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(Comparative) study (in structure/mode/ways of pronunciation, articulation, phonetics, or whatever; that is, in differences of speaking mouth postures and resultant speaking weight/force center points) between English/foreign languages and mother tongue, for better (more practical/effective/smooth) hearing/speaking of English/foreign languages.       Copyright.   Young-Won Kim,   yw@voicespec.com
open : home | main | Kor | book | FUN member : main II | Kor II


::: Comparative phonetics, brd2 :::


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Name   Young-Won Kim
Subject   Phonetics between    Keats' Endymion/Lamia &    Homer's Odyssey,      Hyperion/Sonnets/Calidore/Isabella
Phonetic correspondence between   Keats' Endymion/Lamia &  Homer's Odyssey,   Hyperion/Sonnets/Calidore/Isabella


*        While taking Korea/충청-도 [cuŋ  cΛŋ  do/province] (dialect) speaking posture (as coarticulation posture);   if articulating (or trying to speak)  "중아함경 [zuŋ  ŋa  ham  gyΛŋ] 中阿含經"  from Korea/함경-도 [ham  gyΛŋ  do/province] (dialect) /S speaking posture,     "Iliad [ŋI  li  ŋa  d=]/+bp"   or   "Odyssey [ŋO  d=  y=  s=  se  y=]/+cp"   or  "Hymns [H=  y=  m=  n=  s=]/+bp/Ch"  or  "Nostoi [No  s=  to  ŋi]/+cp/Ch"  is metaphthong/MPh pronounced.

Endymion                       ([ŋ=  w=]/S + Odyssey/P)                        Odyssey


A.     Phonetic correspondence   between Keats' Endymion and Homer's Odyssey
http://www.gutenberg.org/files/24280/24280-0.txt ,    
http://www.gutenberg.org/cache/epub/26275/pg26275.txt ,  

ENDYMION.
BOOK I.
A thing of beauty is a joy for ever:
  Its loveliness increases; it will never
  Pass into nothingness; but still will keep
  A bower quiet for us, and a sleep
  Full of sweet dreams, and health, and quiet breathing.
  Therefore, on every morrow, are we wreathing
  A flowery band to bind us to the earth,
  Spite of despondence, of the inhuman dearth
  Of noble natures, of the gloomy days,
  Of all the unhealthy and o'er-darkened ways                    10
  Made for our searching: yes, in spite of all,
  Some shape of beauty moves away the pall
  From our dark spirits. ~ ~

By Denton J. Snider,    Denton Jaques Snider
I.
The Goddess Pallas has already come down to Ithaca and stands among the
suitors. She has taken the form of Mentes, the King of a neighboring
tribe; she is in disguise as she usually is when she appears on earth.
Who will recognize her? Not the suitors; they can see no God in their
condition, least of all, the Goddess of Wisdom. "Telemachus was much
the first to observe her;" why just he? The fact is he was ready to see
her, and not only to see her, but to hear what she had to say. "For he
sat among the suitors grieved in heart, seeing his father in his mind's
eye," like Hamlet just before the latter saw the ghost. So careful is
the poet to prepare both sides--the divine epiphany, and the mortal who
is to behold it. ~ ~

1.   A thing of beauty is a joy for ever --- The Goddess Pallas has already come down to Ithaca and stands among the suitors

"thing of beauty is joy for ever"             (G/S + "-oddess Pallas has already come down to Ithaca and stands among suitors"/P)            "Goddess Pallas has already come down to Ithaca and stands among suitors"

When speaking "Odyssey",  if articulating  [ŋ=  w=]  from English /S speaking posture and articulating "Odyssey" from English /P speaking posture,   "Endymion" is metaphthong/MPh pronounced.

In similar way,      when speaking   "Goddess Pallas has already come down to Ithaca and stands among suitors"   (instead of  "THE  Goddess Pallas has already come down to Ithaca and stands among  THE  suitors"),  if articulating  "G"  from English /S speaking posture and articulating  "-oddess Pallas has already come down to Ithaca and stands among suitors"  (continuously, without pause, like a word)  from English /P speaking posture,   "thing of beauty is joy for ever"  is metaphthong/MPh pronounced.            Et cetera.

