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(Comparative) study (in structure/mode/ways of pronunciation, articulation, phonetics, or whatever; that is, in differences of speaking mouth postures and resultant speaking weight/force center points) between English/foreign languages and mother tongue, for better (more practical/effective/smooth) hearing/speaking of English/foreign languages.       Copyright.   Young-Won Kim,   yw@voicespec.com
open : home | brd2 | Kor | book | FUN member : main II | Kor II


::: Comparative phonetics, main :::


596 12 View counter   Join Member Login Admin
Name   Young-Won Kim
Subject   'Lost Generation',         'black hole'           Pearl S. Buck,          ** Beethoven **         <periodic table>

1.               Lost Generation

http://encyclopedia.thefreedictionary.com/Lost+Generation ,  
This generation included distinguished artists such as Ernest Hemingway, F. Scott Fitzgerald, T.S. Eliot, Waldo Peirce, Alan Seeger, and, Erich Maria Remarque.      It has alternately been used to describe the generation which participated in the Cultural Revolution in China.


"Lost Generation"                ([ŋ=  y=]/T + "E. M. Hemingway"/C2)                "E. M. Hemingway"
"Lost Generation"                ([ŋ=  y=]/T + "F. Scott Fitzgerald"/C2)                "F. Scott Fitzgerald"
"Lost Generation"                       (T/T + "-i. S. Eliot"/C2)                          "T.S. Eliot"
"Lost Generation"                      (W/T + "-aldo Peirce"/C2)                     "Waldo Peirce"
"Lost Generation"                  ([ŋ=  w=]/T + "Alan Seeger"/C2)                 "Alan Seeger"
"Lost Generation"                ([ŋ=  y=]/T + "Erich Maria Remarque"/C2)                "Erich Maria Remarque"

"Lost Generation"                (C/T + "-ultural Revolution"/C2)                "Cultural Revolution"


2.       Shakespeare and Company (bookshop)

http://encyclopedia.thefreedictionary.com/Shakespeare+and+Company+(bookshop) ,  
Originally established in 1919 by Sylvia Beach, in the 1920s the store was a gathering place for writers such as Ezra Pound, Ernest Hemingway, James Joyce, and Ford Madox Ford.

"Shakespeare and Company"                (Syl/S + "-via Beach"/C2)/Ch                "Sylvia Beach"

"Shakespeare and Company"                ([ŋ=  y=]/S + "Ezra Pound"/C2)/Ch                "Ezra Pound"
"Shakespeare and Company"                ([ŋ=  y=]/S + "E. M. Hemingway"/C2)/Ch                "E. M. Hemingway"
"Shakespeare and Company"                (J/S + "-ames Joyce"/C2)/Ch                "James Joyce"
"Shakespeare and Company"                (F/S + "-ord Madox Ford"/C2)/Ch                "Ford Madox Ford"



3.                 black hole

Superman comic's astronomical sale price
http://movies.yahoo.com/news/action-comics-1-sells-2-16-million-auction-010326975.html ,  
Action Comics 1 sells for $2.16 million in auction

astronomical                               (h/GC/S/abT + igh/P)                               high


cut                                (c/GC/S/abT + ensored/s)                               censored


http://news.yahoo.com/scientists-monster-black-holes-biggest-yet-162552569.html ,  
Scientists find biggest black holes ever
a whirlwind; an eddywind; a vertiginous wind; a cyclone; a (whirling) tornado; a twister.

*             whirlwind  >>  (tornado /S)/C2

*             (tornado /S/Ch)/C2  >>  ("black hole" /S)/GC/S/abT

cyclone                                 (t/P + ornado/S)/Ch                                tornado
cyclone                                 (w/P + ind/S)/Ch                                     wind


galaxy                                       (st/T + ars/s)                                     stars

*              galaxy  >>   ("Milky Way" /T)/C2

http://encyclopedia.thefreedictionary.com/Unmanned+aerial+vehicle ,  
unmanned American reconnaissance drone went missing

drone                                    (w/S + asp/C2)                                      wasp

drone                   ([ŋ=  w=]/S + "unmanned aircraft"/C2)                 "unmanned aircraft"

wasp                                       (b/T + ee/s)                                      bee



Pearl S. Buck
http://encyclopedia.thefreedictionary.com/Pearl+S.+Buck ,  

"P. S. Buck"                    (J/C1 + "-ean-Paul Sartre"/S)                     "Jean-Paul Sartre"

>>            Pearl Sydenstricker Buck,   Buck,   Pearl S. Buck,   Pearl Buck

*                  "P. S. Buck"  >>  Buck /C2  >>  "Pearl Buck" /C1

*          "Pearl Buck" /C1/Ch  >>  "Pearl S. Buck" /P  >>  "Pearl Sydenstricker Buck" /GC/S/abT


Born                       June 26, 1892                    Hillsboro, West Virginia, United States
Died                   March 6, 1973 (aged 80)                   Danby, Vermont, United States

"1892"                           (P/T + "-i. S. Buck"/P)/+bp                           "P. S. Buck"
June                              (P/T + "-i. S. Buck"/P)/+cp                           "P. S. Buck"
"26"                           (P/T + "-i. S. Buck"/P)/Ch/+bp                          "P. S. Buck"
"Hillsboro, West Virginia, United State"             (P/T + "-i. S. Buck"/P)/Ch/+cp              "P. S. Buck"


>>       Phyllis Bentley, in an overview of her work published in 1935, was altogether impressed:
http://encyclopedia.thefreedictionary.com/Phyllis+Bentley ,  
*           "P. S. Buck"  >>  ("Phyllis Bentley" /C1)/GC/S/abT


o    The Good Earth (1931)
o    Sons (1933)
o    A House Divided (1935)
•    China Sky (1941)

"Good Earth"                    (P/C1 + "-i. S. Buck's work"/T)                  "P. S. Buck's work"
Sons                            (P/C1 + "-i. S. Buck's work"/P)                  "P. S. Buck's work"
"House Divided"                  (P/C1 + "-i. S. Buck's work"/S)                 "P. S. Buck's work"
"China Sky"                  (P/C1 + "-i. S. Buck's work"/GC/S/abT)                "P. S. Buck's work"

http://shakespeare.mit.edu/Poetry/sonnets.html ,  
William Shakespeare's      "The Sonnets"

"Good Earth"                                  (S/C1 + onnets/T)                            Sonnets
Sons                                          (S/C1 + onnets/P)                            Sonnets
"House Divided"                               (S/C1 + onnets/S)                           Sonnets
"China Sky"                             (S/C1 + onnets/GC/S/abT)                         Sonnets

•    Peony (1948)
•    The Hidden Flower (1952)
•    Imperial Woman (1956)
•    Letter from Peking (1957)

Peony                       (P/T + "-i. S. Buck's work"/C1)                      "P. S. Buck's work"
"Hidden Flower"                 (P/P + "-i. S. Buck's work"/C1)                  "P. S. Buck's work"
"Imperial Woman"                (P/S + "-i. S. Buck's work"/C1)                 "P. S. Buck's work"
"Letter from Peking"                 (P/GC/S/abT + "-i. S. Buck's work"/C1)                 "P. S. Buck's work"

http://shakespeare.mit.edu/Poetry/sonnets.html ,  
William Shakespeare's      "The Sonnets"

Peony                                   (S/T + onnets/C1)                                 Sonnets
"Hidden Flower"                         (S/P + onnets/C1)                                 Sonnets
"Imperial Woman"                       (S/S + onnets/C1)                                 Sonnets
"Letter from Peking"                     (S/GC/S/abT + onnets/C1)                         Sonnets

•    Other Gods (1940)
•    Dragon Seed (1942)
•    China Flight (1943)
•    The Promise (1943)

"Other Gods"                    (P/T + "-i. S. Buck's work"/P)                   "P. S. Buck's work"
"Dragon Seed"                   (P/T + "-i. S. Buck's work"/S)                   "P. S. Buck's work"
"China Flight"                  (P/T + "-i. S. Buck's work"/C2)                   "P. S. Buck's work"
Promise                  (P/T + "-i. S. Buck's work"/GC/S/abT)                  "P. S. Buck's work"

http://shakespeare.mit.edu/Poetry/sonnets.html ,  
William Shakespeare's      "The Sonnets"

"Other Gods"                                 (S/T + onnets/P)                              Sonnets
"Dragon Seed"                               (S/T + onnets/S)                              Sonnets
"China Flight"                               (S/T + onnets/C2)                              Sonnets
Promise                                (S/T + onnets/GC/S/abT)                            Sonnets

•    God's Men (1951)
•    Come, My Beloved (1953)
•    Satan Never Sleeps (1962; see 1962 film Satan Never Sleeps)
•    Death in the Castle (1965)

"God's Men"                     (P/P + "-i. S. Buck's work"/T)                   "P. S. Buck's work"
"Come, My Beloved"                  (P/P + "-i. S. Buck's work"/S)                 "P. S. Buck's work"
"Satan Never Sleeps"                     (P/P + "-i. S. Buck's work"/C2)                   "P. S. Buck's work"
"Death in Castle"               (P/P + "-i. S. Buck's work"/GC/S/abT)                 "P. S. Buck's work"

http://shakespeare.mit.edu/Poetry/sonnets.html ,  
William Shakespeare's      "The Sonnets"
"God's Men"                                  (S/P + onnets/T)                              Sonnets
"Come, My Beloved"                          (S/P + onnets/S)                              Sonnets
"Satan Never Sleeps"                        (S/P + onnets/C2)                             Sonnets
"Death in Castle"                         (S/P + onnets/GC/S/abT)                         Sonnets

•    Mandala (1970)
•    The Goddess Abides (1972)
•    Matthew, Mark, Luke and John (1967)
•    The Rainbow (1974)

Mandala                       (P/S + "-i. S. Buck's work"/T)                     "P. S. Buck's work"
"Goddess Abides"                  (P/S + "-i. S. Buck's work"/P)                 "P. S. Buck's work"
"Matthew, Mark, Luke and John"               (P/S + "-i. S. Buck's work"/C2)              "P. S. Buck's work"
Rainbow                  (P/S + "-i. S. Buck's work"/GC/S/abT)                 "P. S. Buck's work"

http://shakespeare.mit.edu/Poetry/sonnets.html ,  
William Shakespeare's      "The Sonnets"

Mandala                                  (S/S + onnets/T)                                 Sonnets
"Goddess Abides"                        (S/S + onnets/P)                                  Sonnets
"Matthew, Mark, Luke and John"                      (S/S + onnets/C2)                    Sonnets
Rainbow                                 (S/S + onnets/GC/S/abT)                          Sonnets

•    The Big Wave (1948)
•    Voices in the House (1953) -- as John Sedges
•    The Living Reed (1963)
•    The Mother (1933)

"Big Wave"                     (P/C2 + "-i. S. Buck's work"/T)                   "P. S. Buck's work"
"Voices in House"                 (P/C2 + "-i. S. Buck's work"/P)                 "P. S. Buck's work"
"Living Reed"                    (P/C2 + "-i. S. Buck's work"/S)                  "P. S. Buck's work"
Mother                  (P/C2 + "-i. S. Buck's work"/GC/S/abT)                  "P. S. Buck's work"

http://shakespeare.mit.edu/Poetry/sonnets.html ,  
William Shakespeare's      "The Sonnets"

"Big Wave"                                  (S/C2 + onnets/T)                             Sonnets
"Voices in House"                           (S/C2 + onnets/P)                              Sonnets
"Living Reed"                                (S/C2 + onnets/S)                             Sonnets
Mother                                (S/C2 + onnets/GC/S/abT)                           Sonnets

•    The Patriot (1939)
•    The Townsman (1945) -- as John Sedges
•    Pavilion of Women (1946)
•    Portrait of a Marriage (1945)

Patriot                    (P/GC/S/abT + "-i. S. Buck's work"/T)                  "P. S. Buck's work"
Townsman                  (P/GC/S/abT + "-i. S. Buck's work"/P)                "P. S. Buck's work"
"Pavilion of Women"                (P/GC/S/abT + "-i. S. Buck's work"/S)                "P. S. Buck's work"
"Portrait of Marriage"                  (P/GC/S/abT + "-i. S. Buck's work"/C2)                "P. S. Buck's work"

http://shakespeare.mit.edu/Poetry/sonnets.html ,  
William Shakespeare's      "The Sonnets"

Patriot                                 (S/GC/S/abT + onnets/T)                            Sonnets
Townsman                             (S/GC/S/abT + onnets/P)                            Sonnets
"Pavilion of Women"                         (S/GC/S/abT + onnets/S)                      Sonnets
"Portrait of Marriage"                       (S/GC/S/abT + onnets/C2)                      Sonnets

---------------------------

•    This Proud Heart (1938)
•    The Angry Wife (1947) -- as John Sedges
•    A Long Love (1949) -- as John Sedges
•    Kinfolk (1950)

"Proud Heart"                         (B/T + "-uck's work"/P)                         "Buck's work"
"Angry Wife"                          (B/T + "-uck's work"/S)                         "Buck's work"
"Long Love"                         (B/T + "-uck's work"/C2)                         "Buck's work"
Kinfolk                        (B/T + "-uck's work"/GC/S/abT)                        "Buck's work"

http://shakespeare.mit.edu/Poetry/LoversComplaint.html ,  
William Shakespeare's      "A Lover's Complaint"

