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1. <<dih/T>>
For pronunciations of “pronouns, articles, nouns”, the MAXILLARY sinuses; in the mouth/Mo, it [ŋ(i=)h h/t=h]/vd, this [d(i=)h h/s=h]/vd/+cp, that [d(ie)h (h/t=h)]/vd/+bp, a [ŋ(=Λ)h]/vs, the [d(=Λ)h]/vs/+cp, ** I [ŋ(=a)h hih]/vs/+bp,
in/on the chest (circle) /Ch, he [h(i=)h]/vd/Ch, she [s(i=)h]/vd/+cp/Ch, you [ŋ(iu)h]/vd/+bp/Ch, thou [d(=Λ)h h=h]/vs/Ch, who (inter.) [h(=u)h]/vs/+cp/Ch, whom (inter.) [h(=u)h h=m]/vs/+bp/Ch,
For pronunciations of “conjunctions, adverbs”, the SPHENOIDAL sinuses; in the mouth/Mo, very [b(ie)h h/rih]/vd, much [m(=Λ)h h/cih]/vd/+cp, so [s(o=)h h=h]/vd/+bp, thus [d(=Λ)h h/s=h]/vs, yet [ŋ(ie)h h/t=h]/vs/+cp, far [f(=a)h]/vs/+bp,
in/on the chest (circle) /Ch, deep [d(i=)h h/p=h]/vd/Ch, wide [w(a=)h hih h/d=h]/vd/+cp/Ch, thick [s(i=)h h/k=h]/vd/+bp/Ch, thin [s(i=)h h=n]/vs/Ch, whence (inter.) [h(ie)h h=n h/s=h]/vs/+cp/Ch, whither (inter.) [h(ui)h h/dΛh]/vs/+bp/Ch,
For pronunciations of “adjectives”, the POSTERIOR Ethmoidal sinuses; in the mouth/Mo, diligent [d(i=)h h/lih h/zΛh h=n h/t=h]/vd, distant [d(i=)h h/s=h h/tΛh h=n h/t=h]/vd/+cp, dim [d(i=)h h=m]/vd/+bp, negligent [n(ie)h h/g=h h/lih h/zΛh h=n h/t=h]/vs, near [n(i=)h hΛh]/vs/+cp, bright [b=d d/r(=a)h hih h/t=h]/vs/+bp,
in/on the chest (circle) /Ch, mean [m(i=)h h=n]/vd, instant [ŋ(i=)h h/s=h h/tΛh h=n h/t=h]/vd/+cp, slim [s=d l(i=)m]/vd/+bp, nice [n(=a)h hih h/s=h]/vs, far [f(=a)h]/vs/+cp, dark [d(=a)h h=r h/k=h]/vs/+bp,
For pronunciations of “verbs”, the MIDDLE Ethmoidal sinuses; in the mouth/Mo, dig [d(i=)h h/g=h]/vd, deliver [d(i=)d h/l(i=)h h/bΛh]/vd/+cp, dent [d(ie)h h=n h/t=h]/vd/+bp, like [l(=a)h hih h/k=h]/vs, love [l(=Λ)h h/b=h]/vs/+cp, hate [h(ie)h hih h/t=h]/vs/+bp,
in/on the chest (circle) /Ch, figure [f(i=)h h/g(iΛ)h]/vd, pass [p(ie)h h/s=h]/vd/+cp, hit [h(i=)h h/t=h]/vd/+bp, kill [k(i=)h h=l]/vs, eat [ŋ(i=)h h/t=h]/vs/+cp, ** do [d(=u)h h=h]/vs/+bp,
For pronunciations of “interjection/ejaculations”, the FRONTAL sinuses; in the mouth/Mo, yikes [ŋ(ie)h hih h/s=h]/vd, yes [ŋ(ie)h h/s=h]/vd/+cp, no [n(=o)h h=h]/vd/+bp, then [d(ie)h h=n]/vs, so [s(=o)h h=h]/vs/+cp, ugh [ŋ(=Λ)h h/g=h]/vs/+bp,
in/on the chest (circle) /Ch, um(m) [ŋ(=u)h h=m]/vd, oops [ŋ(=u)h h=p h/s=h]/vd/+cp, though [d(=o)h h=h]/vd/+bp, uh [ŋ(=Λ)h]/vs, huh [h(=Λ)h]/vs/+cp, hey [h(ie)h hih]/vs/+bp,
2. <<dih/P>>
