainly for <the> entertainment of boys and girls --- In <a> relationship extending over twelve years

"In relationship extending over twelve years"              ([ŋ=  w=]/P + "Although my book is intended mainly for entertainment of boys and girls"/C2)/Ch/+bp             "Although my book is intended mainly for entertainment of boys and girls"

14.                   including <the> trying period of <the> Franco

"including trying period of Franco"              ([ŋ=  y=]/P + "I hope it will not be shunned by men and women on that account"/C2)/Ch/+bp             "I hope it will not be shunned by men and women on that account"

15.                    Prussian War and <the> Commune

"Prussian War and Commune"              (f/P + "-or part of my plan has been to try to pleasantly remind adults of what they once were themselves"/C2)/Ch/+bp             "for part of my plan has been to try to pleasantly remind adults of what they once were themselves"

16. these extraordinary personalities disclose <the> aspects of their diverse natures which are best worth <the> remembrance of posterity

"these extraordinary personalities disclose aspects of their diverse natures which are best worth remembrance of posterity"              ([ŋ=  w=]/P + "and of how they felt and thought and talked"/C2)/Ch/+bp             "and of how they felt and thought and talked"

17.
"However her passionate and erratic youth may have captivated our grandfathers"              ([ŋ=  w=]/P + "and what queer enterprises they sometimes engaged in"/C2)/Ch/+bp             "and what queer enterprises they sometimes engaged in"

18. <THE> AUTHOR --- George Sand in <the> mellow autumn of her life is for us at her most attractive phase

"George Sand in mellow autumn of her life is for us at her most attractive phase"              ([ŋ=  w=]/P + AUTHOR/C2)/Ch/+bp             AUTHOR

19. <The> storms and anguish and hazardous adventures that attended <the> defiant unfolding of her spirit are over

"storms and anguish and hazardous adventures that attended defiant unfolding of her spirit are over"              (H/P + ARTFORD/C2)/Ch/+bp              HARTFORD

20.
"In her final retreat at Nohant"               ([ŋ=  y=]/P + "1876"/C2)/Ch/+bp             "1876"

21.
"surrounded by her affectionate children and grandchildren"              (CH/P + "-APTER i "TOM"/C2)/Ch/+bp             "CHAPTER i "TOM"

22.
"diligently writing"                    (N/P + "-o answer"/C2)/Ch/+bp                  "No answer"

23.
botanizing                 (T/P + "-OM!" No answer"/C2)/Ch/+bp               "TOM!" No answer"

24.
"bathing in her little river"              (Wh/P + "-at's gone with that boy"/C2)/Ch/+bp             "What's gone with that boy"

25.          visited by her friends and undistracted by <the> fiery lovers of <the> old time

"visited by her friends and undistracted by fiery lovers of old time"              ([ŋ=  y=]/P + "I wonder"/C2)/Ch/+bp             "I wonder"

26.                   she shows <an> unguessed wealth of maternal virtue

"she shows unguessed wealth of maternal virtue"              (Y/P + "-ou TOM!" No answer"/C2)/Ch/+bp             "You TOM!" No answer"

27. <The> old lady pulled her spectacles down and looked over them about <the> room

swift               ([ŋ=  w=]/P + "old lady pulled her spectacles down and looked over them about room"/C2)/Ch/+bp             "old lady pulled her spectacles down and looked over them about room"

28.
"comprehending sympathy"              (th/P + "-en she put them up and looked out under them"/C2)/Ch/+bp             "then she put them up and looked out under them"

29.             She seldom or never looked THROUGH them for so small <a> thing as <a> boy

fortitude               (Sh/P + "-e seldom or never looked THROUGH them for so small thing as boy"/C2)/Ch/+bp             "She seldom or never looked THROUGH them for so small thing as boy"

30.
"sunny resignation"              (th/P + "-ey were her state pair"/C2)/Ch/+bp             "they were her state pair"

31.           <the> pride of her heart --- and <a> goodness of heart that has ripened into wisdom

"and goodness of heart that has ripened into wisdom"              (pr/P + "-ide of her heart"/C2)/Ch/+bp             "pride of her heart"