"Proud Heart"                    (L/T + "-over's Complaint"/P)                  "Lover's Complaint"
"Angry Wife"                     (L/T + "-over's Complaint"/S)                  "Lover's Complaint"
"Long Love"                    (L/T + "-over's Complaint"/C2)                  "Lover's Complaint"
Kinfolk                  (L/T + "-over's Complaint"/GC/S/abT)                  "Lover's Complaint"

•    Command the Morning (1959)
•    The Time Is Noon (1966)
•    The New Year (1968)
•    A Bridge For Passing (1962)

"Command Morning"                      (B/P + "-uck's work"/T)                     "Buck's work"
"Time Is Noon"                          (B/P + "-uck's work"/S)                      "Buck's work"
"New Year"                           (B/P + "-uck's work"/C2)                        "Buck's work"
"Bridge For Passing"                  (B/P + "-uck's work"/GC/S/abT)                 "Buck's work"

http://shakespeare.mit.edu/Poetry/LoversComplaint.html ,  
William Shakespeare's      "A Lover's Complaint"

"Command Morning"               (L/P + "-over's Complaint"/T)               "Lover's Complaint"
"Time Is Noon"                    (L/P + "-over's Complaint"/S)                "Lover's Complaint"
"New Year"                      (L/P + "-over's Complaint"/C2)                 "Lover's Complaint"
"Bridge For Passing"               (L/P + "-over's Complaint"/GC/S/abT)               "Lover's Complaint"

•    All Under Heaven (1973)
•    The Three Daughters of Madame Liang (1969)
•    Secrets of the Heart: Stories (1976)
•    The People of Japan (1966)

"All Under Heaven"                       (B/S + "-uck's work"/T)                     "Buck's work"
"Three Daughters of Madame Liang"                 (B/S + "-uck's work"/P)                "Buck's work"
"Secrets of Heart: Stories"                  (B/S + "-uck's work"/C2)                 "Buck's work"
"People of Japan"                       (B/S + "-uck's work"/GC/S/abT)                     "Buck's work"

http://shakespeare.mit.edu/Poetry/LoversComplaint.html ,  
William Shakespeare's      "A Lover's Complaint"

"All Under Heaven"                   (L/S + "-over's Complaint"/T)              "Lover's Complaint"
"Three Daughters of Madame Liang"                (L/S + "-over's Complaint"/P)              "Lover's Complaint"
"Secrets of Heart: Stories"              (L/S + "-over's Complaint"/C2)              "Lover's Complaint"
"People of Japan"              (L/S + "-over's Complaint"/GC/S/abT)             "Lover's Complaint"

•    How It Happens: Talk about the German People, 1914–1933, with Erna von Pustau (1947)
•    The Child Who Never Grew (1950)
•    The Man Who Changed China: The Story of Sun Yat-sen (1953) for young readers
•    My Several Worlds (1954)

"How It Happens: Talk about German People, 1914–1933, with Erna von Pustau"                (B/C2 + "-uck's work"/T)                 "Buck's work"
"Child Who Never Grew"                   (B/C2 + "-uck's work"/P)                   "Buck's work"
"Man Who Changed China: Story of Sun Yat-sen for young readers"                (B/C2 + "-uck's work"/S)                 "Buck's work"
"My Several Worlds"                (B/C2 + "-uck's work"/GC/S/abT)                 "Buck's work"

http://shakespeare.mit.edu/Poetry/LoversComplaint.html ,  
William Shakespeare's      "A Lover's Complaint"

"How It Happens: Talk about German People, 1914–1933, with Erna von Pustau"                (L/C2 + "-over's Complaint"/T)                 "Lover's Complaint"
"Child Who Never Grew"             (L/C2 + "-over's Complaint"/P)             "Lover's Complaint"
"Man Who Changed China: Story of Sun Yat-sen for young readers"                (L/C2 + "-over's Complaint"/S)                 "Lover's Complaint"
"My Several Worlds"             (L/C2 + "-over's Complaint"/GC/S/abT)              "Lover's Complaint"

•    For Spacious Skies (1966)
•    The Kennedy Women (1970)
•    China as I See It (1970)
•    The Story Bible (1971)

"For Spacious Skies"                 (B/GC/S/abT + "-uck's work"/T)                  "Buck's work"
"Kennedy Women"                   (B/GC/S/abT + "-uck's work"/P)                  "Buck's work"
"China as I See It"                  (B/GC/S/abT + "-uck's work"/S)                  "Buck's work"
"Story Bible"                    (B/GC/S/abT + "-uck's work"/C2)                     "Buck's work"

http://shakespeare.mit.edu/Poetry/LoversComplaint.html ,  
William Shakespeare's      "A Lover's Complaint"

"For Spacious Skies"             (L/GC/S/abT + "-over's Complaint"/T)             "Lover's Complaint"
"Kennedy Women"              (L/GC/S/abT + "-over's Complaint"/P)             "Lover's Complaint"
"China as I See It"              (L/GC/S/abT + "-over's Complaint"/S)             "Lover's Complaint"
"Story Bible"                (L/GC/S/abT + "-over's Complaint"/C2)              "Lover's Complaint"

•    Fourteen Stories (1961)
•    Hearts Come Home and Other Stories (1962)
•    Stories of China (1964)
•    Escape at Midnight and Other Stories (1964)

"Fourteen Stories"                      (B/C1 + "-uck's work"/T)                      "Buck's work"
"Hearts Come Home and Other Stories"            (B/C1 + "-uck's work"/P)             "Buck's work"
"Stories of China"                      (B/C1 + "-uck's work"/S)                      "Buck's work"
"Escape at Midnight and Other Stories"              (B/C1 + "-uck's work"/GC/S/abT)             "Buck's work"

http://shakespeare.mit.edu/Poetry/LoversComplaint.html ,  
William Shakespeare's      "A Lover's Complaint"

"Fourteen Stories"                  (L/C1 + "-over's Complaint"/T)              "Lover's Complaint"
"Hearts Come Home and Other Stories"            (L/C1 + "-over's Complaint"/P)             "Lover's Complaint"
"Stories of China"                   (L/C1 + "-over's Complaint"/S)             "Lover's Complaint"
"Escape at Midnight and Other Stories"              (L/C1 + "-over's Complaint"/GC/S/abT)             "Lover's Complaint"

•    Pearl S. Buck's Oriental Cookbook (1972)
•    Of Men and Women (1941)
•    Far and Near: Stories of Japan, China, and America (1949)
•    Once Upon a Christmas (1972)

"Pearl S. Buck's Oriental Cookbook"              (B/T + "-uck's work"/C1)              "Buck's work"
"Of Men and Women"                     (B/P + "-uck's work"/C1)                    "Buck's work"
"Far and Near: Stories of Japan, China, and America"              (B/S + "-uck's work"/C1)              "Buck's work"
"Once Upon Christmas"               (B/GC/S/abT + "-uck's work"/C1)               "Buck's work"

http://shakespeare.mit.edu/Poetry/LoversComplaint.html ,  
William Shakespeare's      "A Lover's Complaint"

"Pearl S. Buck's Oriental Cookbook"              (L/T + "-over's Complaint"/C1)              "Lover's Complaint"
"Of Men and Women"               (L/P + "-over's Complaint"/C1)               "Lover's Complaint"
"Far and Near: Stories of Japan, China, and America"              (L/S + "-over's Complaint"/C1)              "Lover's Complaint"
"Once Upon Christmas"              (L/GC/S/abT + "-over's Complaint"/C1)              "Lover's Complaint"

--------------

•    "The Refugee"
•    ″The Enemy"
•    "The Frill"
•    " The Chinese Children Next Door" for children

Refugee                       (P/T + "-earl Buck's work"/P)                     "Pearl Buck's work"
Enemy                        (P/T + "-earl Buck's work"/S)                     "Pearl Buck's work"
Frill                          (P/T + "-earl Buck's work"/C2)                     "Pearl Buck's work"
"Chinese Children Next Door" for children"              (P/T + "-earl Buck's work"/GC/S/abT)              "Pearl Buck's work"

http://shakespeare.mit.edu/Poetry/VenusAndAdonis.html ,  
William Shakespeare's      "Venus and Adonis"

Refugee                       (V/T + "-enus and Adonis"/P)                     "Venus and Adonis"
Enemy                        (V/T + "-enus and Adonis"/S)                     "Venus and Adonis"
Frill                          (V/T + "-enus and Adonis"/C2)                     "Venus and Adonis"
"Chinese Children Next Door" for children"              (V/T + "- enus and Adonis"/GC/S/abT)              "Venus and Adonis"

•    "Christmas Day in the Morning"
•    East and West Stories (1975)
•    The Good Deed and Other Stories of Asia, Past and Present (1969)
•    The First Wife and Other Stories (1933)

"Christmas Day in Morning"                 (P/P + "-earl Buck's work"/T)                "Pearl Buck's work"
"East and West Stories"                 (P/P + "-earl Buck's work"/S)                "Pearl Buck's work"
"Good Deed and Other Stories of Asia, Past and Present"                 (P/P + "-earl Buck's work"/C2)                "Pearl Buck's work"
"First Wife and Other Stories"                 (P/P + "-earl Buck's work"/GC/S/abT)                "Pearl Buck's work"

http://shakespeare.mit.edu/Poetry/VenusAndAdonis.html ,  
William Shakespeare's      "Venus and Adonis"

"Christmas Day in Morning"                 (V/P + "-enus and Adonis"/T)                "Venus and Adonis"
"East and West Stories"                 (V/P + "-enus and Adonis"/S)                "Venus and Adonis"
"Good Deed and Other Stories of Asia, Past and Present"                 (V/P + "-enus and Adonis"/C2)                "Venus and Adonis"
"First Wife and Other Stories"                 (V/P + "-enus and Adonis"/GC/S/abT)                "Venus and Adonis"

•    Today and Forever: Stories of China (1941)
•    The Lovers and Other Stories (1977)
•    Twenty-Seven Stories (1943)
•    The Woman Who Was Changed and Other Stories (1979)

"Today and Forever: Stories of China"                 (P/S + "-earl Buck's work"/T)                "Pearl Buck's work"
"Lovers and Other Stories"                 (P/S + "-earl Buck's work"/P)                "Pearl Buck's work"
"Twenty-Seven Stories"                 (P/S + "-earl Buck's work"/C2)                "Pearl Buck's work"
"Woman Who Was Changed and Other Stories"                 (P/S + "-earl Buck's work"/GC/S/abT)                "Pearl Buck's work"

http://shakespeare.mit.edu/Poetry/VenusAndAdonis.html ,  
William Shakespeare's      "Venus and Adonis"

"Today and Forever: Stories of China"                 (V/S + "-enus and Adonis"/T)                "Venus and Adonis"
"Lovers and Other Stories"                 (V/S + "-enus and Adonis"/P)                "Venus and Adonis"
"Twenty-Seven Stories"                 (V/S + "-enus and Adonis"/C2)                "Venus and Adonis"
"Woman Who Was Changed and Other Stories"                 (V/S + "-enus and Adonis"/GC/S/abT)                "Venus and Adonis"

•    The Good Deed (1969)
•    Mrs. Stoner and the Sea and Other Stories (1978)

"Good Deed"                   (V/C2 + "-enus and Adonis"/T)                   "Venus and Adonis"
"M r s. Stoner and the Sea and Other Stories"                (V/C2 + "-enus and Adonis"/P)                 "Venus and Adonis"



Ludwig van Beethoven
http://encyclopedia.thefreedictionary.com/Ludwig+van+Beethoven ,    

* "Franz Liszt"  >>  ("Hector Berlioz" /S/Ch)/C2  >>  ("Camille Saint-Saëns" /GC/S/abT/Ch)/C2  >>  ("Niccolò Paganini" /T/Ch)/P  >>  ("Sigismond Thalberg" /T/Ch)/GC/S/abT  >>  ("Alexander Dreyschock" /S/Ch)/P  >>  ("Frédéric Chopin" /C2/Ch)/P  >>  ("Marie d'Agoult" /C2/Ch)/GC/S/abT  >>  ("Hans von Bülow" /P/Ch)/GC/S/abT  >>  ("Joseph Haydn" /P/Ch)/C2  >>  (Bach /T/Ch)/S  >>  (Jommelli /P/Ch)/S  >>  (Mendelssohn /C2/Ch)/S  >>  (Palestrina /GC/S/abT/Ch)/S  >>  ("Carl Czerny" /T/Ch)/C2  >>  (Hummel /C2/Ch)/T  >>  (Weber /S/Ch)/T  >>  ("Ignaz Moscheles" /GC/S/abT/Ch)/T  >>  (Hiller /P/Ch)/T  >>  (Beethoven /GC/S/abT/Ch)/P


>>              baptised 17 December 1770[1] – 26 March 1827

"1770"                           (B/T + eethoven/P)/C2/Ch/+bp                         Beethoven
December                         (B/T + eethoven/P)/C2/Ch/+cp                        Beethoven
"17"                               (B/T + eethoven/P)/C2/+bp                           Beethoven
baptised                           (B/T + eethoven/P)/C2/+cp                           Beethoven