For pronunciations of “pronouns, articles, nouns”, the MAXILLARY sinuses; in the mouth/Mo, thing [s(i=)h h=ŋ]/vd, deed [d(i=)h h/d=h]/vd/+cp, feat [f(i=)h h/t=h]/vd/+bp, wit [ŋ(ui)h h/t=h]/vs, work [ŋ(=Λ)h h=r h/k=h]/vs/+cp, means [m(i=)h h=n h/s=h]/vs/+bp,
in/on the chest (circle) /Ch, sign [s(=a)h h/ŋih h=n]/vd/Ch, mark [m(=a)h h=r h/k=h]/vd/+cp/Ch, card [k(=a)h h=r h/d=h]/vd/+bp/Ch, part [p(ie)h h=r h/t=h]/vs/Ch, what (inter.) [h(=a)h h/t=h]/vs/+cp/Ch, which (inter.) [h(ui)h h/cih]/vs/+bp/Ch,
For pronunciations of “conjunctions, adverbs”, the SPHENOIDAL sinuses; in the mouth/Mo, high [h(=a)h hih]/vd, low [l(o=)h h=h]/vd/+cp, hot [h(=a)h h/t=h]/vd/+bp, cold [k(o=)h h=l d=h]/vs, ill [ŋ(i=)h h=l]/vs/+cp, well [ŋ(=e)h h=l]/vs/+bp,
in/on the chest (circle) /Ch, late [l(ie)h hih h/t=h]/vd/Ch, fast [f(ie)h h/s=h h/t=h]/vd/+cp/Ch, slow [s=h h/l(o=)h h=h]/vd/+bp/Ch, easy [ŋ(i=)h h/zih]/vs/Ch, where (inter.) [h(ie)h hΛh]/vs/+cp/Ch, when (inter.) [h(ie)h h=n]/vs/+bp/Ch,
For pronunciations of “adjectives”, the POSTERIOR Ethmoidal sinuses; in the mouth/Mo, high [h(=a)h hih]/vd, low [l(o=)h h=h]/vd/+cp, hot [h(=a)h h/t=h]/vd/+bp, cold [k(o=)h h=l d=h]/vs, ill [ŋ(i=)h h=l]/vs/+cp, well [ŋ(ie)h h=l]/vs/+bp,
in/on the chest (circle) /Ch, late [l(ie)h hih h/t=h]/vd/Ch, fast [f(ie)h h/s=h h/t=h]/vd/+cp/Ch, slow [s=h h/l(o=)h h=h]/vd/+bp/Ch, easy [ŋ(i=)h h/zih]/vs/Ch, big [b(i=)h h/g=h]/vs/+cp/Ch, small [s=d m(=Λ)h h=l]/vs/+bp/Ch,
For pronunciations of “verbs”, the MIDDLE Ethmoidal sinuses; in the mouth/Mo, check [c(ie)h h/k=h]/vd, change [c(ie)h hin zih]/vd/+cp, send [s(ie)h h=n h/d=h]/vd/+bp, touch [t(=Λ)h h/cih]/vs, punch [p(=Λ)h h=n h/cih]/vs/+cp, pick [p(i=)h h/k=h]/vs/+bp,
in/on the chest (circle) /Ch, lay [l(ie)h hih]/vd, punt [p(=Λ)h h=n h/t=h]/vd/+cp, drill [d=d r(i=)h h=l]/vd/+bp, whirl [h(=Λ)h h=l]/vs, sink [s(i=)h h=n h/k=h]/vs/+cp, hide [h(=a)h hih h/d=h]/vs/+bp,
For pronunciations of “interjection/ejaculations”, the FRONTAL sinuses; in the mouth/Mo, hi [h(=a)h hih]/vd, hello [h(ie)h h/loh h=h]/vd/+cp, what [h(=a)h h/t=h]/vd/+bp, which [h(ui)h h/cih]/vs, when [h(ie)h h=n]/vs/+cp, ahem [ŋΛd h(ie)h h=m]/vs/+bp,
in/on the chest (circle) /Ch, well [ŋ(ie)h h=l]/vd, how [h(=a)h h=h]/vd/+cp, hence [h(ie)h h=n h/s=h]/vd/+bp, if [ŋ(i=)h h/f=h]/vs, where [h(ie)h hΛh]/vs/+cp, eh [ŋ(ie)h hih]/vs/+bp,
3. <<dih/C>>
For pronunciations of “nouns /C2”, MAXILLARY sinuses; in the mouth/Mo, day [d(ie)h hih]/vd, month [m(=Λ)h h=n h/s=h]/vd/+cp, week [ŋ(ui)h h/k=h]/vd/+bp, year [ŋ(i=)h hΛh]/vs, minute [m(i=)h h/nih h/t=h]/vs/+cp, second [s(ie)h h/kΛh h=n h/d=h]/vs/+bp,