32.
"For Flaubert"              ([ŋ=  w=]/P + "and were built for"/C2)/Ch/+bp             "and were built for"

33.
too                                     (styl/P + e/C2)/Ch/+bp                                style

34.
"though he was seventeen years her junior"              (n/P + "-ot service"/C2)/Ch/+bp             "not service"

35.   she could have seen through <a> pair of stove --- <the> flamboyance of youth was long since past

"flamboyance of youth was long since past"              (sh/P + "-e could have seen through pair of stove"/C2)/Ch/+bp             "she could have seen through pair of stove"

36.
"in 1862"                   (l/P + "-ids just as well"/C2)/Ch/+bp                  "lids just as well"

37.                She looked perplexed for <a> moment --- when <the> correspondence begins

"when correspondence begins"              (/P + "She looked perplexed for moment"/C2)/Ch/+bp             "She looked perplexed for moment"

38.
"he was firmly settled"              ([ŋ=  w=]/P + "and then said"/C2)/Ch/+bp             "and then said"

39.                                      <a> shy

shy               (n/P + "-ot fiercely"/C2)/Ch/+bp             "not fiercely"

Et cetera.

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DATE: 2011.11.21 - 17:27


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515Simple view>> Corrected                                <Iliad> Y... 2011.08.19
514Simple viewMarlowe/Nashe/Chapman, 'Ben Jonson', 'Beaumont & Fletcher', Marston/Fleay/Glapthorne/Warburton/Brome Y... 2011.06.24
513Simple viewVarro/Catullus/Livy/Sallust,   Ovid/Apuleius/Horace/Lucretius,      Calvin/Servetus/Zwingli/Cranmer/Luther Y... 2011.06.19
512Simple viewSavonarola/Colet/Erasmus/Loyola/Ficino/Mirandola/Gracián/Swedenborg/Ockham/Abelard,    Latin,   'Lex Talio' Y... 2011.06.12
511Simple viewTerence/Menippus/Arcesilaus/Theophras-,  Voltaire/Maupertuis/Schiller/Winckelmann/Rochefoucauld/Cervantes Y... 2011.06.07
510Simple viewBoccaccio/Petrarch/Helvétius/Cesare/Malthus,  Say/Gresham,  Machiavelli/Telesio/Boyle/Bacon/Kepler/Brahe Y... 2011.06.04
509Simple viewHerder/Sanai/Hafez,  Dante, 'Adam Smith', 'Richard Cantillon', 'Henry More', ''Isaac Newton', Ricardo/Bentham Y... 2011.06.01
508Simple viewBerkeley, 'Giordano Bruno', Spinoza/Rousseau/Fichte/Hölderlin/Schelling, 'Jakob Böhme', Hamann/Goethe/Vigo Y... 2011.05.29
507Simple view'Thomas Hobbes' 'John Stuart Mill' 'Arthur Schopenhauer' 'Friedrich Nietzsche' Hegel/Kant/Hume/Locke/Leibniz Y... 2011.05.26
506Simple viewGalileo/Orpheus/Argonautica/Strabo,    'Augustine of Hippo', Neoplatonism/Enneads/Cicero/Anselm/Descartes Y... 2011.05.24
505Simple view                              "English    spelling/vocabulary"                   (Korean connection) Y... 2011.05.19
504Simple viewPyrrho/Galen/Avicenna/Averroes/Maimonides, 'Albertus Magnus', 'Thomas Aquinas', 'Duns Scotus', Copernicus Y... 2011.05.17
503Simple viewArchimedes/Aspasia/Euclid/Hipparchus/Hippocrates/Leonidas/Pericles/Ptolemy/Solon/Themistocles/Epicurus Y... 2011.05.14
502Simple view             Phonetic study    on   German/French   words/sentences Y... 2011.05.13
501Simple view'Milesian school'  'Seven Wonders'  Eleatics/sophism/pluralist/Cynics/Stoic/Montesquieu/Suda/eureka/Vitruvius Y... 2011.05.11
500Simple viewAeschylus/Aesop/Euripides/Hesiod,   Homer/Lucian/Menander/Pindar,  Polybius/Sappho/Sophocles, Alcibiades Y... 2011.05.11