"1827"                           (B/T + eethoven/S)/C2/Ch/+bp                         Beethoven
March                            (B/T + eethoven/S)/C2/Ch/+cp                         Beethoven
"26"                              (B/T + eethoven/S)/C2                                 Beethoven


>>               Beethoven,     van Beethoven,         Ludwig van Beethoven

*       (Beethoven /GC/S/abT)/P  >>  "Ludwig van Beethoven" /P  >>  "van Beethoven" /S

http://www.gutenberg.org/files/13065/13065-h/13065-h.htm ,  
http://www.gutenberg.org/files/13272/13272-h/13272-h.htm ,  
**                "van Beethoven"  >>  ("Lady Wallace" /P)/T

http://www.gutenberg.org/cache/epub/12473/pg12473.html ,  
>>       Author: Editor-in-Chief:       Kuno Francke

**                "van Beethoven"  >>  ("Kuno Francke" /T)/P


>>                 and quickly gaining a reputation as a virtuoso pianist

"virtuoso pianist"                            (B/P + eethoven/C1)                        Beethoven

>>             studies with his most important teacher in Bonn,    Christian Gottlob Neefe
http://encyclopedia.thefreedictionary.com/Christian+Gottlob+Neefe ,  
"Christian Gottlob Neefe"                      (B/C2 + eethoven/S)                      Beethoven

>>   and then as paid employee (1784) of the court chapel conducted by the Kapellmeister Andrea Luchesi
http://encyclopedia.thefreedictionary.com/Andrea+Luchesi ,  
"Andrea Luchesi"                        (B/C2 + eethoven/S)/Ch                         Beethoven

>>  His first three piano sonatas, named "Kurfürst" ("Elector") for their dedication to the Elector Maximilian Frederick
http://encyclopedia.thefreedictionary.com/Maximilian+Frederick+of+K%c3%b6nigsegg-Rothenfels ,  
"Maximilian Frederick"                       (B/S + eethoven/C1)                        Beethoven

>> Maximilian Frederick's successor as the Elector of Bonn was Maximilian Franz, the youngest son of Empress Maria Theresa of Austria
http://encyclopedia.thefreedictionary.com/Archduke+Maximilian+Franz+of+Austria ,  
"Maximilian Franz"                       (B/S + eethoven/C1)/Ch                        Beethoven
http://encyclopedia.thefreedictionary.com/Archduke+Maximilian+Franz+of+Austria ,  
"Maria Theresa of Austria"                     (B/P + eethoven/C1)                      Beethoven

>>               Beethoven came to the attention of Count Ferdinand von Waldstein
http://encyclopedia.thefreedictionary.com/Count+Ferdinand+Ernst+Gabriel+von+Waldstein ,  
"Count Ferdinand von Waldstein"                   (B/P + eethoven/C1)                  Beethoven

>>                He also befriended Anton Reicha, a flautist and violinist
http://encyclopedia.thefreedictionary.com/Anton+Reicha ,  
"Anton Reicha"                           (B/P + eethoven/C2)                            Beethoven

>>            violin lessons from Ignaz Schuppanzigh
http://encyclopedia.thefreedictionary.com/Ignaz+Schuppanzigh ,  
"Ignaz Schuppanzigh"                       (B/P + eethoven/C2)                        Beethoven

>>         occasional instruction from Antonio Salieri, primarily in Italian vocal composition style
http://encyclopedia.thefreedictionary.com/Antonio+Salieri ,  
"Antonio Salieri"                       (B/GC/S/abT + eethoven/C2)                      Beethoven

>>     continuing his instruction in counterpoint with Johann Albrechtsberger and other teachers
http://encyclopedia.thefreedictionary.com/Johann+Georg+Albrechtsberger ,  
"Johann Albrechtsberger"               (B/GC/S/abT + eethoven/C2)/Ch                 Beethoven

>> financial support, among them ~,   Prince Karl Lichnowsky,   and Baron Gottfried van Swieten
http://encyclopedia.thefreedictionary.com/Karl+Alois+Johann-Nepomuk+Vinzenz%2c+F%c3%bcrst+Lichnowsky ,  
"Prince Karl Lichnowsky"                       (B/T + eethoven/C2)                      Beethoven
http://encyclopedia.thefreedictionary.com/Gottfried+van+Swieten ,  
"Gottfried van Swieten"                      (B/T + eethoven/C2)/Ch                    Beethoven

>>   Ferdinand Ries, who went on to become a composer and later wrote Beethoven remembered
http://encyclopedia.thefreedictionary.com/Ferdinand+Ries ,      
"Ferdinand Ries"                            (B/T + eethoven/C1)                         Beethoven

>>               Carl Czerny studied with Beethoven from 1801 to 1803
http://encyclopedia.thefreedictionary.com/Carl+Czerny ,  
"Carl Czerny"                           (B/T + eethoven/C1)/Ch                         Beethoven

>> Perhaps Beethoven's most important aristocratic patron was Archduke Rudolph, the youngest son of Emperor Leopold II
http://encyclopedia.thefreedictionary.com/Leopold+II%2c+Holy+Roman+Emperor ,  
"Emperor Leopold i i"                            (B/P + eethoven/T)                      Beethoven

>>    14 compositions to Rudolph, including the Archduke Trio (1811) and his great Missa Solemnis (1823)
http://encyclopedia.thefreedictionary.com/Missa+Solemnis+(Beethoven) ,  
"Missa Solemnis"                            (B/P + eethoven/T)/Ch                      Beethoven

>>          Antonie Brentano, a married woman with whom he had begun a friendship in 1810
http://encyclopedia.thefreedictionary.com/Antonie+Brentano ,  
"Antonie Brentano"                        (B/T + eethoven/GC/S/abT)                   Beethoven

>>            Composer Louis Spohr called them "indecipherable, uncorrected horrors"
http://encyclopedia.thefreedictionary.com/Louis+Spohr ,  
"Louis Spohr"                        (B/T + eethoven/GC/S/abT)/Ch                     Beethoven

>> to inspire musicians and composers, from Richard Wagner to Béla Bartók, for their unique forms and ideas
http://encyclopedia.thefreedictionary.com/B%c3%a9la+Bart%c3%b3k ,  
"Béla Bartók"                            (B/S + eethoven/P)                              Beethoven


>>       he is referred to as one of the "three Bs" (along with Bach and Brahms)

"three Bs"                            (B/S + eethoven/P)/Ch                             Beethoven
"three Bs"                               (B/S + ach/P)/Ch                                     Bach
"three Bs"                              (B/S + rahms/P)/Ch                                 Brahms


http://www.gutenberg.org/browse/authors/b#a75 ,  
•  Beethoven's Letters 1790-1826, Volume 1 (English) (as Author)
•  Beethoven's Letters 1790-1826, Volume 2 (English) (as Author)
•  Beethoven, the Man and the Artist, as Revealed in His Own Words (English) (as Author)
•  The German Classics of the Nineteenth and Twentieth Centuries, Volume 06
Masterpieces of German Literature Translated into English. in Twenty Volumes (English) (as Contributor)

"Beethoven's Letters 1790-1826, Volume i"               (B/C1 + "-eethoven's writing"/S)/+bp               "Beethoven's writing"
"Beethoven's Letters 1790-1826, Volume i i"               (B/C1 + "-eethoven's writing"/S)/+cp               "Beethoven's writing"
"Beethoven, Man and Artist, as Revealed in His Own Words"               (B/C1 + "-eethoven's writing"/S)/Ch/+bp               "Beethoven's writing"

"German Classics of Nineteenth and Twentieth Centuries, Volume o v i"               (B/C1 + "-eethoven's writing"/S)/Ch/+cp               "Beethoven's writing"
"Masterpieces of German Literature Translated into English. in Twenty Volumes"               (B/C1 + "-eethoven's work"/S)/Ch/+cp               "Beethoven's work"

http://shakespeare.mit.edu/twelfth_night/full.html ,  
William Shakespeare's      "Twelfth Night"

"Beethoven's Letters 1790-1826, Volume i"               (Tw/C1 + "-elfth Night"/S)/+bp               "Twelfth Night"
"Beethoven's Letters 1790-1826, Volume i i"               (Tw/C1 + "-elfth Night"/S)/+cp               "Twelfth Night"
"Beethoven, Man and Artist, as Revealed in His Own Words"               (Tw/C1 + "-elfth Night"/S)/Ch/+bp               "Twelfth Night"
"German Classics of Nineteenth and Twentieth Centuries, Volume o v i"               (Tw/C1 + "-elfth Night"/S)/Ch/+cp               "Twelfth Night"

•  Große Fuge in B flat major Opus 133 () (as Author)
•  String Quartet No. 01 in F major Opus 18 () (as Author)
•  String Quartet No. 02 in G major Opus 18 () (as Author)
•  String Quartet No. 03 in D major Opus 18 () (as Author)

"Große Fuge in B flat major Opus c x x x i i i"               (B/C1 + "-eethoven's writing"/GC/S/abT)/+bp               "Beethoven's writing"
"String Quartet N o. o i in F major Opus x v i i i"               (B/C1 + "-eethoven's writing"/GC/S/abT)/+cp               "Beethoven's writing"
"String Quartet N o. o i i in F major Opus x v i i i"               (B/C1 + "-eethoven's writing"/GC/S/abT)/Ch/+bp               "Beethoven's writing"
"String Quartet N o. o i i i in F major Opus x v i i i"               (B/C1 + "-eethoven's writing"/GC/S/abT)/Ch/+cp               "Beethoven's writing"

http://shakespeare.mit.edu/twelfth_night/full.html ,  
William Shakespeare's      "Twelfth Night"

"Große Fuge in B flat major Opus c x x x i i i"               (Tw/C1 + "-elfth Night"/GC/S/abT)/+bp               "Twelfth Night"
"String Quartet N o. o i in F major Opus x v i i i"               (Tw/C1 + "-elfth Night"/GC/S/abT)/+cp               "Twelfth Night"
"String Quartet N o. o i i in F major Opus x v i i i"               (Tw/C1 + "-elfth Night"/GC/S/abT)/Ch/+bp               "Twelfth Night"
"String Quartet N o. o i i i in F major Opus x v i i i"               (Tw/C1 + "-elfth Night"/GC/S/abT)/Ch/+cp               "Twelfth Night"

•  String Quartet No. 04 in C minor Opus 18 () (as Author)
•  String Quartet No. 05 in a major Opus 18 () (as Author)
•  String Quartet No. 06 in B flat major Opus 18 () (as Author)
•  String Quartet No. 07 in F major Opus 59 () (as Author)

"String Quartet N o. o i v in C minor Opus x v i i i"               (B/T + "-eethoven's writing"/C1)/+bp               "Beethoven's writing"
"String Quartet N o. o v in A major Opus x v i i i"               (B/T + "-eethoven's writing"/C1)/+cp               "Beethoven's writing"
"String Quartet N o. o v i in B flat major Opus x v i i i"               (B/T + "-eethoven's writing"/C1)/Ch/+bp               "Beethoven's writing"
"String Quartet N o. o v i i in F major Opus L i x"               (B/T + "-eethoven's writing"/C1)/Ch/+cp               "Beethoven's writing"

http://shakespeare.mit.edu/twelfth_night/full.html ,  
William Shakespeare's      "Twelfth Night"

"String Quartet N o. o i v in C minor Opus x v i i i"               (Tw/T + "-elfth Night"/C1)/+bp               "Twelfth Night"
"String Quartet N o. o v in A major Opus x v i i i"               (Tw/T + "-elfth Night"/C1)/+cp               "Twelfth Night"
"String Quartet N o. o v i in B flat major Opus x v i i i"               (Tw/T + "-elfth Night"/C2)/Ch/+bp               "Twelfth Night"
"String Quartet N o. o v i i in F major Opus L i x"               (Tw/T + "-elfth Night"/C1)/Ch/+cp               "Twelfth Night"

•  String Quartet No. 08 in E minor Opus 59 () (as Author)
•  String Quartet No. 09 in C major Opus 59 () (as Author)
•  String Quartet No. 10 in E flat major Opus 74 "Harp" () (as Author)
•  String Quartet No. 11 in F minor Opus 95 "Serioso" () (as Author)

"String Quartet N o. o v i i i in E minor Opus L i x"               (B/P + "-eethoven's writing"/C1)/+bp               "Beethoven's writing"
"String Quartet N o. o i x in C major Opus L i x"               (BP + "-eethoven's writing"/C1)/+cp               "Beethoven's writing"
"String Quartet N o. x in E flat major Opus L x x i v Harp"               (B/P + "-eethoven's writing"/C1)/Ch/+bp               "Beethoven's writing"
"String Quartet N o. x i in F minor Opus x c v Serioso"               (B/P + "-eethoven's writing"/C1)/Ch/+bp               "Beethoven's writing"

http://shakespeare.mit.edu/twelfth_night/full.html ,  
William Shakespeare's      "Twelfth Night"