in/on the chest (circle) /Ch/Ch, night [n(=a)h hih h/t=h]/vd/Ch, hour [ŋ(=a)h h=h h/ŋΛh]/vd/+cp/Ch, date [d(ie)h hih h/t=h]/vd/+bp/Ch, time [t(=a)h hih h=m]/vs/Ch, era [ŋ(i=)h h/rΛh]/vs/+cp/Ch, period [p(i=)h hΛh h/rih hΛh h/d=h]/vs/+bp/Ch,
For pronunciations of “adverbs /C2”, the POSTERIOR Ethmoidal sinuses; in the mouth/Mo, each [ŋ(i=)h h/cih]/vd, such [s(=Λ)h h/cih]/vd/+cp, all [ŋ(=o)h h=l]/vd/+bp, some [s(=Λ)h h=m]/vs, any [ŋ(ie)h h/nih]/vs/+cp, both [b(=o)h h=h h/s=h]/vs/+bp,
in/on the chest (circle) /Ch, either [ŋ(i=)h h/dΛh]/vd/Ch, other [ŋ(=Λ)h h/dΛh]/vd/+cp/Ch, little [l(i=)h h/t=h h=l]/vd/+bp/Ch, much [m(=Λ)h h/cih]/vs/Ch, why (inter.) [h(=a)h hih]/vs/+cp/Ch, wherefore (inter.) [h(ie)h hΛh h/foh hΛh]/vs/+bp/Ch,
For pronunciations of “verbs /C1”, between the MIDDLE Ethmoidal sinuses, die [d(=a)h hih]/vd, pay [p(ie)h hih]/vd/+cp, meet [m(i=)h h/t=h]/vd/+bp, heat [h(i=)h h/t=h]/vs, keep [k(i=)h h/p=h]/vs/+cp, help [h(ie)h h=l h/p=h]/vs/+bp,
in/on the chest (circle) /Ch, lie [l(=a)h hih]/vd, kick [k(i=)h h/k=h]/vd/+cp, sip [s(i=)h h/p=h]/vd/+bp, drink [d=d r(i=)h h=n h/k=h]/vs, fish [f(i=)h h/sih]/vs/+cp, double [d(Λ=)h h/b=h h=l]/vs/+bp,
For pronunciations of “adjectives /C1”, the SPHENOIDAL sinuses, each [ŋ(i=)h h/cih]/vd, such [s(=Λ)h h/cih]/vd/+cp, all [ŋ(=o)h h=l]/vd/+bp, some [s(=Λ)h h=m]/vs, any [ŋ(ie)h h/nih]/vs/+cp, both [b(=o)h h=h h/s=h]/vs/+bp,
in/on the chest (circle) /Ch, either [ŋ(i=)h h/dΛh]/vd/Ch, other [ŋ(=Λ)h h/dΛh]/vd/+cp/Ch, little [l(i=)h h/t=h h=l]/vd/+bp/Ch, much [m(=Λ)h h/cih]/vs/Ch, hard [h(=a)h h/d=h]/vs/+cp/Ch, soft [s(o=)h h/t=h]/vs/+bp/Ch,
For pronunciations of “pronouns /C2”, the POSTERIOR Ethmoidal sinuses, each [ŋ(i=)h h/cih]/vd, such [s(=Λ)h h/cih]/vd/+cp, all [ŋ(=o)h h=l]/vd/+bp, some [s(=Λ)h h=m]/vs, any [ŋ(ie)h h/nih]/vs/+cp, both [b(=o)h h=h h/s=h]/vs/+bp,
in/on the chest (circle) /Ch, either [ŋ(i=)h h/dΛh]/vd/Ch, other [ŋ(=Λ)h h/dΛh]/vd/+cp/Ch, none [n(=Λ)h h=n]/vd/+bp/Ch, everything [ŋed d/v=d d/rid d/s(i=)h h=ŋ]/vs/Ch, anything [ŋed d/nid d/s(i=)h h=ŋ]/vs/+cp/Ch, nothing [nad d/s(i=)h h=ŋ]/vs/+bp/Ch,
For pronunciations of “interjections /C2”, the FRONTAL sinuses; in the mouth/Mo, yea [ŋ(ie)h hih]/vd, yeah [h(ia)h]/vd/+cp, yeh [h(ie)h]/vd/+bp, ick [ŋ(i=)h h/k=h]/vs/+bp, thus [d(=Λ)h h/s=h]/vs/+cp, therefore [dedh ŋΛd f(=o)h]/vs/+bp,