2.   Its loveliness increases --- She has taken the form of Mentes

"Its loveliness increases"             (Sh/S + "-e has taken form of Mentes"/P)            "She has taken form of Mentes"

3.   it will never Pass into nothingness --- the King of a neighboring tribe

"it will never Pass into nothingness"             (Kin/S + "-g of neighboring tribe"/P)            "King of neighboring tribe"

4.   but still will keep A bower quiet for us, --- she is in disguise as she usually is when she appears on earth.

"but still will keep bower quiet for us"             (sh/S + "-e is in disguise as she usually is when she appears on earth"/P)            "she is in disguise as she usually is when she appears on earth"

5.   and a sleep Full of sweet dreams, --- Who will recognize her?

"and sleep Full of sweet dreams, and health, and quiet breathing"             (Wh/S + "-o will recognize her"/P)            "Who will recognize her"

6.   and health, --- Not the suitors;

"and health              (N/S + "-ot suitors"/P)            "Not suitors"

7.   and quiet breathing. --- they can see no God in their condition,

"and quiet breathing"             (th/S + "-ey can see no God in their condition"/P)            "they can see no God in their condition"

8.   Therefore, --- least of all,

Therefore             (l/S + "-east of all"/P)            "least of all"

9.   on every morrow, --- the Goddess of Wisdom.

"on every morrow"             (G/S + "-oddess of Wisdom"/P)            "Goddess of Wisdom"

10.  are we wreathing A flowery band to bind us to the earth, --- "Telemachus was much the first to observe her;"

"are we wreathing flowery band to bind us to earth"             (T/S + "-elemachus was much first to observe her"/P)            "Telemachus was much first to observe her"

11.  Spite of despondence, --- why just he?

"Spite of despondence"             (wh/S + "-y just he"/P)            "why just he"

12.  of the inhuman dearth Of noble natures, --- The fact is he was ready to see her,

"of inhuman dearth Of noble natures"             (f/S + "-act is he was ready to see her"/P)            "fact is he was ready to see her"

13.  of the gloomy days, --- and not only to see her,

"of gloomy days"             ([ŋ=  w=]/S + "and not only to see her"/P)            "and not only to see her"

14.  Of all the unhealthy and o'er-darkened ways Made for our searching: --- but to hear what she had to say.

"Of all unhealthy and o'er-darkened ways Made for our searching"             (b/S + "-ut to hear what she had to say"/P)            "but to hear what she had to say"

15.  yes, --- "For he sat among the suitors grieved in heart,

yes             (F/S + "-or he sat among suitors grieved in heart"/P)            "For he sat among suitors grieved in heart"

16.  in spite of all --- seeing his father in his mind's eye,"

"in spite of all"             (s/S + "-eeing his father in his mind's eye"/P)            "seeing his father in his mind's eye"

17.  Some shape of beauty moves away the pall From our dark spirits. --- like Hamlet just before the latter saw the ghost.

"Some shape of beauty moves away pall From our dark spirits"             (l/S + "-ike Hamlet just before latter saw ghost"/P)            "like Hamlet just before latter saw ghost"

Et cetera.



B.     Phonetic correspondence   between Keats' LAMIA  and Homer's Odyssey
http://www.gutenberg.org/cache/epub/2490/pg2490.txt ,  
http://www.gutenberg.org/cache/epub/26275/pg26275.txt ,  

LAMIA

Part 1

     Upon a time, before the faery broods
     Drove Nymph and Satyr from the prosperous woods,
     Before King Oberon's bright diadem,
     Sceptre, and mantle, clasp'd with dewy gem,
     Frighted away the Dryads and the Fauns
     From rushes green, and brakes, and cowslip'd lawns,
     The ever-smitten Hermes empty left
     His golden throne, bent warm on amorous theft:
     From high Olympus had he stolen light,
     On this side of Jove's clouds, to escape the sight
     Of his great summoner, and made retreat
     Into a forest on the shores of Crete.
     For somewhere in that sacred island dwelt
     A nymph, to whom all hoofed Satyrs knelt; ~ ~