"String Quartet N o. o v i i i in E minor Opus L i x"               (Tw/P + "-elfth Night"/C1)/+bp               "Twelfth Night"
"String Quartet N o. o i x in C major Opus L i x"               (Tw/P + "-elfth Night"/C1)/+cp               "Twelfth Night"
"String Quartet N o. x in E flat major Opus L x x i v Harp"               (Tw/P + "-elfth Night"/C1)/Ch/+bp               "Twelfth Night"
"String Quartet N o. x i in F minor Opus x c v Serioso"               (Tw/P + "-elfth Night"/C1)/Ch/+bp               "Twelfth Night"

•  String Quartet No. 12 in E flat major Opus 127 () (as Author)
•  String Quartet No. 13 in B flat major Opus 130 () (as Author)
•  String Quartet No. 14 in C-sharp minor Opus 131 () (as Author)
•  String Quartet No. 15 in A minor Opus 132 () (as Author)

"String Quartet N o. x i i in E flat major Opus c x x v i i"               (B/S + "-eethoven's writing"/C1)/+bp               "Beethoven's writing"
"String Quartet N o. x i i i in B flat major Opus c x x x"               (B/S + "-eethoven's writing"/C1)/+bp               "Beethoven's writing"
"String Quartet N o. x i v in C-sharp minor Opus c x x x i"               (B/S + "-eethoven's writing"/C1)/Ch/+bp               "Beethoven's writing"
"String Quartet N o. x v in A minor Opus c x x x i i"               (B/S + "-eethoven's writing"/C1)/Ch/+cp               "Beethoven's writing"

http://shakespeare.mit.edu/twelfth_night/full.html ,  
William Shakespeare's      "Twelfth Night"

"String Quartet N o. x i i in E flat major Opus c x x v i i"               (Tw/S + "-elfth Night"/C1)/+bp               "Twelfth Night"
"String Quartet N o. x i i i in B flat major Opus c x x x"               (Tw/S + "-elfth Night"/C1)/+bp               "Twelfth Night"
"String Quartet N o. x i v in C-sharp minor Opus c x x x i"               (Tw/S + "-elfth Night"/C1)/Ch/+bp               "Twelfth Night"
"String Quartet N o. x v in A minor Opus c x x x i i"               (Tw/S + "-elfth Night"/C1)/Ch/+cp               "Twelfth Night"

•  String Quartet No. 16 in F major Opus 135 () (as Author)
•  Symphony No. 5 in C minor Opus 67 () (as Author)
•  Symphony No. 5 in C minor Opus 67 () (as Author)

"String Quartet N o. x v i in F major Opus c x x x v"               (B/GC/S/abT + "-eethoven's writing"/C1)/+bp               "Beethoven's writing"
"Symphony N o. v in C minor Opus L x v i i"               (B/GC/S/abT + "-eethoven's writing"/C1)/+cp               "Beethoven's writing"
"Symphony N o. v in C minor Opus L x v i i"               (B/GC/S/abT + "-eethoven's writing"/C1)/Ch               "Beethoven's writing"

http://shakespeare.mit.edu/twelfth_night/full.html ,  
William Shakespeare's      "Twelfth Night"

"String Quartet N o. x v i in F major Opus c x x x v"               (Tw/GC/S/abT + "-elfth Night"/C1)/+bp               "Twelfth Night"
"Symphony N o. v in C minor Opus L x v i i"               (Tw/GC/S/abT + "-elfth Night"/C1)/+cp               "Twelfth Night"
"Symphony N o. v in C minor Opus L x v i i"               (Tw/GC/S/abT + "-elfth Night"/C1)/Ch               "Twelfth Night"



>> Phonetic correspondence   between     Beethoven's   "Beethoven's Letters 1790-1826, Volume 1"    and    William Shakespeare's   "Twelfth Night"

http://shakespeare.mit.edu/twelfth_night/full.html ,  
William Shakespeare's      "Twelfth Night"

ACT I

SCENE I. DUKE ORSINO's palace.

Enter DUKE ORSINO, CURIO, and other Lords; Musicians attending

DUKE ORSINO

If music be the food of love, play on;
Give me excess of it, that, surfeiting,
The appetite may sicken, and so die.
That strain again! it had a dying fall:
O, it came o'er my ear like the sweet sound,
That breathes upon a bank of violets,
Stealing and giving odour! Enough; no more:
'Tis not so sweet now as it was before.
O spirit of love! how quick and fresh art thou,
That, notwithstanding thy capacity
Receiveth as the sea, nought enters there,
Of what validity and pitch soe'er,
But falls into abatement and low price,
Even in a minute: so full of shapes is fancy
That it alone is high fantastical.

CURIO

Will you go hunt, my lord?

DUKE ORSINO

What, Curio?

CURIO

The hart.

DUKE ORSINO

Why, so I do, the noblest that I have:
O, when mine eyes did see Olivia first,
Methought she purged the air of pestilence!
That instant was I turn'd into a hart;
And my desires, like fell and cruel hounds,
E'er since pursue me.

Enter VALENTINE

How now! what news from her?

VALENTINE

So please my lord, I might not be admitted; ~ ~


http://www.gutenberg.org/files/13065/13065-h/13065-h.htm ,  
•  Beethoven's Letters 1790-1826, Volume 1

FIRST PART.

LIFE'S JOYS AND SORROWS.
1783 TO 1815.

1.

TO THE ELECTOR OF COLOGNE, FREDERICK MAXIMILIAN.

ILLUSTRIOUS PRINCE,--

Music from my fourth year has ever been my favorite pursuit. Thus early introduced to the sweet Muse, who attuned my soul to pure harmony, I loved her, and sometimes ventured to think that I was beloved by her in return. I have now attained my eleventh year, and my Muse often whispered to me in hours of inspiration,--Try to write down the harmonies in your soul. Only eleven years old! thought I; does the character of an author befit me? and what would more mature artists say? I felt some trepidation; but my Muse willed it--so I obeyed, and wrote.

May I now, therefore, Illustrious Prince, presume to lay the first-fruits of my juvenile labors at the foot of your throne? and may I hope that you will condescend to cast an encouraging and kindly glance on them? You will; for Art and Science have ever found in you a judicious protector and a generous patron, and rising talent has always prospered under your fostering and fatherly care. Encouraged by this cheering conviction, I venture to approach you with these my youthful efforts. Accept them as the pure offering of childlike reverence, and graciously vouchsafe to regard with indulgence them and their youthful composer,

LUDWIG VAN BEETHOVEN.

2.

TO DR. SCHADE,--AUGSBURG.

Bonn, 1787. Autumn. ~ ~


*                "van Beethoven"  >>  ("Lady Wallace" /P)/T


"Beethoven's Letters 1790-1826, Volume i"               (B/C1 + "-eethoven's writing"/S)/+bp               "Beethoven's writing"

"Beethoven's Letters 1790-1826, Volume i"               (Tw/C1 + "-elfth Night"/S)/+bp               "Twelfth Night"


1.
"PART i"                  ([ŋ=  w=]/C1 + "ACT i SCENE i"/S)/+bp                  "ACT i SCENE i"

*               "PART i"  >>  "FIRST PART" /GC/S/abT

2.
"LIFE'S JOYS AND SORROWS"               (D/C1 + "-UKE ORSINO's palace"/S)/+bp               "DUKE ORSINO's palace"

3.
"1783 TO 1815"               ([ŋ=  y=]/C1 + "Enter DUKE ORSINO"/S)/+bp               "Enter DUKE ORSINO"

4.
"i"                                     (C/C1 + URIO/S)/+bp                                 CURIO

*               "i"  >>  "one" /GC/S/abT

5.                   TO <THE> ELECTOR OF COLOGNE

"TO ELECTOR OF COLOGNE"               ([ŋ=  w=]/C1 + "and other Lords"/S)/+bp               "and other Lords"

6.                   Musicians attending DUKE ORSINO If music be <the> food of love

"FREDERICK MAXIMILIAN"               (M/C1 + "-usicians attending DUKE ORSINO If music be food of love"/S)/+bp               "Musicians attending DUKE ORSINO If music be food of love"

7.
"ILLUSTRIOUS PRINCE"                      (pl/C1 + "-ay on"/S)/+bp                    "play on"

8.
"Music from my fourth year has ever been my favorite pursuit"               (G/C1 + "-ive me excess of it"/S)/+bp               "Give me excess of it"

9.                  Thus early introduced to <the> sweet Muse

"Thus early introduced to sweet Muse"               (th/C1 + "-at, surfeiting"/S)/+bp               "that, surfeiting"

10.                <The> appetite may sicken

"who attuned my soul to pure harmony"               ([ŋ=  w=]/C1 + "appetite may sicken"/S)/+bp               "appetite may sicken"

11.
"I loved her"                   ([ŋ=  w=]/C1 + "and so die"/S)/+bp                    "and so die"

12.
"and sometimes ventured to think that I was beloved by her in return"               (Th/C1 + "-at strain again"/S)/+bp               "That strain again"

13.              it had <a> dying fall

"I have now attained my eleventh year"               ([ŋ=  y=]/C1 + "it had dying fall"/S)/+bp               "it had dying fall"

14.                O, it came o'er my ear like <the> sweet sound

"and my Muse often whispered to me in hours of inspiration"               ([ŋ=  w=]/C1 + "O, it came o'er my ear like sweet sound"/S)/+bp               "O, it came o'er my ear like sweet sound"

15.     That breathes upon <a> bank of violets --- Try to write down <the> harmonies in your soul

"Try to write down harmonies in your soul"               (Th/C1 + "-at breathes upon bank of violets"/S)/+bp               "That breathes upon bank of violets"

16.
"Only eleven years old"               (St/C1 + "-ealing and giving odour"/S)/+bp               "Stealing and giving odour"

17.
"thought I"                         ([ŋ=  y=]/C1 + Enough/S)/+bp                         Enough

18.                   does <the> character of <an> author befit me

"does character of author befit me"               (n/C1 + "-o more"/S)/+bp               "no more"

19.
"and what would more mature artists say"               ('T/C1 + "-is not so sweet now as it was before"/P)/+bp               "'Tis not so sweet now as it was before"

20.
"I felt some trepidation"               ([ŋ=  w=]/C1 + "O spirit of love"/S)/+bp               "O spirit of love"

21.
"but my Muse willed it"               (h/C1 + "-ow quick and fresh art thou"/S)/+bp               "how quick and fresh art thou"

22.                   That, notwithstanding thy capacity Receiveth as <the> sea

"so I obeyed"               (Th/C1 + "-at, notwithstanding thy capacity Receiveth as sea"/S)/+bp               "That, notwithstanding thy capacity Receiveth as sea"

23.
"and wrote"                (n/C1 + "-ought enters there"/S)/+bp               "nought enters there"

24.
"May I now"               ([ŋ=  w=]/C1 + "Of what validity and pitch soe'er"/S)/+bp               "Of what validity and pitch soe'er"

25.
therefore               (B/C1 + "-ut falls into abatement and low price"/S)/+bp               "But falls into abatement and low price"

26.                     Even in <a> minute

"Illustrious Prince"               ([ŋ=  y=]/C1 + "Even in minute"/S)/+bp               "Even in minute"

27.                      presume to lay <the> first

"presume to lay first"               (s/C1 + "-o full of shapes is fancy That it alone is high fantastical"/S)/+bp               "so full of shapes is fancy That it alone is high fantastical"

28.                       fruits of my juvenile labors at <the> foot of your throne

"fruits of my juvenile labors at foot of your throne"               (C/C1 + "-URIO Will you go hunt"/S)/+bp               "CURIO Will you go hunt"

29.   and may I hope that you will condescend to cast <an> encouraging and kindly glance on them

"and may I hope that you will condescend to cast encouraging and kindly glance on them"               ("my l-"/C1 + ord/S)/+bp               "my lord"

30.
"You will"               (D/C1 + "-UKE ORSINO What, Curio"/S)/+bp               "DUKE ORSINO What, Curio"

31. CURIO <The> hart --- for Art and Science have ever found in you <a> judicious protector and <a> generous patron

"for Art and Science have ever found in you judicious protector and generous patron"               (C/C1 + "-URIO hart"/S)/+bp               "CURIO hart"

32.
"and rising talent has always prospered under your fostering and fatherly care"               (D/C1 + "-UKE ORSINO Why, so I do"/S)/+bp               "DUKE ORSINO Why, so I do"

33.                        <the> noblest that I have

"Encouraged by this cheering conviction"               (n/C1 + "-oblest that I have"/S)/+bp               "noblest that I have"

34.
"I venture to approach you with these my youthful efforts"               ([ŋ=  w=]/C1 + "O, when mine eyes did see Olivia first"/S)/+bp               "O, when mine eyes did see Olivia first"

35. Methought she purged <the> air of pestilence --- Accept them as <the> pure offering of childlike reverence

"Accept them as pure offering of childlike reverence"               (M/C1 + "-ethought she purged air of pestilence"/S)/+bp               "Methought she purged air of pestilence"

36.                     That instant was I turn'd into <a> hart

"and graciously vouchsafe to regard with indulgence them and their youthful composer"               (Th/T + "-at instant was I turn'd into hart"/S)/+bp               "That instant was I turn'd into hart"

37.
"LUDWIG VAN BEETHOVEN"               ([ŋ=  w=]/C1 + "And my desires"/S)/+bp               "And my desires"

38.
"i i"               (l/C1 + "-ike fell and cruel hounds"/S)/+bp               "like fell and cruel hounds"

*               "i i"  >>  "two" /GC/S/abT

39.
"TO D R"               ([ŋ=  y=]/C1 + "E'er since pursue me"/S)/+bp               "E'er since pursue me"

40.
SCHADE               ([ŋ=  y=]/C1 + "Enter VALENTINE How now"/S)/+bp               "Enter VALENTINE How now"

41.
AUGSBURG                (wh/C1 + "-at news from her"/S)/+bp               "what news from her"

42.
Bonn               (V/C1 + "-ALENTINE So please my lord"/S)/+bp               "VALENTINE So please my lord"

43.
"1787"               ([ŋ=  y=]/C1 + "I might not be admitted"/S)/+bp               "I might not be admitted"

Et cetera.