in/on the chest (circle) /Ch, wow [ŋ(=oa)h h=h]/vd, huh [h(=Λ)h]/vd/+cp, yuk [ŋ(iΛ)h h/k=h]/vd/+bp, humph [h(=Λ)h h=m h/p=h]/vs, help [h(ie)h h=l h/p=h]/vs/+cp, that [d(ie)h h/t=h]/vs/+bp,
4. <<dih/S>>
For pronunciations of “nouns”, the SPHENOIDAL sinuses; in the mouth/Mo, digit [d(i=)h h/zih h/t=h]/vd, decimal [d(ie)h h/sih h/mΛh h=l]/vd/+cp, number [n(=Λ)h h=m bΛh]/vd/+bp, dot [d(=o)h h/t=h]/vs, point [p(=o)h hih h=n h/t=h]/vs/+cp, tip [t(i=)h h/p=h]/vs/+bp,
in/on the chest (circle) /Ch, signal [s(i=)h h/g=h h/nΛh h=l]/vd, inch [ŋ(i=)h h=n h/cih]/vd/+cp, meter [m(i=)h h/tΛh]/vd/+bp, cent [s(ie)h h=n h/t=h]/vs, mill [m(i=)h h=l]/vs/+cp, mile [m(=a)h hih h=l]/vs/+bp,
For pronunciations of “adverbs”, the MAXILLARY sinuses; in the mouth/Mo, even [ŋ(i=)h h/b=h h=n]/vd, too [t(=u)h h=h]/vd/+cp, quite [k(=a)h hih h/t=h]/vd/+bp, only [ŋ(=o)h h=n h/lih]/vs, though [d(=o)h h=h]/vs/+cp, alike [ŋΛh l(=a)h hih k=h]/vs/+bp,
in/on the chest (circle) /Ch, same [s(ie)h him]/vd, besides [b(i=)h h/sah hih h/z=h]/vd/+cp, close [k=h h/l(=o)h h=h h/s=h]/vd/+bp, alone [ŋΛh h/l(=o)h h=n h/lih]/vs, how (inter.) [h(=a)h h=h]/vs/+cp, whether (inter.) [h(ie)h h/dΛh]/vs/+bp,
For pronunciations of “adjectives”, the MIDDLE Ethmoidal sinuses, even [ŋ(i=)h h/b=h h=n]/vd, equal [ŋ(i=)h h/k=h h=l]/vd/+cp, correct [k=d d/r(ie)h h/t=h]/vd/+bp, only [ŋ(=o)h h=n h/lih]/vs, weak [ŋ(i=)h h/k=h]/vs/+cp, alike [ŋΛh l(=a)h hih k=h]/vs/+bp,
in/on the chest (circle) /Ch, same [s(ie)h him]/vd, similar [s(i=)h h/m=h h/lΛh]/vd/+cp, close [k=h h/l(=o)h h=h h/s=h]/vd/+bp, alone [ŋΛh h/l(=o)h h=n h/lih]/vs, strong [s=d d/t=d d/r(=o)h h=ŋ]/vs/+cp, different [d(i=)h h/f=h h/r=h h=n h/t=h]/vs/+bp,
For pronunciations of “verbs”, the ANTERIOR Ethmoidal sinuses, even [ŋ(i=)h h/b=h h=n]/vd, equal [ŋ(i=)h h/k=h h=l]/vd/+cp, correct [k=d d/r(ie)h h/t=h]/vd/+bp, dot [d(=o)h h/t=h]/vs, point [p(=o)h hih h=n h/t=h]/vs/+cp, tip [t(i=)h h/p=h]/vs/+bp,
in/on the chest (circle) /Ch, signal [s(i=)h h/g=h h/nΛh h=l]/vd, inch [ŋ(i=)h h=n h/cih]/vd/+cp, close [k=h h/l(=o)h h=h h/s=h]/vd/+bp, scent [s(ie)h h=n h/t=h]/vs, mill [m(i=)h h=l]/vs/+cp, mind [m(=a)h hin h/d=h]/vs/+bp,
For pronunciations of “pronouns”, the POSTERIOR Ethmoidal sinuses; in the mouth/Mo, me [m(i=)h]/vd, you [ŋ(iu)h]/vd/+cp, it [ŋ(i=)h h/t=h]/vd/+bp, this [d(i=)h h/s=h]/vd, her[h(=Λ)h]/vd/+cp, him [h(i=)h h=m]/vs/+bp,
in/on the chest (circle) /Ch, myself [mad ŋid s(ie)h h=l h=h]/vd, yourself [y=d ŋ=d s(ie)h h=l h=h]/vd/+cp, itself [ŋid s(ie)h h=l h=h]/vd/+bp, that [d(ie)h (h/t=h)]/vs, herself [h=d s(ie)h h=l h=h]/vd/+cp, himself [hid h=m s(ie)h h=l h=h]/vs/+bp,