By Denton J. Snider,    Denton Jaques Snider
I.
The Goddess Pallas has already come down to Ithaca and stands among the
suitors. She has taken the form of Mentes, the King of a neighboring
tribe; she is in disguise as she usually is when she appears on earth.
Who will recognize her? Not the suitors; they can see no God in their
condition, least of all, the Goddess of Wisdom. "Telemachus was much
the first to observe her;" why just he? The fact is he was ready to see
her, and not only to see her, but to hear what she had to say. "For he
sat among the suitors grieved in heart, seeing his father in his mind's
eye," like Hamlet just before the latter saw the ghost. So careful is
the poet to prepare both sides--the divine epiphany, and the mortal who
is to behold it. ~ ~

*             Odyssey  >>  (LAMIA /P)/GC/S/abT

1.    The Goddess Pallas has already come down to Ithaca and stands among the suitors --- Upon a time

* "Goddess Pallas has already come down to Ithaca and stands among suitors"  >>  ("Upon a time" /P)/GC/S/abT

*        While taking  /GC/S/abT  speaking posture (as coarticulation posture);   if articulating (or trying to speak)  "Odyssey"  from English /P speaking posture,      "LAMIA"  is metaphthong/MPh pronounced.

And   while taking  /GC/S/abT  speaking posture (as coarticulation posture);   if articulating (or trying to speak)  "Goddess Pallas has already come down to Ithaca and stands among suitors"  (instead of  "The Goddess Pallas has already come down to Ithaca and stands among the suitors")  from English /P speaking posture,      "Upon a time"  is metaphthong/MPh pronounced.              Et cetera.

2.    She has taken the form of Mentes --- before the faery broods Drove Nymph and Satyr from the prosperous woods

* "She has taken form of Mentes"  >>  ("before faery broods Drove Nymph and Satyr from prosperous woods" /P)/GC/S/abT

3.    the King of a neighboring tribe --- Before King Oberon's bright diadem

*         "King of neighboring tribe"  >>  ("Before King Oberon's bright diadem" /P)/GC/S/abT

4.    she is in disguise as she usually is when she appears on earth. --- Sceptre

*      "she is in disguise as she usually is when she appears on earth"  >>  (Sceptre /P)/GC/S/abT

5.    Who will recognize her? --- and mantle,

*                "Who will recognize her"  >>  ("and mantle" /P)/GC/S/abT

6.    Not the suitors; --- clasp'd with dewy gem

*                "Not suitors"  >>  ("clasp'd with dewy gem" /P)/GC/S/abT

7.    they can see no God in their condition, --- Frighted away the Dryads and the Fauns From rushes green,

* "they can see no God in their condition"  >>  ("Frighted away Dryads and Fauns From rushes green" /P)/GC/S/abT

8.    least of all, --- and brakes

*                    "least of all"  >>  ("and brakes" /P)/GC/S/abT

9.    the Goddess of Wisdom. --- and cowslip'd lawns

*                "Goddess of Wisdom"  >>  ("and cowslip'd lawns" /P)/GC/S/abT

10.    "Telemachus was much the first to observe her;" --- The ever-smitten Hermes empty left His golden throne

* "Telemachus was much first to observe her"  >>  ("ever-smitten Hermes empty left His golden throne" /P)/GC/S/abT

11.    why just he? --- bent warm on amorous theft

*                "why just he"  >>  ("bent warm on amorous theft" /P)/GC/S/abT

12.    The fact is he was ready to see her, --- From high Olympus had he stolen light

*    "fact is he was ready to see her"  >>  ("From high Olympus had he stolen light" /P)/GC/S/abT

13.    and not only to see her, --- On this side of Jove's clouds

*           "and not only to see her"  >>  ("On this side of Jove's clouds" /P)/GC/S/abT

14.    but to hear what she had to say. --- to escape the sight Of his great summoner

*          "but to hear what she had to say"  >>  ("to escape sight Of his great summoner" /P)/GC/S/abT

15.    "For he sat among the suitors grieved in heart, --- and made retreat Into a forest on the shores of Crete

* "For he sat among suitors grieved in heart"  >>  ("and made retreat Into forest on shores of Crete" /P)/GC/S/abT

16.    seeing his father in his mind's eye," --- For somewhere in that sacred island dwelt A nymph

*   "seeing his father in his mind's eye"  >>  ("For somewhere in that sacred island dwelt A nymph" /P)/GC/S/abT

17. like Hamlet just before the latter saw the ghost. --- to whom all hoofed Satyrs knelt

*           "like Hamlet just before latter saw ghost"  >>  ("to whom all hoofed Satyrs knelt" /P)/GC/S/abT

Et cetera.