>> Phonetic correspondence   between     Beethoven's   "Beethoven's Letters 1790-1826, Volume 2"    and    William Shakespeare's   "Twelfth Night"

http://www.gutenberg.org/files/13272/13272-h/13272-h.htm ,  
•  Beethoven's Letters 1790-1826, Volume 2

*                "van Beethoven"  >>  ("Lady Wallace" /P)/T

SECOND PART.

LIFE'S MISSION.
1815-1822.
(Continued.)

BEETHOVEN'S LETTERS.
216.
TO STEINER & CO.

The Adjutant's innocence is admitted, and there is an end of it!

We beg you to be so good as to send us two copies in score of the Symphony in A. We likewise wish to know when we may expect a copy of the Sonata for Baroness von Ertmann, as she leaves this, most probably, the day after to-morrow.

No. 3--I mean the enclosed note--is from a musical friend in Silesia, not a rich man, for whom I have frequently had my scores written out. He wishes to have these works of Mozart in his library; as my servant, however, has the good fortune, by the grace of God, ~ ~


http://shakespeare.mit.edu/twelfth_night/full.html ,  
William Shakespeare's      "Twelfth Night"


"Beethoven's Letters 1790-1826, Volume i i"               (B/C1 + "-eethoven's writing"/GC/S/abT)/+cp               "Beethoven's writing"

"Beethoven's Letters 1790-1826, Volume i i"               (Tw/C1 + "-elfth Night"/GC/S/abT)/+cp               "Twelfth Night"


1.
"PART i i"                  ([ŋ=  w=]/C1 + "ACT i SCENE i"/S)/+cp                  "ACT i SCENE i"

*               "PART i i"  >>  "SECOND PART" /GC/S/abT

2.
"LIFE'S MISSION"               (D/C1 + "-UKE ORSINO's palace"/S)/+cp               "DUKE ORSINO's palace"

3.
"1783 TO 1815"               ([ŋ=  y=]/C1 + "Enter DUKE ORSINO"/S)/+cp               "Enter DUKE ORSINO"

4.
"1815"                                   (C/C1 + URIO/S)/+cp                               CURIO

5.
"1822"                 ([ŋ=  w=]/C1 + "and other Lords"/S)/+cp                "and other Lords"

6.                   Musicians attending DUKE ORSINO If music be <the> food of love

Continued                (M/C1 + "-usicians attending DUKE ORSINO If music be food of love"/S)/+cp               "Musicians attending DUKE ORSINO If music be food of love"

7.
"BEETHOVEN'S LETTERS"                     (pl/C1 + "-ay on"/S)/+cp                    "play on"

8.
"216"                 (G/C1 + "-ive me excess of it"/S)/+cp                  "Give me excess of it"

9.                         TO STEINER & CO

"TO STEINER n C O"               (th/C1 + "-at, surfeiting"/S)/+cp               "that, surfeiting"

10.                <The> appetite may sicken --- <The> Adjutant's innocence is admitted

"Adjutant's innocence is admitted"               ([ŋ=  w=]/C1 + "appetite may sicken"/S)/+cp               "appetite may sicken"

11.                     and there is <an> end of it

"and there is end of it"                ([ŋ=  w=]/C1 + "and so die"/S)/+cp                "and so die"

12.           We beg you to be so good as to send us two copies in score of <the> Symphony in A

"We beg you to be so good as to send us two copies in score of Symphony in A"               (Th/C1 + "-at strain again"/S)/+cp               "That strain again"

13. it had <a> dying fall --- We likewise wish to know when we may expect <a> copy of <the> Sonata for Baroness von Ertmann

"We likewise wish to know when we may expect copy of Sonata for Baroness von Ertmann"               ([ŋ=  y=]/C1 + "it had dying fall"/S)/+cp               "it had dying fall"

14.                O, it came o'er my ear like <the> sweet sound

"as she leaves this"               ([ŋ=  w=]/C1 + "O, it came o'er my ear like sweet sound"/S)/+cp               "O, it came o'er my ear like sweet sound"

15.                   That breathes upon <a> bank of violets

"most probably"               (Th/C1 + "-at breathes upon bank of violets"/S)/+cp               "That breathes upon bank of violets"

16.                       <the> day after to

"day after to"               (St/C1 + "-ealing and giving odour"/S)/+cp               "Stealing and giving odour"

17.
morrow                           ([ŋ=  y=]/C1 + Enough/S)/+cp                           Enough

18.
"N o"                                (n/C1 + "-o more"/S)/+cp                           "no more"

19.
"3"               ('T/C1 + "-is not so sweet now as it was before"/P)/+cp               "'Tis not so sweet now as it was before"

20.                    I mean <the> enclosed note

"I mean enclosed note"               ([ŋ=  w=]/C1 + "O spirit of love"/S)/+cp               "O spirit of love"

21.                    is from <a> musical friend in Silesia

"is from musical friend in Silesia"               (h/C1 + "-ow quick and fresh art thou"/S)/+cp               "how quick and fresh art thou"

22.               That, notwithstanding thy capacity Receiveth as <the> sea --- not <a> rich man

"not rich man"               (Th/C1 + "-at, notwithstanding thy capacity Receiveth as sea"/S)/+cp               "That, notwithstanding thy capacity Receiveth as sea"

23.
"for whom I have frequently had my scores written out"                (n/C1 + "-ought enters there"/S)/+cp               "nought enters there"

24.
"He wishes to have these works of Mozart in his library"               ([ŋ=  w=]/C1 + "Of what validity and pitch soe'er"/S)/+cp               "Of what validity and pitch soe'er"

25.
"as my servant"               (B/C1 + "-ut falls into abatement and low price"/S)/+cp               "But falls into abatement and low price"

26.                     Even in <a> minute

however                  ([ŋ=  y=]/C1 + "Even in minute"/S)/+cp                "Even in minute"

27.                      has <the> good fortune

"has good fortune"               (s/C1 + "-o full of shapes is fancy That it alone is high fantastical"/S)/+cp               "so full of shapes is fancy That it alone is high fantastical"

28.                       by <the> grace of God

"by grace of God"               (C/C1 + "-URIO Will you go hunt"/S)/+cp               "CURIO Will you go hunt"

Et cetera.



>> Phonetic correspondence   between     Beethoven's   "String Quartet No. 03 in D major Opus 18 by Ludwig van Beethoven"    and    William Shakespeare's   "Twelfth Night"


##   I do not have music knowledge;    and can/do not explain phonetic correspondences between William Shakespeare's   "Twelfth Night"   and   Beethoven's   "String Quartet No. 03 in D major Opus 18 by Ludwig van Beethoven"  etc.

String Quartet No. 03 in D major Opus 18 by Ludwig van Beethoven
http://www.gutenberg.org/ebooks/12149 ,  
http://www.gutenberg.org/files/12149/12149-pdf/12149-Complete.pdf ,  
http://www.gutenberg.org/browse/authors/b#a75 ,  

http://shakespeare.mit.edu/twelfth_night/full.html ,  
William Shakespeare's      "Twelfth Night"

•  String Quartet No. 03 in D major Opus 18 () (as Author)

"String Quartet N o. o i i i in F major Opus x v i i i"               (B/C1 + "-eethoven's writing"/GC/S/abT)/Ch/+cp               "Beethoven's writing"

"String Quartet N o. o i i i in F major Opus x v i i i"               (Tw/C1 + "-elfth Night"/GC/S/abT)/Ch/+cp               "Twelfth Night"


1.
"Violin i"                  ([ŋ=  w=]/C1 + "ACT i SCENE i"/GC/S/abT)/Ch/+cp                  "ACT i SCENE i"

2.
"Violin i i"               (D/C1 + "-UKE ORSINO's palace"/GC/S/abT)/Ch/+cp               "DUKE ORSINO's palace"

3.
Viola               ([ŋ=  y=]/C1 + "Enter DUKE ORSINO"/GC/S/abT)/Ch/+cp               "Enter DUKE ORSINO"

4.
Violincello                        (C/C1 + URIO/GC/S/abT)/Ch/+cp                          CURIO

5.
Allegro                 ([ŋ=  w=]/C1 + "and other Lords"/GC/S/abT)/Ch/+cp                "and other Lords"

Et cetera.



"periodic table"
Dmitri Mendeleev
http://encyclopedia.thefreedictionary.com/Dmitri+Mendeleev ,  

Mendeleev                           (Tsch/C1 + aikovsky/S)                           Tschaikovsky


>> Dmitri Ivanovich Mendeleev, Dmitri Ivanovich Mendeleyev, Dmitri Mendeleyev, Mendeleev, Mendeleyev, Dmitri Mendeleev

*  Mendeleev  >>  "Dmitri Ivanovich Mendeleev" /T  >>  "Dmitri Ivanovich Mendeleyev" /T/Ch  >>  "Dmitri Mendeleyev" /C1  >>  "Dmitri Mendeleev" /C1/Ch  >>  Mendeleyev /S


Born                   8 February 1834                         Verhnie Aremzyani, Russian Empire
Died                2 February 1907 (aged 72)                     St. Petersburg, Russian Empire

"1834"                          (M/S + endeleev/GC/S/abT)/+bp                        Mendeleev
February                        (M/S + endeleev/GC/S/abT)/+cp                        Mendeleev
"8"                          (M/S + endeleev/GC/S/abT)/Ch/+bp                        Mendeleev
"Verhnie Aremzyani, Russian Empire"             (M/S + endeleev/GC/S/abT)/Ch/+cp             Mendeleev

"1907"                         (M/C1 + endeleev/GC/S/abT)/+bp                        Mendeleev
February                       (M/C1 + endeleev/GC/S/abT)/+cp                        Mendeleev
"2"                         (M/C1 + endeleev/GC/S/abT)/Ch/+bp                        Mendeleev
"S t. Petersburg, Russian Empire"             (M/C1 + endeleev/GC/S/abT)/Ch/+cp              Mendeleev

>>       (8 February [O.S. 27 January] 1834 – 2 February [O.S. 20 January] 1907)

January                       (M/S + endeleyev/GC/S/abT)/+cp                        Mendeleyev
"27"                        (M/S + endeleyev/GC/S/abT)/Ch/+bp                      Mendeleyev

January                      (M/C1 + endeleyev/GC/S/abT)/+cp                        Mendeleyev
"20"                      (M/C1 + endeleyev/GC/S/abT)/Ch/+bp                       Mendeleyev


>>               periodic table

"periodic table"                 (M/GC/S/abT + "-endeleev's writing"/P)/Ch                  "Mendeleev's writing"

http://www.gutenberg.org/files/4003/4003-h/4003-h.htm ,  
George Bernard Shaw's      "Androcles and the Lion"

"periodic table"                 ([ŋ=  w=]/GC/S/abT + "Androcles and Lion"/P)/Ch                  "Androcles and Lion"


>>          John Newlands published his Law of Octaves in 1865.

*              Mendeleev  >>  ("John Newlands" /T)/GC/S/abT

"Law of Octaves"                      (p/S + "-eriodic table"/T)                     "periodic table"

>>            Another was Lothar Meyer, who published a paper in 1864 describing 28 elements

*         Mendeleev  >>  ("John Newlands" /T)/GC/S/abT  >>  ("Lothar Meyer" /T/Ch)/GC/S/abT


>>  Mendeleev wrote the definitive two-volume textbook at that time: Principles of Chemistry (1868–1870)

"Principles of Chemistry"                 (M/GC/S/abT + "-endeleev's writing"/S)/Ch                  "Mendeleev's writing"

http://www.gutenberg.org/files/4003/4003-h/4003-h.htm ,  
George Bernard Shaw's      "Androcles and the Lion"

"Principles of Chemistry"                 ([ŋ=  w=]/GC/S/abT + "Androcles and Lion"/S)                  "Androcles and Lion"


>>   Mendeleev is given credit for the introduction of the metric system to the Russian Empire.

*              Mendeleev  >>  ("introduction of metric system" /C1)/T



>> Phonetic correspondence   between  Mendeleev's  "periodic table"    and   George Bernard Shaw's   "Androcles and the Lion"

http://www.gutenberg.org/files/4003/4003-h/4003-h.htm ,  
Androcles and the Lion

PROLOGUE

Overture; forest sounds, roaring of lions, Christian hymn faintly.