For pronunciations of “interjections”, the FRONTAL sinuses; in the mouth/Mo, we [ŋ(ui)h]/vd, he [h(i=)h]/vd/+cp, she [h(=a)h h/t=h]/vd/+bp, I [ŋ(=a)h hih]/vs, you [ŋ(iu)h]/vs/+cp, thou [d(=Λ)h h=h]/vs/+bp,
in/on the chest (circle) /Ch, this [d(i=)h h/s=h]/vd, that [d(ie)h (h/t=h)]/vd/+cp, it [ŋ(i=)h h/t=h]/vd/+bp, wish [ŋ(ui)h h/sih]/vs, hope [h(=o)h h=h h/p=h]/vs/+cp, eh nothing [nad d/s(i=)h h=ŋ]/vs/+bp,
==============
5. <<dih/딯/Korean/P>>
For pronunciations of “pronouns, articles, nouns”, the MAXILLARY sinuses; in the mouth/Mo, 物件/물건 [mul gΛn]/[m=d d/ŋud ŋ=l g(=Λ)h h=n]/thing [s(i=)h h=ŋ]/vd, 行爲/행위 [hæŋ ŋ(ui)]/[h=d d/ŋæd ŋ=ŋ ŋ(=ui)h]/deed [d(i=)h h/d=h]/vd/+cp, 業績/업적 [ŋΛb xΛg]/[ŋ=d d/ŋΛd ŋ=b z(=Λ)h h=g]/feat [f(i=)h h/t=h]/vd/+bp, 手腕/수완 [qu ŋ(oa)n]/[s=d d/ŋud ŋ(=oa)h h=n]/wit [ŋ(ui)h h/t=h]/vs, 作業/작업 [xag ŋΛb]/[z=d ŋad ŋ=g ŋ(=Λ)h h=b]/work [ŋ(=Λ)h h=r h/k=h]/vs/+cp, 手段/수단 [qu dan]/[s=d ŋud d(=a)h h=n]/means [m(i=)h h=n h/s=h]/vs/+bp,
in/on the chest (circle) /Ch, 標示/표시 [p(io) qi]/[p=d ŋ(io)d s(i=)h]/sign [s(=a)h h/ŋih h=n]/vd/Ch, 人相/인상 [ŋin qaŋ]/[ŋ=d ŋid ŋ=n s(=a)h h=ŋ]/mark [m(=a)h h=r h/k=h]/vd/+cp/Ch, 票/표/card [k(=a)h h=r h/d=h]/vd/+bp/Ch, 部分/부분 [bu bun]/[b=d ŋ=d b(=u)h h=n]/part [p(ie)h h=r h/t=h]/vs/Ch, 素材/소재 [qo x(ai)]/[s=d ŋod zæh] “material”/vs/+cp/Ch, 作品/작품 [xag pum]/[z=d ŋad ŋ=g p(=u)h h=m] “opus/work/production”/vs/+bp/Ch,
* That is, when Korean-mother-tongue people speak “물건” artificially/consciously alphabets-punctually, they articulate/pronounce [mu] of “물[mul]” and [n] of “건[gΛn]” from/with Korean secondary posture /S of cp on the vocal CORDS and bp on the front/low in the mouth, while [l] of “물[mul]” and [gΛ] of “건[gΛn]” are articulate/pronounced from/with Korean primary posture /P of cp on the vocal CORDS and bp on the lowest neck/throat. But Korean-mother-tongue people usually come to speak/pronounce [m=d ŋud ŋ=l g(=Λ)h h=n] (continuously with rhythm/intonation of various amplitudes, without ability/possibility of artificial/deliberate pause at the middle) from/with Korean primary posture /P of cp on the vocal CORDS and bp on the lowest neck/throat for the word of “물건 [mul gΛn]”, which means they unconsciously (mechanically/structurally/phonetically) articulate [dih/딯] voiced/vd from/with Korean primary posture /P of cp on the vocal CORDS and bp on the lowest neck/throat.