C.     Phonetic correspondence   between Keats' Endymion  and Keats' HYPERION
http://www.gutenberg.org/cache/epub/23684/pg23684.txt ,  

*             Endymion  >>  (HYPERION /P)/GC/S/abT

ENDYMION.
BOOK I.
A thing of beauty is a joy for ever:
  Its loveliness increases; it will never
  Pass into nothingness; but still will keep
  A bower quiet for us, and a sleep
  Full of sweet dreams, and health, and quiet breathing.
  Therefore, on every morrow, are we wreathing
  A flowery band to bind us to the earth,
  Spite of despondence, of the inhuman dearth
  Of noble natures, of the gloomy days,
  Of all the unhealthy and o'er-darkened ways                    10
  Made for our searching: yes, in spite of all,
  Some shape of beauty moves away the pall
  From our dark spirits. ~ ~


HYPERION.
A FRAGMENT.
BOOK I.

  Deep in the shady sadness of a vale
  Far sunken from the healthy breath of morn,
  Far from the fiery noon, and eve's one star,
  Sat gray-hair'd Saturn, quiet as a stone,
  Still as the silence round about his lair;
  Forest on forest hung about his head
  Like cloud on cloud. No stir of air was there,
  Not so much life as on a summer's day
  Robs not one light seed from the feather'd grass,
  But where the dead leaf fell, there did it rest.             10
  A stream went voiceless by, still deadened more
  By reason of his fallen divinity ~ ~


1.         "A thing of beauty is a joy for ever"  >>  ("Deep in the shady sadness of a vale" /P)/GC/S/abT

*        While taking  /GC/S/abT  speaking posture (as coarticulation posture);   if articulating (or trying to speak)  "Endymion"  from English /P speaking posture,      "HYPERION"  is metaphthong/MPh pronounced.

And   while taking  /GC/S/abT  speaking posture (as coarticulation posture);   if articulating (or trying to speak)  "A thing of beauty is a joy for ever"  from English /P speaking posture,      "Deep in the shady sadness of a vale"  is metaphthong/MPh pronounced.              Et cetera.

2.      "Its loveliness increases"  >>  ("Far sunken from the healthy breath of morn" /P)/GC/S/abT

3.     "it will never Pass into nothingness"  >>  ("Far from the fiery noon" /P)/GC/S/abT

4.     "but still will keep A bower quiet for us"  >>  ("and eve's one star" /P)/GC/S/abT

5.     "and a sleep Full of sweet dreams"  >>  ("Sat gray-hair'd Saturn" /P)/GC/S/abT

6.                           "and health"  >>  ("quiet as a stone" /P)/GC/S/abT

7.              "and quiet breathing"  >>  ("Still as the silence round about his lair" /P)/GC/S/abT

8.                          Therefore  >>  ("Forest on forest hung about his head" /P)/GC/S/abT

9.                  "on every morrow"  >>  ("Like cloud on cloud" /P)/GC/S/abT

10.  "are we wreathing A flowery band to bind us to the earth"  >>  ("No stir of air was there" /P)/GC/S/abT

11.      "Spite of despondence"  >>  ("Not so much life as on a summer's day" /P)/GC/S/abT

12. "of the inhuman dearth Of noble natures"  >>  ("Robs not one light seed from the feather'd grass" /P)/GC/S/abT

13.                     "of the gloomy days"  >>  ("But where the dead leaf fell" /P)/GC/S/abT

14. "Of all the unhealthy and o'er-darkened ways Made for our searching"  >>  ("there did it rest" /P)/GC/S/abT

15.                       "yes"  >>  ("A stream went voiceless by" /P)/GC/S/abT

16.                     "in spite of all"  >>  ("still deadened more" /P)/GC/S/abT

17. "Some shape of beauty moves away the pall From our dark spirits"  >>  ("By reason of his fallen divinity" /P)/GC/S/abT

Et cetera.