499Simple viewThales/Anaximander/Anaximenes/Pythagoras,  Anaxagoras/Empedocles,  Antisthenes/Diogenes/Crates/Zeno Y... 2011.05.07
498Simple view'geologic era'  'Stone Age'   Yahoo/Google   'Know yourself'   introspection   'Seven Sages'   'material monism' Y... 2011.05.05
497Simple viewSocrates/Thucydides/Plutarch/Herodotus/Xenophon/Aristophanes/Plato/Aristotle/Parmenides/Democritus, etc. Y... 2011.05.04
496Simple view                           phonetic analysis on     Buddha  &  Buddhism Y... 2011.05.04
495Simple viewPhonetic analysis on   Hinduism/Veda/Sanskrit/Prakrit/Zoroaster, Manichaeism/Mani,  Bahá'í Faith, Bahá'u'lláh Y... 2011.04.29
494Simple view'net-cutting'  'country music'  'General Zod'      BC/AD  'Independence day'     BCE/CE    '(Before) Common Era' Y... 2011.04.14
493Simple view    'phonetic study on Jesus Christ  &  Moshe'             'Twelve Apostles'              'Hellenistic civilization??' Y... 2011.04.10
492Simple view           translation :           논어(論語)/공자(孔子/Confucius),               etymological analysis Y... 2011.04.08
491Simple view'論語/논어 [non  ŋΛ]  &  Old Testament'       Torah/Pentateuch         'Why Torah, Prophets, Writings, 四書五經' Y... 2011.04.05
490Simple view'lady-in-waiting'  Confucius/Mencius/Laozi/Micius  popcorn  'Generation Y/X'  'Wonder Woman'       I/you    etc. Y... 2011.04.02
489Simple viewfraction/ordinal,   'national flowers'   'Department of State'    'God bless you!'   'daylight saving time'   *BC/AD Y... 2011.03.20
488Simple view"&/and",                  italic,  ride/drive,       Morrison, Messiah/Immanuel,  succeed,     'Virgin Mary'  Joseph Y... 2011.03.15
487Simple view‘Moby-Dick’     'Coca Cola'       pronouns/4,  'Chinese carry-out'     'days of months'     'leap year (day)'   date Y... 2011.03.04
486Simple view'The Star-Spangled Banner'   &   'God Save the Queen'   &    'Land of Hope and Glory';        national anthems Y... 2011.02.10
485Simple view         'La Marseillaise'              Deutschlandlied              'National anthem of Austria' Y... 2013.05.12
484Simple view'Ask not'/America       months  'days of the week'  day/week/month/year  '(the) first'  hamburger  'Super Bowl' Y... 2011.02.09
483Simple view'passive voice'               'shoe-string budget?'  'you know'  'by the way'  'eh/well'  'blood libel'    'last supper' Y... 2011.01.14
482Simple view'Do I know you?'           'Season's Greetings'  'Auld Lang Syne'      'Christian cross,  resurrection'    'Red Cross' Y... 2011.01.08
481Simple view'Moses & Jesus Christ'            Christ/Jesus,   'Christmas card'   'Why Santa is old man'   MoU,      'Three Magi' Y... 2010.12.25
480Simple view"Shakespeare   &  Plutarch"                  'Sir Thomas More'   'G6'     oneself/myself/ourselves/etc.    ID Y... 2010.12.23
479Simple view'Why wedding dresses are white'              Halloween/제사,  denim, angel(s), eve, Ivy/steak, 'Rhode Island' Y... 2010.12.19
478Simple viewThanksgiving-day,         SantaClaus,           countries,      "silent letter??"     waffle/빈대떡/cupcake Y... 2010.11.26
477Simple view>> More considerations on  "silent letter??";     between GRECOnglish & orthodox English pronunciations Y... 2010.11.27
476Simple view"for the people, by the people, of the people"                          "I have a dream"      yes/no Y... 2010.10.10
475Simple view'it :  imp. v.??'              methinks                               Memorial/Mother's Day,    'hat trick'  franchise/may Y... 2010.06.05