When Korean-mother-tongue people speak “업적” artificially/consciously alphabets-punctually, they articulate/pronounce [ŋΛ] of “업[ŋΛb]” and [g] of “적[xΛg]” from/with Korean secondary posture /S of cp on the vocal CORDS and bp on the front/low in the mouth, while [b] of “업[ŋΛb]” and [xΛ] of “적[xΛg]” are articulate/pronounced from/with Korean primary posture /P of cp on the vocal CORDS and bp on the lowest neck/throat. But Korean-mother-tongue people usually come to speak/pronounce [ŋ=d ŋΛd ŋ=b z(=Λ)h h=g] (continuously with rhythm/intonation of various amplitudes, without ability/possibility of artificial/deliberate pause at the middle) from/with Korean primary posture /P of cp on the vocal CORDS and bp on the lowest neck/throat for the word of “업적 [ŋΛb xΛg]”, which means they unconsciously (mechanically/structurally/phonetically) articulate [dih/딯] voiced/vd /+bp <giving more weight on bp than cp > from/with Korean primary posture /P of cp on the vocal CORDS and bp on the lowest neck/throat.
And, when Korean-mother-tongue people speak “작품” artificially/consciously alphabets-punctually, they articulate/pronounce [xa] of “작[xag]” and [m] of “품[pum]” from/with Korean secondary posture /S of cp on the vocal CORDS and bp on the front/low in the mouth, while [g] of “작[xag]” and [pu] of “품[pum]” are articulate/pronounced from/with Korean primary posture /P of cp on the vocal CORDS and bp on the lowest neck/throat. But Korean-mother-tongue people usually come to speak/pronounce [z=d ŋad ŋ=g p(=u)h h=m] (continuously with rhythm/intonation of various amplitudes, without ability/possibility of artificial/deliberate pause at the middle) from/with Korean primary posture /P of cp on the vocal CORDS and bp on the lowest neck/throat for the word of “작품 [xag pum]]”, which means they unconsciously (mechanically/structurally/phonetically) articulate [dih/딯] voiceless/vs /Ch <in the chest (circle)> /+bp <giving more weight on bp than cp > from/with Korean primary posture /P of cp on the vocal CORDS and bp on the lowest neck/throat.
And so on.
6. <<dih/딯/Korean/s>>
For pronunciations of “adjectives”, the SPHENOIDAL sinuses, in the mouth/Mo, 균일(均一)한 [g(iu)n ŋil han]/[g=d ŋ(iu)d ŋ=n ŋ(i=)h h=l hah h=n]/even [ŋ(i=)h h/b=h h=n]/vd, 동등(同等)한 [doŋ d=ŋ han]/[dod ŋ=ŋ d=h h=ŋ hah h=n]/equal [ŋ(i=)h h/k=h h=l]/vd/+cp, 정확(正確)한 [xΛŋ h(oa)g han]/[z=d ŋ=ŋ g(=oa)h h=g hah h=n]/correct [k=d d/r(ie)h h/t=h]/vd/+bp, 유일(唯一)한 [ŋ(iu) ŋil han]/[ŋ=d ŋ(iu)d ŋih h=l hah h=n]/only [ŋ(=o)h h=n h/lih]/vs, 유약(幼弱)한 [ŋ(iu) ŋ(ia)g han]/[ŋ=d ŋ(iu)d ŋ(i=a)h h=g hah h=n]/weak [ŋ(i=)h h/k=h]/vs/+cp, 유사(類似)한 [ŋ(iu) qa han]/[ŋ=d ŋ(iu)d s(=a)h hah h=n]/alike [ŋΛh l(=a)h hih k=h]/vs/+bp,
in/on the chest (circle) /Ch, 일정(一定)한 [ŋil xΛŋ han]/[ŋ=d ŋid ŋ=l z(=Λ)h h=ŋ hah h=n]/same [s(ie)h him]/vd, 흡사(恰似)한 [h=b qa han]/[h=d ŋ=b s(=a)h hah h=n]/similar [s(i=)h h/m=h h/lΛh]/vd/+cp, 밀접(密接)한 [mil xΛb han]/[m=d ŋ=l z(=Λ)h h=b hah h=n]/close [k=h h/l(=o)h h=h h/s=h]/vd/+bp, 단독(單獨)의 [dan dog ŋ(=i)]/[dad ŋ=n d(=o)h h=g ŋ(=i)h]/alone [ŋΛh h/l(=o)h h=n h/lih]/vs, 막강(莫强)한 [mag gaŋ han]/[m=d ŋad ŋ=g g(=a)h h=ŋ hah h=n]/strong [s=d d/t=d d/r(=o)h h=ŋ]/vs/+cp, 상이(相異)한 [qaŋ ŋi han]/[s=d ŋad ŋ=ŋ ŋ(i=)h hah h=n]/different [d(i=)h h/f=h h/r=h h=n h/t=h]/vs/+bp,