D.     Phonetic correspondence   between Keats' LAMIA   and Keats' SONNETS
http://www.gutenberg.org/cache/epub/8209/pg8209.txt ,  

SONNETS                          (L/GC/S/abT + AMIA/T)                               LAMIA

LAMIA
Part 1

     Upon a time, before the faery broods
     Drove Nymph and Satyr from the prosperous woods,
     Before King Oberon's bright diadem,
     Sceptre, and mantle, clasp'd with dewy gem,
     Frighted away the Dryads and the Fauns
     From rushes green, and brakes, and cowslip'd lawns,
     The ever-smitten Hermes empty left
     His golden throne, bent warm on amorous theft:
     From high Olympus had he stolen light,
     On this side of Jove's clouds, to escape the sight
     Of his great summoner, and made retreat
     Into a forest on the shores of Crete.
     For somewhere in that sacred island dwelt
     A nymph, to whom all hoofed Satyrs knelt; ~ ~


SONNETS

I. TO MY BROTHER GEORGE.

Many the wonders I this day have seen:
  The sun, when first he kist away the tears
  That fill'd the eyes of morn;--the laurel'd peers
Who from the feathery gold of evening lean:--
The ocean with its vastness, its blue green,
  Its ships, its rocks, its caves, its hopes, its fears,--
  Its voice mysterious, which whoso hears
Must think on what will be, and what has been.
E'en now, dear George, ~ ~

1.
"TO MY BROTHER GEORGE"                 ([ŋ=  w=]/GC/S/abT + "Upon a time"/T)                 "Upon a time"

2. before the faery broods Drove Nymph and Satyr from the prosperous woods --- Many the wonders I this day have seen

"Many wonders I this day have seen"                 (b/GC/S/abT + "-efore faery broods Drove Nymph and Satyr from prosperous woods"/T)                 "before faery broods Drove Nymph and Satyr from prosperous woods"

3.        The sun

sun                 (B/GC/S/abT + "-efore King Oberon's bright diadem"/T)                 "Before King Oberon's bright diadem"

4.       when first he kist away the tears That fill'd the eyes of morn

"when first he kist away tears That fill'd eyes of morn"                 (Sc/GC/S/abT + eptre/T)                  Sceptre

5.       the laurel'd peers Who from the feathery gold of evening lean

"laurel'd peers Who from feathery gold of evening lean"                 ([ŋ=  w=]/GC/S/abT + "and mantle"/T)                 "and mantle"

6.      The ocean with its vastness

"ocean with its vastness"                 (c/GC/S/abT + "-lasp'd with dewy gem"/T)                 "clasp'd with dewy gem"

7.     Frighted away the Dryads and the Fauns From rushes green

"its blue green"                 (Fr/GC/S/abT + "-ighted away Dryads and Fauns From rushes green"/T)                 "Frighted away Dryads and Fauns From rushes green"

8.
"Its ships"                   ([ŋ=  w=]/GC/S/abT + "and brakes"/T)                  "and brakes"

9.
"its rocks"                 ([ŋ=  w=]/GC/S/abT + "and cowslip'd lawns"/T)                 "and cowslip'd lawns"

10.       The ever-smitten Hermes empty left His golden throne

"its caves"                 ([ŋ=  y=]/GC/S/abT + "ever-smitten Hermes empty left His golden throne"/T)                 "ever-smitten Hermes empty left His golden throne"

11.
"its hopes"                 (b/GC/S/abT + "-ent warm on amorous theft"/T)                 "bent warm on amorous theft"

12.
"its fears"                 (Fr/GC/S/abT + "-om high Olympus had he stolen light"/T)                 "From high Olympus had he stolen light"

13.
"Its voice mysterious"                 ([ŋ=  w=]/GC/S/abT + "On this side of Jove's clouds"/T)                 "On this side of Jove's clouds"

14.      to escape the sight Of his great summoner

"which whoso hears Must think on what will be"                 (to /GC/S/abT + "escape sight Of his great summoner"/T)                 "to escape sight Of his great summoner"

15.    and made retreat Into a forest on the shores of Crete

"and what has been"                 ([ŋ=  w=]/GC/S/abT + "and made retreat Into forest on shores of Crete"/T)                 "and made retreat Into forest on shores of Crete"

16.     For somewhere in that sacred island dwelt A nymph

"E'en now"                 (F/GC/S/abT + "-or somewhere in that sacred island dwelt nymph"/T)                 "For somewhere in that sacred island dwelt nymph"

17.
"dear George"                 (to /GC/S/abT + "whom all hoofed Satyrs knelt"/T)                 "to whom all hoofed Satyrs knelt"