A jungle path. A lion's roar, a melancholy suffering roar, comes from the jungle. It is repeated nearer. The lion limps from the jungle on three legs, holding up his right forepaw, in which a huge thorn sticks. He sits down and contemplates it. He licks it. He shakes it. He tries to extract it by scraping it along the ground, and hurts himself worse. He roars piteously. He licks it again. Tears drop from his eyes. He limps painfully off the path and lies down under the trees, exhausted with pain. Heaving a long sigh, like wind in a trombone, he goes to sleep.

Androcles and his wife Megaera come along the path. He is a small, thin, ridiculous little man who might be any age from thirty to fifty-five. He has sandy hair, watery compassionate blue eyes, sensitive nostrils, and a very presentable forehead; but his good points go no further; his arms and legs and back, though wiry of their kind, look shrivelled and starved. He carries a big bundle, is very poorly clad, and seems tired and hungry.

His wife is a rather handsome pampered slattern, well fed and in the prime of life. She has nothing to carry, and has a stout stick to help her along.

MEGAERA (suddenly throwing down her stick) I won't go another step.

ANDROCLES (pleading wearily) Oh, not again, dear. What's the good of stopping every two miles and saying you won't go another step? We must get on to the next village before night. There are wild beasts in this wood: lions, they say.

MEGAERA. I don't believe a word of it. You are always threatening me with wild beasts to make me walk the very soul out of my body when I can hardly drag one foot before another. We haven't seen a single lion yet.

ANDROCLES. Well, dear, do you want to see one?  ~ ~


periodic table
http://encyclopedia.thefreedictionary.com/periodic+table ,  

Group # 1   2   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18
Period     

1        1                                                                                  2
         H                                                                                  He    

2        3   4                                                  5     6    7     8   9    10
         Li  Be                                                  B     C   N     O   F    Ne


"periodic table"                 (M/GC/S/abT + "-endeleev's writing"/P)/Ch                  "Mendeleev's writing"

"periodic table"                 ([ŋ=  w=]/GC/S/abT + "Androcles and Lion"/P)/Ch                  "Androcles and Lion"


1.
G                (P/GC/S/abT + "-ROLOGUE Overture"/P)/Ch                "PROLOGUE Overture"

2.
r                        (f/GC/S/abT + "-orest sounds"/P)/Ch                       "forest sounds"

3.
o                      (r/GC/S/abT + "-oaring of lions"/P)/Ch                      "roaring of lions"

4.
u               (Ch/GC/S/abT + "-ristian hymn faintly"/P)/Ch                "Christian hymn faintly"

5.                              <A> jungle path

p                         (j/GC/S/abT + "-ungle path"/P)/Ch                          "jungle path"

6.                              <A> lion's roar

"1/one"                       (l/GC/S/abT + "-ion's roar"/P)/Ch                         "lion's roar"

7.                      <a> melancholy suffering roar

"2/two"               (m/GC/S/abT + "-elancholy suffering roar"/P)/Ch                "melancholy suffering roar"

8.                            comes from <the> jungle

"3/three"               (c/GC/S/abT + "-omes from jungle"/P)/Ch                "comes from jungle"

9.
"4"               ([ŋ=  y=]/GC/S/abT + "It is repeated nearer"/P)/Ch                "It is repeated nearer"

10.               <The> lion limps from <the> jungle on three legs

"5"               (l/GC/S/abT + "-ion limps from jungle on three legs"/P)/Ch                "lion limps from jungle on three legs"

11.
"6"               (h/GC/S/abT + "-olding up his right forepaw"/P)/Ch                "holding up his right forepaw"

12.                     in which <a> huge thorn sticks

"7"               ([ŋ=  y=]/GC/S/abT + "in which huge thorn sticks"/P)/Ch                "in which huge thorn sticks"

13.
"8"               (H/GC/S/abT + "-e sits down and contemplates it"/P)/Ch                "He sits down and contemplates it"

14.
"9"                           (H/GC/S/abT + "-e licks it"/P)/Ch                          "He licks it"

15.
"10"                      (H/GC/S/abT + "-e shakes it"/P)/Ch                        "He shakes it"

16.                  He tries to extract it by scraping it along <the> ground

"11"               (H/GC/S/abT + "-e tries to extract it by scraping it along ground"/P)/Ch                "He tries to extract it by scraping it along ground"

17.
"12"               ([ŋ=  w=]/GC/S/abT + "and hurts himself worse"/P)/Ch                "and hurts himself worse"

18.
"13"                 (H/GC/S/abT + "-e roars piteously"/P)/Ch                 "He roars piteously"

19.
"14"                   (H/GC/S/abT + "-e licks it again"/P)/Ch                    "He licks it again"

20.
"15"               (T/GC/S/abT + "-ears drop from his eyes"/P)/Ch                "Tears drop from his eyes"

21.             He limps painfully off <the> path and lies down under <the> trees

"16"               (H/GC/S/abT + "-e limps painfully off path and lies down under trees"/P)/Ch                "He limps painfully off path and lies down under trees"

22.
"17"               ([ŋ=  y=]/GC/S/abT + "exhausted with pain"/P)/Ch                "exhausted with pain"

23.                     Heaving <a> long sigh

"18"                  (H/GC/S/abT + "-eaving long sigh"/P)/Ch                 "Heaving long sigh"

24.                       like wind in <a> trombone

P               (l/GC/S/abT + "-ike wind in trombone"/P)/Ch                "like wind in trombone"

25.
e                      (h/GC/S/abT + "-e goes to sleep"/P)/Ch                   "he goes to sleep"

26.                   Androcles and his wife Megaera come along <the> path

r               ([ŋ=  w=]/GC/S/abT + "Androcles and his wife Megaera come along path"/P)/Ch                "Androcles and his wife Megaera come along path"

27.                               He is <a> small

i                             (H/GC/S/abT + "-e is small"/P)/Ch                        "He is small"

28.
o               (t/GC/S/abT + "-hin, ridiculous little man who might be any age from thirty to fifty"/P)/Ch                "thin, ridiculous little man who might be any age from thirty to fifty"

29.
d                                    (f/GC/S/abT + ive/P)/Ch                                    five

30.
"1"                  (H/GC/S/abT + "-e has sandy hair"/P)/Ch                  "He has sandy hair"

31.
"1"               (w/GC/S/abT + "-atery compassionate blue eyes"/P)/Ch                "watery compassionate blue eyes"

32.                        hydrogen

H                    (s/GC/S/abT + "-ensitive nostrils"/P)/Ch                    "sensitive nostrils"

33.                      and <a> very presentable forehead

y               ([ŋ=  w=]/GC/S/abT + "and very presentable forehead"/P)/Ch                "and very presentable forehead"

34.
d               (b/GC/S/abT + "-ut his good points go no further"/P)/Ch                "but his good points go no further"

35.
r               (h/GC/S/abT + "-is arms and legs and back"/P)/Ch                "his arms and legs and back"

36.
o               (t/GC/S/abT + "-hough wiry of their kind"/P)/Ch                "though wiry of their kind"

37.
g               (l/GC/S/abT + "-ook shrivelled and starved"/P)/Ch                "look shrivelled and starved"

38.                         He carries <a> big bundle

e                (H/GC/S/abT + "-e carries big bundle"/P)/Ch                "He carries big bundle"

39.
n               ([ŋ=  y=]/GC/S/abT + "is very poorly clad"/P)/Ch                "is very poorly clad"

40.
"2"               ([ŋ=  w=]/GC/S/abT + "and seems tired and hungry"/P)/Ch                "and seems tired and hungry"

41.             His wife is <a> rather handsome pampered slattern --- helium

H               (H/GC/S/abT + "-is wife is rather handsome pampered slattern"/P)/Ch                "His wife is rather handsome pampered slattern"

42.                  well fed and in <the> prime of life

e               (w/GC/S/abT + "-ell fed and in prime of life"/P)/Ch                "well fed and in prime of life"

43.
l               (S/GC/S/abT + "-he has nothing to carry"/P)/Ch                "She has nothing to carry"

44.                       and has <a> stout stick to help her along
i               ([ŋ=  w=]/GC/S/abT + "and has stout stick to help her along"/P)/Ch                "and has stout stick to help her along"

45.
u               (M/GC/S/abT + "-EGAERA (suddenly throwing down her stick"/P)/Ch                "MEGAERA (suddenly throwing down her stick"

46.
m               ([ŋ=  y=]/GC/S/abT + "I won't go another step"/P)/Ch                "I won't go another step"

47.
"2"               ([ŋ=  w=]/GC/S/abT + "ANDROCLES (pleading wearily"/P)/Ch                "ANDROCLES (pleading wearily"

48.
"3"               ([ŋ=  w=]/GC/S/abT + "Oh, not again, dear"/P)/Ch                "Oh, not again, dear"

49. What's <the> good of stopping every two miles and saying you won't go another step --- lithium

l               (W/GC/S/abT + "-hat's good of stopping every two miles and saying you won't go another step"/P)/Ch                "What's good of stopping every two miles and saying you won't go another step"

50.                  We must get on to <the> next village before night

i               (W/GC/S/abT + "-e must get on to next village before night"/P)/Ch                "We must get on to next village before night"

51.
t               (T/GC/S/abT + "-here are wild beasts in this wood"/P)/Ch                "There are wild beasts in this wood"

52.
h                      (l/GC/S/abT + "-ions, they say"/P)/Ch                       "lions, they say"

53.                    MEGAERA. I don't believe <a> word of it

i               (M/GC/S/abT + "-EGAERA. I don't believe word of it"/P)/Ch                "MEGAERA. I don't believe word of it"

54. You are always threatening me with wild beasts to make me walk <the> very soul out of my body when I can hardly drag one foot before another

u               (Y/GC/S/abT + "-ou are always threatening me with wild beasts to make me walk very soul out of my body when I can hardly drag one foot before another"/P)/Ch                "You are always threatening me with wild beasts to make me walk very soul out of my body when I can hardly drag one foot before another"

55.                  We haven't seen <a> single lion yet

m               (W/GC/S/abT + "-e haven't seen single lion yet"/P)/Ch                "We haven't seen single lion yet"

56.
"4"               ([ŋ=  w=]/GC/S/abT + "ANDROCLES. Well, dear, do you want to see one"/P)/Ch                "ANDROCLES. Well, dear, do you want to see one"

Et cetera.