* That is, when Korean-mother-tongue people speak “동등(同等)한” artificially/consciously alphabets-punctually, they articulate/pronounce [do] of “동[doŋ]”, [d] of “등[d=ŋ]” and [n] of “한[han]” from/with Korean secondary posture /S of cp on the vocal CORDS and cp on the front/low in the mouth, while [ŋ] of “동[doŋ]”, [=ŋ] of “등[d=ŋ]” and [ha] of “한[han]” are articulate/pronounced from/with Korean primary posture /P of cp on the vocal CORDS and bp on the lowest neck/throat. But Korean-mother-tongue people usually come to speak/pronounce [dod ŋ=ŋ d=h h=ŋ hah h=n] (continuously with rhythm/intonation of various amplitudes, without ability/possibility of artificial/deliberate pause at the middle) from/with Korean secondary posture /S of cp on the vocal CORDS and cp on the front/low in the mouth for the word of “동등(同等)한 [doŋ d=ŋ han]”, which means they unconsciously (mechanically/structurally/phonetically) articulate [dih/딯] voiced/vd /+cp <giving more weight on cp than bp > from/with Korean secondary posture /S of cp on the vocal CORDS and cp on the front/low in the mouth.
When Korean-mother-tongue people speak “유사(類似)한” artificially/consciously alphabets-punctually, they articulate/pronounce [ŋ(iu)] of “유[ŋ(iu)]”, [q] of “사[qa]” and [n] of “한[han]” from/with Korean secondary posture /S of cp on the vocal CORDS and cp on the front/low in the mouth, while [a] of “사[qa]” and [ha] of “한[han]” are articulate/pronounced from/with Korean primary posture /P of cp on the vocal CORDS and bp on the lowest neck/throat. But Korean-mother-tongue people usually come to speak/pronounce [ŋ=d ŋ(iu)d s(=a)h hah h=n] (continuously with rhythm/intonation of various amplitudes, without ability/possibility of artificial/deliberate pause at the middle) from/with Korean secondary posture /S of cp on the vocal CORDS and cp on the front/low in the mouth for the word of “유사(類似)한 [ŋ(iu) qa han]”, which means they unconsciously (mechanically/structurally/phonetically) articulate [dih/딯] voiceless/vs +bp <giving more weight on bp than cp > from/with Korean secondary posture /S of cp on the vocal CORDS and cp on the front/low in the mouth.
And, when Korean-mother-tongue people speak “상이(相異)한” artificially/consciously alphabets-punctually, they articulate/pronounce [qa] of “상[qaŋ]”, [ŋ] of “이[ŋi]” and [n] of “한[han]” from/with Korean secondary posture /S of cp on the vocal CORDS and cp on the front/low in the mouth, while [ŋ] of “상[qaŋ]”, [i] of “이[ŋi]” and [ha] of “한[han]” are articulate/pronounced from/with Korean primary posture /P of cp on the vocal CORDS and bp on the lowest neck/throat. But Korean-mother-tongue people usually come to speak/pronounce [s=d ŋad ŋ=ŋ ŋ(i=)h hah h=n] (continuously with rhythm/intonation of various amplitudes, without ability/possibility of artificial/deliberate pause at the middle) from/with Korean secondary posture /S of cp on the vocal CORDS and cp on the front/low in the mouth for the word of “상이(相異)한 [qaŋ ŋi han]”, which means they unconsciously (mechanically/structurally/phonetically) articulate [dih/딯] voiceless/vs /Ch <in the chest (circle)> +bp <giving more weight on bp than cp > from/with Korean secondary posture /S of cp on the vocal CORDS and cp on the front/low in the mouth.
And so on.
==============
7. Explanatory notes:
/P: English primary posture of cp on the vocal CORDS slanted backwards/below and bp on the lowest neck/throat.
/S: English secondary posture of cp in the mouth or nasal cavity & bp in the mouth.