E.     Phonetic correspondence   between Keats' SONNETS    and Keats' CALIDORE
http://www.gutenberg.org/cache/epub/8209/pg8209.txt ,  

CALIDORE                        (S/P + ONNETS/GC/S/abT)                             SONNETS

SONNETS

I. TO MY BROTHER GEORGE.

Many the wonders I this day have seen:
  The sun, when first he kist away the tears
  That fill'd the eyes of morn;--the laurel'd peers
Who from the feathery gold of evening lean:--
The ocean with its vastness, its blue green,
  Its ships, its rocks, its caves, its hopes, its fears,--
  Its voice mysterious, which whoso hears
Must think on what will be, and what has been.
E'en now, dear George, ~ ~


CALIDORE.
A fragment.

Young Calidore is paddling o'er the lake;
His healthful spirit eager and awake
To feel the beauty of a silent eve,
Which seem'd full loath this happy world to leave;
The light dwelt o'er the scene so lingeringly.
He bares his forehead to the cool blue sky,
And smiles at the far clearness all around,
Until his heart is well nigh over wound,
And turns for calmness to the pleasant green
Of easy slopes, and shadowy trees that lean
So elegantly o'er the waters' brim
And show their blossoms trim.
Scarce can his clear and nimble eye-sight follow
The freaks, and dartings of the black-wing'd swallow,
Delighting much, to see it half at rest,
Dip so refreshingly its wings, and breast
'Gainst the smooth surface, and to mark anon,
The widening circles into nothing gone.


1.                   Young Calidore is paddling o'er the lake

"Young Calidore is paddling o'er lake"                 ("to my br"/P + "-other George"/GC/S/abT)                 "to my brother George"

2. Many the wonders I this day have seen --- His healthful spirit eager and awake To feel the beauty of a silent eve

"His healthful spirit eager and awake To feel beauty of silent eve"                 (M/P + "-any wonders I this day have seen"/GC/S/abT)                 "Many wonders I this day have seen"

3.            The sun

"Which seem'd full loath this happy world to leave"                 (s/P + un/GC/S/abT)                  sun

4.    when first he kist away the tears That fill'd the eyes of morn --- The light dwelt o'er the scene so lingeringly

"light dwelt o'er scene so lingeringly"                 (wh/P + "-en first he kist away tears That fill'd eyes of morn"/GC/S/abT)                 "when first he kist away tears That fill'd eyes of morn"

5. the laurel'd peers Who from the feathery gold of evening lean --- He bares his forehead to the cool blue sky

"He bares his forehead to cool blue sky"                 (l/P + "-aurel'd peers Who from feathery gold of evening lean"/GC/S/abT)                 "laurel'd peers Who from feathery gold of evening lean"

6.      The ocean with its vastness --- And smiles at the far clearness all around

"And smiles at far clearness all around"                 ([ŋ=  w=]/P + "ocean with its vastness"/GC/S/abT)                 "ocean with its vastness"

7.
"Until his heart is well nigh over wound"                 ("its blue gr-"/P + een/GC/S/abT)                 "its blue green"

8.           And turns for calmness to the pleasant green Of easy slopes

"And turns for calmness to pleasant green Of easy slopes"                 ("Its sh-"/P + ips/GC/S/abT)                 "Its ships"

9.     and shadowy trees that lean So elegantly o'er the waters' brim And show their blossoms trim

"and shadowy trees that lean So elegantly o'er waters' brim And show their blossoms trim"                 ("its r-"/P + ocks/GC/S/abT)                 "its rocks"

10.             Scarce can his clear and nimble eye-sight follow The freaks

"Scarce can his clear and nimble eye-sight follow freaks"                 ("its c-"/P + aves/GC/S/abT)                 "its caves"

11.              and dartings of the black-wing'd swallow

"and dartings of black-wing'd swallow"                 ("its h-"/P + opes/GC/S/abT)                 "its hopes"

12.
"Delighting much"                      ("its f-"/P + ears/GC/S/abT)                     "its fears"

13.
"to see it half at rest"                 ("Its v"/P + "-oice mysterious"/GC/S/abT)                 "Its voice mysterious"

14.
"Dip so refreshingly its wings"                 (wh/P + "ich whoso hears Must think on what will be"/GC/S/abT)                 "which whoso hears Must think on what will be"

15.            and breast 'Gainst the smooth surface

"and breast 'Gainst smooth surface"                 ([ŋ=  w=]/P + "and what has been"/GC/S/abT)                 "and what has been"

16.
"and to mark anon"                 ("E'en n-"/P + ow/GC/S/abT)                 "E'en now"

17.               The widening circles into nothing gone

"widening circles into nothing gone"                 (d/P + "-ear George"/GC/S/abT)                 "dear George"

Et cetera.