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DATE: 2011.12.09 - 00:28


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515Simple view>> Corrected                                <Iliad> Y... 2011.08.19
514Simple viewMarlowe/Nashe/Chapman, 'Ben Jonson', 'Beaumont & Fletcher', Marston/Fleay/Glapthorne/Warburton/Brome Y... 2011.06.24
513Simple viewVarro/Catullus/Livy/Sallust,   Ovid/Apuleius/Horace/Lucretius,      Calvin/Servetus/Zwingli/Cranmer/Luther Y... 2011.06.19
512Simple viewSavonarola/Colet/Erasmus/Loyola/Ficino/Mirandola/Gracián/Swedenborg/Ockham/Abelard,    Latin,   'Lex Talio' Y... 2011.06.12
511Simple viewTerence/Menippus/Arcesilaus/Theophras-,  Voltaire/Maupertuis/Schiller/Winckelmann/Rochefoucauld/Cervantes Y... 2011.06.07
510Simple viewBoccaccio/Petrarch/Helvétius/Cesare/Malthus,  Say/Gresham,  Machiavelli/Telesio/Boyle/Bacon/Kepler/Brahe Y... 2011.06.04
509Simple viewHerder/Sanai/Hafez,  Dante, 'Adam Smith', 'Richard Cantillon', 'Henry More', ''Isaac Newton', Ricardo/Bentham Y... 2011.06.01
508Simple viewBerkeley, 'Giordano Bruno', Spinoza/Rousseau/Fichte/Hölderlin/Schelling, 'Jakob Böhme', Hamann/Goethe/Vigo Y... 2011.05.29
507Simple view'Thomas Hobbes' 'John Stuart Mill' 'Arthur Schopenhauer' 'Friedrich Nietzsche' Hegel/Kant/Hume/Locke/Leibniz Y... 2011.05.26
506Simple viewGalileo/Orpheus/Argonautica/Strabo,    'Augustine of Hippo', Neoplatonism/Enneads/Cicero/Anselm/Descartes Y... 2011.05.24
505Simple view                              "English    spelling/vocabulary"                   (Korean connection) Y... 2011.05.19
504Simple viewPyrrho/Galen/Avicenna/Averroes/Maimonides, 'Albertus Magnus', 'Thomas Aquinas', 'Duns Scotus', Copernicus Y... 2011.05.17
503Simple viewArchimedes/Aspasia/Euclid/Hipparchus/Hippocrates/Leonidas/Pericles/Ptolemy/Solon/Themistocles/Epicurus Y... 2011.05.14
502Simple view             Phonetic study    on   German/French   words/sentences Y... 2011.05.13
501Simple view'Milesian school'  'Seven Wonders'  Eleatics/sophism/pluralist/Cynics/Stoic/Montesquieu/Suda/eureka/Vitruvius Y... 2011.05.11
500Simple viewAeschylus/Aesop/Euripides/Hesiod,   Homer/Lucian/Menander/Pindar,  Polybius/Sappho/Sophocles, Alcibiades Y... 2011.05.11
499Simple viewThales/Anaximander/Anaximenes/Pythagoras,  Anaxagoras/Empedocles,  Antisthenes/Diogenes/Crates/Zeno Y... 2011.05.07
498Simple view'geologic era'  'Stone Age'   Yahoo/Google   'Know yourself'   introspection   'Seven Sages'   'material monism' Y... 2011.05.05
497Simple viewSocrates/Thucydides/Plutarch/Herodotus/Xenophon/Aristophanes/Plato/Aristotle/Parmenides/Democritus, etc. Y... 2011.05.04
496Simple view                           phonetic analysis on     Buddha  &  Buddhism Y... 2011.05.04
495Simple viewPhonetic analysis on   Hinduism/Veda/Sanskrit/Prakrit/Zoroaster, Manichaeism/Mani,  Bahá'í Faith, Bahá'u'lláh Y... 2011.04.29
494Simple view'net-cutting'  'country music'  'General Zod'      BC/AD  'Independence day'     BCE/CE    '(Before) Common Era' Y... 2011.04.14
493Simple view    'phonetic study on Jesus Christ  &  Moshe'             'Twelve Apostles'              'Hellenistic civilization??' Y... 2011.04.10
492Simple view           translation :           논어(論語)/공자(孔子/Confucius),               etymological analysis Y... 2011.04.08
491Simple view'論語/논어 [non  ŋΛ]  &  Old Testament'       Torah/Pentateuch         'Why Torah, Prophets, Writings, 四書五經' Y... 2011.04.05
490Simple view'lady-in-waiting'  Confucius/Mencius/Laozi/Micius  popcorn  'Generation Y/X'  'Wonder Woman'       I/you    etc. Y... 2011.04.02
489Simple viewfraction/ordinal,   'national flowers'   'Department of State'    'God bless you!'   'daylight saving time'   *BC/AD Y... 2011.03.20
488Simple view"&/and",                  italic,  ride/drive,       Morrison, Messiah/Immanuel,  succeed,     'Virgin Mary'  Joseph Y... 2011.03.15
487Simple view‘Moby-Dick’     'Coca Cola'       pronouns/4,  'Chinese carry-out'     'days of months'     'leap year (day)'   date Y... 2011.03.04
486Simple view'The Star-Spangled Banner'   &   'God Save the Queen'   &    'Land of Hope and Glory';        national anthems Y... 2011.02.10
485Simple view         'La Marseillaise'              Deutschlandlied              'National anthem of Austria' Y... 2013.05.12
484Simple view'Ask not'/America       months  'days of the week'  day/week/month/year  '(the) first'  hamburger  'Super Bowl' Y... 2011.02.09
483Simple view'passive voice'               'shoe-string budget?'  'you know'  'by the way'  'eh/well'  'blood libel'    'last supper' Y... 2011.01.14
482Simple view'Do I know you?'           'Season's Greetings'  'Auld Lang Syne'      'Christian cross,  resurrection'    'Red Cross' Y... 2011.01.08
481Simple view'Moses & Jesus Christ'            Christ/Jesus,   'Christmas card'   'Why Santa is old man'   MoU,      'Three Magi' Y... 2010.12.25
480Simple view"Shakespeare   &  Plutarch"                  'Sir Thomas More'   'G6'     oneself/myself/ourselves/etc.    ID Y... 2010.12.23
479Simple view'Why wedding dresses are white'              Halloween/제사,  denim, angel(s), eve, Ivy/steak, 'Rhode Island' Y... 2010.12.19
478Simple viewThanksgiving-day,         SantaClaus,           countries,      "silent letter??"     waffle/빈대떡/cupcake Y... 2010.11.26
477Simple view>> More considerations on  "silent letter??";     between GRECOnglish & orthodox English pronunciations Y... 2010.11.27
476Simple view"for the people, by the people, of the people"                          "I have a dream"      yes/no Y... 2010.10.10
475Simple view'it :  imp. v.??'              methinks                               Memorial/Mother's Day,    'hat trick'  franchise/may Y... 2010.06.05
474Simple view"Phonetics/linguistics  &  Bible"                                            "dirty Chinese??" Y... 2010.04.20
473Simple view'aui*Λ/o/='        exigency, need/longing, matter, pressure/force, hurry/rush, weight/postulate/concept/picture Y... 2010.04.05
472Simple view>> Corrected:                   [auiΛ]/S/mES, /S/MS;    [auio]/S/mES, /T/mES, /C1/mES;   [aui=]/P/pES Y... 2010.08.14
471Simple viewview/viewpoint, scheme/surmise/lack/economy/feature,  detail/topic,  item/issue,  point/case,  trifle/matter Y... 2010.04.05
470Simple viewaffair/terrific,  spooky/spook, dreadful/fearsome/awesome/traditional,  customary/familiar,  normal/average Y... 2010.04.05
469Simple viewusual/general,  common/routine, standard, apropos, related/relati-,  germane/cognate, tempor-, fly-by-night Y... 2010.04.05
468Simple viewpassing,  fugitive, 'short-lived', transient/ably/momentarily/amplify/stretch,  expand/wax,  augment/raise Y... 2010.04.05
467Simple viewheighten/lengthen,  embarra-/discountena-,  'show up', offend,  chagrin/vex, mortify/abash,  incarna-/personi- Y... 2010.04.05
466Simple viewrepresent/depict,  illustrate/explicate, codify, manifest, rubbish,  malign/libel,  abuse/mar, decry, blacken Y... 2010.04.05
465Simple viewsignificance/fervour/ebullience,  weight/emphasis, distillation/water/dew/perspiration/moisture/spray/bigotry Y... 2010.04.05
464Simple viewchutzpah', fight, payoff, path,  consequences/end, result(s), verdict,  upshot/event, compatible, consonant Y... 2010.04.05
463Simple viewsociable, convivial,  'dyed in the wool', universal, overall,  total/downright, worldwide,  'far-flung', entire Y... 2010.04.05
462Simple viewwhole/patient,  mild/equab-, kind/generali-/interpola-,  sophisticate/pervert, counsel/instruct,  refine/temper Y... 2010.04.05
461Simple viewhype/razzmatazz, razzle-dazzle, spotlight, play-up, write-up,  champion/uphold, develop,  defend, 'plead for' Y... 2010.04.05
460Simple viewhelp,  advocate/recommend,  puzzle/poser, problem, inconsistency, 'closed book', conundrum, fabrication Y... 2010.04.05
459Simple viewforgery/phony, lie(s), fiction, myth,  fake/counterfeit,  takings, arrest/bust,  catching/espial, trappings/bard Y... 2010.04.05
458Simple viewimprisonment/detenti-, seizure,  dignity, 'self-importa-', decorum/etiquet-,  grandeur/prominen-, proprieties Y... 2010.04.05
457Simple viewsolemnities/gravity,  majesties, 'His Honour, etc.',  destitute, 'down and out',  poor, 'bad(ly) off', 'well-off' Y... 2010.04.05
456Simple viewneedy,  short/low, jovial,  lively, 'full of beans', congenial/ratty/peevish,  sour/tart,  surly/churlish, peppery Y... 2010.04.05
455Simple viewtesty/heady/snappish, unlimited/incomparable/peremptory/complain,  grumble/bellyache, carp/kvetch, groan Y... 2010.04.05
454Simple viewwail/soothe,  'relieve (yourself)', soften/mitigate/scold/blame,  correct/chasten, discipline/censure/advertise Y... 2010.04.05
453Simple viewfortis(?) consonants,                                    Short(?) Program,  Democrat/donkey,  Valentine's Day Y... 2010.02.24
452Simple view>>                                              θ/ð/v/f Y... 2014.03.09
451Simple viewDifference between English & GRECOnglish/GC,                                             pronouns,   'Excuse me.' Y... 2010.01.23
450Simple view'Λui*a/o/=', business/craft, work/occupation, call/job, line/field, condition/symptoms/disorder/appointments Y... 2010.01.06
449Simple view>> Corrections:                                               [Λuia] adjective,       [Λui=] /S/SS Y... 2010.09.18
448Simple viewhorseback-riding?    class, label, creature, gull,   figure/dupe, fitting/fit,    worthy/praiseworthy/worthwhile Y... 2010.01.06
447Simple viewcorrect,  toxic/unhealthful,  deadly/destructive, mortal/killing, choice/prime,  'cool, first-class', select/rare Y... 2010.01.06
446Simple viewbrilliant/marvello-, cracking/mega, coolish/aggregate/assemble/accumula-, test/challenge, look at, research Y... 2010.01.06
445Simple viewexaggerate/emphasise/enlarge/inflate/embroider, frighten/scare/stun/alarm, damp/humidness/opacity/dim Y... 2010.01.06
444Simple viewfaintness/funniness/sport/pleasure/cheerfulness/joy,   understanding/affectionateness/toleration/surd/hard Y... 2010.01.06
443Simple viewdire/awful/dreadful/notable, non-specialist, general/easy/simple/plain/significant/suppose/imagine, believe in Y... 2010.01.06
442Simple view'fancy up', feed, 'eat up', graze/pasture/browse,  'dine out', copulate/shag/bonk,  'have a ball', 'have a fuck' Y... 2010.01.06
441Simple view'have a hump', erase, 'cancel out', excise, 'wipe out', luxury/extra/art/pleasure/love/density/want/parsimony Y... 2010.01.06
440Simple viewdimension/solidity/impenetrability/terror/animosity/dread/horror/fright/awe/deadline,    value/unchangeability Y... 2010.01.06
439Simple viewconstancy,  merit/irreversibility,  quality/unalterability,  caliber/invariability, bad,  kind/humane, good, favour Y... 2010.01.06
438Simple viewcaring/sharp/risky/parlous/ominous/dicey/insecure/ugly/quiescent/yielding/soft/dutiful/willing, patient/serene Y... 2010.01.06
437Simple viewliberal/prodigal, lax/permissive/tender, constancy/stability, lenient/magnanimo-/free/evolve, generate/render Y... 2010.01.06
436Simple viewguarantee/guaranty, delegate/authorize, trust, transfer/transport, hand/give/pass/capture, charm/bewitch Y... 2010.01.06
435Simple viewattract/fascinate,  entrance/trance,  submit/yield/agree/bend/bow/ailment, malaise/instrument/tool/apropos Y... 2010.01.06
434Simple viewtimely/genuine/lethal/terminal/hostile/fine/willing/affable/commix/terrorize/water, kindliness, hand-out Y... 2010.01.06
433Simple viewEnglish/GRECOnglish accent,                   'Happy Holidays',  season, chemistry?         'primary consonants' Y... 2010.01.04
432Simple view'uia*Λ/o/='            mix/mixture;     blend;     compound/composite/composition;     amalgam/amalgamation Y... 2010.01.04
431Simple view>> Corrected:                                             [uia=] /T/MS, /P/mES Y... 2010.08.13
430Simple viewcoalescence; climax; venture; project; risk; scheme;  benefit/beneficiality;  good(ness);  use; gain; reward Y... 2009.12.25
429Simple viewboon; alert; serious; deep; intellectual; scholarly; fit;    appropriate/expropriate; irregular;    asymmetric(al) Y... 2009.12.01
428Simple viewfraternize; socialize; sacrifice; abandon; renounce; forfeit(ure); jilt; disentangle/untangle; generalize (-ise) Y... 2009.12.01
427Simple viewextrapolate; infer; conclude; 'reason out'; universalize; mind; sense; knowledge; wit; corruption/corruptne- Y... 2009.12.01
426Simple view>> Corrections:          mindfulness/mind, sensuousness/sense, wiseness/wisdom, judiciousness/judgement Y... 2009.12.21
425Simple viewgraft; danger(ousness); chance; prospect; optimality/optimization; gawky/gauche; heavy; earnest; true/H?  Y... 2009.12.01
424Simple viewphysical; manual; base; sanguine; expectant; budget; allowance; finance(s); shove; thrust; nudge; knock Y... 2009.12.01