/T: Tertiary (that is, Phoenician/Canaanite) posture of both cp/bp on the lowest neck/throat. * See the article of “How are NUMBERs of English and Korean/Japanese/Chinese/etc. articulated/spoken?” <<Column 3>>
/C1: presumed to be 1708 CYRILLIC primary posture of cp on the vocal CORDS, much shifted/leaned/slanted backward and bp between the upper/front teeth.
/C2: presumed to be 1708 CYRILLIC secondary posture of cp on the vocal CORDS, much shifted/leaned/slanted backward and bp between the lower/front teeth. ** See the article of “So many languages, so many speaking mouth postures (II).” <<Column 24. CYRILLIC alphabet (Кириллица)>>
/Ch: (articulation and/or pronunciation, short-tongue, swallowed) in/on the chest (circle) /Ch.
/Mo: (Proper speaking, articulation and/or pronunciation) in the mouth/Mo, in contrast with (short-tongue, swallowed) speaking in/on the chest (circle).
more weight; /+cp
more weight; /+bp
voiced; /vd
voiceless; /vs
* When both cp/bp are placed on the side of the throat (instead of mouth) like English primary posture /P of cp on the vocal CORDS slanted backwards/below and bp on the lowest neck/throat, English Tertiary (that is, Phoenician/Canaanite) posture /T of both cp/bp on the lowest neck/throat, Korean primary posture /P of cp on the vocal CORDS and bp on the lowest neck/throat, etc.;
For pronunciations of “verbs”, the mid point between the MIDDLE Ethmoidal sinuses (than the MIDDLE Ethmoidal sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “adjectives”, the mid point between the POSTERIOR Ethmoidal sinuses (than the POSTERIOR Ethmoidal sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “pronouns, articles, nouns”, the mid point between the MAXILLARY sinuses (than the MAXILLARY sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “conjunctions, adverbs”, the mid point between the SPHENOIDAL sinuses (than the SPHENOIDAL sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “prepositions”, the mid point between the ANTERIOR Ethmoidal sinuses (than the ANTERIOR Ethmoidal sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “interjections”, the mid point between the FRONTAL sinuses (than the FRONTAL sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
** When bp is placed on the side of the mouth and cp is placed on the side of the throat like English CYRILLIC primary posture of cp on the vocal CORDS, much shifted/leaned/slanted backward and bp between the upper/front teeth, English CYRILLIC secondary posture of cp on the vocal CORDS, much shifted/leaned/slanted backward and bp between the lower/front teeth, Korean secondary posture /S of cp on the vocal CORDS and bp on the front/low in the mouth, etc.;
For pronunciations of “nouns /C2”, the mid point between the MAXILLARY sinuses (than the MAXILLARY sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “adjectives /C1”, the mid point between the SPHENOIDAL sinuses (than the SPHENOIDAL sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “adverbs /C2”, the mid point between the POSTERIOR Ethmoidal sinuses (than the POSTERIOR Ethmoidal sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “verbs /C1”, the mid point between the MIDDLE Ethmoidal sinuses (than the MIDDLE Ethmoidal sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “Korean suffixes, conjunctions”, the mid point between the ANTERIOR Ethmoidal sinuses (than the ANTERIOR Ethmoidal sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “interjection (-style speaking) /C2”, the mid point between the FRONTAL sinuses (than the FRONTAL sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
And English CYRILLIC /C1 posture articulate “adjective, verb”, while English CYRILLIC /C2 posture articulate “noun, adverb”.
*** When both cp/bp are placed on the side of the mouth (or the nasal cavity) like English secondary posture /S of cp in the mouth or nasal cavity & bp in the mouth, (Chinese posture of both cp/bp front/low in the mouth??), etc.;
For pronunciations of “nouns”, the mid point between the SPHENOIDAL sinuses (than the SPHENOIDAL sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “adjectives”, the mid point between the MIDDLE Ethmoidal sinuses (than the MIDDLE Ethmoidal sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “adverbs”, the mid point between the MAXILLARY sinuses (than the MAXILLARY sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “verbs”, the mid point between the ANTERIOR Ethmoidal sinuses (than the ANTERIOR Ethmoidal sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “pronouns”, the mid point between the POSTERIOR Ethmoidal sinuses (than the POSTERIOR Ethmoidal sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
For pronunciations of “interjections”, the mid point between the FRONTAL sinuses (than the FRONTAL sinuses themselves, which tension/resonance/vibrations are for intonation) is articulated.
* Italian seems to have a posture of Throat-side bp & Mouth-side cp (in their double posture).
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English (GRECOnglish) forms of writing. Pronouns, direct/indirect/etc. Coll. n. 3,
>> Corrections: "check >> check-out"