F.     Phonetic correspondence   between Keats' SONNETS    and Keats' ISABELLA
http://www.gutenberg.org/cache/epub/23684/pg23684.txt ,  

ISABELLA                             (S/P + ONNETS/C2)                                SONNETS

SONNETS

I. TO MY BROTHER GEORGE.

Many the wonders I this day have seen:
  The sun, when first he kist away the tears
  That fill'd the eyes of morn;--the laurel'd peers
Who from the feathery gold of evening lean:--
The ocean with its vastness, its blue green,
  Its ships, its rocks, its caves, its hopes, its fears,--
  Its voice mysterious, which whoso hears
Must think on what will be, and what has been.
E'en now, dear George, ~ ~


ISABELLA;

OR,

THE POT OF BASIL.

A STORY FROM BOCCACCIO.

  I.

  Fair Isabel, poor simple Isabel!
    Lorenzo, a young palmer in Love's eye!
  They could not in the self-same mansion dwell
    Without some stir of heart, some malady;
  They could not sit at meals but feel how well
    It soothed each to be the other by;
  They could not, sure, beneath the same roof sleep
  But to each other dream, and nightly weep.

  II.

  With every morn their love grew tenderer,
    With every eve deeper and tenderer still;                  10
  He might not in house, field, or garden stir, ~ ~


1.      a story from boccaccio

"story from boccaccio"                 ("to my br"/P + "-other George"/C2)                 "to my brother George"

2. Many the wonders I this day have seen

"Fair Isabel"                 (M/P + "-any wonders I this day have seen"/C2)                 "Many wonders I this day have seen"

3.            The sun

"poor simple Isabel"                              (s/P + un/C2)                                sun

4.    when first he kist away the tears That fill'd the eyes of morn

Lorenzo                  (wh/P + "-en first he kist away tears That fill'd eyes of morn"/C2)                 "when first he kist away tears That fill'd eyes of morn"

5. the laurel'd peers Who from the feathery gold of evening lean --- a young palmer in Love's eye

"young palmer in Love's eye"                 (l/P + "-aurel'd peers Who from feathery gold of evening lean"/C2)                 "laurel'd peers Who from feathery gold of evening lean"

6.      The ocean with its vastness --- They could not in the self-same mansion dwell Without some stir of heart

"They could not in self-same mansion dwell Without some stir of heart"                 ([ŋ=  w=]/P + "ocean with its vastness"/C2)                 "ocean with its vastness"

7.
"some malady"                      ("its blue gr-"/P + een/C2)                     "its blue green"

8.        They could not sit at meals but feel how well It soothed each to be the other by

"They could not sit at meals but feel how well It soothed each to be other by"                 ("Its sh-"/P + ips/C2)                 "Its ships"

9.
"They could not"                           ("its r-"/P + ocks/C2)                         "its rocks"

10.
sure                                    ("its c-"/P + aves/C2)                            "its caves"

11.             beneath the same roof sleep But to each other dream

"beneath same roof sleep But to each other dream"                 ("its h-"/P + opes/C2)                 "its hopes"

12.
"and nightly weep"                      ("its f-"/P + ears/C2)                     "its fears"

13.
"With every morn their love grew tenderer"                 ("Its v"/P + "-oice mysterious"/C2)                 "Its voice mysterious"

14.
"With every eve deeper and tenderer still"                 (wh/P + "ich whoso hears Must think on what will be"/C2)                 "which whoso hears Must think on what will be"

15.
"He might not in house"                 ([ŋ=  w=]/P + "and what has been"/C2)                 "and what has been"

16.
field                                  ("E'en n-"/P + ow/C2)                              "E'en now"

17.
"or garden stir"                        (d/P + "-ear George"/C2)                     "dear George"

Et cetera.

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DATE: 2011.06.27 - 22:17

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