423Simple viewpush; bump; cause; source; spring; agent; opposite; different; enough/enow; lavish; belligerent; conflicting Y... 2009.12.01
422Simple viewoptimize; behave;   act/react; conduct(ion); acquit ; comport; deliberate; consider; think; ponder; debate Y... 2009.12.01
421Simple viewfrighten; scare; petrify;    interweave; intermingle; commingle; alleviate;    trivialize; untangle; shadiness Y... 2009.12.01
420Simple viewrun;   disclose; divulge; evince; defraud; hoodwink;   impart; promulgate; deteriorate; fundi; wonk;   study Y... 2009.12.01
419Simple view"trick or treat"                                   "air force one" Y... 2009.11.06
418Simple view*  'iau*Λ/o/='      mean(s), aid, advantage, vacuum,    (expressive) style, competition, aggression, intrusion Y... 2009.11.04
417Simple view>> Corrected:              [iauΛ] /P/MS, /S/aES, /C1/SS, /P/mES,   [iauo] /C2/MS, /verb,   [iau=] /P/mES Y... 2010.10.05
416Simple view'ill will',    pugnacity/roundabout/wandering, straightforward/natural/frank/dirty/blue, lavish/full/grace/raise Y... 2009.11.04
415Simple viewadvance/boycott/snub, refrain from, stay away -, spurn, throw out, eject/support/bear, hold up, carry/prop Y... 2009.11.03
414Simple viewfame/honour/glory, trouble(someness), inconvenience/solemness/gravity, earnest(ness), soberness/feeling Y... 2009.11.03
413Simple viewsubmission,   philanthropic(al), gracious, almsgiving, positive, confident, hopeful, upbeat,   real(ly), absolute Y... 2009.11.03
412Simple viewperfect/right/complete/shoot/speed/race/rush/tear/dash/pose/present/create/rise,     lead (to),  result (in) Y... 2009.11.03
411Simple viewsave, rescue, recover, salvage,    bail (out), chafe, rub, scratch, rasp, scrape,    foolish(ness), judg(e)ment Y... 2009.11.03
410Simple viewgrotesquery/unpleasingness/verity,   'true fact?' reality, sensuous/sensual, provocative/delicious/delectable Y... 2009.11.03
409Simple viewsteady/beautiful/scenic, savo(u)ry, federate/merge,   unify/unite, consolidate/mingle/coalesce/save/reserve Y... 2009.11.03
408Simple viewstore/collect/vaporize/gasify/aerate,     sublimate/sublime, transpire/hesitate/waver/delay/pause/wait/falter Y... 2009.11.03
407Simple view'compound noun'                Go go go!   White House, northwest, used car,   African-American,   ball games Y... 2009.10.20
406Simple viewdefault [*]/[h]/[=]                   nightline, below, having,  'So many people, so many minds.'  'Mother’s Day' Y... 2009.10.16
405Simple viewMrs./Miss/Ms./lady,                   principle of (sur)names,                   Kor-/Eng- sentences              color Y... 2009.10.11
404Simple view'=ia*Λ/o/u'         agent/H? height/representative/minister/agent/deputy/summit/peak, fund(s), mutual/trust Y... 2009.10.04
403Simple view>> Corrections:                   [=iaΛ] /S/mES,   [=iau]/P/noun, /C1/mES,    [=iao]/S/aES,   /P/T/C1/mES,  Y... 2010.08.28
402Simple viewtherapeutic,  lavish/healing/restorative, good(s), corrective/temporary/acting/interim,  strain/stress/strenu- Y... 2009.10.04
401Simple view'stand-in',   'fill-in',   farming, country, rural, rustic, agrarian,   complain, moan, bitch, whine, growl, gripe Y... 2009.10.04
400Simple viewsophisticate/school/train/educate/consecrate,  bless/H? monitor,  'check (out)', program(me), info(rmation) Y... 2009.10.04
399Simple view>> Corrections:                                           "45. monitor"     &     "46.  check (out)" Y... 2009.11.27
398Simple viewproof, submission, reverence, observance, density, compact(ed)ness, impenetrability, thick, close, heavy Y... 2009.10.04
397Simple viewsolid, substantial, defenc(s)e, rash, irresponsible, precipitate, prove, support, bear, shoulder, endure, keep Y... 2009.10.04
396Simple viewoscillate/fluctuate/swing/vary/sway/veer, effects, end, results, wake/morosity/gloom, mood(in-), sulk(in-) Y... 2009.10.04
395Simple viewsour(ness), vice/viciousness, cruelty, savage(ry), feminine(ness), sex, female(n-), male(n-), masculine(n-) Y... 2009.10.04
394Simple viewterrific, bodacious(ly), boff(o), 'jim-dandy', hopeful, positive, confident, 'can-do', formal(ly), official, regular Y... 2009.10.04
393Simple viewparlous/perilous, '(de)fend (off)',  'cover up', protect/guard/secure/preserve/furnish,  'fit out', stock/supply Y... 2009.10.04
392Simple viewprovision/provide/serialize, 'set up', arrange/form/order/sort/sicken/disgust/revolt, repel/repulse, 'gross out' Y... 2009.10.04
391Simple view>> Corrections:                                              "set up"          (set) Y... 2010.01.18
390Simple view'Why not Gibson Charles?'          'Mr. Gibson' or 'Gibson mister'        'Your Honour'        'English middle name' Y... 2009.09.19
389Simple view'ia=*Λ/o/u'         supplement,      quest,     philanthropic(al), irritative, humanitarian, affronted, sacrifice Y... 2009.09.15
388Simple view>> Corrected Y... 2010.11.20
387Simple viewabandon(ment), focus, center, finish, do, use, '(be) used to', effect, merit, culture, public, spell/charm/lure Y... 2009.09.15
386Simple viewfair(ness), love(liness), neighbo(u)rly, siz(e)ably, wil(l)fully, corpor(e)al, cordial, futile, troubledly, disturbing Y... 2009.09.15
385Simple viewwildish, wild(ly),   loud(ly), cut, sever, divide,   rend, schism,   separate, cast, throw, project, launch, pitch Y... 2009.09.15
384Simple viewshed, consolidate, combine, unite, join,  marry, amalgamate, boundary, limits, obscurity, negligence/neglect Y... 2009.09.15
383Simple viewirresponsibleness, uncertainty, changeability, rough, crude/petro-, homespun, rough-hew(n), 'stylish person' Y... 2009.09.15
382Simple view'in/on demand'  show, express, display, reveal, register, rouse, cause, fire, prompt, ease, moderate, animate Y... 2009.09.15
381Simple viewgrafting;                  greeting;                 "good-bye"                   "forbidden fruit" Y... 2009.09.11
380Simple viewno/though/yes,         (nein/doch/ja)                    "You like it, do you? ΛV" Y... 2009.09.08
379Simple view>> "Don't you like it?"           "The life must go on."           sniper,          Phoenicia,         freemason Y... 2009.09.18
378Simple view'iaΛ*o/u/='   factor, fundament(al), problematic(al),  '(dangling) participle', loose(ly),  'blue chip', large-sized Y... 2009.09.04
377Simple viewpunctuality, promptness, read(il)y, regular(ity), stead(il)y, consistent(ly),  'Kindly yours',  '(double) genitive' Y... 2009.09.04
376Simple viewsimplicity/easiness/clarity, logic(ality), urgency/importan-, need(fulness), gravity, press(ure), hurry/querulo- Y... 2009.09.04
375Simple viewbad-tempered,     hot-tempered, irascible,    'provide (against/for)', 'fit (in)', 'spy (on)',  follow/i? monitor/H? Y... 2009.09.04
374Simple viewagree/-/i? thunder(bolt), cheat(er), sharper,  'confidence man', pledge/v? committal, promise/v? segmented Y... 2009.09.04
373Simple viewsegregative/augmentative/increasable/protractive/celebrative,  'deal in/with', 'trade in', 'build up', scare/-/i? Y... 2009.09.04
372Simple view'iao*Λ/u/='      position/H?   exposé,      (have) impact/contact/curb/date/elbow/interview/panic/park/verb? Y... 2009.08.26
371Simple view>> Corrected:                                       [iaou] /S/aES Y... 2010.07.09
370Simple viewcare(fulness),  worry/v?   'seeing eye', old/H? passé, circumspect(ive),    'Indian summer',  oldish, enervate Y... 2009.08.26
369Simple viewverity, truth,  'the true',  factuality, tru(thful)ly,     'Sincerely yours', media blitz, clear/whole/H? wholeness Y... 2009.08.26
368Simple viewunity/cohesion, barrenness, aridness/poorer/unproductivity, technological), propitiatory/atonable/reparative Y... 2009.08.26
367Simple viewoblatory, mockable, mock(up), ironic/sneerful/aggravative, exaggeratively, heightened, join/H? 'wrap (up)' Y... 2009.08.26
366Simple view* 'oia*Λ/u/='  'the more - of',      'holy grail', 'more important(ly)', '(the) more universal',      'bachelor party' Y... 2009.08.21
365Simple view>> Corrected :                                      [oiau]/P/MS/noun,  /mES/verb Y... 2010.09.13
364Simple view'Please be seated',  humidness, damp(ness), moistness, bounty,      plenty, profusion, limit(ation), ultimacy Y... 2009.08.21
363Simple viewbest/highest/finest/choicest, 'succumb to', 'catch in', 'contract of', impermanency/transiency/insecureness Y... 2009.08.21
362Simple view>> Corrected:                               "23.  catch (in)" Y... 2010.09.13
361Simple viewcapableness/means/competency/potency/captainship, complete/H? done, sacred/H? blessed, recap(itulate) Y... 2009.08.21
360Simple view'uai*Λ/o/='       periodic(al),  cyclic(al),  great(ly),    fade (away),  melt (away),    principle(s),  scruple(s) Y... 2009.08.15
359Simple view>> Corrected :                  [uaio]   from /C1/mES,  “recreate”/+-,    (14.     deleted) Y... 2010.04.11
358Simple viewgloom(ine-), disabled/handicapped, deceptively, copy(write), xerox, safety/safene-, (im)pass(e), im/explicit Y... 2009.08.15
357Simple viewsanctimonious(ly), religiose, disorder(ed)ly, straightforward(ly),   over/underestimate,  miss (out),  way(s) Y... 2009.08.15
356Simple view'aiu*Λ/o/='       hope(fulness),     long(ing),     answerableness,   opportuneness,   benevolent,   over/end Y... 2009.08.11
355Simple view>> Corrected:                                        [aiu=] /P/pES,  /T/pES Y... 2010.10.13
354Simple viewconventional,   davenport,  secretaire,       'government(s); collective n.?'       authorities,   viable/possible Y... 2009.08.10
353Simple viewstereotypic(al), baseball, empty/H? beating,  danger(ousness), clear/H? fine/H?   'intens(iv)e, intent',   past Y... 2009.08.10
352Simple viewwhat/which//that/this/whatever/whose/who/however, although, but, except(ing), and, It is me, both/with Y... 2009.08.07
351Simple view'=ai*Λ/o/u'     porn(o), revelant, continue,  keep(ing-up), maintain,  carry(ing-on), lasting(ness), curiosity Y... 2009.07.31
350Simple viewalienism, exot(ci)sm, revenge, extant, actual(ly), ugly, surly,  current/heart/Hist?  headquarter(s), bake(ry) Y... 2009.07.31
349Simple viewwork(place), observation/concurrency/conformity, fanatic(al), deadly/noticeableness/appearan-/visiblene- Y... 2009.07.31
348Simple viewdouble(ness), fellow,  submission(s),  concentrative(ly),  husband/H?  advance(ment),  purport,  claim/H? Y... 2009.07.31
347Simple viewModifications & Corrections:            'ai=*Λ/o/u' ,      difficultness  >>  difficulty          [ai=u] Y... 2009.09.16
346Simple viewboundary, confine(s), verge(s),   corporate culture, custom(s),    lifestyle,  art(s)y–craft(s)y,    one,    half Y... 2009.07.26
345Simple view(one and) only,   only,   not,  'not only ~ but'   'not-balance',  individual(s),  impeach/formidability/difficulty Y... 2009.07.26
344Simple view>> Corrections:                                 28. difficultness/difficulty Y... 2009.09.16
343Simple viewoffense, Abo,  identify with, politic(al)ly,    n/m dash,   scoot, seeing as (how), 'waste/fade/wither (away)' Y... 2009.07.26
342Simple viewFrench Kiss,   French fry,   French Connection,   French leave,   French maid,   French-German enmity,  - Y... 2009.07.21
341Simple view'Λai*o/u/='     corpor(e)ality, Tombstone,    'more higher',   'might could',   'three mile',  'VAT tax', four-foot Y... 2009.07.17
340Simple view>> Corrected:                                                 [Λai=]/T/MS Y... 2010.09.22
339Simple view'rarely ever',  'couldn't hardly', hard(ly), anticipate/empathy, IOU, insure/complacency, absolute(ness), mum Y... 2009.07.17
338Simple viewunchangeablene-/invariablene-/inalterability/feasibili-/survivab-, grow/vt?  workablene-/corrupti-/viciousne- Y... 2009.07.17
337Simple viewperversion, conscious(ness), consc(ient)ious,    'aware of'   'responsive to'   'cognizant of'   'percipient of' Y... 2009.07.17
336Simple viewtry-to,  solid(ity), substantialness/tangibility/physicality/legitimation, credibleness, greenish, denote, Andy Y... 2009.07.17
335Simple view'aiΛ*o/u/='   impulsivity, impetuosity, anxious/eager?, chat(ter), chiefly/centrally, uppermost/foremost/adv? Y... 2009.07.10
334Simple viewstrangle/worrying(ly),  (ad)judge, recap(itulate), (a)bate,  council/counselor,  gown/univ, (ad)dress,  habit Y... 2009.07.10
333Simple viewstreng(k)th, on purpose, aggravate/tease, broad(ly), wide(ly), quiet(ness/ly), on the quiet, alone, sat/-ing? Y... 2009.07.10
332Simple viewforward(s/ly), further(most), favor/v.i?, foster(ing/ed), caution(ary), heed(fulness), (ad)venture, bold(ness) Y... 2009.07.10
331Simple viewpowerful(ly), power(ful), aloud, roaring(ly),     French kiss,    jazz,   'compare with/to', contrast/n?, born(e) Y... 2009.07.10
330Simple view'aio*Λ/u/='   Your-Honour,       Stonehenge,      eas(il)y/2,   safety,  obsession,    Big Apple (NY),  moniker